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Journal of Film Preservation Journal of Film Preservation Contributors to this issue... Ont collaboré à ce numéro... Han participado en este número... Journal ANTTI ALANEN CLYDE JEAVONS 79/80 04/2009 Head of the FIAF Programming and Access to Programmer at the National Film Theatre, BFI (London) Collections Commission; Film Programmer at the of Film National Audiovisual Archive of Finland (Helsinki) ÉRIC LE ROY Chef du Service accès, valorisation et enrichissement MICHELLE AUBERT des collections, Archives françaises du film-CNC Preservation Ancienne Conservatrice Films, CNC de France (Bois d’Arcy) (Estublon) PATRICK LOUGHNEY CLAUDE BERTEMES Chief, Packard Campus, Library of Congress Curator, Cinémathèque de la Ville de Luxembourg (Culpeper, VA) (Luxembourg) ERIK MARTENS GEOFF BROWN Éditeur responsable des DVDs à la Cinematek Film historian and critic (London) (Bruxelles) GABRIELLE CLAES EVA STRUSKOVÁ Conservateur, Cinematek (Bruxelles) Historian researcher, Národní Filmový Archiv (Praha) Revista de la Federación Internacional de Archivos Fílmicos MARCO DE BLOIS DONALD McWILLIAMS Programmateur-conservateur, cinéma d’animation, Filmmaker (Montréal) Cinémathèque québécoise (Montréal) STÉPHANIE SALMON ROBERT DAUDELIN Directrice de la collection historique et chargée des Rédacteur en chef du Journal of Film Preservation expositions, Fondation Jérôme Seydoux-Pathé (Paris) (Montréal) MARC VERNET Published by the the by Published International Federation of Film Archives CHRISTIAN DIMITRIU Professeur à l’Université de Paris Diderot, Coordinateur Éditeur et membre du comité de rédaction du Journal du programme de recherche ANR « Cinémarchives » of Film Preservation (Bruxelles) (Paris) JEAN GILI PIERRE VÉRONNEAU Historien du cinéma, Président de la Cinémathèque Directeur des collections, Cinémathèque québécoise universitaire Paris III (Paris) (Montréal) JAN-CHRISTOPHER HORAK ANKE WILKENING Fédération la de Revue Internationale des Archives du Film Director, UCLA Film and Television Archive Film Restorer, Friedrich-Wilhelm-Murnau-Stiftung 79/80 • FIAF 04/2009 (Los Angeles) (Wiesbaden) • Edition DVDs dans les Archives du film • Entrevista con Manuel Martínez Carril • Ghetto Theresienstadt 1942: the Message of the Film Fragments • Harold Brown (1919 – 2008) April / avril / abril 2009 79/80 Editorial 2 Cinémathèques cherchent public Robert Daudelin Open Forum 4 L’édition DVD dans les archives du film Éric Le Roy 12 Cinématographe Reloaded Notes on the Fairground Cinema Project Crazy Cinématographe Caption???? Claude Bertemes 26 Musée du cinéma / Cinematek Gabrielle Claes FIAF Awards Martin Scorsese (2001) 31 Reinventing Ourselves In Programming. A Finnish Perspective Manoel de Oliveira (2002) Antti Alanen Ingmar Bergman (2003) Geraldine Chaplin (2004) Mike Leigh (2005) Historical Column / Chronique historique / Columna histórica Hou Hsiao-Hsien (2006) 37 Cinemateca Uruguaya - Entrevista con Manuel Martínez Carril Peter Bogdanovich (2007) Christian Dimitriu Nelson Pereira dos Santos (2008) 59 Ghetto Theresienstadt 1942: The Message of the Film Illustrations credits and special thanks to: Fragments Archives françaises du film- CNC, Paris Eva Strusková British Film Institute, London Cinémathèque française / Musée du Cinéma, 80 Le fonds John E. Allen – Triangle à la Cinémathèque française : Paris Cinémathèque de la Ville de Luxembourg une histoire complexe, riche et encore à écrire Cinémathèque québécoise, Montréal Marc Vernet Cinémathèque suisse, Lausanne et André Chevailler, Lausanne 86 Fritz Lang’s Die Nibelungen Kinematek, Brussels Danish Film Institute, Kobenhamn A Restoration and Preservation Project by Friedrich-Wilhelm- Deutsches Filminstitut – DIF, Wiesbaden Murnau-Stiftung, Wiesbaden FIAF Archives, Bruxelles Anke Wilkening Filmoteka Narodowa, Warszawa Fondation Jérôme Seydoux-Pathé, Paris The Jewish Museum in Prague 99 Le Giornate del Cinema Muto Národní Filmový Archiv, Praha Pierre Véronneau Pamatnik Terezin Svenska Film Institut - Kinematheket, Stockholm News From the Archives / Nouvelles des archives / Fédération Internationale Noticias de los archivos des Archives du Film - FIAF 102 La Cinémathèque numérise Rue Defacqz 1 Gabrielle Claes, Erik Martens 1000 Bruxelles / Brussels Belgique / Belgium T: (32 2) 538 30 65 103 La Fondation Jérôme Seydoux – Pathé F: (32 2) 534 47 74 Stéphanie Salmon [email protected] Journal of Film Preservation In Memoriam JournalJournal ofof FilmFilm PreservationPreservation 106 Harold Brown (1919-2008) Half-yearly / Semi-annuel ISSN 1609-2694 Clyde Jeavons ISSN 1609-2694 Copyright FIAFFIAF 20092008 FIAF Officers Publications / Publications / Publicaciones FIAF Officers 110 Le Livre de mes rêves President / Présidente PresidentEva Orbanz/ Présidente Jean Gili SecretaryEva General Orbanz / Secrétaire Secretary Generalgénérale / Secrétaire 115 Cinema All the Time: An Anthology of Czech Film Theory and Meggénérale Labrum Criticism, 1908-1939 TreasurerMeg Labrum / Trésorier Jan-Christopher Horak TreasurerPatrick Loughney / Trésorier Patrick Loughney Comité de rédaction 119 Caméras en lutte en Mai 68 Editorial Board « Par ailleurs le cinéma est une arme…» Chief ComitéEditor / deRédacteur rédaction en chef Michelle Aubert RobertEditorial Daudelin Board Chief Editor / Rédacteur en chef 121 Clearance & Copyright: Everything You Need to Know for EB MembersRobert Daudelin / Membres CR Mary Lea Bandy Film and Television EB MembersEileen /Bowser Membres CR Patrick Loughney Paolo Cherchi Usai Eileen Bowser Christian Dimitriu 123 As Cidades e os filmes. Uma biografia de Rino Lupo ChristianÉric Le Dimitriu Roy Malte Hagener HisashiÉric Le Okajima Roy Hisashi Okajima Correspondents/Correspondants DVDs Correspondents/CorrespondantsThomas Christensen 125 Addressing the Nation and We Live in Two Worlds (The GPO Film PaoloHervé Cherchi Dumont Usai Unit Collection) ThomasRay Edmondson Christensen Steven Higgins Clyde Jeavons Geoff Brown Clyde Jeavons RogerPaul Smither Read 128 Lotte Reiniger: The Fairy Tale Films Roger Smither Marco de Blois Résumés EileenRésumés Bowser 130 The Battle of the Somme RobertEileen Daudelin Bowser Donald McWilliams ChristianRobert Daudelin Dimitriu ChristianM. Beatrice Dimitriu Lenzi Ana Cristina Iriarte Sever J. Voicu 134 Publications Received at the Secretariat / Publications reçues au M. Beatrice Lenzi Secrétariat / Publicaciones recibidas en el Secretariado Ana Useros Éditeur /Sever Executive J. Voicu Publisher Christian Dimitriu 136 FIAF Bookshop / Librairie FIAF / Librería FIAF ÉditeurEditorial / Executive Assistants Publisher CatherineChristian SurowiecDimitriu EditorialBaptiste Assistants Charles CatherineSever J. SurowiecVoicu Baptiste Charles Graphisme / Design Graphisme / Design Meredith Spangenberg ImprimeurImprimeur // PrinterPrinter Artoos -- Brussels Cinémathèques cherchent public Robert Daudelin Le symposium auquel seront bientôt invités à participer les affiliés de Editorial la FIAF réunis à Buenos Aires pour leur 65e congrès porte un titre aussi explicite que provocateur : « The Cinematheques in Search of Their New The symposium for the congress Audiences ». in Buenos Aires will be “The Le titre lui-même mérite un certain questionnement. Les organisateurs Cinémathèques in Search of Their New Audiences”, a word chosen in place of du symposium ont délibérément, il va sans dire, choisi le terme “film archives” as in the original name « Cinémathèques » de préférence à celui d’ « archives du film » qu’on of our federation. As demonstrated in retrouve dès sa création dans le nom de notre fédération. C’est donc, the programme for the symposium, comme l’illustre d’ailleurs le programme du symposium, aux activités we are asked to reflect on the public de diffusion, valorisation et programmation publique que l’on nous projection programmes, distribution, and validation of cinema. Why are demande de réfléchir. we in need of a “new” public? Is the L’expression « in Search » quant à elle, qu’on peut traduire littéralement traditional public growing too old or less interested? Or is it meant that par « à la recherche », laisse supposer que les cinémathèques perdent, ou there is a new public, the generation ont déjà perdu leur public et s’en cherchent un nouveau… Mais pourquoi who discover the cinema on DVD donc les cinémathèques auraient-elles besoin d’un « nouveau » public? or television, that we should attract Leur public traditionnel vieillerait-il trop vite (comme celui des concerts to our cinemas? Or, those who ask et des musées)? Ou serait-il devenu frileux? Ou moins curieux de fouiller that the cinema be more than an amusement? l’histoire du cinéma en notre compagnie? I am far from pretending to know À moins que l’on veuille dire qu’à côté de ce public traditionnel (cinéphiles, the answers to these questions, even chercheurs, gentils maniaques) de nos activités de projection, un nouveau if their relevance does not escape public existe qu’il faut trouver moyen d’attirer dans nos salles. Si telle est me a little bit – but this also is “generational”! Nevertheless I have la lecture qu’il faut faire de l’intitulé du symposium, il faudrait donc the feeling that the good response to de toute urgence essayer d’identifier ce nouveau public : la génération the question is: “Let’s continue to do montante qui découvre le cinéma sur dvd, sur postes individuels de what we’ve been doing all the time.” consultation ou sur les chaînes thématiques du câble? Ou ceux, à l’inverse, Of course this does not forbid new qui demandent désormais au cinéma d’être plus qu’un divertissement? approaches. We are conscious that in future
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