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The Contest Works for Trumpet and Cornet of the Paris Conservatoire, 1835-2000
The Contest Works for Trumpet and Cornet of the Paris Conservatoire, 1835-2000: A Performative and Analytical Study, with a Catalogue Raisonné of the Extant Works Analytical Study: The Contest Works for Trumpet and Cornet of the Paris Conservatoire, 1835-2000: A Study of Instrumental Techniques, Forms and Genres, with a Catalogue Raisonné of the Extant Corpus By Brandon Philip Jones ORCHID ID# 0000-0001-9083-9907 Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy July 2018 Faculty of Fine Arts and Music The University of Melbourne ABSTRACT The Conservatoire de Paris concours were a consistent source of new literature for the trumpet and cornet from 1835 to 2000. Over this time, professors and composers added over 172 works to the repertoire. Students and professionals have performed many of these pieces, granting long-term popularity to a select group. However, the majority of these works are not well-known. The aim of this study is to provide students, teachers, and performers with a greater ability to access these works. This aim is supported in three ways: performances of under-recorded literature; an analysis of the instrumental techniques, forms and genres used in the corpus; and a catalogue raisonné of all extant contest works. The performative aspect of this project is contained in two compact discs of recordings, as well as a digital video of a live recital. Twenty-six works were recorded; seven are popular works in the genre, and the other nineteen are works that are previously unrecorded. The analytical aspect is in the written thesis; it uses the information obtained in the creation of the catalogue raisonné to provide an overview of the corpus in two vectors. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Affiches Et Programmes De Concerts Du Conservatoire National Supérieur De Musique (1959-1984)
Affiches et programmes de concerts du Conservatoire national supérieur de musique (1959-1984). Répertoire analytique détaillé (AJ/37/696-AJ/37/698). Agnès Callu 1996 Archives nationales (France) Pierrefitte-sur-Seine 2016 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_055346 Cet instrument de recherche a été rédigé dans le système d'information archivistique des Archives nationales. Ce document est écrit en français. Conforme à la norme ISAD(G) et aux règles d'application de la DTD EAD (version 2002) aux Archives nationales. 2 Mentions de révision : • 10/2016: Océrisation et reprise de l'introduction. Émeline ROTOLO 3 Archives nationales (France) INTRODUCTION Référence AJ/37/696-AJ/37/698 Niveau de description pièce Intitulé Affiches et programmes de concerts du Conservatoire national supérieur de musique (AJ/37/696 à AJ/37/698). Date(s) extrême(s) 1959-1984 Nom du producteur • Conservatoire national supérieur de musique et de danse de Paris Importance matérielle et support 427 affiches Localisation physique Pierrefitte-sur-Seine Conditions d'accès Librement communicable sous réserve de l'état matériel des documents. Conditions d'utilisation Reproduction selon la règle en salle de lecture. DESCRIPTION Présentation du contenu Cet ensemble d'éphémères se constitue principalement d'affiches et de programmes, mais également d'affichettes et de cartons d'invitation. Peu d'affiches subsistent antérieurement à 1966 à l'inverse des programmes. Ceux-ci sont principalement sur papier glacé, parfois illustrés. Quant aux affiches, à la mise en page et au format standardisés (60 cm x 40 cm), exclusivement typographiques avec des caractères noirs sur papier coloré sauf rares exceptions, elles constituent une collection presque continue à partir de 1967. -
March 1949) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1949 Volume 67, Number 03 (March 1949) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 67, Number 03 (March 1949)." , (1949). https://digitalcommons.gardner-webb.edu/etude/164 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. aenor *,v CJbe (Celebrated JOHN CHURCH COMPANY SONG COLLECTIONS SONG CLASSICS heavy paper covers and Bound substantially in Edited by Horatio Parker engraved plates on quality printed from beautifully Tenor, Bass necessity to the singer Soprano, Alto, these volumes are a Four Volumes: - paper, established artist, this vo well-balanced repertoire. For either the budding or desiring a and comprehensive group- ume offers a convenient choice of songs, Mr. accepted classics. In his ing of value E. Krehbiel ‘classic’ > ts fue FAMOUS SONGS Edited by H. Parker considered the work literature, or ^art, of the first “a standard work of Volumes: Soprano, Alto, Tenor, Bass foremost composers, from Four class” Notable songs by eminent the nucleus of a reper- available collections by an Bach through Wolf, supply One of the finest presented both m a former critic for best songs. -
SC20-Final-Program-V2.Pdf
Table of Contents ACM Gordon Bell COVID Finalist Keynote ACM Gordon Bell Finalist More Than HPC Plenary ACM Student Research Competition: Panel Graduate Posters Paper ACM Student Research Competition: Research Posters Undergraduate Posters Scientific Visualization Awards Presentation & Data Analytics Showcase Birds of a Feather SCinet Booth Sessions State of the Practice Talk Doctoral Showcase Students@SC Early Career Program Test of Time Exhibitor Forum Tutorial Exhibits Virtual Student Cluster Competition Invited Talk Workshop Job Posting ACM Gordon Bell COVID Finalist (back to top) Thursday, November 19th 10:00 am - 12:00 pm Gordon Bell COVID-19 Prize Finalist Session 1 Session Description: Enabling Rapid COVID-19 Small Molecule Drug Design Through Scalable Deep Learning of Generative Models Sam Ade Jacobs (Lawrence Livermore National Laboratory), Tim Moon (Lawrence Livermore National Laboratory), Kevin McLoughlin (Lawrence Livermore National Laboratory), Derek Jones (Lawrence Livermore National Laboratory), David Hysom (Lawrence Livermore National Laboratory), Dong H. Ahn (Lawrence Livermore National Laboratory), John Gyllenhaal (Lawrence Livermore National Laboratory), Pythagoras Watson (Lawrence Livermore National Laboratory), Felice C. Lightsone (Lawrence Livermore National Laboratory), Jonathan E. Allen (Lawrence Livermore National Laboratory), Ian Karlin (Lawrence Livermore National Laboratory), Brian Van Essen (Lawrence Livermore National Laboratory) We improved the quality and reduced the time to produce machine-learned models for use in small molecule antiviral design. Our globally asynchronous multi-level parallel training approach strong scales to all of Sierra with up to 97.7% efficiency. We trained a novel, character-based Wasserstein autoencoder that produces a higher quality model trained on 1.613 billion compounds in 23 minutes while the previous state-of-the-art takes a day on 1 million compounds. -
Record Series 1121-105.3, W. W. Law Music Collection-Audiocassette Tapes, Box Contents
Record Series 1121-105.3, W. W. Law Music Collection-Audiocassette tapes, Box Contents Final Box # Item # Cassette Title Contributor(s) Date Genre Additional Notes Original Tape 1121-105-224 01 The Accidental Angel Jackie Torrence 1993 Sound recordings--Audiobooks Oversized case 1121-105-224 02 Race Matters Cornel West 1993 Sound recordings--Audiobooks Oversized compilation album with three cassettes 1121-105-224 03 Langston Hughes Reads Langston Hughes 1992 Sound recordings--Audiobooks Oversized case 1121-105-224 04 Having Our Say/ The Delany Sisters' First 100 Years Sarah Delany; A. Elizabeth Delany; Amy Hill Hearth; Whoopi Goldberg 1994 Sound recordings--Audiobooks Oversized case; 2 cassette tape compilation 1121-105-224 05 Quiet Strength Rosa Parks; Gregory J. Reed; Deforia Lane 1994 Sound recordings--Audiobooks Oversized case 1121-105-224 06 Narrative of the Life of Frederick Douglass Frederick Douglass; Charles Turner 1991 Sound recordings--Audiobooks Oversized case; 3 cassette tape compilation 1121-105-224 07 Remembering Slavery Ira Berlin; Marc Favreau; Steven F. Miller; Robin D. G. Kelley; Debbie Allen; Clifton Davis; Louis Gossett, Jr.; James Earl Jones; Jedda Jones; Melba Moore; Esther Rolle no date Sound recordings--Audiobooks Oversized case; this set includes a book and two audio cassette tapes; the whole set was kept together. 1121-105-224 08 Invisible Man Unabridged Joe Morton; Ralph Ellison 1999 Sound recordings--Audiobooks Oversized compilation case with 11 cassettes inside 1121-105-225 01 Bar Room Preacher Jimmy Johnson -
FRENCH CONCERTOS from the 19Th Century to the Present A
FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-K LOUIS ABBIATE (1866-1933) Born in Monaco. He learned the piano, organ and cello as a child and then attended the Conservatories Turin and Paris where he studied the cello. He worked as a cellist in the Monte Carlo Orchestra and then at Milan's La Scala. He taught the cello at the St. Petersburg Conservatory for some years and after the Russian Revolution returned to Monaco and became the first director of its École Municipale de Musique. He composed orchestral, chamber, instrumental and vocal works. Concerto Italien in A major for Piano and Orchestra, Op. 96 (1922) Maurice Bousquet (piano)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Monaecencis) ECCE MUSICA CM 306 (LP) (1970s) Concerto for Cello and Orchestra in D minor, Op. 35 (1895) Elaine Magnan (cello)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Les Elfes and Le Songe d'Or) ECCE MUSICA CM 312 (LP) (1970s) Monaecencis for Piano and Orchestra, Op. 110 (1925) Maurice Bousquet (piano)/Richard Blareau /Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Concerto Italien) ECCE MUSICA CM 306 (LP) (1970s) JEAN-LOUIS AGOBET (b. 1968) Born in Blois, Loir-et-Cher, Centre. He studied composition and electronic music at the Ecole Normale de Musique in Aix-en-Provence, followed by further studies at the Conservatoire National à Rayonnement in Nice and then with Philippe Manoury at the Conservatoire de Lyon. -
V 9 ! 7 Vac the HORN at the PARIS CONSERVATOIRE and ITS
31 <? /V 9! 7 Vac THE HORN AT THE PARIS CONSERVATOIRE AND ITS MORCEAUX DE CONCOURS TO 1996 THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Susan J. Rekward, B.A., M.A.T. Denton, Texas fliA.a&sT May 1997 Rekward, Susan, The Horn at the Paris Conservatoire and its Morceaux fluLfuj-r de Concours for Horn. Master of Arts (Music), May, 1997, 53 p., 5 illustrations, references, 27 titles. A work concerning the history of the Paris Conservatoire and music education in France. Follows the development of the horn and its correlation with the French school of horn playing. Includes biographic information on the horn professors of the Conservatoire through 1997, as well as a comprehensive list of the morceaux de concours for horn, 1795-1996. 31 <? /V 9! 7 Vac THE HORN AT THE PARIS CONSERVATOIRE AND ITS MORCEAUX DE CONCOURS TO 1996 THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Susan J. Rekward, B.A., M.A.T. Denton, Texas fliA.a&sT May 1997 TABLE OF CONTENTS Page Preface iv Chapter 1. A BRIEF HISTORY OF THE PARIS CONSERVATOIRE.. 1 2. MUSIC EDUCATION IN FRANCE TODAY 13 3. THE FRENCH SCHOOL OF HORN PLAYING 24 4. THE EVOLUTION OF THE MORCEAU DE CONCOURS FOR HORN 34 APPENDICES A. CHRONOLOGICAL LISTING OF HORN PROFESSORS AT THE PARIS CONSERVATOIRE 39 B. -
Sujets De Déchiffrages Du Conservatoire De Paris De 1825 À 2006
Sujets de déchiffrages du Conservatoire de Paris de 1825 à 2006 Répertoire numérique du versement 20150119 Établi par Sophie Lévy, chargée d'études documentaires, Centre des archives du Conservatoire national supérieur de musique et de danse de Paris Première édition électronique Archives nationales (France) Pierrefitte-sur-Seine 2015 1 Mention de note éventuelle https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_054422 Cet instrument de recherche a été rédigé avec un logiciel de traitement de texte. Ce document est écrit en français. Conforme à la norme ISAD(G) et aux règles d'application de la DTD EAD (version 2002) aux Archives nationales, il a reçu le visa du Service interministériel des Archives de France le ..... 2 Archives nationales (France) Sommaire Sujets de déchiffrage donnés aux examens et concours du Conservatoire de Paris 4 de 1825 à 2006. Textes de déchiffrage d'accordéon 8 Textes de déchiffrage d'alto 8 Textes de déchiffrage de basson 9 Textes de déchiffrage de clarinette 9 Textes de déchiffrage de clavecin 10 Textes de déchiffrage de contrebasse 10 Textes de déchiffrage de cor 11 Textes de déchiffrage de cornet 11 Textes de déchiffrage de la classe de déchiffrage 11 Textes de déchiffrage des disciplines vocales 11 Textes de déchiffrage de flûte 12 Textes de déchiffrage de guitare 12 Textes de déchiffrage de harpe 12 Textes de déchiffrage de hautbois 12 Textes de déchiffrage de musique instrumentale baroque 13 Textes de déchiffrage de musique vocale baroque 13 Textes de déchiffrage d'ondes Martenot 13 Textes -
Aida Del 14 Marzo 2016
Aida del 14 Marzo 2016 Giuseppe VERDI AIDA •Aida HERVA NELLI •Radames RICHARD TUCKER •Amneris EVA GUSTAVSON •Amonasro GIUSEPPE VALDENGO •Ramfis NORMAN SCOTT •Il Re DENNIS HARBOUR •Il Messaggero VIRGINIO ASSANDRI •Una Sacerdotessa TERESA STICH-RANDALL Robert Shaw Chorale Chorus Master: NON INDICATO NBC Symphony Orchestra ARTURO TOSCANINI Luogo e data di registrazione: New York, 1949 (più seconda sessione di rifinitura Giugno 1954) Ed. discografica: RCA GD 60600(3); RCA «Gold Seal» GD 60326 (collection) {7CDS};;; Urania URN 22.224 {2CDS} (2004); RCA 67893 (part of «Verdi - Complete Toscanini Recordings») {12CDS} (2006) Note tecniche sulla registrazione: broadcast di buona resa complessiva Pregi: direzione. Nelli da rivalutare Difetti: manca, come sempre in Toscanini, abbandono e tenerezza Valutazione finale: OTTIMO Toscanini – come noto – esordì nella direzione nel 1886 a Rio de Janeiro a soli 19 anni, durante una di quelle che oggi definiremmo “spedizioni punitive”, dopo che erano stati bruciati altri due direttori variamente incompetenti nel corso di una recita ove si partecipava come violoncellista. Narra la leggenda che, salito sul podio ove era stato trascinato a viva forza dagli stessi colleghi dell’orchestra, avesse chiuso lo spartito con un gesto quasi inconsapevole e iniziato a dirigere a memoria, come poi avrebbe fatto per tutto il resto della sua vita. Logico quindi che il direttore abbia mantenuto un posto speciale per quest’opera nella sua vita che arriva, nel 1949, alla doppia registrazione non solo audio, ma anche video, la cui visione ci dà un’idea affidabile di quello che doveva essere la gestione complessiva di un’opera – per di più così complessa – da parte di Toscanini, sia pure ormai molto avanti negli anni. -
Scandinavian Practical Joker Spotlight on Ls Called Publicity Wilard Importer, Plans Program Norwegian— Ivar ?Aglund
4 THE SCANDINAVIAN AMERICAI Backman Is How Scandinavian Practical Joker Spotlight on ls Called Publicity Wilard Importer, Plans Program Norwegian— Ivar ?aglund. they say, can seal. took it for a stroll through A‘Radio claim a unique distinction. He in downtown Seattle and let it shake supposed to be the Pacific North-j hands with Santa Claus in a de- Gus Backman, widely known in Americans west's greatest practical joker and partment store. When a railroad Scandinavian circles throughout expert. smartest publicity Nothing car broke down outside his restau- the Northwest, is now entering a By pleases him more than to surprise rant and barrels of sirup were new field of enterprise. Both Mr. A. BJERKESETH people. been surprising emptied on the street Haglund put formed He has and Mrs. Backman have The main building of them for some time now and has the Red Bear Importing Company. Leif Erikson Norway. Center is nearing is profited by it too. Renton, which is distributing Red Festival Soon completion, and should occupa- When people read that octopus- Bear, a Swedish-made polishing be ready for es have climbed a mountain or and cleaning powder, reputed to’ Although We probably yet will tion the middle of October.,. that seals have felled big trees be of outstanding quality. have many more warm and {z the stories get a special twist after The Renton firm has the sole pleasant Indian summer days it is learned that the beasts be- distribution in west- Convention Report right to eight ahead of us, there is no denying long to Haglund. -
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richard Wagner götterdämmerung en Flag st st ir aD K 1 g 956 Recordin Kirsten Flagstad • Set Svanholm • Ingrid Bjoner Eva Gustavson • Egil Nordsjø • Waldemar Johnsen Opera Chorus • Oslo Philharmonic Orchestra Norwegian State Radio Orchestra 4 Øivin Fjeldstad CDs GREAT OPERA RECORDINGS CD 1 52:40 6 Hier sitz’ ich zur Wacht 7:58 (Hagen) Prologue Scene 3 1 Prelude 2:04 7 Altgewohntes Geräusch 6:49 (Orchestra) (Brünnhilde, Waltraute) Richard 2 Welch’ Licht leuchtet dort? 10:20 8 Höre mit Sinn, was ich dir sage! 9:07 (First Norn, Second Norn, Third Norn) (Waltraute) WAGNER 3 Dämmert der Tag? 6:31 9 (1813-1883) Welch banger Träume Mären 6:07 (First Norn, Second Norn, Third Norn) (Brünnhilde, Waltraute) 4 Dawn 3:29 0 Blitzend Gewölk 2:52 (Orchestra) (Brünnhilde) Götterdämmerung 5 Zu neuen Taten, teurer Helde 2:15 ! Brünnhild’! Ein Freier kam 5:21 Music–Drama in Three Acts and a Prologue • Libretto by the Composer (Brünnhilde) (Siegfried, Brünnhilde) 6 Mehr gabst du, Wunderfrau 6:34 @ Jetzt bist du mein 2:43 (Siegfried, Brünnhilde) (Siegfried, Brünnhilde) Brünnhilde . Kirsten Flagstad (Soprano) 7 O heilige Götter 2:17 Gutrune . Ingrid Bjoner (Soprano) (Brünnhilde, Siegfried) CD 3 69:37 Third Norn ] 8 Siegfried’s Rhine Journey 5:22 Act II Woglinde . Unni Bugge-Hanssen (Soprano) (Orchestra) Waltraute Scene 1 . Eva Gustavson (Mezzo-soprano) 1 First Norn ] Act I Prelude 4:46 Second Norn (Orchestra) . Karen Marie Flagstad (Mezzo-soprano) Scene 1 2 Wellgunde ] 9 Nun hör, Hagen 2:47 Schläfst du, Hagen, mein Sohn? 13:13 Floßhilde . Beate Asserson (Contralto) (Gunther, Hagen) (Alberich, Hagen) Siegfried .