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'In the Footsteps of the Ancients'
‘IN THE FOOTSTEPS OF THE ANCIENTS’: THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI Ronald G. Witt BRILL ‘IN THE FOOTSTEPS OF THE ANCIENTS’ STUDIES IN MEDIEVAL AND REFORMATION THOUGHT EDITED BY HEIKO A. OBERMAN, Tucson, Arizona IN COOPERATION WITH THOMAS A. BRADY, Jr., Berkeley, California ANDREW C. GOW, Edmonton, Alberta SUSAN C. KARANT-NUNN, Tucson, Arizona JÜRGEN MIETHKE, Heidelberg M. E. H. NICOLETTE MOUT, Leiden ANDREW PETTEGREE, St. Andrews MANFRED SCHULZE, Wuppertal VOLUME LXXIV RONALD G. WITT ‘IN THE FOOTSTEPS OF THE ANCIENTS’ ‘IN THE FOOTSTEPS OF THE ANCIENTS’ THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI BY RONALD G. WITT BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Witt, Ronald G. ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. Witt. p. cm. — (Studies in medieval and Reformation thought, ISSN 0585-6914 ; v. 74) Includes bibliographical references and indexes. ISBN 9004113975 (alk. paper) 1. Lovati, Lovato de, d. 1309. 2. Bruni, Leonardo, 1369-1444. 3. Latin literature, Medieval and modern—Italy—History and criticism. 4. Latin literature, Medieval and modern—France—History and criticism. 5. Latin literature, Medieval and modern—Classical influences. 6. Rhetoric, Ancient— Study and teaching—History—To 1500. 7. Humanism in literature. 8. Humanists—France. 9. Humanists—Italy. 10. Italy—Intellectual life 1268-1559. 11. France—Intellectual life—To 1500. PA8045.I6 W58 2000 808’.0945’09023—dc21 00–023546 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Witt, Ronald G.: ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. -
Venerable Servant of God Vincent De Paul
DePaul University Via Sapientiae English edition Abelly, Louis 1993 Venerable Servant, Book 2 Follow this and additional works at: https://via.library.depaul.edu/abelly_english Recommended Citation Abelly, Louis. The Life of the Venerable Servant of God Vincent de Paul. Book One. Ed. by John E. Rybolt, C.M. Trans. by William Quinn, F.S.C. New York: New City Press, 1993. http://via.library.depaul.edu/ abelly_1664f/3 This Article is brought to you for free and open access by the Abelly, Louis at Via Sapientiae. It has been accepted for inclusion in English edition by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Life ofthe Venerable Servant of God Vincent de Paul Founder and First Superior General of the Congregation ofthe Mission (Divided Into Three Books) by Louis Abelly, Bishop of Rodez BOOK TWO New City Press edited by John E. Rybolt, C.M. translated by William Quinn, F.S.C. notes by Edward R. Udovic, C.M. and John E. Rybolt, C.M. introduction by Stafford Poole, C.M. index translated and edited from the Pemartin edition of 1891, with additional annotations, by Edward R. Udovic, C.M Published in the United States by New City Press 86 Mayflower Avenue, New Rochelle, New York 10801 ©1993 Vincentian Studies Institute Library of Congress Cataloging-in-Publication Data: Abelly, Louis, 1604-1691. [Vie du venerable serviteur de Dieu, Vincent de Paul. English] The life ofthe venerable servant ofGod Vincent de Paul: founder and first superior general ofthe Congregation ofthe Mission: (divided into three books) I by Louis Abelly ; [edited by John E. -
Stratégies Culturelles Entre Paris Et Modène Au Grand Siècle : Les Artistes Français À La Cour Des Este
Stratégies culturelles entre Paris et Modène au Grand Siècle : les artistes français à la cour des Este 1. DESCRIPTION DU PROJET La recherche porte sur les présences artistiques françaises à la cour des Este au XVIIe siècle en les inscrivant dans le cadre plus vaste des relations politico-culturelles entre Modène et Paris. On connait très bien l’alliance que le duc de Modena Francesco I (1610-1658) avait nouée avec la couronne de France en 1647, lorsque les tentatives diplomatiques avaient déjà permis au cardinal Rinaldo, frère du duc, de gagner la « protection de la France ». En effet Francesco I conduisit une politique étrangère changeante et prudente qui fut couronnée par sa visite à Paris en 1655, où il obtint le titre de « Generalissimo » des troupes françaises en Italie. À cette occasion le duc conclut les négociations du mariage de son fils aîné avec la nièce du cardinal Mazarin Laura Martinozzi. Au-delà des liens politiques et conjugaux, les deux cours sont reliées par des choix artistiques similaires, tellement ressemblants que Peter Burke, dans son œuvre The fabrication of Louis XIV (1992), a tracé un véritable « Paris-Modena axis ». L’historien montre comment le mécénat artistique des Este a fourni un modèle rapidement imité par Louis XIV. Cette reconstruction est confirmée par des exemples illustres comme les séjours de Gaspare et Carlo Vigarani et de Gian Lorenzo Bernini qui, après avoir servi le duc de Modena, ont été convoqués à Paris pour des commissions similaires. Les deux premiers fournirent en 1659 des projets pour la construction de la Salle des Machines, construite aux Tuileries et conçue sur le modèle du Théâtre Ducal de Modène, terminé en 1656. -
Alma Mater Studiorum – Università Di Bologna
Alma Mater Studiorum – Università di Bologna DOTTORATO DI RICERCA IN Les Littératures de l’Europe Unie - European Literatures - Letterature dell’Europa Unita Ciclo XXX Settore Concorsuale: 10 F/1 Letteratura italiana, critica letteraria e letterature comparate Settore Scientifico Disciplinare: L-FIL-LET/10 Letteratura italiana Between Epic and History: European epic poems of the XVIth - XVIIth centuries on Lepanto and the Reconquista Presentata da: Maria Shakhray Coordinatore Dottorato Supervisore Prof.ssa Bruna Conconi Prof. Andrea Battistini Co-supervisore Prof.ssa Bruna Conconi Esame finale anno 2018 1 2 Acknowledgements This work became possible due to the support and the precious contributions of many people. First of all, I would like to express my profound gratitude to my supervisor, Prof. Andrea Battistini, for his valuable guidance, his patience and encouragement. I am infinitely grateful for his kind help and support throughout all of these years. I would also like to thank Prof. Anna Soncini for being a crucial presence during my CLE and DESE years. I am particularly grateful to Prof. Bruna Conconi for her encouragement and moral support at all of the most difficult moments. I would also like to thank all the professors of the DESE consortium for their valuable remarks and comments as to the realization of the present research. I would like to express my heartfelt gratitude to Lucia Manservisi for having always helped me to cope with all kinds of practical problems I faced during my years in Bologna. My gratitude is as well extended to Prof. Pedro Ruiz Perez and Prof. Rafael Bonilla Cerezo from the University of Cordova for their help and valuable advice during my stay in Spain. -
On January 6, 1625, Was Ordained a Priest in September 1649, Entered the Congregation of the Mission on August 15, 1651, and Took His Vows on August 17, 1653
Letter 2475. - Archives of the Mission, Turin, original signed letter. 1. Georges des Jardins, born in Alençon (Orne) on January 6, 1625, was ordained a priest in September 1649, entered the Congregation of the Mission on August 15, 1651, and took his vows on August 17, 1653. Later, he was Superior in Toul (1655-57) and Narbonne (1659). 2. Brother Jean Proust, born in Parthenay (Deux-Sèvres) on March 12, 1620, entered the Congregation of the Mission on June 25, 1645, and took his vows on October 28, 1647. Saint Vincent refers to clerical students as “Brothers.” The context usually determines whether the one referred to is a coadjutor Brother or a student destined for the priesthood. 3. Saint Vincent subscribed the initials, i.p.d.l.M. (indigne prêtre de la Mission. ) [unworthy priest of the Mission], to his signature. It has been traditional in the Congregation of the Mission to append to one’s name the Latin of this phrase, indignus sacerdos Congregationis Missionis. or the initials, i.s.C.M. The editors have adopted this traditional practice, substituting the initials of the Latin phrase for the French used by Saint Vincent. Letter 2476. - Archives of the Mission, Turin, unsigned rough draft. 1. Pierre Daveroult, born in Béthune (Pas-de-Calais) on January 20, 1614, was ordained a priest during Lent of 1638. He entered the Congregation of the Mission on April 13, 1653, and took his vows on January 13, 1656. Twice he embarked for Madagascar and twice returned to Paris without being able to set foot on the island. -
06 Documentazione Di Iniziative Diocesane
2/2010 Studi LORENZO PALIOTTO FERRARA NEL SEICENTO QUOTIDIANITÀ TRA POTERE LEGATIZIO E GOVERNO PASTORALE PARTE SECONDA PRESENTAZIONE DEL VOLUME (a cura di Stefania Calzolari e Nicola Mantovani) SAN GIROLAMO DEI GESUATI Ferrara, 17 novembre 2009 491 Studi 2/2010 Martedì 17 maggio 2009 alle ore 17.30 presso la sala conferenze della struttura ricettiva San Girolamo dei Gesuati si è tenuta la presentazione del volume di don Lorenzo Paliotto Ferrara nel Seicento. Quotidianità tra potere legatizio e governo pastorale. Parte seconda, terzo volume della collana L’Occhio di Ulisse edito dalle Edizioni Cartografica per il Seminario Arcivescovile di Ferrara. Ha coordinato la serata mons. Danillo Bisarello che ha introdotto e presentato ciascuno dei relatori: Sua Eccellenza monsignor Paolo Rabitti, il professor Ranieri Varese, la professoressa Chiara Cavaliere Toschi, monsignor Antonio Samaritani e l’Autore del volume don Lorenzo Paliotto. Erano presenti all’evento gli studen- ti del Seminario Maggiore con il Rettore e il Vicerettore, studiosi di storia locale e numerosi cittadini. Mons. Danillo Bisarello Siamo qui stasera per presentare la seconda parte del volume Ferrara nel Seicento, Quotidianità tra potere politico e governo pastorale. Un volume prezioso che considera, come sentirete fra poco, la storia ecclesiastica e religiosa di Ferrara. Sono con noi i semina- risti, e tra loro Monsignor Rettore: li salutiamo con grande affetto, come sempre. Il Seminario ancora una volta è promotore di uno studio, di una ricerca, in quest’occasio- ne attuata da don Lorenzo, sempre preziosa documentazione del tempo passato. Così un altro poderoso libro si viene ad aggiungere alla robusta serie di pubblicazioni, e qualcuno ha definito l’attività editoriale del Seminario un unicum italiano, forse anche europeo per la mole di studi promossi e stampati che davvero fa parte del piano culturale della Conferenza Episcopale; dall’altro si inserisce perfettamente nel tessuto di studi della nostra Università e di altri centri culturali civici. -
The Establishment of the Vincentians in Genoa, 1645–1660 Thérèse Peeters
Vincentian Heritage Journal Volume 35 | Issue 1 Article 2 Summer 7-25-2019 Whom to Trust? The Establishment of the Vincentians in Genoa, 1645–1660 Thérèse Peeters Follow this and additional works at: https://via.library.depaul.edu/vhj Recommended Citation Peeters, Thérèse (2019) "Whom to Trust? The Establishment of the Vincentians in Genoa, 1645–1660," Vincentian Heritage Journal: Vol. 35 : Iss. 1 , Article 2. Available at: https://via.library.depaul.edu/vhj/vol35/iss1/2 This Article is brought to you for free and open access by the Vincentian Journals and Publications at Via Sapientiae. It has been accepted for inclusion in Vincentian Heritage Journal by an authorized editor of Via Sapientiae. For more information, please contact [email protected], [email protected]. Whom to Trust? The Establishment of the Vincentians in Genoa, 1645–1660 Thérèse Peeters BIO THÉRÈSE PEETERS, is currently working toward a Ph.D. in history at Leiden University in the Netherlands. The subject of her thesis is the role of trust in the Catholic Reformation. In particular, her research focuses on Genoa in the seventeenth century. In 2012, Thérèse completed her BA in Italian language and culture and her BA in history at Leiden University. She continued there, and specialized on missionary correspondence and the role of trust while working on her masters in Medieval and early modern European history. Thérèse also collaborated on the project “Vincent de Paul, the Congregation of the Mission, and the Papacy: Documents from the Vatican Archives (1625-1670),” a digital catalogue of archival sources as well as a digital edition of selected documents. -
Il Sangue Di Carlo: Apologia E Licenza Teatrale Nel Cromvele Di Girolamo Graziani
Il sangue di Carlo: apologia e licenza teatrale nel Cromvele di Girolamo Graziani Stéphane Miglierina Università Jean Monnet, Saint-Etienne [email protected] Abstract: Nel gusto tipicamente secentesco per la riscrittura della storia recente, Girolamo Graziani (1604-1675) propone nel Cromvele, pièce dedicata a Luigi XIV, una visione agiografica di Carlo I. Mentre la follia e la cru- deltà di Cromwell si fanno più intense alla vigilia dell’esecuzione, l’aura di Carlo cresce (Elisabetta Cromwell addirittura se ne innamora) fino al punto che il suo sangue diventerà, dopo la sua morte, un simbolo cristico nell’ambito dell’apologia pseudo-storica. La riscrittura teatrale dell’evento storico permette al Graziani non soltanto di castigare a posteriori i cattivi, ma soprattutto di inserirsi nell’iconografia religiosa di Carlo I e nei dibattiti sulla legitimità del regicidio che animano il secolo. Parole chiave: Girolamo Graziani; Oliviero Cromwell; Carlo I d’Inghilterra; Teatro barocco; Regicidio Abstract: Following a typically seventeenth-century taste for rewriting recent history, Girolamo Graziani (1604-1675) exposed in his Cromvele, a tragedy dedicated to Louis XIV, a hagiographic vision of Charles I. While the madness and cruelty of Cromwell become more intense on the eve of the execution, the aura of Charles grows (Elizabeth Cromwell even falls in love with the king) to the point that his blood becomes, after his death, a Christ-like symbol within the pseudo-historical apology. The rewriting on stage of the historical event allows Graziani not only to pun- ish the culprits in retrospect, but especially to fit into the religious iconography of Charles I and to join the debate on the legitimacy of regicide that resonates throughout the century. -
Count Giacomo Leopardi - Poems
Classic Poetry Series Count Giacomo Leopardi - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Count Giacomo Leopardi(29 June 1798 – 14 June 1837) Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi was an Italian poet, essayist, philosopher, and philologist. Although he lived in a secluded town in the ultra-conservative Papal States, he came in touch with the main thoughts of the Enlightenment, and, by his own literary evolution, created a remarkable and renowned poetic work, related to the Romantic era. <b>Biography</b> Giacomo Leopardi was born of a local noble family in Recanati, in the Marche, at the time ruled by the papacy. His father, the count Monaldo Leopardi, was a good-hearted man, fond of literature but weak and reactionary, who remained bound to antiquated ideas and prejudices; his mother, the marquise Adelaide Antici Mattei, was a cold and authoritarian woman, obsessed over rebuilding the family's financial fortunes, which had been destroyed by Monaldo's gambling addiction. At home, a rigorous discipline of religion and savings reigned. However, Giacomo's happy childhood, which he spent with his younger brother Carlo Orazio and his sister Paolina, left its mark on the poet, who recorded his experiences in the poem Le Ricordanze. Leopardi, following a family tradition, began his studies under the tutelage of two priests, but his innate thirst for knowledge found its satisfaction primarily in his father's rich library. Initially guided by Father Sebastiano Sanchini, Leopardi quickly liberated himself by vast and profound readings. He committed himself so deeply to his "mad and most desperate" studies that, within a short time, he acquired an extraordinary knowledge of classical and philological culture—he could fluently read and write Latin, Greek and even Hebrew— but he suffered from the lack of an open and stimulating formal education. -
The New World Mythology in Italian Epic Poetry: 1492-1650
THE NEW WORLD MYTHOLOGY IN ITALIAN EPIC POETRY: 1492-1650 by CARLA ALOÈ A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Italian Studies School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT My thesis explores the construction of the New World mythology as it appears in early modern Italian epic poems. It focuses on how Italian writers engage with and contribute to this process of myth-creation; how the newly created mythology relates to the political, social and cultural context of the time; and investigates extent to which it was affected by the personal agendas of the poets. By analysing three New World myths (Brazilian Amazons, Patagonian giants and Canadian pygmies), it provides insights into the perception that Italians had of the newly discovered lands in the Sixteenth and Seventeenth Centuries, as well as providing a greater understanding of the role that early modern Italy had in the ‘invention’ of the Americas. -
In Genoa, Pope Fights Battle for the Soul of Italy, All of Europe
50¢ May 25, 2008 Volume 82, No. 21 www.diocesefwsb.org/TODAY Serving the Diocese of Fort Wayne-South Bend TTODAYODAY’’SS CCATHOLICATHOLIC In Genoa, pope fights battle for A Washington tribute to a saint Fort Wayne resident pleased to the soul of Italy, all of Europe be part of statue dedication Page 11 BY JOHN THAVIS GENOA, Italy (CNS) — At first glance, Pope Benedict XVI’s two-day visit to the northern Italian Silence in China city of Genoa seemed designed to highlight the ascen- dancy of the region’s prelates in his pontificate. Catholics pray for The pope chose Cardinal Tarcisio Bertone, the for- quake victims mer archbishop of Genoa, as his secretary of state. He named the new head of the archdiocese, Cardinal Page 3 Angelo Bagnasco, president of the Italian bishops’ conference. And the archdiocese’s liturgist, Msgr. Guido Marini, is now the master of papal liturgical ceremonies at the Vatican. But for all the local pride it evoked, the pope’s May Fatima speaker 17-18 visit had broader implications and a deeper pur- to visit pose. Despite its strong Catholic traditions, Genoa has become a new front in the church’s battle to maintain Breakfast and talk set its social and political influence. It’s a struggle being played out not only in Italy, but June 14 in Fort Wayne throughout the European continent, where secular cul- ture has drifted away from Christian foundations. Page 8 Indeed, church leaders sometimes describe this as a battle for Europe’s soul. In Genoa, these tensions have found an unlikely focus in the figure of Cardinal Bagnasco, a soft-spo- CNS PHOTO/DANIELE LA MONACA, REUTERS Narnia movie ken man who has defended church teaching on a num- ber of controversial social issues, including gay mar- Pope Benedict XVI waves to the faithful before reciting the Angelus prayer in Genoa, Italy, Followup reliant riage and cohabitation. -
Physical Sources of Biblical History
Histoire, médecine et santé 11 | été 2017 Économie des savoirs Physical Sources of Biblical History Jetze Touber Electronic version URL: http://journals.openedition.org/hms/1085 DOI: 10.4000/hms.1085 ISSN: 2557-2113 Publisher Presses universitaires du Midi Printed version Date of publication: 15 July 2017 Number of pages: 35-54 ISBN: 978-2-8107-0527-6 ISSN: 2263-8911 Brought to you by Ghent University Library Electronic reference Jetze Touber, « Physical Sources of Biblical History », Histoire, médecine et santé [Online], 11 | été 2017, Online since 20 October 2017, connection on 28 September 2020. URL : http:// journals.openedition.org/hms/1085 ; DOI : https://doi.org/10.4000/hms.1085 Histoire, médecine et santé est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Physical Sources of Biblical History Jetze Touber Ghent University The Reformation and the consequent divergence of religious cultures in Europe had profound consequences for intellectual regimes across the conti- nent. Learned medicine was no exception in that respect. One area where we may gauge the effects of this development was in the field of medicina sacra: the application of medical knowledge to the interpretation of biblical pas- sages touching upon the workings of the human body. The engagement of learned medicine with Scripture may be expected to have been differentiated confessionally, seeing the very different position of the Bible had in Catholic and Protestant cultures. This particular branch of physica sacra has hardly been studied, however. The present article probes a very modest sample of medical knowledge brought to bear on biblical interpretation, by the Catholic authors Francisco Valles and Girolamo Bardi, and by the Protestant authors Johannes Mey and Thomas Bartholin.