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The Anime Galaxy Japanese Animation As New Media
i i i i i i i i i i i i i i i i i i i i Herlander Elias The Anime Galaxy Japanese Animation As New Media LabCom Books 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-090-6 Título: The Anime Galaxy Autor: Herlander Elias Ano: 2012 i i i i i i i i Índice ABSTRACT & KEYWORDS3 INTRODUCTION5 Objectives............................... 15 Research Methodologies....................... 17 Materials............................... 18 Most Relevant Artworks....................... 19 Research Hypothesis......................... 26 Expected Results........................... 26 Theoretical Background........................ 27 Authors and Concepts...................... 27 Topics.............................. 39 Common Approaches...................... 41 1 FROM LITERARY TO CINEMATIC 45 1.1 MANGA COMICS....................... 52 1.1.1 Origin.......................... 52 1.1.2 Visual Style....................... 57 1.1.3 The Manga Reader................... 61 1.2 ANIME FILM.......................... 65 1.2.1 The History of Anime................. 65 1.2.2 Technique and Aesthetic................ 69 1.2.3 Anime Viewers..................... 75 1.3 DIGITAL MANGA....................... 82 1.3.1 Participation, Subjectivity And Transport....... 82 i i i i i i i i i 1.3.2 Digital Graphic Novel: The Manga And Anime Con- vergence........................ 86 1.4 ANIME VIDEOGAMES.................... 90 1.4.1 Prolongament...................... 90 1.4.2 An Audience of Control................ 104 1.4.3 The Videogame-Film Symbiosis............ 106 1.5 COMMERCIALS AND VIDEOCLIPS............ 111 1.5.1 Advertisements Reconfigured............. 111 1.5.2 Anime Music Video And MTV Asia......... -
On a Day in 2000, at a Certain Pub, the Three Creators of the Big O Got Together and to Discuss Their Passionate Thoughts…!
On a day in 2000, at a certain pub, the three creators of The Big O got together and to discuss their passionate thoughts…! Kazuyoshi Katayama The director of The Big O, he has also worked on other anime including Sentimental Journey and Giant Robo. An established pro of robot dramas. Keiichi Sato The Big O character and mecha designer/supervisor. He has worked with director Kazuyoshi Katayama since Giant Robo, and has also worked on the City Hunter TV special. Hitoshi Ariga The Big O manga artist (see inside front cover for more information). The Big O is finally starting to be released on video/DVD. Ariga: I‟d like people who weren‟t able to catch it on TV to take this opportunity to check it out Sato: Even people who dismissed it by just saying “I don‟t have cable.” [The Big O was originally shown in Japan on the Wowow cable channel—Ed.] But I guess that‟s how it is. When you can‟t see it, it‟s sour grapes. Ariga: I was hoping that the manga would help to get people interested. I‟m hoping it‟ll get people to buy the DVDs and videos, so it‟s an important piece of media in that respect. I know that I shouldn‟t stray too far. Sato: Well, we‟re going to keep needing your help. (laughs) Ariga: I‟ll do my best. (laughs) Katayama: Well, I‟d like people to enjoy the world of The Big O by both reading the manga and watching the anime. -
New Docs. Fall 2016/ Winter 2017
New Docs. Fall 2016/ Winter 2017 A Bastard Child After Inez Belonging The Borneo Case Citizen Schein I Called Him Morgan The Inertia Variations Kiki Letters to a Serial Killer Loving Lorna Ouaga Girls The Pearl of Africa Prison Sisters Reflections The Return Stronger than a Bullet This special edition of Swedish Film presents Welcome to new and upcoming documentaries ready to hit international festivals and markets. Please visit our website sfi.se for updated information on Swedish the world of features, documentaries and shorts. Swedish docs! Swedish Film Institute Publisher Pia Lundberg Festival Manager, International Department ISSN 1654-0050 documentaries P.O. Box 27126 Contributing Editor Josefina Mothander Sara Rüster SE-102 52 Stockholm, Sweden Art Director Markus Edin Phone +46 8 665 11 00 Cover photo I Called Him Morgan, Ben van Acting Festival Manager, Fax +46 8 661 18 20 Meerendonk International Institute for Social documentaries sfi.se History Courtesy of Kasper Collin Produktion Josefina Mothander twitter.com/swedishfilm Print Ineko, Stockholm Phone +46 70 972 93 52 instagram.com/swedishfilm [email protected] A Bastard Child IDFA In 1909, in an undemocratic Sweden, a bastard child is born and given the name Hervor. Her mother is unmarried and driven away from home. Hervor grows up at orphanages, unwanted by society. As an adult she spends her life struggling for social justice. Through hand-painted animated images we get to witness someone being rejected in order to unite others. Original title Horungen Knutte Wester (b. 1977) is educated at the Academy of Director/screenwriter Knutte Wester Fine Arts in Umeå and Johannesburg. -
Pilot Stories
PILOT STORIES DEDICATED to the Memory Of those from the GREATEST GENERATION December 16, 2014 R.I.P. Norm Deans 1921–2008 Frank Hearne 1924-2013 Ken Morrissey 1923-2014 Dick Herman 1923-2014 "Oh, I have slipped the surly bonds of earth, And danced the skies on Wings of Gold; I've climbed and joined the tumbling mirth of sun-split clouds - and done a hundred things You have not dreamed of - wheeled and soared and swung high in the sunlit silence. Hovering there I've chased the shouting wind along and flung my eager craft through footless halls of air. "Up, up the long delirious burning blue I've topped the wind-swept heights with easy grace, where never lark, or even eagle, flew; and, while with silent, lifting mind I've trod the high untrespassed sanctity of space, put out my hand and touched the face of God." NOTE: Portions Of This Poem Appear On The Headstones Of Many Interred In Arlington National Cemetery. TABLE OF CONTENTS 1 – Dick Herman Bermuda Triangle 4 Worst Nightmare 5 2 – Frank Hearne Coming Home 6 3 – Lee Almquist Going the Wrong Way 7 4 – Mike Arrowsmith Humanitarian Aid Near the Grand Canyon 8 5 – Dale Berven Reason for Becoming a Pilot 11 Dilbert Dunker 12 Pride of a Pilot 12 Moral Question? 13 Letter Sent Home 13 Sense of Humor 1 – 2 – 3 14 Sense of Humor 4 – 5 15 “Poopy Suit” 16 A War That Could Have Started… 17 Missions Over North Korea 18 Landing On the Wrong Carrier 19 How Casual Can One Person Be? 20 6 – Gardner Bride Total Revulsion, Fear, and Helplessness 21 7 – Allan Cartwright A Very Wet Landing 23 Alpha Strike -
“Game of Thrones” Season 5 One Line Cast List NO
“Game of Thrones” Season 5 One Line Cast List NO. CHARACTER ARTIST 1 TYRION LANNISTER PETER DINKLAGE 3 CERSEI LANNISTER LENA HEADEY 4 DAENERYS EMILIA CLARKE 5 SER JAIME LANNISTER NIKOLAJ COSTER-WALDAU 6 LITTLEFINGER AIDAN GILLEN 7 JORAH MORMONT IAIN GLEN 8 JON SNOW KIT HARINGTON 10 TYWIN LANNISTER CHARLES DANCE 11 ARYA STARK MAISIE WILLIAMS 13 SANSA STARK SOPHIE TURNER 15 THEON GREYJOY ALFIE ALLEN 16 BRONN JEROME FLYNN 18 VARYS CONLETH HILL 19 SAMWELL JOHN BRADLEY 20 BRIENNE GWENDOLINE CHRISTIE 22 STANNIS BARATHEON STEPHEN DILLANE 23 BARRISTAN SELMY IAN MCELHINNEY 24 MELISANDRE CARICE VAN HOUTEN 25 DAVOS SEAWORTH LIAM CUNNINGHAM 32 PYCELLE JULIAN GLOVER 33 MAESTER AEMON PETER VAUGHAN 36 ROOSE BOLTON MICHAEL McELHATTON 37 GREY WORM JACOB ANDERSON 41 LORAS TYRELL FINN JONES 42 DORAN MARTELL ALEXANDER SIDDIG 43 AREO HOTAH DEOBIA OPAREI 44 TORMUND KRISTOFER HIVJU 45 JAQEN H’GHAR TOM WLASCHIHA 46 ALLISER THORNE OWEN TEALE 47 WAIF FAYE MARSAY 48 DOLOROUS EDD BEN CROMPTON 50 RAMSAY SNOW IWAN RHEON 51 LANCEL LANNISTER EUGENE SIMON 52 MERYN TRANT IAN BEATTIE 53 MANCE RAYDER CIARAN HINDS 54 HIGH SPARROW JONATHAN PRYCE 56 OLENNA TYRELL DIANA RIGG 57 MARGAERY TYRELL NATALIE DORMER 59 QYBURN ANTON LESSER 60 MYRCELLA BARATHEON NELL TIGER FREE 61 TRYSTANE MARTELL TOBY SEBASTIAN 64 MACE TYRELL ROGER ASHTON-GRIFFITHS 65 JANOS SLYNT DOMINIC CARTER 66 SALLADHOR SAAN LUCIAN MSAMATI 67 TOMMEN BARATHEON DEAN-CHARLES CHAPMAN 68 ELLARIA SAND INDIRA VARMA 70 KEVAN LANNISTER IAN GELDER 71 MISSANDEI NATHALIE EMMANUEL 72 SHIREEN BARATHEON KERRY INGRAM 73 SELYSE -
10Th TRIBECA FILM FESTIVAL ANNOUNCES WORLD
10 th TRIBECA FILM FESTIVAL ANNOUNCES WORLD NARRATIVE AND DOCUMENTARY COMPETITION SELECTIONS, AND NEW VIEWPOINTS SECTION *** TRIBECA EXPANDS AWARDS SCOPE *** 2011 Festival to Present 88 Feature-Length and 61 Short Films April 20 – May 1 Plus Free Online Film Screenings for Viewers Nationwide New York, NY [March 7, 2011] – The 2011 Tribeca Film Festival (TFF), presented by American Express ®, today announced the World Narrative and Documentary Competition film selections and the first edition of the new section—Viewpoints. Forty-four of the 88 feature-length films were announced. The 10 th edition of the Festival will take place from April 20 to May 1 in lower Manhattan. TFF organizers this year have streamlined the Festival’s format, which is now comprised of two competition sections, World Narrative and World Documentary, and three out-of-competition sections: Cinemania, Spotlight and the new Viewpoints. “It’s our tenth Tribeca Film Festival, and in our relatively brief existence we have evolved dramatically,” says Nancy Schafer, Executive Director of the Tribeca Film Festival. “The Festival has become an integral part of the cultural landscape of New York City as well as a globally recognized platform for storytelling.” The 2011 film selection includes feature films from 32 different countries, including 43 World Premieres, 10 International Premieres, 19 North American Premieres, 7 U.S. Premieres and 9 New York Premieres. Ninety-nine directors will be presenting feature works at the Festival, with 54 of these filmmakers presenting their feature directorial debuts. Twelve feature film directors are returning TFF filmmakers. The 2011 film slate was chosen from a total of 5,624 submissions, a record number for the Festival. -
Japanese Animation Guide: the History of Robot Anime
Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Addition to the Release of this Report This report on robot anime was prepared based on information available through 2012, and at that time, with the exception of a handful of long-running series (Gundam, Macross, Evangelion, etc.) and some kiddie fare, no original new robot anime shows debuted at all. But as of today that situation has changed, and so I feel the need to add two points to this document. At the start of the anime season in April of 2013, three all-new robot anime series debuted. These were Production I.G.'s “Gargantia on the Verdurous Planet," Sunrise's “Valvrave the Liberator," and Dogakobo and Orange's “Majestic Prince of the Galactic Fleet." Each was broadcast in a late-night timeslot and succeeded in building fanbases. The second new development is the debut of the director Guillermo Del Toro's film “Pacific Rim," which was released in Japan on August 9, 2013. The plot involves humanity using giant robots controlled by human pilots to defend Earth’s cities from gigantic “kaiju.” At the end of the credits, the director dedicates the film to the memory of “monster masters” Ishiro Honda (who oversaw many of the “Godzilla” films) and Ray Harryhausen (who pioneered stop-motion animation techniques.) The film clearly took a great deal of inspiration from Japanese robot anime shows. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Download Mobile Suit Gundam: the ORIGIN, Volume 12: Encounters PDF
Download: Mobile Suit Gundam: The ORIGIN, Volume 12: Encounters PDF Free [070.Book] Download Mobile Suit Gundam: The ORIGIN, Volume 12: Encounters PDF By Yoshikazu Yasuhiko Mobile Suit Gundam: The ORIGIN, Volume 12: Encounters you can download free book and read Mobile Suit Gundam: The ORIGIN, Volume 12: Encounters for free here. Do you want to search free download Mobile Suit Gundam: The ORIGIN, Volume 12: Encounters or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #Mobile Suit Gundam: The ORIGIN, Volume 12: Encounters | #61770 in Books | 2015-12-15 | 2015-12-15 | Original language: English | PDF # 1 | 8.30 x 1.20 x 6.40l, 1.25 | File type: PDF | 400 pages | |7 of 9 people found the following review helpful.| A Parting Shot From The Origin | By Edward Hurd |With the twelfth and final volume of The Origin we get to see how The One Year War comes to an end, and in a nice touch more of its origins and aftermath. All the moments you'd expect from First Gundam are here from Char and Amuro's dual to Char's last goodbye to Kycilia, it even makes good use of one of the iconic songs from Encoun | About the Author | Hokkaido native Yoshikazu Yasuhiko (1947-) is a Japanese animator and manga artist. His career as a character designer has spanned over four decades, creating famed characters for such anime as Super Atragon, Brace Raideen Amuro Ray miraculously stumbles on a second Gundam unit, the RX-78 Gubdan, and the new unit will giver her a chance to save the colony's survivors or possibly destroy them. -
Untitled Warrior Olympics Project, for Neal Moritz and Sony; San Andreas 2, with New Line; and Rampage, Also Through New Line, with Dwayne Johnson Attached to Star
Short Synopsis After a single-mother (Carice van Houten) witnesses terrifying symptoms of demonic possession in her 11-year-old son (David Mazouz), a Vatican representative (Catalina Sandino Moreno) calls on wheelchair-bound scientist Dr. Seth Ember (Aaron Eckhart) to rid him of the evil spirit. Driven by a personal agenda rooted in his own tragic past, Ember enters the boy’s unconscious mind where he confronts a demon as ferocious as it is ingenious. Long Synopsis Eleven-year-old Cameron (David Mazouz) alarms his single mother Lindsay (Carice van Houten) when he begins isolating himself on the floor of his dark room, speaking in ancient languages and displaying other symptoms of demonic possession. Alerted to the situation, Vatican representative Camilla (Catalina Sandino Moreno) recruits wheelchair- bound scientist Dr. Seth Ember (Aaron Eckhart) to extract the evil spirit from the boy. A non-believer who drinks, smokes and prefers to think of his work as “eviction” rather than exorcism, Ember sets up shop with high-tech assistants Riley (Emily Jackson) and Oliver (Keir O’Donnell). Strapped into a life-support system, he enters Cameron’s subconscious mind, where the demon holds the boy captive in an imaginary dream world by appealing to his deepest desire: to be reunited with his estranged father Dan (Matt Nable). Driven by tragic events in his own traumatic past, Ember engages in a fierce battle with the crafty spirit. Ever mindful that the demon, known as “Maggie,” travels from one victim to the next through physical contact, Ember knows that his desperate attempt to save Cameron’s soul could make him the demon’s next host. -
Luca Guadagnino, Carice Van Houten and Viktoriya Isakova Join the Guests of the 26Th Geneva International Film Festival
Press release October 28, 2020 Luca Guadagnino, Carice van Houten and Viktoriya Isakova join the guests of the 26th Geneva International Film Festival The GIFF is pleased to announce the arrival of three renowned talents, who will present exclusive series in Geneva from 6 to 15 November. Three big names join the already generous line-up of the 26th edition of the Geneva International Film Festival (GIFF). After Mads Mikkelsen, Woodkid, Abel Ferrara, Sara Forestier and André Dussollier, the event is pleased to announce that Italian filmmaker Luca Guadagnino (Call Me By Your Name, A Bigger Splash, ...), Dutch producer, actress and creator Carice van Houten (The Black Book by Paul Verhoeven, Game of Thrones, ...) and Russian actress Viktoriya Isakova (The Island by Pavel Lungin, The Student by Kirill Serebrennikov, ...) will all be in Geneva to present their latest works and collaborations. Academy Award Nominated director and producer Luca Guadagnino, a rare filmmaker who is one of the great names in contemporary cinema, will personally present the complete HBO-SKY series We Are Who We Are, produced By The Apartment And Wildside, Both Fremantle Companies, with Small Forward, which he directed and co-created, and which the Festival is showing in association with the Director’s Fortnight. On this occasion, Les Cinémas du Grütli will give the public the opportunity to rediscover more widely the work of this fascinating director, capable like no other of bringing out the beauty, the turmoil and the mystery in the course of a shot or a sequence. We Are Who We Are will be available in Switzerland on Starzplay in 2021. -
The Mobile Suit Gundam Franchise
The Mobile Suit Gundam Franchise: a Case Study of Transmedia Storytelling Practices and the Role of Digital Games in Japan Akinori (Aki) Nakamura College of Image Arts and Sciences, Ritsumeikan University 56-1 Toji-in Kitamachi, Kita-ku, Kyoto 603-8577 [email protected] Susana Tosca Department of Arts and Communication, Roskilde University Universitetsvej 1, P.O. Box 260 DK-4000 Roskildess line 1 [email protected] ABSTRACT The present study looks at the Mobile Suit Gundam franchise and the role of digital games from the conceptual frameworks of transmedia storytelling and the Japanese media mix. We offer a historical account of the development of “the Mobile Suit Gundam” series from a producer´s perspective and show how a combination of convergent and divergent strategies contributed to the success of the series, with a special focus on games. Our case can show some insight into underdeveloped aspects of the theory of transmedial storytelling and the Japanese media mix. Keywords Transmedia Storytelling, Media mix, Intellectual Property, Business Strategy INTRODUCTION The idea of transmediality is now more relevant than ever in the context of media production. Strong recognizable IPs take for example more and more space in the movie box office, and even the Producers Guild of America ratified a new title “transmedia producer” in 2010 1. This trend is by no means unique to the movie industry, as we also detect similar patterns in other media like television, documentaries, comics, games, publishing, music, journalism or sports, in diverse national and transnational contexts (Freeman & Gambarato, 2018). However, transmedia strategies do not always manage to successfully engage their intended audiences; as the problematic reception of a number of works can demonstrate.