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CONFERENCE'SCHEDULE' Day'1'(Friday,'7'August'2015)'' 08.00$–$08.30$ :$Registration$ 08.30$–$10.00$ :$Parallel$Session$1$ 10.00$–$11.30$$ :$Parallel$Session$2$$ 11.30$–$13.30$ :$Lunch$+$Friday$prayer$$ 13.30$–$14.00$ :$Ngremo$ $$$ $ (Opening$Ceremony$and$Cultural$Performance)$$ 14.00$–$14.30$$ :$Opening$Remarks$ 14.30$–$15.00$ :$CoFFee$Break$ 15.00$–$16.00$ :$Keynote$Speaker$(Abidin$Kusno)$$ 16.00$–$17.30$$ :$Plenary$1$$ 1. Hilmar$Farid$(Institute$oF$Indonesian$Social$History,$Indonesia)$$ 2. Chua$Beng$Huat$(NUS,$Singapore)$ 3. Prigi$Arisandi$(Universitas$Ciputra,$Indonesia)$$ $ Day'2'(Saturday,'8'August'2015)'' 08.30$–$10.00$$ :$Parallel$Session$3$$ 10.00$–$10.30$ :$CoFFee$Break$ *Book$ Series$ Launch,$ Asian& Cultural& Studies:& Transnational& and& Dialogic& Approaches$at$Room$14$(snacks/$beverages$are$provided)$$ 10.30$W$12.00$ $:$Parallel$Session$4$ 12.00$–$13.30$ :$Lunch$ 13.30$–$15.00$ :$Parallel$Session$5$$ 15.00$–$15.30$$ :$CoFFee$Break$ 15.30$–$17.00$ :$Parallel$Session$6$ 17.00$–$18.30$$ :$Plenary$2$(at$Garuda$Mukti)$$ 1. Diah$Arimbi$(Universitas$Airlangga,$Indonesia)$ 2. Firdous$Azim$(BRAC$University,$Bangladesh)$ 3. Goh$Beng$Lan$(SEAS$Dept.$NUS,$Singapore)$ $ Day'3'(Sunday,'9'August'2015)'' 08.30$–$10.00$ :$Parallel$Session$7$$ 10.00$–$10.30$ :$CoFFee$Break$ 10.30$–$12.00$ :$Parallel$Session$8$$ 12.00$–$13.30$$ :$Lunch$$ 13.30$–$15.00$ :$Parallel$Session$9$$ 15.00$–$16.00$ :$IACSS$Assembly$Meeting$ 16.00$–$16.30$ :$CoFFee$Break$ 16.30$–$17.00$ :$IACS$(Reader)$Book$Launch$ 17.00$–$18.30$ :$Plenary$3$$ 1. Sri$Palupi$(Ecosoc$Rights,$Indonesia)$ 2. Shunya$Yoshimi$(University$of$Tokyo,$Japan)$ 3. Meaghan$Morris$(University$oF$Sydney,$Australia)$ 18.30$–$19.00$ :$Closing$Keynote:$Melani$Budianta$(Universitas$Indonesia)$ DAY 1: FRIDAY, 7 AUGUST 2015 Session Time Room 1 Room 2 Room 3 Room 4 Room 5 Room 6 Room 7 Negotiating Film: Art Media Alternative Inter-Asia Postwar, Identity Community, and and space of Cultural Memory and and Space History and Community Representation knowledge Studies 2.0 Imagination Parallel 08.30- in the Modernity production: from the 1 10.00 Urban construction, learning Setting of contestation, and Jakarta and teaching preservation perspective Urban Sexuality The Building a The Issue of Struggle for Transnational and Rural Interventions New Regional Reconciliatio Non (and) Discourses Space of Social Culture in n and the Segmented Of Language, Practice Global Asia: Sacrament of Power Economy, Parallel 10.00- towards Culture, History Places And Identity: 2 11.30 Invisible Community Production Libya, Citizens and Art Malaysia And Japan Session Time Room 8 Room 9 Room 10 Room 11 Room 12 Room 13 Room 14 ! ! Economy Trans- Parallel 08.30- and national - - -! - 1 10.00 Culture Popular "! Culture Human Rights in - - - - - - Parallel 10.00- Trouble 2 11.30 DAY 2: SATURDAY, 8 AUGUST 2015 Session Time Room 1 Room 2 Room 3 Room 4 Room 5 Room 6 Room 7 Theorizing New Queer Remaking The Memory, Performance Community New Media built forms Asian Publics: Meanings of Agency and as Cultural- Building and Wars?: and spatial Exploring Intimacy, Reconfigura-tion political Resistance Emerging Neo- practices in Cultural Home, and of the Other Experience Reconfigured Nationalism Asia, the Flows and Gender By Cultural and Media Parallel 08.30- silent Undercu- Activism Practices in the 3 10.00 medium of rrents Digital Era construction and negotiation of identity Settlements, Negotiating Mobility and Different Archipelagic Creativity as Tracing the Housing, LGBT its Effects on Histories: Thinking: Govern- Popular Praxis Community Identities -- Mind: Tracing Envisioning Culture and mentality and in Korean and Urban Dialogues Migrants’ Violence in the Aesthetics Resistance: Youth Culture Parallel 10.00- Design between Mind between North and South Beyond the Media, Islamic, Ethnicity and Koreas Continent Technics, 4 11.30 Christian and Multi- Space traditional culturalism Chinese values Place- Queering Mapping the Re-Mapping the Poetics and Interpreting Multiracial and Parallel 13.30- making texts/media Korean Postcolonial politics in Emergent Transnational 5 15.00 Playing and in Asian Diaspora Unconscious emergent Youth popular Being contexts creative Cultures cultural Gentrified? movements of from Home memories in Asian to Street Singapore underprivile- ged youngsters Queer Emerging When Crisis Art from the Participatory Between Workshop 1 Movements Hong Kong Befalls Us: margins and Initiatives in African Music, (to be and Sexual Cultural- Reconfiguring its political Southeast Chinese confirmed) Modernities Political Alternative imagination Asia: A Football, and in East Asia Undercurrents Histories via Comparison Hong Kong in the Age of Bloodsuckers of Social and Comedy: Parallel 15.00- Mainlandizati and Intellectuals Discursive Unearthing on Practices ‘Trans-Asian’ 6 17.00 Cultural Practices in Southern China Session Time Room 8 Room 9 Room 10 Room 11 Room 12 Room 13 Room 14 Asianism Stuart Hall: The Cold War Exploration Food Ghost Roundtable: Reconsidered A Proposal and Division into Unseen Politics Stories, Transnational I for Double System: Pain and ! Spirits and Approaches: Panel (II) (Re)constructin Practices of Supernatural Residual, Parallel 08.30- g the North “Comfort Journalism emergent and 3 10.00 Korean Mind Women” undercurrent Victims/Surviv ors Single Desire? Roundtable: Locating new Sexuality Cultural Religion and Film – On love, Re- spaces and and Texts/Practice Spirituality Screening: romance, Imagining voices of the Identity s and Identity Story about Parallel 10.00- gender and Collectivities Thais from Formation Secrets 4 11.30 the city in in Inter Asia other geo- China and bodies. India Marginal Stuart Hall: Intimate Sexuality Justice, Islam and Film Narratives of A Proposal Reconciliation and Violence and Popular Screening: Parallel 13.30- Loose Ends for Double and Post- Pornography Revolution Culture in Heart of Snow 5 15.00 and Urban Panel (I) National Indonesia , Heart of Space Cultural Blood. Politics Asianism Workshop 2 Communities Subaltern Environment Religion Workshop 3 Parallel 15.00- Reconsidered (to be in the Trans- Sexuality and and (to be confirmed) 6 17.00 II confirmed) national and Movements Rituals Trans-spatial DAY 3: SUNDAY, 9 AUGUST 2015 Session Time Room 1 Room 2 Room 3 Room 4 Room 5 Room 6 Room 7 Workshop 4 Under- Modernity Asian Urbanity Relational Theater as a Secret and (to be currents of and Its in Flux para-sites of Social/ Promiscuous confirmed) sexuality, 'Backwardnes': environmenta Political Genealogies technology, the Subject l design, Protest of and power Formations spatial print "Development" Parallel 08.30- /Trans- and in East Asia 7 10.00 gressions of alimentary Para-texts Peasants, aesthetics Labors, Migrant Workers and “Disabled” Teenagers in Third-world Asia East Asian Exploring Virtual Trauma, War Bodily Media Interweaving Queer the Space, and entanglements and Everyday Cultures Potentials Mobility and Reconciliation of science, Mediation Media and Alternative technology Practices Paradoxes of Modernities and care in Chinese Asia Parallel 10.00- Queer Fan Cultures: A 8 11.30 Fannish Palimpsest of Gender, Sexuality, Desire, and Fantasy Workshop 5 Queer Nation, Narratives, Arts, Popular Cinema Parallel 13.30- (to be Politics History and Trauma Representa- Culture, and 9 15.00 confirmed) Identity and Memory tion and Representa- Intimacy Activism tion and Image Construction Session Time Room 8 Room 9 Room 10 Room 11 Room 12 Room 13 Room 14 Mediating Education Nation and Gender in Art, Heritage The Magical Trans-pacific Citizenship Literature, and Folklore and the Workshop 5 Memories of Traditional ! Mythical (to be confirmed) War, Medicine and Parallel 08.30- Occupation Television 7 10.00 and Program Sovereignty in Yokohama, North Korea and Canada Activism Roundtable: Movements Gender in Subculture History, Workshop 6 BANGDO and Education, and Spatial Narratives (to be confirmed) Parallel 10.00- NG/Third Performance Community Politics and Culture 8 11.30 World 60 Development, Years Marriage Institution Movements Imagination Borders Social Media - Lifestyle in - , Popular and in Indonesia Urban Asia Parallel 13.30- Culture and Migrants 9 15.00 Media in Japan ! LIST%OF%PANELS% DAY%1:%FRIDAY,%7%AUGUST%2015% Parallel%Session%1%(08.30D10.00)% Room 1: Panel Presenter Negotiating Identity and Space in Nurbaity the Urban Setting of Jakarta (University of Indonesia) [email protected] Panel Organizer: Nurbaity (University of Indonesia) Lifeworlds of Manusia Gerobak behind the Pile of Trash: Negotiation in Urban Life This panel explores how different communities negotiate their This research explores the dynamic lifestyle of manusia gerobak who identity and space in the urban depend on trash, while other urban communities tend to avoid it. It setting of Jakarta. The first paper shows how manusia gerobak community identified trash shelter in the follows the life of manusia gerobak center of Jakarta as a space for social participation and safety, at a (cart people) that carries their home time when ‘regulation’ questioning the appropriateness of their through different corners of the city. presence in public space. Manusia gerobak community refers to The second one highlights the scavengers who are obliged to work in the congested city and live in interaction between the traditional cart. They demonstrate persistence and constitute a mobile group to market settlers and the neighboring struggle in urban life therefore relations are negotiated. apartment residents. The third paper
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  • Sculpting a Play Sudhanva Deshpande Mala Hashmi As Dadi

    Sculpting a Play Sudhanva Deshpande Mala Hashmi As Dadi

    Sculpting a Play Sudhanva Deshpande Mala Hashmi as Dadi ( grandmother) It happens inevitably. Whenever I mention that a play has been improvised, people tend to imagine that it is improvised in performance and they cannot believe that, because what they have seen seems like the performance of a fully-finished text. Even after I explain that 'improvisation' is only the technique one has used to evolve the play, a feeling of slight disbelief persists. It may have to do with the fact that the word 'improvisation', along with its near cousin `impromptu', carries connotations of something unplanned, unstructured, unorganized. Improvisations are, of course, all that, also pretty often chaotic, but it is possible to use this chaos to evolve texts. Through the maze of confusion, through the pulls and pressures every actor and director exerts on nebulous, barely-visible ideas, through false starts, speed-breakers, and dead 1 ends, through all this it is yet possible to create texts that are complex, multi-layered, sophisticated, and dramatic. I say this on the evidence of two plays that Jana Natya Manch (Janam) evolved in 1995, Artanaad ('A Cry of Anguish', a play on child sexual abuse) and Andhera Aftaab Mangega ('Darkness Will Beget the Dawn', in rough translation; a play on the lives of the working class in Delhi). I describe below the process we used to evolve Andhera. (I do realize, of course, that 'improvisation' has become something of a catchword in theatre, nearly a fashion, especially since the 1960s: everybody seems to be improvising. But that doesn't mean that the technique has lost all relevance, and in any case the uniqueness of an experience is not the only I lit, 'new' worker Shakeel as Badal becomes a 'soft' one when dealing with capital and a 'hard' one when dealing with labour.