MUTIU SUNMONU Retires After 36 Years in Shell
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PROVISIONAL LIST.Pdf
S/N NAME YEAR OF CALL BRANCH PHONE NO EMAIL 1 JONATHAN FELIX ABA 2 SYLVESTER C. IFEAKOR ABA 3 NSIKAK UTANG IJIOMA ABA 4 ORAKWE OBIANUJU IFEYINWA ABA 5 OGUNJI CHIDOZIE KINGSLEY ABA 6 UCHENNA V. OBODOCHUKWU ABA 7 KEVIN CHUKWUDI NWUFO, SAN ABA 8 NWOGU IFIONU TAGBO ABA 9 ANIAWONWA NJIDEKA LINDA ABA 10 UKOH NDUDIM ISAAC ABA 11 EKENE RICHIE IREMEKA ABA 12 HIPPOLITUS U. UDENSI ABA 13 ABIGAIL C. AGBAI ABA 14 UKPAI OKORIE UKAIRO ABA 15 ONYINYECHI GIFT OGBODO ABA 16 EZINMA UKPAI UKAIRO ABA 17 GRACE UZOME UKEJE ABA 18 AJUGA JOHN ONWUKWE ABA 19 ONUCHUKWU CHARLES NSOBUNDU ABA 20 IREM ENYINNAYA OKERE ABA 21 ONYEKACHI OKWUOSA MUKOSOLU ABA 22 CHINYERE C. UMEOJIAKA ABA 23 OBIORA AKINWUMI OBIANWU, SAN ABA 24 NWAUGO VICTOR CHIMA ABA 25 NWABUIKWU K. MGBEMENA ABA 26 KANU FRANCIS ONYEBUCHI ABA 27 MARK ISRAEL CHIJIOKE ABA 28 EMEKA E. AGWULONU ABA 29 TREASURE E. N. UDO ABA 30 JULIET N. UDECHUKWU ABA 31 AWA CHUKWU IKECHUKWU ABA 32 CHIMUANYA V. OKWANDU ABA 33 CHIBUEZE OWUALAH ABA 34 AMANZE LINUS ALOMA ABA 35 CHINONSO ONONUJU ABA 36 MABEL OGONNAYA EZE ABA 37 BOB CHIEDOZIE OGU ABA 38 DANDY CHIMAOBI NWOKONNA ABA 39 JOHN IFEANYICHUKWU KALU ABA 40 UGOCHUKWU UKIWE ABA 41 FELIX EGBULE AGBARIRI, SAN ABA 42 OMENIHU CHINWEUBA ABA 43 IGNATIUS O. NWOKO ABA 44 ICHIE MATTHEW EKEOMA ABA 45 ICHIE CORDELIA CHINWENDU ABA 46 NNAMDI G. NWABEKE ABA 47 NNAOCHIE ADAOBI ANANSO ABA 48 OGOJIAKU RUFUS UMUNNA ABA 49 EPHRAIM CHINEDU DURU ABA 50 UGONWANYI S. AHAIWE ABA 51 EMMANUEL E. -
Foregrounding Female Agency in the Dance Culture of Nigeria
WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion. -
[1] Ui Thesis Olasupo A.A Yoruba 2015 Full Work.Pdf
i YORÙBÁ TRADITIONAL RELIGIOUS WOOD-CARVINGS BY AKANDE ABIODUN OLASUPO B. A. (Hons.) Fine Arts ( ), M. A. Visual Arts (Ibadan), PGDE (Ado-Ekiti) A Thesis in the Department of VISUAL ARTS Submitted to the Institute of African Studies in partial fulfilment of the requirement for the Degree of DOCTOR OF PHILOSOPHY of the UNIVERSITY OF IBADAN UNIVERSITY OF IBADAN LIBRARY MAY 2015 ii ABSTRACT The Yorùbá -Yorùbá N O - - Yorùbá traditional religion and its attendant practice of wood-carving. Existing studies on Yorùbá wood-carving have concen -Yorùbá existed independently for a long time. This study, therefore, identified extant Yorùbá examined areas of divergence in the artistic production of the people. - wood-carvers, priests and adherents of some Yorùbá traditional religion who use wooden paraphernalia in their worship. Direct observation was used to collect data on iconographic features of wooden religious paraphernalia such as ọpón-Ifá (divination board), agere-Ifá (palm-nut bowl), ìróké-Ifá (divination board-tapper), osé-Ṣà Ṣà ‟ ère-ìbejì (twin figurines), and egúngún and gèlèdé masks. The interviews were content-analysed, while the paraphernalia were subjected to iconographic, semiotic and comparative analyses. UNIVERSITY OF IBADAN LIBRARY Opón-Ifá, agere-Ifá, ìróké-Ifá, osé-Ṣà and ère-ìbejì Gèlèdé ìróké-Ifá, agere-Ifá and osé-Ṣà shared similar iconographic fe by the top, middle and base sections. Their middle sections bore a variety of iii images, while the top and base sections were fixed. In all the three communities, the face of Èsù, usually represented on ọpón-Ifá, was the only constant feature on divination trays. Other depictions on the tray varied from zoomorphic and anthropomorphic to abstract motifs. -
Africa's Soft Power : Philosophies, Political Values, Foreign Policies and Cultural Exports / Oluwaseun Tella
“This seven-chapter book is a powerful testimonial to consummate African scholarship. Its analysis is rigorous, insightful, lucid and authoritative, providing fresh perspectives on selected uniquely African philosophies, and the potential ities, deployment and limitations of soft power in Africa’s international relations. The author rigorously Africanises the concept, broadening its analytic scope from its biased Western methodology, thus brilliantly fulfilling that great African pro verb made famous by the inimitable Chinua Achebe: ‘that until the lions have their own historians, the history of the hunt will always glorify the hunter’. This is truly an intellectual tour de force.” W. Alade Fawole, Professor of International Relations, Obafemi Awolowo University, Ile-Ife, Nigeria. “This book addresses an important tool in the arsenal of foreign policy from an African perspective. African states have significant soft power capacities, although soft power is not always appreciated as a lever of influence, or fully integrated into countries’ foreign policy strategies. Tella takes Nye’s original concept and Africanises it, discussing Egypt, Kenya, Nigeria and South Africa via their respective philosophies of Pharaonism, Harambee, Omolúwàbí and Ubuntu. This study is a critical contribution to the literature on African foreign policies and how to use soft power to greater effect in building African agency on the global stage.” Elizabeth Sidiropoulos, Chief Executive, South African Institute of International Affairs, Johannesburg, South Africa. “Soft power is seldom associated with African states, given decades bedevilled by coup d’états, brazen dictatorships and misrule. This ground-breaking book is certainly a tour de force in conceptualising soft power in the African context. -
Curriculum Vitae
CURRICULUM VITAE I. NAME: OYELEYE, Albert ‘Lekan DATE OF BIRTH: 11 April, 1950 DEPARTMENT: English II. a) Present Appointment (with date): Professor – 1 October, 1999 b) Date last put up for Promotion: 1 October, 1999 c) Date of last Promotion/Appointment: 1 October, 1999 III. University Education (with dates): University of Ife (now Obafemi Awolowo University) – 1971-1975 University of Ife (now Obafemi Awolowo University) – 1977-1985 University College, London – 1981 (January to September) University of Reading, Reading, U.K. – 1988 IV. Academic Qualifications (with dates and granting bodies): a) B.A. (Hons) English (1975) - Ife b) M.A. (ESL) – 1979 - Ife c) Ph.D. (ESL) – 1985 - Ife V. Professional Qualifications and Diplomas: Certificate in the Teaching of English for Academic Purposes (TEAP), 1988. (Reading). VI. Scholarships, Fellowships and Prizes/Awards: a) University of Ife (Obafemi Awolowo University) Staff Development Training – 1977-1983. b) National University Commission/Overseas Development Agency – award for teachers of English, 1988 – University of Reading, U.K. c) I have a citation in The New Who’s Who in Nigeria (3rd edition, 2006) published by Nigeria International Biographical Centre, Lagos. (see p. 780). d) I received the Osun State Government 2008 award for academic excellence on August 27th, 2008, at Osogbo, Osun State, Nigeria. 2 VII. Honours, Distinctions and Membership of Learned Societies: (a) Project Officer for Communication Skills Improvement Project (COMSKIP) – NUC/ODA Project for the improvement of the teaching of General English in Nigeria Federal Universities, 1988 to 1994. (b) Assistant Editor of Journal of Nigeria English Studies Association, 1989 to 2010. (c) Member, Nigeria English Studies Association. -
Tekno 2019 Biography: the Amazingly Talented Tekno Is a Visionary African Artist Who Has Won and Been Nominated for Several Awards
PRESSKITTekno 2019 Biography: The amazingly talented Tekno is a visionary African artist who has won and been nominated for several awards. He is known by many names - Kelechukwu Augustine, Augustine Miles Kelechi, Tekno, Tekno Miles, and The Golden Boy Of Africa. He is from the Ivo Local Government Area, Ebonyi State. He was born in Bauchi State into a family of five boys and one girl. He was raised in several parts of the country including Nassarawa, Kaduna and Abuja, due to the fact that his father was a member of the Nigerian Army. At the age of 8, Tekno was enrolled in a music school where he learned and mastered the rudiments of playing the piano and guitar. He is the elder brother to "Starboy" label act Spotless. Tekno was first signed under K-Money Entertainment. His first single titled "Holiday" was released under the imprint. With featured vocals from Davido, "Holiday" was positively accepted and gained massive airplay. In 2012, while in Abuja, Tekno was spotted by renowned Nigerian comedian Julius Agwu at an event, after Tekno had received a standing ovation following the performance of a song titled "Onye Ne Kwu", his remix of Ice Prince's "Oleku". It was at that same event that he met Iyanya and Ubi Franklyn, the manager of Made Men Music Group. Ubi and Iyanya eventually encouraged Tekno to move to Lagos to further his music career. On October 5, 2013, he signed a recording contract with Made Men Music Group, under which he released singles like "Dance" and "Anything", which won him a nomination in the "Best New Act Of The Year" category at the 2014 Nigeria Entertainment Awards. -
Nigeriastartswithme.Pdf
It’s not a cliché. It’s a way of life that every Nigerian must embrace. To be inherently and unabashedly Nigerian - unrelenting in the pursuit of integrity, excellence and progress. #NigeriaStartsWithMe...what about you? Join the conversation! The Project nveiled in March 2017, the #NigeriaStarts- We hope that it would elicit positive conversations and ac- WithMe project is an initiative of Sahara tions that will sustain ongoing initiatives aimed at transform- Group, a leading African Energy (Power, Oil ing Nigeria. Our experience with the project makes us even and Gas) and infrastructure conglomerate more committed to the cause of inspiring and promoting with operations in over 10 countries across sustainable development across the globe, in collaboration Ufour continents. with like-minded partners. The initiative seeks to rally young people to own major Working through Sahara Foundation, our corporate respon- stakes in the transformation of Nigeria by coming up sibility vehicle, Sahara Group has over the years continued with practical ideas that key into the 17 Sustainable to deploy sustainable platforms and projects that empower Development Goals (SDGs). It is designed to create a shift young people to reach for their dreams. in the nature of ongoing conversation about Nigeria from the clutch of social media trolls to practical solutions that would ignite creativity, innovation and a sense of patriotism In 2016, we flagged off Sahara in Nigerian youths. Foundation’s plans to directly The project was designed to challenge and inspire Nige- impact 12,000,000 Nigerian rian youths to resist activities that relegate them to being youths over the next four years mere stooges for individuals/organisations or being hired to perpetrate sundry illegal activities. -
Music Moelogo Baddest Remix Ft Giggs Prod by Bayozmuzik
Music: Moelogo – Baddest (remix) Ft Giggs [ Prod. By Bayoz Muzik] 1 / 6 Music: Moelogo – Baddest (remix) Ft Giggs [ Prod. By Bayoz Muzik] 2 / 6 3 / 6 Moelogo presents the visuals for the remix of his single The Baddest featuring Giggs. The song was produced by Bayoz Muzik and was shot in .... Over the infectious Bayoz Muzik instrumental, inspired by the groove of the late Fela Kuti, it's easy to see why both Moelogo and Giggs are in ... Lola Rae Feat. ... Tillaman - Koma Roll Remix Ft. Ice Prince, Iyanya, Trigga, Phyno, Burna Boy [Official Video] ... Music, Events & Promotions. ... Previous Moelogo The Baddest Feat Giggs (Prod. By Bayoz Muzik) [Official Video].. 10 Music Is Life ft Ras Fraser Jr. 3:19. Elliphant ... 17 The Baddest (Prod. by Bayoz Muzik). 4:06. MoeLogo Ft Giggs. 18 Love ... 24 Move To Da Gyal Dem Remix.. Critically acclaimed London-based Nigerian producer Bayoz Muzik ... You will already have witnessed his production prowess this year on Moelogo's smash hit “The Baddest” featuring veteran UK rapper Giggs, but Bayoz Muzik has ... Prince's “Magician” remix featuring Gyptian, crafting the official remix of .... Bayoz Muzik x Moelogo - On Da Low. 17 Jul ... Giggs - The Baddest (Remix) ... VIDEO: Moelogo Ft Giggs - The Baddest (B-T-S) ... Moelogo - The Baddest (Prod.. Free Moelogo The Baddest Prod Bayoz Muzik Mp3 Songs Download 320 Kbps (Moelogo - The Baddest ft ... Moelogo - The Baddest ft Giggs (TEASER) Mp3 Mix Hindiaz song. ... Bayoz Musik x Moelogo - On Da Low Mix Hindiaz Download ... Moelogo ft Drb Lasgidi - Pangolo Remix (studio video) Mix Hindiaz Download .. -
The Quint V10.3
the quint : an interdisciplinary quarterly from the north 1 Editorial Advisory Board the quint volume ten issue three Moshen Ashtiany, Columbia University Ying Kong, University College of the North Brenda Austin-Smith, University of Martin Kuester, University of Marburg an interdisciplinary quarterly from Manitoba Ronald Marken, Professor Emeritus, Keith Batterbe. University of Turku University of Saskatchewan the north Donald Beecher, Carleton University Camille McCutcheon, University of South Melanie Belmore, University College of the Carolina Upstate ISSN 1920-1028 North Lorraine Meyer, Brandon University guest editor Gerald Bowler, Independent Scholar Ray Merlock, University of South Carolina Joseph Atoyebi Robert Budde, University Northern British Upstate Columbia Antonia Mills, Professor Emeritus, John Butler, Independent Scholar University of Northern British Columbia David Carpenter, Professor Emeritus, Ikuko Mizunoe, Professor Emeritus, the quint welcomes submissions. See our guidelines University of Saskatchewan Kyoritsu Women’s University or contact us at: Terrence Craig, Mount Allison University Avis Mysyk, Cape Breton University the quint Lynn Echevarria, Yukon College Hisam Nakamura, Tenri University University College of the North Andrew Patrick Nelson, University of P.O. Box 3000 Erwin Erdhardt, III, University of Montana The Pas, Manitoba Cincinnati Canada R9A 1K7 Peter Falconer, University of Bristol Julie Pelletier, University of Winnipeg Vincent Pitturo, Denver University We cannot be held responsible for unsolicited -
The Contributory Role of Music Artist: an X-Ray of Major Satiric Preoccupations in Some Selected Contemporary Nigerian Hip-Hop Music Artist
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 20, Issue 4, Ver. III (Apr. 2015), PP 05-09 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org The Contributory Role of Music Artist: An X-ray of Major Satiric Preoccupations in Some Selected Contemporary Nigerian Hip-Hop Music Artist Maikano A. Lamela Department Of English, Gombe State University, Gombe, Nigeria Abstract:“If music be the food of love, play on, give me excess of it; that surfeiting, the appetite may sicken, and so die”. This was Williams Shakespeare’s exact words in his absolute recognition to the importance of music to humanity. Similarly, every era in time is accompanied by music of its time, almost like an imprint that reflects a cultural reality always striving for aesthetics. Music is truly a narrator of what human beings have gone through and are still evolving to become. We would imagine that, without music, the human life span will be shortened because without music, our ability to emotionally express will be limited and that would be directly linked to our mental and physical health. Music is an art of sound in time that expresses ideas and emotions in significant forms through, the elements of rhythm, melody, harmony, and color. We all have in one way or the other have listen to music in respective of the genre and perhaps some are addicted to music. Therefore, in appreciation to the role music have been playing in our lives that I seek to lend a telescopic in-depth diggingand exposition of the major satiric preoccupations found in the lyrics of our major contemporary Nigerian hip-hop artist. -
Download BHM Guide to Public Relations
BHM Guide to Public Relations BHM Guide to Public Relations Copyright © 2016 All rights reserved. First Published, in Nigeria by No part of this book may be reproduced, distributed, stored in a retrieval system or transmitted, in any form or by any means, recording or otherwise without prior permission in writing to the Publisher. For information about permission to reproduce selections from this book, write to [email protected] Layout & Design Lucid Creative Services BlackHouse Media 32 Community Road, Off Allen Avenue, Ikeja, Lagos www.bhmng.com +2347098741356 or +2348093438614 [email protected] 3 BHM Guide to Public Relations For Public Relations practitioners, enthusiasts and students. 4 BHM Guide to Public Relations Introduction To be honest, I almost didn’t write this. Of course, as everyone insisted, I had to be the one to write an introduction to this collection of our thoughts on (INSERT COVER IMAGE) how to do PR in this age. But, I wasn’t sure. Should I meme the entire thing? Hey everyone in PR. This is for you. A gift from all of us @bhmng on our 10th Should I make it into a thread? Perhaps I should dig out the tweeter in me birthday. Please download from bhmng.com or netshop.ng. It is possible. and do a 140 character intro? #BHMNGat10 Our curator Enitan loves Snapchat and Facebook Live, so I wondered for a minute if to switch my iPhone into selfie mode and do a quick two minute video. Why write such long prose if you’re trying to show the world that things have changed and people actually now consume much more images than text? So I composed a tweet: So for our 10th anniversary, we put together a cool book to help everyone in PR. -
Iyanya Celebrates His Birthday As Applaudise Becomes Available for Sale in the US
Iyanya Celebrates His Birthday As Applaudise Becomes Available For Sale In The US Iyanya celebrated his birthday on Halloween, making a major announcement to move into the American RnB market next year while making his new album available for sale in the US. Iyanya celebrated his birthday on Halloween, making a major announcement to move into the American RnB market next year while making his new album available for sale in the US.Atlanta, GA, United States of America - November 9, 2015 /MarketersMedia/ -- Halloween is one of the most popular holidays in the world, but for one music star it is even more special: it is his birthday. Nigerian singing sensation Iyanya recently celebrated his birthday on Halloween, and used the occasion to make known his intentions to conquer the American market. The singer and record label owner is planning a major transition to America early next year, and has made his new album Applaudise available to download in the US. His album Applaudise was released September 19th, 2015, and has seen huge sales in his home country of Nigeria and throughout the whole of Africa, attracting the attention of the international music market. After talks with American producers and promoters, hopes are high for Iyanya to take the US by storm next year. Already Applaudise is receiving plaudits from critics and fans alike, with the Singer and Songwriter creating some of his most ambitious, bombastic hits while also showing a new sensitivity and soulfulness which makes him ideal for the American market, with themes and lyrics drawn from his own unique experiences.