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Mapping Robert Storr
Mapping Robert Storr Author Storr, Robert Date 1994 Publisher The Museum of Modern Art: Distributed by H.N. Abrams ISBN 0870701215, 0810961407 Exhibition URL www.moma.org/calendar/exhibitions/436 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art bk 99 £ 05?'^ £ t***>rij tuin .' tTTTTl.l-H7—1 gm*: \KN^ ( Ciji rsjn rr &n^ u *Trr» 4 ^ 4 figS w A £ MoMA Mapping Robert Storr THE MUSEUM OF MODERN ART, NEW YORK DISTRIBUTED BY HARRY N. ABRAMS, INC., NEW YORK (4 refuse Published in conjunction with the exhibition Mappingat The Museum of Modern Art, New York, October 6— tfoti h December 20, 1994, organized by Robert Storr, Curator, Department of Painting and Sculpture The exhibition is supported by AT&TNEW ART/NEW VISIONS. Additional funding is provided by the Contemporary Exhibition Fund of The Museum of Modern Art, established with gifts from Lily Auchincloss, Agnes Gund and Daniel Shapiro, and Mr. and Mrs. Ronald S. Lauder. This publication is supported in part by a grant from The Junior Associates of The Museum of Modern Art. Produced by the Department of Publications The Museum of Modern Art, New York Osa Brown, Director of Publications Edited by Alexandra Bonfante-Warren Designed by Jean Garrett Production by Marc Sapir Printed by Hull Printing Bound by Mueller Trade Bindery Copyright © 1994 by The Museum of Modern Art, New York Certain illustrations are covered by claims to copyright cited in the Photograph Credits. -
PETER HALLEY Biografía
BARCELONA GALLERY WEEKEND 2020 galeria SENDA PETER HALLEY Biografía Peter Halley (Nueva York, 1953) se dio a conocer a mediados de los años ochenta en Nueva York como impulsor del Neo-conceptualismo, corriente que aparece como reacción al neoim- presionismo y que supone un resurgimiento de la abstracción geométrica. Su estilo refleja la idea del lenguaje como sistema estable y autorreferencial, y critica las reivindicaciones tras- cendentales del minimalismo. Además, su obra presenta una influencia por la teoría social del Estructuralismo, la cual plantea el análisis de los sistemas socioculturales y de los lenguajes, a partir de configuraciones y estructuras simbólicas profundas, que condicionan y determinan todo lo que ocurre en la actividad humana. Así pues, las celdas y los conductos que Peter Ha- lley articula y combina en sus lienzos, no son una simple composición geométrica abstracta, sino más bien una imagen simbólica de los esquemas sociales que nos rodean. “En nuestra cultura, la geometría se suele considerar un signo de lo racional. Yo, por algún motivo, considero que es al revés, que la geometría posee una significación primaria, más psi- cológica que intelectual”, afirma en su ensayo “La Geometría y lo Social” de 1991. Peter Halley ha sido director de estudios de pintura de la Universidad de Yale y ha impartido clases en la Universidad de Columbia, en UCLA y en la Escuela de Artes Visuales de Nueva York. De 1996 a 2005 fue editor de la revista cultural Index Magazine. Ha realizado exposicio- nes individuales en la Academia de Arte de la Bienal de Venecia, en el contexto de la Bienal de Venecia de 2019, el MoMA de Nueva York en 1997 y el Museo Nacional Centro de Arte Reina Sofía de Madrid en 1992. -
Eighteen Major New York Area Museums Participate in Instagram Swap
EIGHTEEN MAJOR NEW YORK AREA MUSEUMS PARTICIPATE IN INSTAGRAM SWAP THE FRICK COLLECTION PAIRS WITH NEW-YORK HISTORICAL SOCIETY In a first-of-its-kind collaboration, eighteen major New York City area institutions have joined forces to celebrate their unique collections and spaces on Instagram. All day today, February 2, the museums will post photos from this exciting project. Each participating museum paired with a sister institution, then set out to take photographs at that institution, capturing objects and moments that resonated with their own collections, exhibitions, and themes. As anticipated, each organization’s unique focus offers a new perspective on their partner museum. Throughout the day, the Frick will showcase its recent visit to the New-York Historical Society on its Instagram feed using the hashtag #MuseumInstaSwap. Posts will emphasize the connections between the two museums and libraries, both cultural landmarks in New York and both beloved for highlighting the city’s rich history. The public is encouraged to follow and interact to discover what each museum’s Instagram staffer discovered in the other’s space. A complete list of participating museums follows: American Museum of Natural History @AMNH The Museum of Modern Art @themuseumofmodernart Intrepid Sea, Air & Space Museum @intrepidmuseum Cooper Hewitt, Smithsonian Design Museum @cooperhewitt Museum of the City of New York @MuseumofCityNY New Museum @newmuseum 1 The Museum of Arts and Design @madmuseum Whitney Museum of American Art @whitneymuseum The Frick Collection -
One of a Kind, Unique Artist's Books Heide
ONE OF A KIND ONE OF A KIND Unique Artist’s Books curated by Heide Hatry Pierre Menard Gallery Cambridge, MA 2011 ConTenTS © 2011, Pierre Menard Gallery Foreword 10 Arrow Street, Cambridge, MA 02138 by John Wronoski 6 Paul* M. Kaestner 74 617 868 20033 / www.pierremenardgallery.com Kahn & Selesnick 78 Editing: Heide Hatry Curator’s Statement Ulrich Klieber 66 Design: Heide Hatry, Joanna Seitz by Heide Hatry 7 Bill Knott 82 All images © the artist Bodo Korsig 84 Foreword © 2011 John Wronoski The Artist’s Book: Rich Kostelanetz 88 Curator’s Statement © 2011 Heide Hatry A Matter of Self-Reflection Christina Kruse 90 The Artist’s Book: A Matter of Self-Reflection © 2011 Thyrza Nichols Goodeve by Thyrza Nichols Goodeve 8 Andrea Lange 92 All rights reserved Nick Lawrence 94 No part of this catalogue Jean-Jacques Lebel 96 may be reproduced in any form Roberta Allen 18 Gregg LeFevre 98 by electronic or mechanical means, including photocopying, recording, or information storage retrieval Tatjana Bergelt 20 Annette Lemieux 100 without permission in writing from the publisher Elena Berriolo 24 Stephen Lipman 102 Star Black 26 Larry Miller 104 Christine Bofinger 28 Kate Millett 108 Curator’s Acknowledgements Dianne Bowen 30 Roberta Paul 110 My deepest gratitude belongs to Pierre Menard Gallery, the most generous gallery I’ve ever worked with Ian Boyden 32 Jim Peters 112 Dove Bradshaw 36 Raquel Rabinovich 116 I want to acknowledge the writers who have contributed text for the artist’s books Eli Brown 38 Aviva Rahmani 118 Jorge Accame, Walter Abish, Samuel Beckett, Paul Celan, Max Frisch, Sam Hamill, Friedrich Hoelderin, John Keats, Robert Kelly Inge Bruggeman 40 Osmo Rauhala 120 Andreas Koziol, Stéphane Mallarmé, Herbert Niemann, Johann P. -
Youth Guide to the Department of Youth and Community Development Will Be Updating This Guide Regularly
NYC2015 Youth Guide to The Department of Youth and Community Development will be updating this guide regularly. Please check back with us to see the latest additions. Have a safe and fun Summer! For additional information please call Youth Connect at 1.800.246.4646 T H E C I T Y O F N EW Y O RK O FFI CE O F T H E M AYOR N EW Y O RK , NY 10007 Summer 2015 Dear Friends: I am delighted to share with you the 2015 edition of the New York City Youth Guide to Summer Fun. There is no season quite like summer in the City! Across the five boroughs, there are endless opportunities for creation, relaxation and learning, and thanks to the efforts of the Department of Youth and Community Development and its partners, this guide will help neighbors and visitors from all walks of life savor the full flavor of the city and plan their family’s fun in the sun. Whether hitting the beach or watching an outdoor movie, dancing under the stars or enjoying a puppet show, exploring the zoo or sketching the skyline, attending library read-alouds or playing chess, New Yorkers are sure to make lasting memories this July and August as they discover a newfound appreciation for their diverse and vibrant home. My administration is committed to ensuring that all 8.5 million New Yorkers can enjoy and contribute to the creative energy of our city. This terrific resource not only helps us achieve that important goal, but also sustains our status as a hub of culture and entertainment. -
Annual Report 2013-2014
The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I. -
Undiscovered New York
Undiscovered New York: An Inside Look Through the Eyes of Its Artists October 11 – 15, 2021 Dear National Trust Traveler: A city of immigrants, innovators, and dreamers, New York is a magical destination with millions of fascinating stories and untold secrets. Yet few travelers ever experience the thrilling diversity of its creative community. In October 2021, with a backdrop of autumn leaves and crisp air, join the National Trust to discover this historic city from a revelatory new perspective—in the company of its leading creators, curators, and exhibitors. Over four days, you will encounter a range of exciting creative voices who will awaken new insights into how New York’s history and art intersect with local culture. Go behind the scenes of the city’s cultural institutions, studios, and galleries with expert guidance. This tour is notable for its level of rare access. You will enjoy an inside look at an art conservation laboratory to witness meticulous restoration work firsthand, and delight in an in-depth tour of a famous auction house. Begin with a private tour and special reception at the Museum of the City of New York, with its beautifully curated exhibitions documenting the city’s history and character. Delve into sublime works by artists of African descent at the Studio Museum in Harlem, and meet exhibitors at Soho’s groundbreaking Drawing Center, home to splendid historical works. In an exclusive, before-hours visit, browse the Klimt collection at the Neue Galerie New York. Conclude with a curator-led, behind-the-scenes tour of the most famous New York museum of them all, The Metropolitan Museum of Art. -
Julia Wachtel
NO. 5 ˚2 Julia Wachtel BERGEN KUNSTHALL BERGEN KUNSTHALL Julia Wachtel Animating the Painted Stage Bob Nickas The audience has seen it all before: pop, minimal, mini-mall, Rod Stewart side-by-side, a beaming John Travolta and a expressionism, neo-ex, neo-this-n-that, pantomime, pictures sullen, androgynous supermodel, Mussolini appearing to of pictures. The ventriloquist whose lips won’t stop moving, salute a near-naked woman. This latter work’s title, Relations the guy in the fright-wigs, the blunder and bluster of plates in Of Absence (1981) is particularly revealing. As Wachtel pairs mid-air—crashing down, as if on cue, shattered crockery on otherwise unrelated, unknown and unknowable figures, she the canvas floor. The snake charmer, the shiny rabbit pulled registers an emotional void that defines our ‘connectivity’ from the same old hat, the comedian who rarely manages a to them, calling attention to a space which is physically but laugh. Listen to the sound of that sad low groan. And then, not psychically seamless. And then we notice that life-size as the lights dim, a wheezing bum note trumpets the chatter silhouettes have been overlaid with black marker, and the in the room, the horn player on his last desultory breath. The effect suggests that members of a movie audience on their crowd quiets and the emcee appears, a goofball bounced way to or from their seats have blocked the light between the from a box of lucky charms, one big tooth in the gaping projector and the screen.1 Viewed in this way, the sequence hole of a silly grin, a stark contrast to the red velvet curtains of images takes on the appearance of an illuminated stage, as behind. -
Youth Guide to Summer Fun!
NYC th Gui You – – de TO AUGUST 2016 The Department of Youth and Community Development will be updating this guide regularly. Please check back with us to see the latest additions. Have a safe and fun Summer! For additional information please call Youth Connect at 1.800.246.4646 EMPOWERING INDIVIDUALS • STRENGTHENING FAMILIES • INVESTING IN COMMUNITIES UPDATED 08.01.16 T H E C I T Y O F N E W Y O R K O F F I C E O F T H E M A Y O R N E W Y O R K , N Y 1000 7 July 2016 Dear Friends: Welcome to the 2016 edition of the New York City Youth Guide to Summer Fun! With sprawling green parks, refreshing beaches and pools, festive street fairs, world-class music and sports venues, and so much more, the five boroughs has something to offer everyone to enjoy summer in our city. The months of July and August also give young people a chance to continue learning and discovering outside of the classroom. This summer’s youth offerings include everything from astronomy and global fashion to learning Italian and kayaking. My administration remains committed to ensuring that residents and visitors alike have access to the cultural, recreational and educational opportunities that make New York City an international summer hotspot. The NYC Department of Youth and Community Development in collaboration with other City agencies has put together this handy guide with information about free and low-cost events in all five boroughs, and I wish you many fun-filled days as you explore our great city this summer. -
LA Marque Noire
PALAIS DE TOKYO / PRESS KIT / LA MARQUE NOIRE / LA MARQUE NOIRE / STEVEN PARRINO RETROSPECTIVE, PROSPECTIVE MAY 24 - AUG 26, 07 PALAIS DE TOKYO / PRESS KIT / LA MARQUE NOIRE / LA MARQUE NOIRE / STEVEN PARRINO RETROSPECTIVE, PROSPECTIVE Steven Parrino is considered by many as a model of After FIVE BILLION YEARS and π, the two previous a radical and uncompromising artistic activity, one exhibition programs at the Palais de Tokyo that that disregards the notion of categories and also tested the elasticity and the oscillation of the work places the collaborative process at its core. of art, respectively, LA MARQUE NOIRE considers its resilience. For this program, the Palais de Tokyo Steven Parrino made the apparently inconceivable devotes the entirety of its exhibition spaces to junction between Pop culture and Greenbergian Steven Parrino, who died in a motorcycle accident in modernism. He brought together the aesthetics of January 2005. Conceived as a triptych, the program Hell’s Angels and Minimal Art. Dreaming of creating not only brings together a selection of works by a new Cabaret Voltaire in New York’s No Wave of Parrino, but also presents a collection of works by the 1980s, he conceived of exhibitions where his artists from whom he drew inspiration as well as black monochromes would remain at the mercy of pieces by artists he exhibited, supported, and with the reckless geniuses of noise music, who could whom he collaborated. In this way, LA MARQUE walk all over them. Parrino was the Dr Frankenstein NOIRE covers a field ranging from Minimalism to of painting. A witness to the death of painting, he tattoo art, by way of experimental cinema, cartoons, unremittingly brought it back to life by replacing industrial design, No Wave and punk. -
Steven Parrino Biography
G A G O S I A N Steven Parrino Biography Born in 1958, New York. Died in 2005, New York. Education: 1979 A.A.S., SUNY Farmingdale, New York. 1982 B.F.A., Parson’s School of Design, New York. Solo Exhibitions: 2019 Steven Parrino. Skarstedt, New York, NY. 2017 Steven Parrino: Dancing On Graves. The Power Station, Dallas, TX. 2013 Steven Parrino: Armleder, Barré, Buren, Hantaï, Mosset, Parmentier, Toroni. Gagosian Gallery, Paris, France. 2009 Born to Be Wild: Hommage an Steven Parrino, Kunstmuseum St. Gallen, St. Gallen, Switzerland. 2008 Steven Parrino. Art & Public –Cabinet PH, Geneva, Switzerland. 2007 Steven Parrino. Gagosian Gallery, Madison Avenue, New York, NY. Steven Parrino (curated by Marc-Olivier Wahler). Palais De Tokyo, Paris, France. 2005 Steven Parrino: A Retrospective (curated by Fabrice Stroun). Musée d’Art Moderne et Contemporain, Geneva, Switzerland. 2004 Plan 9. Team Gallery, New York, NY. 2003 Massimo DeCarlo Arte Contemporanea, Milano Galerie Jean Brolly, Paris, France. 2002 Steven Parrino Videos 1979-Present. Circuit, Lausanne, Switzerland. Exit/Dark Matter. FriArt, Fribourg, Switzerland. 2001 Exit/Dark Matter. Grazer Kunstverein, Graz, Austria. Team Gallery, New York, NY. 2000 Sicilian Fresco Number One, Massimo DeCarlo Arte Contemporanea, Milan, Italy. The Box, Torino, Italy. Galerie Rolf Ricke, Cologne, Germany. 1999 Team Gallery, New York, NY. Elizabeth Cherry Gallery, Tucson, AZ. It. Le Box, Bourges, France. 1998 Can. Neuchatel, Switzerland. 1997 Team Gallery, New York, NY. 1996 Kunstlerhaus Palais Thurn und Taxis Gartnerhaus, Bregenz, Austria. 1995 Misfits. Tre Gallery, Stockholm, Sweden. Amphetamine Monster Mill. Art & Public, Geneva, Switzerland. De(Forming). Galerie Rolf Ricke, Cologne, Germany. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more.