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Equity Magazine Autumn 2020 in This Issue
www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX. -
The Midlands Essential Entertainment Guide
Midlands Cover - June_Layout 1 24/05/2013 13:55 Page 1 MIDLANDS WHAT’S ON WHAT’S MIDLANDS THE MIDLANDS ESSENTIAL ENTERTAINMENT GUIDE ISSUE 330 JUNE 2013 JUNE www.whatsonlive.co.uk £1.80 ISSUE 330 JUNE 2013 THE LION KING THE DEFINITIVE LISTINGS GUIDE ARRIVES IN BIRMINGHAM INCLUDING BIRMINGHAM WOLVERHAMPTON WALSALL DUDLEY COVENTRY STRATFORD WORCESTER INSIDE: REDDITCH MALVERN SHREWSBURY Bruce Joel Rubin TELFORD STAFFORD creator of Ghost STOKE interview inside Sean Foley brings Jacobean comedy to the RSC interview inside Peter Lord co-founder of Aardman talks pirates interview inside PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART What’sOn MAGAZINE GROUP ISSN 1462-7035 Grand Theatre (FP-June)_Layout 1 24/05/2013 08:36 Page 1 Contents June_Layout 1 24/05/2013 16:13 Page 1 June 2013 Editor: INSIDE: Davina Evans [email protected] 01743 281708 Editorial Assistants: Ghost The Musical Brian O’Faolain interview with creator [email protected] 01743 281707 Bruce Joel Rubin p6 Adrian Parker [email protected] 01743 281714 Sales & Marketing: Jon Cartwright [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Subscriptions: Adrian Parker [email protected] Sean Foley 01743 281714 interview p8 Managing Director: Paul Oliver [email protected] 01743 281711 Publisher and CEO: Martin Monahan [email protected] 01743 281710 Graphic Designers: Lisa Wassell The Lion King arrives in the Midlands, page 29 Chris Atherton Accounts -
ANNUAL REPORT and ACCOUNTS the Courtyard Theatre Southern Lane Stratford-Upon-Avon Warwickshire CV37 6BH
www.rsc.org.uk +44 1789 294810 Fax: +44 1789 296655 Tel: 6BH CV37 Warwickshire Stratford-upon-Avon Southern Lane Theatre The Courtyard Company Shakespeare Royal ANNUAL REPORT AND ACCOUNTS 2006 2007 2006 2007 131st REPORT CHAIRMAN’S REPORT 03 OF THE BOARD To be submitted to the Annual ARTISTIC DIRECTOR’S REPORT 04 General Meeting of the Governors convened for Friday 14 December EXECUTIVE DIRECTOR’S REPORT 07 2007. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is ACHIEVEMENTS 08 – 09 hereby given that the Annual General Meeting of the Governors will be held in The Courtyard VOICES 10 – 33 Theatre, Stratford-upon-Avon on Friday 14 December 2007 FINANCIAL REVIEW OF THE YEAR 34 – 37 commencing at 2.00pm, to consider the report of the Board and the Statement of Financial SUMMARY ACCOUNTS 38 – 41 Activities and the Balance Sheet of the Corporation at 31 March 2007, to elect the Board for the SUPPORTING OUR WORK 42 – 43 ensuing year, and to transact such business as may be trans- AUDIENCE REACH 44 – 45 acted at the Annual General Meetings of the Royal Shakespeare Company. YEAR IN PERFORMANCE 46 – 51 By order of the Board ACTING COMPANIES 52 – 55 Vikki Heywood Secretary to the Governors THE COMPANY 56 – 57 CORPORATE GOVERNANCE 58 ASSOCIATES/ADVISORS 59 CONSTITUTION 60 Right: Kneehigh Theatre perform Cymbeline photo: xxxxxxxxxxxxx Harriet Walter plays Cleopatra This has been a glorious year, which brought together the epic and the personal in ways we never anticipated when we set out to stage every one of Shakespeare’s plays, sonnets and long poems between April 2006 and April 2007. -
Theses.Gla.Ac.Uk
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] REVISIONIST MYTHMAKING IN CONTEMPORARY WOMEN PLAYWRIGHTS by EMANUELA PONTI A dissertation submitted in part requirement for the MPhil Theatre by Research University of Glasgow Department of Theatre, Film and Television Studies September 2005 ProQuest Number: 10390522 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10390522 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLO. -
7.5 X 11 Long Title.P65
Cambridge University Press 978-0-521-11103-4 - Shakespeare Survey: Close Encounters with Shakespeare’s Text Edited by Peter Holland Frontmatter More information SHAKESPEARE SURVEY © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-11103-4 - Shakespeare Survey: Close Encounters with Shakespeare’s Text Edited by Peter Holland Frontmatter More information ADVISORY BOARD Jonathan Bate Akiko Kusunoki Margreta de Grazia Kathleen E. McLuskie Janette Dillon Lena Cowen Orlin Michael Dobson Simon Palfrey Andrew Gurr Richard Proudfoot Ton H oe n se la ar s Emma Smith Andreas Hofele¨ Ann Thompson Russell Jackson Stanley Wells John Jowett Assistant to the Editor Emily Burden (1) Shakespeare and his Stage (34) Characterization in Shakespeare (2) Shakespearian Production (35) Shakespeare in the Nineteenth Century (3) The Man and the Writer (36) Shakespeare in the Twentieth Century (4) Interpretation (37) Shakespeare’s Earlier Comedies (5) Textual Criticism (38) Shakespeare and History (6) The Histories (39) Shakespeare on Film and Television (7) Style and Language (40) Current Approaches to Shakespeare through (8) The Comedies Language, Text and Theatre (9) Hamlet (41) Shakespearian Stages and Staging (with an index (10) The Roman Plays to Surveys 31–40) (11) The Last Plays (with an index to Surveys 1–10) (42) Shakespeare and the Elizabethans (12) The Elizabethan Theatre (43) The Tempest and After (13) King Lear (44) Shakespeare and Politics (14) Shakespeare and his Contemporaries (45) Hamlet and its -
{PDF EPUB} Murder Under Trust the Massacre at Glencoe by Adrian Bean Saturday Drama Episodes Episode Guide
Read Ebook {PDF EPUB} Murder Under Trust The Massacre at Glencoe by Adrian Bean Saturday Drama Episodes Episode guide. Karen's heart is set on some magic red shoes that she cannot resist, whatever the cost. A Christmas Carol. Charles Dickens's classic story, adapted for actors, singers and orchestra by Neil Brand. The Havana Quartet by Leonardo Padura. Leonardo Padura's award-winning Cuban detective series featuring Lieutenant Mario Conde. The Boy from Aleppo Who Painted the War. The Syrian conflict seen through the eyes of a teenage boy with Asperger's. Lanark. Adaptation of Alasdair Gray's cult novel, telling the stories of Duncan Thaw and Lanark. Under Milk Wood. Richard Burton, Matthew Rhys, Ruth Jones star in Dylan Thomas's classic 'play for voices'. Jonathan Myerson - Reykjavik. Rollercoaster drama about the surprise Reagan-Gorbachev summit in 1986. Alan Bennett - Denmark Hill. Idiosyncratic take on Hamlet seen largely through the eyes of a 15-year old-girl. Murder Under Trust: The Massacre at Glencoe. Adrian Bean's play dramatises events leading up to the infamous Highland massacre in 1692. Peter Brough - His Master's Voice. Rob Brydon is Peter Brough the ventriloquist, in the true story behind Educating Archie. Red Velvet. By Lolita Chakrabarti. Award-winning drama starring Adrian Lester as actor Ira Aldridge. Nick Stafford - The Real Trial of Oscar Wilde. Oscar Wilde's courtroom battle with the Marquess of Queensbury. If Only. David Edgar's tongue-in-cheek drama about the rise, and possible fall, of the Coalition. On Her Majesty's Secret Service. Martin Jarvis directs his fourth Ian Fleming for Radio 4. -
SPEAKING out AGAINST SEXUAL HARASSMENT Helen Vine Describes How Equity Helped Win Her Harassment Case
www.equity.org.uk MAGAZINE SUMMER 2018 Union launches its Creating Safe Spaces campaign Our Deputy on Hamilton discusses representation Know your rights on low pay work SPEAKING OUT AGAINST SEXUAL HARASSMENT Helen Vine describes how Equity helped win her harassment case PRESIDENT SINCLAIR’S EQUITY DISTRIBUTES IMPROVED PAY AND FINAL COLUMN £6.4 MILLION PENSIONS ITC DEAL INSURANCE? EQUITY MAGAZINE SUMMER 2018 IN THIS ISSUE 4 FRONT OF HOUSE Designers’ working group, shared parental Exclusive Professional Property Cover for leave rally and organising the games industry Equity members 7 UPFRONT Christine Payne, General Secretary UK/Europe or Worldwide 8 MEET THE MEMBERSHIP cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer Obioma Ugoala, Hamilton’s George 14 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. Washington and Equity dep 10 SUCCESS STORIES GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK New ITC agreement, Equity distributes £6.4m 18 and a new ERA for Equality Tel 020 8686 5050 14 FACING SEXUAL HARASSMENT First Act Insurance* is the preferred insurance intermediary to Helen Vine speaks about her experiences and *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 standing up to her attackers 18 CREATING SAFE SPACES Tackling harassment in the workplace and First Act Insurance presents... promoting the union’s helpline 20 LOW PAY/NO PAY NEED-TO-KNOW Know your rights and know what to look for in a non-Equity contract 22 TUC REPORT What happened at the TUC Women’s and TUC Young Workers’ Conferences 26 PRESIDENT MALCOLM SINCLAIR Malcolm’s final presidential column 6 22 27 IN APPRECIATION Kenneth Haigh Key features include • Competitive online quote and buy cover provided by HISCOX. -
Shakespeare in Production Othello
Cambridge University Press 0521834589 - Othello Edited by Julie Hankey Frontmatter More information SHAKESPEARE IN PRODUCTION OTHELLO This second edition of Othello updates the first (Bristol Classical Press, 1987), both chronologically and conceptually. It includes consideration of productions from the last seventeen years, and reconsiders earlier material in the light of more recent critical attitudes. Post-colonial and feminist studies have had an impact on the way Othello is perceived and inter- preted. The question of blacked-up/black/colour-blind casting and the significance of white and/or black audiences in different political and racial contexts have recently become much more clearly articulated. In the pro- cess, Shakespeare himself has not escaped the charge of racism. Equally, the position of Desdemona has received more focused attention, both as the forbidden object of desire within a racial framework and as a woman in her own right. This edition takes account of these developments in criticism, in the theatre, on film and in the adaptations which set out to interrogate Shakespeare’s text. julie hankey is a freelance writer and one of the General Editors of the ‘Shakespeare in Production’ series. She contributed the theatre-historical editions of Richard III and Othello, before the series was adopted by Cam- bridge University Press, and has also contributed articles to Shakespeare Quarterly and New Theatre Quarterly. © Cambridge University Press www.cambridge.org Cambridge University Press 0521834589 - Othello Edited by Julie Hankey Frontmatter More information SHAKESPEARE IN PRODUCTION series editors: j. s. bratton and julie hankey This series offers students and researchers the fullest possible stage his- tories of individual Shakespearean texts. -
Macbeth and the Third Person
SHAKESPEARE LECTURE Macbeth and the Third Person ADRIAN POOLE THERE ARE SOME terrible moments in Macbeth but none more terrible than this, when one man has to break the news to another that his dear ones have all been murdered: Your castle is surprised; your wife and babes Savagely slaughtered. To relate the manner Were on the quarry of these murdered deer To add the death of you. (4. 3. 206–9)1 These two men are not alone; a third is present and listening, and it is he who completes the line left suspended by the messenger’s words: ‘To add the death of you.’ ‘Merciful heaven—’ this third person cries. He urges the bereaved man to give sorrow words, to be comforted and to dispute it like a man—with ‘us’. ‘Let’s make us med’cines of our great revenge / To cure this deadly grief.’ (4. 3. 216–17.) To which the man whose life of incurable grief is just beginning famously responds: ‘He has no children.’ (4. 3. 218.) We cannot tell for certain whom he means by ‘He’—whether the man who is trying to comfort him too promptly or the man who has killed his children. He might have said ‘Thou hast no children’, or ‘You have no children’, as Queen Margaret does to the men who butcher her boy at Tewkesbury (The Third Part of Henry VI, Read at the Academy 21 April 1999. 1 Quotations from Macbeth follow the New Cambridge edition by A. R. Braunmuller (Cam- bridge, 1997); all other quotations from Shakespeare are from the Riverside Shakespeare, ed. -
Annual Report and Accounts
ANNUAL REPORT AND ACCOUNTS Royal Shakespeare Company The Courtyard Theatre Southern Lane Stratford-upon-Avon Warwickshire CV37 6BB Tel: +44 1789 296655 Fax: +44 1789 294810 www.rsc.org.uk 2007/ 2008 132nd report of the Board Chairman’s report 03 To be submitted to the Annual General Meeting of the Governors convened for Monday Artistic Director’s report 05 22 September 2008. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is hereby given Executive Director’s report 07 that the Annual General Meeting of the Governors will be held in Facts and figures 08 – 09 The Courtyard Theatre, Stratford-upon-Avon on Monday 22 September 2008 commencing at 3.30pm, to consider the The Histories 10 – 17 report of the Board and the Statement of Financial Activities and the Balance Sheet of the Corporation at 31 March New work 18 – 21 2008, to elect the Board for the ensuing year, and to transact such Touring 22 – 25 business as may be transacted at the Annual General Meetings of the Royal Shakespeare Company. Transformation 26 – 29 By order of the Board Stand Up For Shakespeare 30 – 33 Vikki Heywood Secretary to the Governors Financial review of the year 34 – 37 Summary accounts 38 – 41 Supporting our work 42 – 43 Year in performance 44 – 47 Acting companies 48 – 49 The Company 50 – 51 Corporate governance 52 – 53 Associate artists/Advisors 54 – 55 Photo: Ellie Kurttz Constitution 56 Jonathan Slinger and Clive Wood in Henry IV part II Chairman’s report In 2007/8 we brought many of our ambitions to life. -
Shakespeare and the Thirties: Representations of the Past in Contemporary Performance
SHAKESPEARE AND THE THIRTIES: REPRESENTATIONS OF THE PAST IN CONTEMPORARY PERFORMANCE by JAMI ROGERS A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY The Shakespeare Institute School of English, Drama and American and Canadian Studies The University of Birmingham May 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines the performance history of Shakespeare focusing on those productions performed as a period analogue of the nineteen-thirties. It engages with the material in two ways. It first attempts to locate influences that have led to the development of this style of performance, finding correlations with both theatrical production and televisual drama. It then examines the productions as performed, focusing on the construction of scenography and actor performances. Throughout the analysis, this thesis engages with shifts in the representation of the historical past on both stage and screen. For my grandfather, who told me about West Virginia in the thirties when I was very small Herbert C. Rogers 1916-2003 "Take Me Home, Country Roads" ACKNOWLEDGMENTS This thesis is the product of more years of experience than I probably care to admit. -
Annual Report and Accounts
ANNUAL REPORT AND ACCOUNTS Royal Shakespeare Company The Courtyard Theatre Southern Lane Stratford-upon-Avon Warwickshire CV37 6BB 2008/ Tel: +44 1789 296655 Fax: +44 1789 294810 www.rsc.org.uk 2009 133rd report of the Board Facts and figures 02 – 03 To be submitted to the Annual Chairman’s report 05 General Meeting of the Governors convened for Friday 2 October 2009. To the Governors of the Royal Voices 06 – 13 Shakespeare Company, Stratford-upon-Avon, notice is Artistic Director’s report 15 hereby given that the Annual General Meeting of the Governors will be held in The Courtyard Voices 16 – 23 Theatre, Stratford-upon-Avon on Friday 2 October 2009 commencing at 3.30pm, to Executive Director’s report 24 consider the report of the Board and the Statement of Financial Voices 26 – 33 Activities and the Balance Sheet of the Corporation at 31 March 2009, to elect the Board for the Special report by Director of Education 35 ensuing year, and to transact such business as may be transacted at the Annual General Meetings of Voices 36 – 39 the Royal Shakespeare Company. Finance Director’s report 40 – 45 By order of the Board Vikki Heywood Summary accounts 46 – 47 Secretary to the Governors Supporting our work 48 – 49 Year in performance 50 – 53 Acting Companies 54 – 55 The Company 56 – 57 Corporate Governance 58 Associate Artists/Advisors 59 Photo: Ellie Kurttz Photo: Constitution 60 Front cover: Hamlet company Photo: Ellie Kurttz Queen’s Park Primary School during the Regional Schools Celebration Facts and figures Audiences came from 70 different