The Incredibles 2004
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Armed Forces
The Meat & Potatoes of Life Auto Matters and More! What’s Going On This Weekend Lisa Smith Molinari provides a look into Ludicrous acceleration and g-forces of the Senior games, arts & culture xperience, the life of her military family and offers her Incredicoaster will make you scream. pride art & music fest, brewfest, Rosh wisdom and wit. See page 8 See page 14 Hashanah, dog surfing. See page 18 Navy Marine Corps Coast Guard Army Air Force ARMED FORCES DISPATCHSan Diego Navy/Marine Corps Dispatch www.armedforcesdispatch.com 619.280.2985 FIFTY EIGHTH YEAR NO. 14 Serving active duty and retired military personnel, veterans and civil service employees THURSDAY, SEPTEMBER 6, 2018 September Monthly Obervances Nat’l Coupon Nat’l DNA, Geonomics & Stem Cell Education Nat’l Food Safety Education Nat’l Fruit and Veggies Nat’l Head Lice Prevention Nat’l Home Furnishings Nat’l Honey Nat’l Infant Mortality Aware- ness File photo of recovery efforts in Key West Fla. follow- Nat’l Mushroom ing Hurricane Irma in Sept. 2017. Navy photo Nat’l Organic Harvest Nat’l Osteopathic Medicine CNIC’s Ready Navy Program: Nat’l Ovarian Cancer Awareness ‘Get Ready, Get Set, Prepare!’ Nat’l Passport Awareness ASHINGTON - September is National Emergency Prepared- Nat’l Pet Memorial Wness Month. Commander, Navy Installations Command’s Nat’l Preparedness (CNIC) Ready Navy Program educates Sailors and their families on Nat’l Prostate Cancer how to be prepared when an emergency occurs. This year’s overall Awareness theme is “Disasters Happen. Prepare Now. Learn How.” Nat’l Prime Beef Each week in September will have a focused theme: Make and Nat’l Prosper Where You Are Practice Your Plan; Learn Life Saving Skills; Check Your Insurance Planted Coverage; and Save For an Emergency. -
“I've Got to Succeed, So She Can Succeed, So We Can Succeed
social sciences $€ £ ¥ Article “I’ve Got to Succeed, So She Can Succeed, So We Can Succeed”: Empowered Mothering, Role Fluidity, and Competition in Incredible Parenting Suzan G. Brydon Independent Researcher, Denver, CO, USA; [email protected]; Tel.: +1-314-691-4445 Received: 5 October 2018; Accepted: 23 October 2018; Published: 30 October 2018 Abstract: The social influence of Disney discourse is difficult to ignore, as is their repetitive matricide and positioning of the patriarchal and heteronormative family model in their bloc.kbuster animated films. Yet, through its Pixar Animation Studios subsidiary, Disney has pushed progressively at the boundaries, not only in terms of animation artistry but also through the social topics explored. This study builds on previous research of male mothering in Finding Nemo by visiting the subsequent 11 Pixar animated films, with in-depth exploration of their most recent release, Incredibles 2. Ultimately, I argue that Pixar has once again opened space by embracing empowered and collaborative parenting. Keywords: Disney; gender; motherhood; media criticism; family roles; masculinity; empowered mothering; Pixar “Done properly, parenting is a heroic act. Done properly. I’m fortunate that it has never afflicted me.” (Edna Mode, Incredibles 2) 1. Introduction In 2003, Walt Disney Pictures via its Pixar Animation Studios subsidiary released Finding Nemo, a movie that as of 2018 has grossed one billion dollars worldwide (IMDB) and garnered the studio multiple awards, including four Academy Award nominations and an Oscar win for Best Animated Feature Film. Not only did this film entertain millions and significantly increase Disney accolades and profitability, it also became part of larger media and culture analyses of the Disney animated repertoire. -
Summer 2018 • Volume 27 • Number 2
Summer 2018 • Volume 27 • Number 2 Slinky® Dog is a registered trademark of Jenga® Pokonobe Associates. Toy Story characters ©Disney/Pixar Poof-Slinky, Inc. and is used with permission. All rights reserved. WeLcOmE HoMe Leaving a Disney Store stock room with a Buzz Lightyear doll in 1995 was like jumping into a shark tank with a wounded seal.* The underestimated success of a computer-animated film from an upstart studio had turned plastic space rangers into the hottest commodities since kids were born in a cabbage patch, and Disney Store Cast Members found themselves on the front line of a conflict between scarce supply and overwhelming demand. One moment, you think you’re about to make a kid’s Christmas dream come true. The next, gift givers become credit card-wielding wildebeest…and you’re the cliffhanging Mufasa. I was one of those battle-scarred, cardigan-clad Cast Members that holiday season, doing my time at a suburban-Atlanta mall where I developed a nervous tick that still flares up when I smell a food court, see an astronaut or hear the voice of Tim Allen. While the supply of Buzz Lightyear toys has changed considerably over these past 20-plus years, the demand for all things Toy Story remains as strong as a procrastinator’s grip on Christmas Eve. Today, with Toy Story now a trilogy and a fourth film in production, Andy’s toys continue to find new homes at Disney Parks around the world, including new Toy Story-themed lands at Disney’s Hollywood Studios (pages 3-4) and Shanghai Disneyland (page 22). -
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues. -
Pixar and Digital Culture Eric Duwayne Herhuth University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2015 Animating Aesthetics: Pixar and Digital Culture Eric DuWayne Herhuth University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Film and Media Studies Commons Recommended Citation Herhuth, Eric DuWayne, "Animating Aesthetics: Pixar and Digital Culture" (2015). Theses and Dissertations. 1000. https://dc.uwm.edu/etd/1000 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. ANIMATING AESTHETICS: PIXAR AND DIGITAL CULTURE by Eric Herhuth A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin–Milwaukee August 2015 ABSTRACT ANIMATING AESTHETICS: PIXAR AND DIGITAL CULTURE by Eric Herhuth The University of Wisconsin–Milwaukee, 2015 Under the Supervision of Professor Patrice Petro In the pre-digital age of cinema, animated and live-action film shared a technological basis in photography and they continue to share a basis in digital technology. This fact limits the capacity for technological inquiries to explain the persistent distinction between animated and live-action film, especially when many scholars in film and media studies agree that all moving image media are instances of animation. Understanding the distinction in aesthetic terms, however, illuminates how animation reflexively addresses aesthetic experience and its function within contexts of technological, environmental, and socio-cultural change. “Animating Aesthetics: Pixar and Digital Culture” argues that the aesthetics that perpetuate the idea of animation as a distinct mode in a digital media environment are particularly evident in the films produced by Pixar Animation Studios. -
Elastigirl, and They Syndrome Is Killed in the Process
Teacher’s Notes Pearson EnglishTeacher’s Kids Readers Notes Pearson English Kids Readers Level 4 Suitable for: young learners who have completed up to 200 hours of study in English Type of English: American Headwords: 800 Key words: 15 (see pages 2 and 5 of these Teacher’s Notes) Key grammar: past simple including common irregular verbs, could for past ability and possibility, going to for prediction and intention, superlative adjectives, relative pronouns Summary of the story The Incredibles work together to defeat Syndrome and save the city. And finally, when Syndrome Mr. Incredible is the world’s best superhero. He tries to kidnap Jack-Jack, they save their baby and marries another superhero, Elastigirl, and they Syndrome is killed in the process. have a very exciting life. One day this all changes – no one wants the Background information superheroes anymore. Mr. Incredible (Bob Parr) and The Incredibles is a Disney-Pixar animated movie. Elastigirl (Helen Parr) become normal people and It was released in 2004 and was Pixar’s sixth full- have three children: Violet, Dash, and Jack-Jack. length movie production. Bob finds a normal job. It is boring and one day The movie was written and directed by Brad Bird. he pushes the boss and loses his job. The same It was inspired by the spy movies, comic books, evening, however, he receives an invitation from and TV shows of Brad Bird’s childhood. The movie a woman named Mirage to find and destroy a also explored personal frustrations about family, dangerous robot – the Omnidroid – on the island work, and our expectations of life. -
Trick Or Chic NEW YORK — Candy Apples and Miniature Chocolate Bars May Please the Kids on Halloween, but It’S Accessories That Delight the Grown-Ups All Year Round
REVAMPING DKI RETAIL/2 FASHION’S ROMANTIC EVENING/8 WWDWomen’s Wear Daily • The Retailers’MONDAY Daily Newspaper • October 31, 2005• $2.00 Accessories/Innerwear/Legwear Trick or Chic NEW YORK — Candy apples and miniature chocolate bars may please the kids on Halloween, but it’s accessories that delight the grown-ups all year round. For spring, designers have created a smorgasbord of spooky treats, such as, clockwise from right, Sonia Rykiel’s patent leather cat bag, Kate Spade’s raffia clutch, Gabriella Kiss’ bronze and diamond spider brooch, Lizzy Scheck’s gold and diamond necklace, a sterling and blue topaz necklace from Giles & Brother at Metropolitan Design Group and Dior Fine Jewelry’s gold and diamond ring. For more on All Hallow’s Eve, see pages 6 and 7. Prada’s Five-Year Plan: Profits Seen Rising 23% a Year to 2010 By Amanda Kaiser the next five years, while its sales summer and which it released to NEW YORK — Prada is thinking big will increase by an average of 3.2 WWD last week. about its future. percent annually, reaching 1.51 The growth will come from The Italian luxury goods firm is billion euros, or $1.83 billion, by increased focus on the core brands projecting its profits will grow by an 2010, according to a document of Prada and Miu Miu, as well as average of 23.5 percent a year over Prada issued to bankers over the See Bertelli, Page 24 PHOTO ROBERT BY MITRA; FASHION ASSISTANT: ALESSANDRA STYLED BULOW; BY SHOSHANNA FISCHHOFF 2 WWD, MONDAY, OCTOBER 31, 2005 WWD.COM Aronsson Details DKI Growth Plan By Sharon Edelson The new DKNY Las Vegas WWDMONDAY unit is a prototype for Accessories/Innerwear/Legwear NEW YORK — Less is sometimes more, as Donna future stores. -
Semiotic Signs in Walt Disney's Selected Movie Posters In
SEMIOTIC SIGNS IN WALT DISNEY’S SELECTED MOVIE POSTERS IN 2018 THESIS Submitted to the Board of Examiners In Partial Fulfillment of the Requirement for Thesis at English Literature Department by NIATUR RAHMAH NIM. AI 150392 ENGLISH LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SULTHAN THAHA SAIFUDDIN JAMBI 2019 ii v iv v vi MOTTO إِ َّن فِي َخ ْل ِق ال َّس َما َوا ِت َوا ْْلَ ْر ِض َوا ْختِ ََل ِف ال َّل ْي ِل َوال َّن َها ِر ََليَا ٍت ِْلُو ِلي ا ْْلَ ْلبَا ِب )۱۹۰(1 Indeed, in the creation of the heavens and the earth and the alternation of the night and the day are signs for those of understanding. (Q.S Ali Imron: 190) 1The Noble Qur’an. (2016). Qur’an.com (Also Known as The Noble Qur’an, Al Quran, Holy Quran, Koran). Retrieved from https://www.quran.com Accessed on October 25th 2019 vii DEDICATION In the name of Allah the most gracious merciful and prophet Muhammad Sollallahualaihi Wasallam I dedicate this thesis to my strongest father and my wonderful mother who sacrifice and pray as always for me to passed everything in getting a bachelor degree And My great brother, my hero, my live saver, Dodi Suhendi there’s no word to describe how much I thank you My sister, Susilawati and Linda Kasmita, my little brother Ahmad Padil I am lucky having you all as a blessed daughter and sister for supporting, caring, loving each other. And so my cousins Ulmalasari, my uncles, aunts and brothers in law. -
Movie Review: ‘Incredibles 2’
Movie Review: ‘Incredibles 2’ NEW YORK — The first family of superheroes returns in “Incredibles 2” (Disney), the highly anticipated sequel to a much-loved 2004 animated film. Alas, the passage of time (a truly incredible 14 years) has not been kind. Despite Brad Bird’s return as writer and director, “Incredibles 2” lacks the spontaneity, charm and style of its precursor (as well as the leading article from “The Incredibles”). Story takes a back seat to a visually impressive but relentless barrage of (often repetitive) action and violence, even gunplay, which may frighten younger viewers. Added to the mix is some profane and crass language which is jarring in any children’s movie. It’s a pity, as amid all the bluster “Incredibles 2” pitches the worthy lessons of its predecessor about love, family, courage and helping others in need. “Incredibles 2” picks right up where the last film left off. The Parr family — parents Bob (voice of Craig T. Nelson) and Helen (voice of Holly Hunter), and kids Violet (voice of Sarah Vowell), Dash (voice of Huck Milner), and baby Jack-Jack (voice of Eli Fucile) — have just used their assorted superhuman abilities to vanquish the forces of evil. But their victory is short-lived; the law still dictates that “supers” must remain undercover and inactive. So the Parrs reluctantly return to their humdrum existence, and Helen and Bob wonder how they will make ends meet. Enter a champion, Winston Deavor (voice of Bob Odenkirk), a media mogul and superhero fan who wants to rehabilitate the supers and remind society of their importance. -
Inside Scoop: Come True
isney says it’s “the happiest place on Dearth. ” With days and days of action, dreams really do Inside Scoop: come true. Read and take this Inside Scoop with your Know before you go: travel isn’t just your documents; it’s destination, it’s also the journey packed with tips here’s only one “problem─deciding what to Pack Strategically to help “happy up” do because there’s so much to enjoy. Airports are overrun with black bags: put col- your holiday. Whether you aim to enjoy key attractions oured tape or ribbon on your luggage to spot it or completely cover Disney California Adventure quickly. Put your name outside and inside, re- travel: delighting in TPark, Disneyland © Park or Downtown Disney move old tags. In carry-on, pack valuables such the spirit of adventure ● District, planning ahead will not only help you as jewellery, over-the-counter and prescription a vacation from home to budget, it will be kinder to your feet and your sani- drugs in original containers with a list, dosage explore places that are ty. Plan ahead for benefits such as passes, seat and doctor’s tel number. Pack liquids/lotions/ not your home ● knowing selection, discounts and customized maps. Also gels in checked bags (inside plastic bags). With life is different, knowing • We know you want value for money in balanc- carry-on restrictions, the maximum size con- this is a joy of travel ● ing choices and amenities with your budget. tainer is 100ml(3.4oz): all must fit in 1 clear/ enjoying the journey, not No matter what, relax and enjoy. -
Multiple Perspectives on Superhero Play in an Early Childhood Classroom
MULTIPLE PERSPECTIVES ON SUPERHERO PLAY IN AN EARLY CHILDHOOD CLASSROOM DISSERTATION Prepared in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jeanne Susanne Galbraith, B.A., M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved By: Professor Laurie Katz, Adviser ________________________ Professor David Fernie Adviser Professor Rebecca Kantor College of Education Professor Barbara Seidl Copyright by Jeanne Pratt Galbraith 2007 ABSTRACT This dissertation study examined the phenomenon of superhero play in an early childhood classroom. Superhero play is an understudied and sometimes controversial form of play that is sometimes banned or limited in early childhood classrooms (Holland, 2003). The limited studies on superhero play focus on the teachers’ perspectives, often of those who ban or limit it, and on developmental perspectives emphasizing either positive or negative aspects of the play. The purpose of this study was to understand superhero play from multiple perspectives including the perspectives of the people involved, particularly the children and through teachers who support this play, and through theoretical perspectives, including sociocultural and poststructural. This is an ethnographic study focusing on understand superhero play in context through a thorough examination of the school culture, the peer culture interested in superheroes, and the intersections between the school and peer culture. The primary methods were participant observation, with the researcher becoming a member of the school culture and peer culture interested in superheroes, interviews, video recording and revisiting, and document analysis. Findings of the study reveal superhero play to be complex and multifaceted phenomenon. -
This American Voice: the Odd Timbre of a New Standard in Public Radio
UC Berkeley UC Berkeley Previously Published Works Title This American Voice: The Odd Timbre of a New Standard in Public Radio Permalink https://escholarship.org/uc/item/07p7s98p Author McEnaney, Tom Publication Date 2019 Peer reviewed eScholarship.org Powered by the California Digital Library University of California This American Voice: The Odd Timbre of a New Standard in Public Radio Oxford Handbooks Online This American Voice: The Odd Timbre of a New Stan dard in Public Radio Tom McEnaney The Oxford Handbook of Voice Studies Edited by Nina Sun Eidsheim and Katherine Meizel Print Publication Date: Jul 2019 Subject: Music, Sound Studies Online Publication Date: Jun 2019 DOI: 10.1093/oxfordhb/9780199982295.013.12 Abstract and Keywords Over the past seventeen years This American Life has functioned, in part, as an investiga tion into, and representation and construction of an American voice. Alongside David Sedaris, Sarah Vowell, Mike Birbiglia, and the panoply of other odd timbres on the show, Glass’s delivery, pitch, and tone have irked and attracted listeners. Yet what began as a voice on the margins of public radio has become a kind of exemplum for what new radio journalism in the United States sounds like. How did this happen? What can this voice and the other voices on the show tell us about contemporary US audio and radio culture? Can we hear the typicality of that American voice as representative of broader cultural shifts across the arts? And how might author Daniel Alarcón’s Radio Ambulante, which he describes as “This American Life, but in Spanish, and transnational,” alter the status of these American voices, possibly hearing how voices travel across borders to knit together an auditory culture that expands the notion of the American voice? Keywords: BBC, David Sedaris, Ira Glass, nasal, National Public Radio, radio, Radio Ambulante, received pronunci ation, Sarah Vowell, This American Life (p.