Xi'an Ancient Relics Tour
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Confucius & Shaolin Monastery
Guaranteed Departures • Tour Guide from Canada • Senior (60+) Discount C$50 • Early Bird Discount C$100 Highly Recommend (Confucius & Shaolin Monastery) (Tour No.CSSG) for China Cultural Tour Second Qingdao, Qufu, Confucius Temple, Mt. Taishan, Luoyang, Longmen Grottoes, Zhengzhou, Visit China Kaifeng, Shaolin Monastery 12 Days (10-Night) Deluxe Tour ( High Speed Train Experience ) Please be forewarned that the hour-long journey includes strenuous stair climbing. The energetic may choose to skip the cable car and conquer the entire 6000 steps on foot. Head back to your hotel for a Buffet Dinner. ( B / L / SD ) Hotel: Blossom Hotel Tai’an (5-star) Day 7 – Tai’an ~ Ji’nan ~ Luoyang (High Speed Train) After breakfast, we drive to Ji’nan, the “City of Springs” get ready to enjoy a tour of the “Best Spring of the World” Baotu Spring and Daming Lake. Then, after lunch, you will take a High-Speed Train to Luoyang, a city in He’nan province. You will be met by your local guide and transferred to your hotel. ( B / L / D ) Hotel: Luoyang Lee Royal Hotel Mudu (5-star) Day 8 – Luoyang ~ Shaolin Monastery ~ Zhengzhou Take a morning visit to Longmen Grottoes a UNESCO World Heritage site regarded as one of the three most famous treasure houses of stone inscriptions in China. Take a ride to Dengfeng (1.5 hour drive). Visit the famous Shaolin Monastery. The Pagoda Forest in Shaolin Temple was a concentration of tomb pagodas for eminent monks, abbots and ranking monks at the temple. You will enjoy world famous Chinese Shaolin Kung-fu Show afterwards. -
Review Statement of World Biosphere Reserve [ July 2013 ]
Review Statement of World Biosphere Reserve [ July 2013 ] Prefeace According to the Resolution 28 C/2.4 on Statutory Framework of MAB (Man and Biosphere) Program passed on the 28th session of the UNESCO General Conference, Article 4 has been clearly identified as the criteria which shall be followed by biosphere reserves. In addition, it is stipulated in Article 9 that a Decennium Review shall be conducted on the world biosphere reserve every a decade, this Review shall be based on the report prepared by the relevant authority; the Review result shall be submitted to the relevant national secretariat. The related text of Statutory Framework is attached in Annex 3. This Review Statement will be helpful for each country preparing national reports and update data as stipulated in Article 9, and the secretariat timely accessing to data associated with the biosphere reserve. This Statement shall contribute to the inspection of MAB ICC on the biosphere reserve, and judge whether it can meet all criteria mentioned in Article 9 of the Legal Framework, especially three major functions. It shall be noted that is required to specify how the biosphere reserve achieves the various criteria in the last part of the Statement (Criteria and Progress). The information from Decennium Review will be used by UNESCO for the following purposes: (a) Inspection of the relevant autorities of International Advisory Committee and MAB ICC on the biosphere reserve; and (b) the world's information system, especially the UNESCO's MAB network and publications, so as to promote communication among people concerned the world biosphere reserve and influence each other. -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
FIGURE CONTENT Figure Page 2.1 Landscape of Luang Prabang
[6] FIGURE CONTENT Figure Page 2.1 Landscape of Luang Prabang…………………………………………………………………………………….7 2.2 Landscape of Luang Prabang (2)………………………………………………………………………………..8 2.3 A map showed the territory of Mainland Southeast Asian Kingdoms……………………11 2.4 Landscape of Bangkok……………………………………………………………………………………………….17 3.1 A figure illustrate the component of a Chedi………………………………………………………….25 3.2 A That at Wat Apai…………………………………………………………………………………………………….26 3.3 3 That Noi (ธาตุนอย) at Wat Maha That……………………………………………………………………26 3.4 That Luang, Vientiane……………………………………………………………………………………………….27 3.5 Pra That Bang Puen, Nong Kai, Thailand…………………………………………………………………28 3.6 A That at Wat Naga Yai, Vientiane……………………………………………………………………………28 3.7 Pra That Nong Sam Muen, Chaiyabhum, Thailand………………………………………………….28 3.8 Pra That Cheng Chum (พระธาตุเชิงชุม), Sakon Nakorn, Thailand…………………………….29 3.9 Pra That In Hang, Savannaket, Lao PDR…………………………………………………………………..29 3.10 That Phun, Xieng Kwang, Lao PDR………………………………………………………………………….30 3.11 A front side picture of Sim of Wat Xieng Thong, Luang Prabang…………………………30 3.12 A side plan of Wat Xieng Thong's sim……………………………………………………………………31 3.13 Sim of Wat Xieng Thong, Luang Prabang, Lao PDR……………………………………………….32 3.14 Sim of Wat Pak Kan, Luang Prabang, Lao PDR……………………………………………………….32 3.15 Sim of Wat Sisaket, Vientiane, Lao PDR………………………………………………………………….33 [7] 3.16 Sim of Wat Kiri, Luang Prabang, Lao PDR……………………………………………………………….34 3.17 Sim of Wat Mai, Luang Prabang, Lao PDR………………………………………………………………34 3.18 Sim of Wat Long Koon, Luang Prabang, -
Itinerary Follows As 5 Days Tour)
5 / 6 / 8 Days Historical Xi An Ancient City Wall Huaqing Pool Huashan Language Available: Mandarin 5 Days Tour Day 1: Arrival at Xi An Meet and greet by our friendly guide upon arrival to Xian Xianyang International Airport. Transfer will be provided to hotel for Check-in. Rest of the day will be free at leisure. Gao’s Courtyard Day 2: Xi An – Gao’s Grand Courtyard in Xi An (Breakfast/Lunch/Dinner) After breakfast, proceed to Gao’s Grand Courtyard in Xi An. It was built in 14 years of the reign of emperor Chongzhen, Ming Dynasty, the whole courtyard is about 2310 square meters. The construction of the courtyard is a quadrangle made of wood and brick. We will be watching a traditional shadow puppet show which wins the heat of the audience by its lingering music, exquisite sculpture, brisk color and lively performance. Shadow puppetry was very popular during the Tang and Song Dynasties in many parts of China. Following, we will explore The Small Wild Goose Pagoda, Ming Dynasty City Wall, Bell and Drum Tower Square (we won’t be making our way upstairs) and Xi An antique snack street where you will taste famous Xi An dumpling dinner. Day 3: Xi An – Lintong District – Huaqing Pool (Breakfast/Lunch/Dinner) After breakfast, head to the famous Terracotta Army grounds which is the most significant archeologicak Small Wild Goose Pagoda excav ations if the 20th century. The site is around 1.5 kilometers east of Emperor Qing Shi Huang’s Mausoleum in Lintong, Xian, Shaanxi Province. -
Dengfeng Observatory, China
90 ICOMOS–IAU Thematic Study on Astronomical Heritage Archaeological/historical/heritage research: The Taosi site was first discovered in the 1950s. During the late 1970s and early 1980s, archaeologists excavated nine chiefly tombs with rich grave goods, together with large numbers of common burials and dwelling foundations. Archaeologists first discovered the walled towns of the Early and Middle Periods in 1999. The remains of the observatory were first discovered in 2003 and totally uncovered in 2004. Archaeoastronomical surveys were undertaken in 2005. This work has been published in a variety of Chinese journals. Chinese archaeoastronomers and archaeologists are currently conducting further collaborative research at Taosi Observatory, sponsored jointly by the Committee of Natural Science of China and the Academy of Science of China. The project, which is due to finish in 2011, has purchased the right to occupy the main field of the observatory site for two years. Main threats or potential threats to the sites: The most critical potential threat to the observatory site itself is from the burials of native villagers, which are placed randomly. The skyline formed by Taer Hill, which is a crucial part of the visual landscape since it contains the sunrise points, is potentially threatened by mining, which could cause the collapse of parts of the top of the hill. The government of Xiangfen County is currently trying to shut down some of the mines, but it is unclear whether a ban on mining could be policed effectively in the longer term. Management, interpretation and outreach: The county government is trying to purchase the land from the local farmers in order to carry out a conservation project as soon as possible. -
Ceramic's Influence on Chinese Bronze Development
Ceramic’s Influence on Chinese Bronze Development Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2007 Photos on cover page Jue from late Shang period decorated with Painted clay gang with bird, fish and axe whorl and thunder patterns and taotie design from the Neolithic Yangshao creatures, H: 20.3 cm [34]. culture, H: 47 cm [14]. Flat-based jue from early Shang culture Pou vessel from late Shang period decorated decorated with taotie beasts. This vessel with taotie creatures and thunder patterns, H: is characteristic of the Erligang period, 24.5 cm [34]. H: 14 cm [34]. ii Table of Contents Abstract Approximate timeline 1 Introduction 2 Map of Chinese Provinces 3 Neolithic culture 4 Bronze Development 10 Clay Mold Production at Houma Foundry 15 Coins 16 Mining and Smelting at Tonglushan 18 China’s First Emperor 19 Conclusion 21 References 22 iii The transition from the Neolithic pottery making to the emergence of metalworking around 2000 BC held significant importance for the Chinese metal workers. Chinese techniques sharply contrasted with the Middle Eastern and European bronze development that relied on annealing, cold working and hammering. The bronze alloys were difficult to shape by hammering due to the alloy combination of the natural ores found in China. Furthermore, China had an abundance of clay and loess materials and the Chinese had spent the Neolithic period working with and mastering clay, to the point that it has been said that bronze casting was made possible only because the bronze makers had access to superior ceramic technology. -
Issn 1672-8025
Follow us on WeChat Now Advertising Hotline 400 820 8428 城市漫步北京 英文版 06 月份 国内统一刊号: CN 11-5232/GO China Intercontinental Press ISSN 1672-8025 JUNE 2015 2015 BEST BEIJING AWARDS VOTING ENDS JUNE 19 June 2015.indd 1 15/5/25 下午3:19 主管单位 :中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 :五洲传播出版社 地址 :北京市海淀区北三环中路31 号生产力大楼 B 座 602 邮编 100088 B-602 Shengchanli Building, No. 31 Beisanhuan Zhonglu, Haidian District, Beijing 100088, PRC http://www.cicc.org.cn 社长 President of China Intercontinental Press 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department 邓锦辉 Deng Jinhui 编辑 Editor 刘扬 Liu Yang 发行 / 市场 Distribution / Marketing 黄静,李若琳 Huang Jing, Li Ruolin Editor-in-Chief Stephen George Deputy Editor Oscar Holland Senior Editors Marianna Cerini, Noelle Mateer Designers Tin Wu, Xiaoran Li Staff Photographer Holly Li Contributors Andrew Chin, Dr Jonathan Chatwin, Mia Li, Trevor Marshallsea, Sarah E. Weber, Qiao Zhi, Karoline Kan, Fahy Yen, Jiaming Wang, Randy Richardson, Sophi Pederson Urbanatomy Media Shanghai (Head office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 021-8023 2199 传真 : 021-8023 2190 (From February 13) Beijing 广告代理 : 上海和舟广告有限公司 北京市东城区东直门外大街 48 号东方银座 C 座 9G 邮政编码 : 100027 48 Dongzhimenwai Dajie Oriental Kenzo (Ginza Mall) Building C Room 9G, Dongcheng District, Beijing 100027 电话 : 010-8447 7002 传真 : 010-8447 6455 Guangzhou 上海和舟广告有限公司广州分公司 广州市越秀区麓苑路 42 号大院 2 号楼 610 房 邮政编码 : 510095 Room 610, No. 2 Building, -
Challenges and Countermeasures of Tourism
International Conference on Social Science and Technology Education (ICSSTE 2015) Challenges and Countermeasures of Regional Tourism Cooperation Development Strategy of Sichuan-Shanxi-Gansu Golden Triangle Area,Western China Qin Jianxiong1 Zhang Minmin1 1 College of tourism and historic culture, Southwest University For Natianalities, Chengdu, 610041 Abstract visitors can explore in this line up and down five SSGGTA triangle of three provinces , dependent thousand years of culture, enjoy the mystery of Qinba [1] landscape, folk customs are similar, for the first time landscape . These tourism resources in Chongqing, since the 2002 held in Bazhong of SSGGTA triangle area Chengdu, Xi'an, Lanzhou, Wuhan five source among SSGGTA triangle tourism cooperation zone is composed tourism cooperation will be signed in SSGGTA triangle of Sichuan Bazhong, Guangyuan, Dazhou and Shanxi tourism, build "Golden Triangle" cooperation agreement, Hanzhoung, Ankang three provinces and five to 2005 has successively held 3 annual meeting. The goal municipalities, carry out cooperation in the past 3 years, of cooperation is through the sincere cooperation of the three provinces and five municipalities in the propaganda, three provinces, the formation of regional tourism build mutual interaction, line group, strategic planning collaboration regular contact system, the characteristics of consensus interaction and so on has made significant tourism products, the formation of regional joint progress, regional cooperation has been fully affirmed the promotion,a barrier free Tourism Zone, to realize the two provincial government and support. Sichuan North Sichuan area has been the focus of tourism development sustainable development of Shanxi tourism in Golden in the province, tourism development, Shanxi will also Triangle. -
IMAGES of POWER: BUDDHIST ART and ARCHITECTURE (Buddhism on the Silk Road) BUDDHIST ART and ARCHITECTURE on the Silk Road
IMAGES OF POWER: BUDDHIST ART and ARCHITECTURE (Buddhism on the Silk Road) BUDDHIST ART and ARCHITECTURE on the Silk Road Online Links: Bamiyan Buddhas: Should they be rebuit? – BBC Afghanistan Taliban Muslims destroying Bamiyan Buddha Statues – YouTube Bamiyan Valley Cultural Remains – UNESCO Why the Taliban are destroying Buddhas - USA Today 1970s Visit to Bamiyan - Smithsonian Video Searching for Buddha in Afghanistan – Smithsonian Seated Buddha from Gandhara - BBC History of the World BUDDHIST ART and ARCHITECTURE of China Online Links: Longmen Caves - Wikipedia Longmen Grottoes – Unesco China The Longmen Caves – YouTube Longmen Grottoes – YouTube Lonely Planet's Best In China - Longmen China – YouTube Gandhara Buddha - NGV in Australia Meditating Buddha, from Gandhara , second century CE, gray schist The kingdom of Gandhara, located in the region of presentday northern Pakistan and Afghanistan, was part of the Kushan Empire. It was located near overland trade routes and links to the ports on the Arabian Sea and consequently its art incorporated Indian, Persian and Greco- Roman styles. The latter style, brought to Central Asia by Alexander the Great (327/26–325/24 BCE) during his conquest of the region, particularly influenced the art of Gandhara. This stylistic influence is evident in facial features, curly hair and classical style costumes seen in images of the Buddha and bodhisattvas that recall sculptures of Apollo, Athena and other GaecoRoman gods. A second-century CE statue carved in gray schist, a local stone, shows the Buddha, with halo, ushnisha, urna, dressed in a monk’s robe, seated in a cross-legged yogic posture similar to that of the male figure with horned headdress on the Indus seal. -
Sources of Han Décor
Sources of Han Décor Foreign Influence on the Han Dynasty Chinese Iconography of Paradise (206 BC-AD 220) Sophia-Karin Psarras Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-325-6 ISBN 978-1-78969-326-3 (e-Pdf) © S-K Psarras and Archaeopress 2019 Cover image: Yanjiacha (Suide, Shaanxi) stone bas relief. Zhongguo meishu 1988: 67, Pl. 79. All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Abbreviations������������������������������������������������������������������������������������������������������������������vii Chronologies ��������������������������������������������������������������������������������������������������������������������vii Early China ....................................................................................................................................... vii Egypt ................................................................................................................................................ viii Mesopotamia (Key Dates) ��������������������������������������������������������������������������������������������������������������� ix Greece (art historical) .................................................................................................................... -
Beyond the Wall
Beyond the Wall China Tours 2020-2021 Gold Experience MAXIMUM 16 PARTICIPANTS Tour Type: Land only package Day-by-Day Itinerary Depart Originating City Depart from your home city and cross the international dateline. This may be a day or more before tour start date, depending on your individual international air travel arrangements. Day 1, Thu Arrive Shanghai Welcome to cosmopolitan Shanghai. After entry formalities, you’ll be greeted and escorted to your deluxe hotel, (check in after 2pm). Remainder of the day at leisure to rest and adjust to the time zone. Hotel: The Portman Ritz-Carlton Day 2, Fri Shanghai B,L,D People’s Park, near famous Nanjing Road, was carved out of the former Shanghai Race Club’s course with several world-class museums including Shanghai MOCA that focuses on Chinese and international contemporary art. Afterwards, proceed to Yu Yuan (Garden) otherwise known as “Shanghai old town” with its traditional shop fronts, bridges and koi ponds. Lunch including tasty Shanghai soup dumplings at a popular local restaurant. In the afternoon, enjoy a private historical Shanghai tour with Mr. Patrick Crawley, the widely published expert on the history and development of Shanghai. Dinner at your hotel. Day 3, Sat Shanghai B,D Visit M50, an art district with workshops, galleries and sidewalks full of statues and “tasteful graffiti.” Continue to Ta Kang Lu (Road), a popular cultural district made up of small lanes and quaint international restaurants and shops. Lunch on your own. After driving on the elevated highway and crossing into futuristic Pudong, ascend Shanghai Tower, a mega-skyscraper, for a bird’s-eye view for miles around.