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Duckie Archive
DUCKIE ARCHIVE (DUCKIE) ©Bishopsgate Institute Catalogued by Various, 2018-2019. DUCKIE Duckie Archive 1996-2018 Name of Creator: Duckie Extent: 55 Files Administrative/Biographical History: Amended from the Duckie Website (2020): Duckie are lowbrow live art hawkers, homo-social honky-tonkers and clubrunners for disadvantaged, but dynamically developing authentic British subcultures. Duckie create good nights out and culture clubs that bring communities together. From their legendary 24-year weekly residency at the Royal Vauxhall Tavern to winning Olivier awards at the Barbican, they are purveyors of progressive working class entertainment who mix live art and light entertainment. Duckie combine vintage queer clubbing, LGBTQI+ heritage & social archeology & quirky performance art shows with a trio of socially engaged culture clubs: The Posh Club (our swanky showbiz palais for working class older folk, now regular in five locations), The Slaughterhouse Club (our wellbeing project with homeless Londoners struggling with booze, addiction and mental health issues), Duckie QTIPOC Creatives (our black and brown LGBTQI youth theatre, currently on a pause until we bag a funder). Duckie have long-term relationships with a few major venues including Barbican Centre, Rich Mix, Southbank Centre and the Brighton Dome, but we mostly put on our funny theatre events in pubs, nightclubs, church halls and community centres. They are a National Portfolio Organisation of Arts Council England and revenue funded by the Big Lottery Fund. Duckie produce about 130 events and 130 workshops each year - mostly in London and the South East - and our annual audience is about 30,000 real life punters. Custodial History: Deposited with Bishopsgate Institute by Simon Casson, 2017. -
Back and Welcome to Unity's 2021 Programme of Events
2021 SEASON unitytheatreliverpool.co.uk Welcome back and welcome to Unity’s 2021 programme of events. We are delighted to finally be sharing Showcasing Local Talent with you some of the exciting productions With over 40 events and 100 artists and activities that form a special year already involved, our specially curated of work from Unity. reopening activities are a manifestation of this. Like everyone, our 2020 wasn’t quite the year we had planned. Originally Supporting Artists intended to be a landmark celebration This new season includes 22 of our 40th anniversary, instead we Merseyside-based creatives and found our doors closing indefinitely. companies who feature as part of The implications of the pandemic our Open Call Programme. Created and shutdown of venues across the UK to provide income and performance were serious and far-reaching, but they opportunity to local artists after allowed us to take stock and question a year without both, the Open Call our role as an arts organisation. celebrates these artists, their stories, communities and lives. What has emerged is a renewed commitment for Unity to provide 2021 welcomes a huge-new event space and opportunity for people series as part of our talent development to be creative, enjoy high-quality programme - Creative’pool. This will entertainment and celebrate the provide personalised training, workshops, communities of Liverpool. We want advice, exclusive events and development to continue to inspire creative opportunities to over 200 artists a year. risk and achieve a fairer, more supportive and accessible world. Access for All After a year of such uncertainty some of you may understandably be nervous about venturing into buildings. -
Pride Lineup R Ee Qb
F PRIDE LINEUP R EE QB Nottinghamshire’s Queer Bulletin August/September 2011 Number 61 The Pride stage will undergo meiosis and divide into 4. As well as the Main Stage (hosted by Harry Derbridge - from “The only way is Essex”), Politicians experience often scath- you can enjoy the Acoustic Stage, the Comedy Stage and a family zone - ing criticism on a daily basis in our The Village Green. Some of the performers featured are listed below. newspapers. On radio and televi- sion they are subject to the mock- MAIN STAGE ACOUSTIC STAGE COMEDY STAGE ery which is part of a tradition going Booty Luv Kenelis Julie Jepson back to - at least - the ancient Ruth Lorenzo Maniére des Suzi Ruffle Greeks. Cartoonists have a field day. David Cameron is portrayed Drag with No Name Bohémiens Rosie Wilby by one as a "Little Lord Fauntleroy" Fat Digester Gallery 47 Rachel Stubbins type and by another as a pink hu- Propaganda Betty Munroe & Josephine Ettrick-Hogg man condom with big wobbly Danny Stafford The Blue Majestix Carly Smallman Youth Spot The Idolins breasts. VILLAGE GREEN Jo Francis Emily Franklin Our mockery and fact-based criti- Captain Dangerous Wax Ersatz Asian Dance Group cisms of Kay Cutts pale beside this Vibebar May KB Pirate Show and beside what one reads on the Benjamin Bloom Selma Thurman Carlton Brass Band local Parish of Nottinghamshire Grey Matter Ball Bois display website, to which we referred. Poli- The Cedars Hosts: John Gill & Dog display team ticians need broad shoulders. Bear- NG1/@D2 Princess Babserella Tatterneers Band ing in mind the size of Mrs Cutts' "shoulders", the County Library QB ban is utterly predictable. -
Hello Sailor! Canadian Edition Oral History Project a Research Report for the Maritime Museum of the Atlantic Halifax, Nova Scotia
Hello Sailor! Canadian Edition Oral History Project A Research Report for the Maritime Museum of the Atlantic Halifax, Nova Scotia Final Report Emily Burton and Bob Harding Researchers 30 March 2011 (Revised 10 May 2011) 1 Hello Sailor! Canadian Edition Final Report Emily Burton and Bob Harding Researchers 30 March 2011 (Revised 10 May 2011) I Literature Review & Bibliography II Methodology III Discussion of Findings (i) Preliminary and Going to Sea (ii) Work, Leisure and Language (iii) Diversity Onboard (iv) Seafarers in Port (v) Coming Home (vi) Trans-gendered Identity IV Recommendations of Potential Themes (i) Departure from ‘Heaven and Hell’ (ii) The Good, the Bad, and the Boring (iii) Sailor First (iv) Homophobia (v) Recommendations for Further Research 2 I Literature Review & Bibliography This brief essay reviews the literatures pertaining to the experiences of gay seafarers in the Canadian historical context. It focuses on three particular bodies of historical literature. First, it reviews treatments of gay seafarers and homosexuality within the broader historiography of North Atlantic seafaring. Second, it reveals the lack of scholarly attention to gay seafarers within Canadian gay and lesbian studies. Third, it examines how gay seafarers and homosexual culture at sea have been addressed within the American historiographical context. This essay also highlights how oral research enables scholars to more fully illuminate the experiences of gay sailors and the nature homosexual culture at sea. The essay demonstrates that while homosexuality has been addressed within the general historiography on North Atlantic seafaring, it remains a largely unexplored topic within the Canadian historiographical tradition. However, pioneering studies in the American context offer useful conceptual and methodological models for incorporating the history of gay seafaring culture into the Canadian narratives of seafaring as well as gay and lesbian history. -
Equality and Diversity Within the Arts and Cultural Sector in England, 2013-16
Equality and diversity within the arts and cultural Sector in England, 2013-16: Evidence Review September 2016 Equality & Diversity: Evidence Review Contents 1 Introduction ................................................................................................................................ 1 2 Context ........................................................................................................................................ 3 3 Review Results ............................................................................................................................ 7 4 Disability ...................................................................................................................................... 9 5 Race ........................................................................................................................................... 17 6 Sex/gender ................................................................................................................................ 26 7 Age ............................................................................................................................................ 35 8 Sexual orientation ..................................................................................................................... 41 9 Gender re-assignment .............................................................................................................. 47 10 Religion and/or belief .............................................................................................................. -
British Muslims Caught Amidst Fogs—A Discourse Analysis of Religious Advice and Authority
religions Article British Muslims Caught Amidst FOGs—A Discourse Analysis of Religious Advice and Authority Usman Maravia 1,* , Zhazira Bekzhanova 2 , Mansur Ali 3 and Rakan Alibri 4 1 ESRC Centre for Corpus Approaches to Social Science (CASS), Lancaster University, Lancaster LA1 4YW, UK 2 English Language Program, Astana IT University, Nur-Sultan 010000, Kazakhstan; [email protected] 3 Centre for the Study of Islam in the UK, School of History, Archaeology and Religion, Cardiff University, Cardiff CF10 3EU, UK; [email protected] 4 Department of Languages and Translation, University of Tabuk, Tabuk 47512, Saudi Arabia; [email protected] * Correspondence: [email protected] Abstract: This paper discusses the symbolic capital found within Islamic documents that were circu- lated in the UK during the COVID-19 outbreak. Specifically, the work explores “fatwas” and “other” similar documents as well as “guidance” documents (referred to as FOGs) that were disseminated in March–April 2020 on the internet and social media platforms for British Muslim consumption. We confine our materials to FOGs produced only in English. Our study takes its cue from the notion that the existence of a variety of documents created a sense of foggy ambiguity for British Muslims in matters of religious practice. From a linguistic angle, the study seeks to identify (a) the underlying reasons behind the titling of the documents; and (b) the construction of discourses in the documents. Our corpus-assisted critical discourse analysis (CA-CDA) found noticeable patterns that hold symbolic capital in the fatwa register. We also found that producers of “other” documents imitate the fatwa register in an attempt to strengthen the symbolic capital of their documents. -
Front Matter
Cambridge University Press 978-0-521-68977-9 - Impoliteness: Using Language to Cause Offence Jonathan Culpeper Frontmatter More information Impoliteness When is language considered ‘impolite’? Is impolite language only used for anti-social purposes? Can impolite language be creative? What is the differ- ence between ‘impoliteness’ and ‘rudeness’? Grounded in naturally occurring language data and drawing on findings from linguistic pragmatics and social psychology, Jonathan Culpeper provides a fascinating account of how impo- lite behaviour works. He examines not only its forms and functions but also people’s understandings of it in both public and private contexts. He reveals, for example, the emotional consequences of impoliteness, how it shapes and is shaped by contexts, and how it is sometimes institutionalised. This book offers penetrating insights into a hitherto neglected and poorly understood phenomenon. It will be welcomed by students and researchers in linguistics and social psychology in particular. jonathan culpeper is based in the Department of Linguistics and English Language at Lancaster University. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-68977-9 - Impoliteness: Using Language to Cause Offence Jonathan Culpeper Frontmatter More information Studies in Interactional Sociolinguistics EDITORS Paul Drew, Marjorie Harness Goodwin, John J. Gumperz, Deborah Schiffrin 1 Discourse Strategies John J. Gumperz 2 Language and Social Identity edited by John J. Gumperz 3 The Social Construction of Literacy Jenny Cook-Gumperz 4 Politeness: Some Universals in Language Usage Penelope Brown and Stephen C. Levinson 5 Discourse Markers Deborah Schiffrin 6 Talking Voices: Repetition, Dialogue, and Imagery in Conversational Discourse Deborah Tannen 7 Conducting Interaction: Patterns of Behaviour in Focused Encounters Adam Kendon 8 Talk at Work: Interaction in Institutional Settings edited by Paul Drew and John Heritage 9 Grammar in Interaction: Adverbial Clauses in American English Conversations Cecilia E. -
Sexual Orientation Research Review 2008
Equality and Human Rights Commission Research report 34 Sexual orientation research review 2008 Martin Mitchell, Charlie Howarth, Mehul Kotecha and Chris Creegan NatCen Sexual orientation research review 2008 Martin Mitchell, Charlie Howarth, Mehul Kotecha and Chris Creegan Equality and Human Rights Commission 2009 First published Autumn 2009 ISBN 978 1 84206 113 8 Equality and Human Rights Commission Research Report Series The Equality and Human Rights Commission Research Report Series publishes research carried out for the Equality and Human Rights Commission (the Commission) by commissioned researchers. The views expressed in this report are those of the authors and do not necessarily represent the views of the Commission. The Commission is publishing the report as a contribution to discussion and debate. Please contact the Research Team for further information about other Equality and Human Rights Commission’s research reports, or visit our website: Research Team Equality and Human Rights Commission Arndale House The Arndale Centre Manchester M4 3AQ Email: [email protected] Telephone: 0161 829 8500 Website: www.equalityhumanrights.com You can download a copy of this report and the full report as a PDF from our website: www.equalityhumanrights.com 2 CONTENTS TABLES 12 ACKNOWLEDGEMENTS 13 ABBREVIATIONS AND ACRONYMS 14 FOREWORD 15 EXECUTIVE SUMMARY 19 1 INTRODUCTION 36 1.1 Aims and objectives 36 1.2 Coverage and approach 37 1.3 Context 38 2 MEASURING SEXUAL ORIENTATION – DEFINITIONS AND SIZE 39 2.1 User need for national -
Love Is GREAT Edition 1, March 2015
An LGBT guide Brought to you by for international media March 2015 Narberth Pembrokeshire, Wales visitbritain.com/media Contents Love is GREAT guide at a glance .................................................................................................................. 3 Love is GREAT – why? .................................................................................................................................... 4 Britain says ‘I do’ to marriage for same sex couples .............................................................................. 6 Plan your dream wedding! ............................................................................................................................. 7 The most romantic places to honeymoon in Britain ............................................................................. 10 10 restaurants for a romantic rendezvous ............................................................................................... 13 12 Countryside Hideaways ........................................................................................................................... 16 Nightlife: Britain’s fabulous LGBT clubs and bars ................................................................................. 20 25 year of Manchester and Brighton Prides .......................................................................................... 25 Shopping in Britain ....................................................................................................................................... -
Helen Smith Full Thesis
A Study of Working-Class Men Who Desired Other Men in the North of England, c.1895 - 1957 Helen Smith Department of History A thesis submitted for the degree of Doctor of Philosophy November 2012 Abstract This thesis is the first detailed academic study of non-metropolitan men who desired other men in England during the period 1895-1957. It places issues of class, masculinity and regionality alongside sexuality in seeking to understand how men experienced their emotional and sexual relationships with each other. It argues that fluid notions of sexuality were rooted in deeply embedded notions of class and region. The thesis examines the six decades from 1895 to 1957 in an attempt to explore patterns of change over a broad period and uses a wide variety of sources such as legal records, newspapers, letters, social surveys and oral histories to achieve this. Amongst northern working men, ‘normality’ and ‘good character’ were not necessarily disrupted by same sex desire. As long as a man was a good, reliable worker, many other potential transgressions could be forgiven or overlooked. This type of tolerance of (or ambivalence to) same sex desire was shaken by affluence and the increased visibility of men with a clear sexuality from the 1950s and into the era of decriminalisation. The thesis analyses patterns of work, sex, friendship and sociability throughout the period to understand how these traditions of tolerance and ambivalence were formed and why they eventually came to an end. Although the impact of affluence and decriminalisation had countless positive effects both for working people in general and men who desired other men specifically, the thesis will acknowledge that this impact irrevocably altered a way of life and of understanding the world. -
Re-Presenting the City
Re-presenting the City A Dramatist’s Contextualisation Of His Works On Liverpool Post - 1990 Andrew Sherlock A thesis submitted as partial fulfilment of the requirements of Liverpool John Moores University for the degree of Doctor of Philosophy May 2015 1 Contents Page A Personal Foreword 2-10 Introduction to the Publications – The Plays 11-14 Conceptual Roots and Practitioner Theory 15-34 Coherence and Context of the Body of Work 35-51 Analysis and Contextualisation of each Play Fall From Grace 52-62 Ballad Of The Sea 63-70 Walltalks 71-81 The Shankly Show 82-95 Epstein – The Man Who Made The Beatles 96-103 Thoughts and Findings, Arriving at a Research Methodology 104-115 Conclusions 116-120 Appendices Research Notes and Key References 121-128 Professional and Teaching Impact 129-131 References 132-134 2 A Personal Foreword Byford Street, Liverpool L7, taken in 1972, where I was born, though had left here by 1966. Born in 1964, the son of a plasterer and leaving for Leeds University in 1982, my formative years in Liverpool and deep early impressions of the city were shaped by the 1970s /80s. One of the few positive benefits of attending an under-funded, inner-city comprehensive school in Liverpool was perhaps the number of subjects and interests we attempted to cover and a resultant affinity for eclecticism.1 From sports to school plays to a terrible school orchestra, I had a go at everything and at times the loose structure meant that when I was caught out of 1 I attended Holt Comprehensive between 1975-82. -
Metaphors for ‘Good’ and ‘Bad’ Deaths a Health Professional View
Metaphors for ‘good’ and ‘bad’ deaths A health professional view Zsófia Demjén,1 Elena Semino2 and Veronika Koller2 1The Open University / 2Lancaster University This paper discusses the metaphors used by sixteen palliative healthcare profes- sionals from around the United Kingdom in semi-structured interviews to describe what they see as ‘good’ and ‘bad’ deaths. The interviews, conducted for the large-scale “Metaphor in End-of-Life Care” project, are set against the background of contemporary practices and discourses around end-of-life care, dying and quality of death. To date, the use of metaphor in descriptions of dif- ferent types of deaths has not received much attention. Applying the Metaphor Identification Procedure (Pragglejaz Group, 2007) we find that the difference between good and bad deaths is partly expressed via different frequencies of contrasting metaphors, such as ‘peacefulness’ and ‘openness’ as opposed to ‘struggle’ and ‘pushing away’ professional help. We show how metaphors are used to: evaluate deaths and the dying; justify those evaluations; present a remarkably consistent view of different types of deaths; and promote a particular ‘framing’ of a good death, which is closely linked with the dominant sociocul- tural and professional contexts of our interviewees. We discuss the implications of these consistent evaluations and framings in broader end-of-life care contexts, and reflect on the significance of our findings for the role of metaphor in com- munication about sensitive experiences. Keywords: end-of-life care; hospices; medical communication; metaphor; death and dying; good death 1. Introduction This paper focuses on metaphors used to describe ‘good’ and ‘bad’ deaths in semi- structured interviews with sixteen UK-based healthcare professionals in hospice or palliative care.