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ARCHAEOLOGICAL EXCAVATION OF STATE CIRCLE, ANNAPOLIS, MARYLAND by Esther Doyle Read Contributions by Jean Russo George Logan Brett Burk Mark P. Leone, PhD Barbara J. Little, PhD Principal Investigators 30 June 1990 Report prepared for the City of Annapolis by "Archaeology in Annapolis" A cooperative project between The Historic Annapolis Foundation and The University of Maryland, College Park ACKNOWLEDGEMENTS Funding for the State Circle Archaeological Project was provided by the City of Annapolis. The State of Maryland provided the City with the bulk of funding for the undergrounding of the utilities and also provided the bulk of the funds for the archaeological component of the project. All of the State funds were administered through the State's Department of General Services. The funds allotted to the City were administered by the City's Department of Public Works. The City of Annapolis, Department of Public Works administered the funds for the archaeological project. Historic Annapolis Foundation administered the funds for the archaeological project under an agreement with the city's Department of Public Works. The University of Maryland, College Park, through its Department of Anthropology, provided all the labor and supervision for the archaeological project. The Maryland Historical Trust, a division of the State's Department of Housing and Community Development facilitated the agreements between the State, the City, and Historic Annapolis k oundation. Numerous individuals contributed to the success of this project. I would like to thank Govenor William Donald Schaffer for his support of the archaeological work done on State Circle. Earl Seboda, Director of the State Department of General Services and Jerry Walls, Chief of the Department of General Services Police, as well as their staffs, were always supportive throughout the project. -
Xerox University Microfilms 900 North Zwb Road Ann Aibor, Michigan 40106 76 - 18,001
INFORMATION TO USERS This material was produoad from a microfilm copy of the original document. While the most advanced technological meant to photograph and reproduce this document have bean used, the quality it heavily dependant upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing paga(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. Whan an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause e blurted image. You will find a good Image of the page in the adjacent frame. 3. Whan a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand comer of e large Sheet and to continue photoing from left to right in equal sections with e small overlap. I f necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could bo made from "photographs" if essential to the understanding of the dissertation. -
Genealogical Sketch Of
Genealogy and Historical Notes of Spamer and Smith Families of Maryland Appendix 2. SSeelleecctteedd CCoollllaatteerraall GGeenneeaallooggiieess ffoorr SSttrroonnggllyy CCrroossss--ccoonnnneecctteedd aanndd HHiissttoorriiccaall FFaammiillyy GGrroouuppss WWiitthhiinn tthhee EExxtteennddeedd SSmmiitthh FFaammiillyy Bayard Bache Cadwalader Carroll Chew Coursey Dallas Darnall Emory Foulke Franklin Hodge Hollyday Lloyd McCall Patrick Powel Tilghman Wright NEW EDITION Containing Additions & Corrections to June 2011 and with Illustrations Earle E. Spamer 2008 / 2011 Selected Strongly Cross-connected Collateral Genealogies of the Smith Family Note The “New Edition” includes hyperlinks embedded in boxes throughout the main genealogy. They will, when clicked in the computer’s web-browser environment, automatically redirect the user to the pertinent additions, emendations and corrections that are compiled in the separate “Additions and Corrections” section. Boxed alerts look like this: Also see Additions & Corrections [In the event that the PDF hyperlink has become inoperative or misdirects, refer to the appropriate page number as listed in the Additions and Corrections section.] The “Additions and Corrections” document is appended to the end of the main text herein and is separately paginated using Roman numerals. With a web browser on the user’s computer the hyperlinks are “live”; the user may switch back and forth between the main text and pertinent additions, corrections, or emendations. Each part of the genealogy (Parts I and II, and Appendices 1 and 2) has its own “Additions and Corrections” section. The main text of the New Edition is exactly identical to the original edition of 2008; content and pagination are not changed. The difference is the presence of the boxed “Additions and Corrections” alerts, which are superimposed on the page and do not affect text layout or pagination. -
News and Notes
Newsand Notes i = a E EE z PrinceGeorge's CountY J g E HistoricalSocietY ! E Ed\flE 3 rr;. I lJ' January/February2000 Our 48e Year XXVItr Number I FAMILY OF FREDERICKS. DEMARRDEEDS LIBRARY TO SOCIETY Following probate,Louise Tatspaugh, longtimeHistorical Societymember and Fred's sister, officially deededthe FrederickS. DeMan Library to the Historical Society. Dated November 1999,and coincidingwith the approvalby the Board of the library's collectionmanagement policy, this generousgift was gratefully acceptedby the Board. The Library Committee, composedof Historian Susan Pearl, Board Secretaryand life-long County residentSarah Bourne and Librarian Sharon Howe Sweeting, hasworked steadilysince Fred's untimely death. Diane Stultz, a genealogicalresearch specialist, has been added to the Committee. Dusty Rhoads and Alan Virta haveprovided adviceon specificcollecting interests of Fred's. The Committee has, however, deviatedfrom Fred's plansby beginningto catalogue the collectioninto an online databasecalled InMagrc. Eventually,the vertical and biographical files, photographs,special and ephemeralmaterials will be incorporatedinto this databasewhich will be searchableon all fields. The library also hasan email address,a fa,r machine,a new answeringmachine and photocopier. Spacecontinues to be a premium but the Committee is slowly sifting through the collectionsto refine and focus them. Collection guidelinesare outlinedlater in this issue. We welcomeyour visit to assessour progress. A twentieth-century Gentleman's library 'z)a completedbefore considerationfor Call for Nominations an award. 6. The recipientshould be living at the time St. George'sDay Awards 2000 of the nomination. PrinceGeorge's County Historical Society 7. Projectsthat are solelythe productof a establishedthe St. George'sDay Arvardsin person'semployment or profession 1974to honor thosepersons or may be consideredunder certain organrzationsthat have made a differencein circumstancesif the projectreflects PrinceGeorge's County. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
School Board Districts SY 2021-2022 PRINCE GEORGE's COUNTY PUBLIC SCHOOLS
School Board Districts SY 2021-2022 PRINCE GEORGE'S COUNTY PUBLIC SCHOOLS School Board Districts and Representatives ! BOND MILL !SCOTCHTOWN HILLS !LAUREL ES !!LAUREL HS Dr. Juanita Miller (Chair) CMIT-ELEMENTARY ! LAUREL CMIT-NORTH DWIGHT EISENHOWER! !OAKLANDS JAMES HARRISON! !DEERFIELD RUN District 1: David Murray CALVERTON! ! MARTIN L KING JR !MONTPELIER !VANSVILLE HIGH POINT! !JAMES DUCKWORTH ! BELTSVILLE ACADEMY FRANCES FUCHS ECC! District 2: Joshua M. Thomas District 1 HOLLYWOOD! !GREENBELT ES BUCK LODGE! Dist!rict 2 COOL SPRING ! ADELPHI @Cherokee Lane SPRINGHILL LAKE District 3: Pamela Boozer-Strother JUDITH HOYER FLC! GREENBELT MS !MOTHER JONES ! CHALLENGER LEARNING CTR !!DORA KENNEDY FRENCH !ROCKLEDGE GREENBELT ! HOWARD B. OWENS SCIENCE CTR LANGLEY PK-MCCORMICK! !SAMUEL OGLE BERWYN HEIGHTS! ELEANOR ROOSEVELT DUVAL WHITEHALL !!! ! ! YORKTOWN ! CATHERINE REED!!!! ROBERT GODDARD ! PAINT BRANCH !CHAPEL FORGE ECC CAROLE HIGHLANDS! ! MAGNOLIA! ROBERT GODDARD MONTESSORI HIGH BRIDGE CHEROKEE LANE @St Marks HYATTSVILLE MS @!Goddard ! !GAYWOOD GLENN DALE HYATTSVILLE MS !BOWIE ! ! @Meadowbrook LEWISDALE! NORTHWESTERN LAMONT! ROBERT FROST CHARLES CARROLL District 4: Shayla Adams-Stafford CESAR CHAVEZ SPANISH ! ROSA PARKS ! UNIVERSITY PK !PARKDALE ! ! !CARROLLTON !SEABROOK !TULIP GROVE RIDGECREST! ! COLLEGE PK !WILL WIRT !! !MARGARET BRENT THOMAS JOHNSON EDWARD FELEGY NICHOLAS ORE!M !! RIVERDALE ! LEGENDS !KENILWORTH CHILLUM! !BEACON HEIGHTS JAMES MCHENRY BENJAMIN TASKER! HYATTSVILLE ES! TEMPLETON GLENRIDGE ! !! !HEATHER HILLS District 3 -
Maryland Historical Magazine, 1995, Volume 90, Issue No. 4
I-1-Si Winter 1995 MARYLAND 2 -aa> 3 Q. Historical Magazine THE MARYLAND HISTORICAL SOCIETY Founded 1844 Dennis A. Fiori, Director The Maryland Historical Magazine Ernest L. Scott Jr., Editor Robert I. Cottom Jr., Associate Editor Patricia Dockman Anderson, Associate Editor Jessica M. Pigza, Managing Editor Jeff Goldman, Photographer Angela Anthony, Robin Donaldson Coblentz, Christopher T.George, Jane Gushing Lange, and Lama S. Rice, Editorial Associates Robert J. Brugger, Consulting Editor Regional Editors John B. Wiseman, Frostburg State University Jane G. Sween, Montgomery Gounty Historical Society Pegram Johnson III, Accoceek, Maryland John R. Wennersten, University of Maryland, Eastern Shore Acting as an editorial board, the Publications Committee of the Maryland Historical Society oversees and supports the magazine staff. Members of the committee are: Robert J. Brugger, The Johns Hopkins University Press, Go-Ghair John W. Mitchell, Upper Marlboro; Trustee, Go-Ghair Joseph L. Arnold, University of Maryland, Baltimore Gounty Jean H. Baker, Goucher Gollege James H. Bready, Baltimore Lois Green Garr, St. Mary's Gity Gommission Stiles Tuttle Golwill, Baltimore Richard R. Duncan, Georgetown University Dennis A. Fiori, Maryland Historical Society, ex-officio Jack G. Goellner, The Johns Hopkins University Press Gilbert Gude, Bethesda David Hein, Hood Gollege John Higham, The Johns Hopkins University Ronald Hoffman, Institute of Early American History and Gulture Samuel Hopkins, Baltimore Gharles McG. Mathias, Ghevy Ghase Roland G. McGonnell, Morgan State University Norvell E. Miller III, Baltimore Edward G. Papenfuse, Maryland State Archives The views and conclusions expressed in this magazine are those of the authors. The editors are responsible for the decision to make them public. -
The Founders of Maryland As Portrayed in Manuscripts, Provincial
U( ',3^ p^ THE FOUNDERS OF MARYLAND AS PORTEAYED IN MAmJSCRIPTS, PROYESTCIAL RECORDS AI^J"D EARLY DOCUMENTS, REV. EDWARD D. NEILL, A. B., Author of "English Colonization op America," "Virginia Compant op London," "Terra Marlb," " Fairfaxes of England and America," "History of Minnesota," etc. \J "Ifec falsa dicere, nee vera reticere." ff ALBANY: JOEL MIJNSELL. 1876. THE FOUNDERS OF MARYLAND. PEEFACE. Every year, the citizens of ancient Padua crowd the costly church, dedicated to their townsman, the Italian Saint Anthony, and hang upon its walls, or around the shrine, sketches in oil, or water colors, commemorative of important events in their lives. One of the many good results of the centennial year of the American Republic j is the taking down from the garrets, the neglected portraits of our forefathers, the removal of the stains and dust, the substitution of new frames, for those battered and worm eaten, and in remembering their labors for posterity. With the aid of manuscripts, brought to light during the last decade, and access to the papers of the British Kecord Office, we can now portray more accurately, and hang in a better light, the Founders of Maryland. The object of this little book, is to state facts, which had become obscured or forgotten, concern- 6 Preface. ing the first European settlers on the shores of the Potomac River, and Chesapeake Bay. Bearing in mind, the sentiment of Hieronymus " in a letter to Epiphanius : Malem aliena vere- cunde dicere, quam jura imprudenter ingerere," I have recorded facts, gleaned from the manuscript Provincial Records at the capital of Maryland, and other documents of the Provincial period, rather than obtruded my own opinions. -
Genealogy of the Jenkins Family of Maryland, from 1664-1895
Ap. Thomas Jenkins, was born, 1645; married, 1670; died, 1727. He was buried at Saint Thomas’ Church. His wife died two years after, and was placed in the family lot, both greatly lamented. Issue are as follows: Edward, William, George, Mary, Elizabeth and Ann. Among those who came, in company with Thomas Jenkins (original), were: Charles Ballard, Robert Cornich, Francis Tench, Thomas Batchelor. Jane Tench, John Austin, Winifred James, John Grand, Rice Jones, John Toy, Auther Norwood, Mary Sparks, John Simpson, John Lewis, Christopher Berry, George Hart, Edward Mattingly. John Hart, John Clotman, Thomas Parson, John Pasey, William Philips. William West, All these settled and received land grants of one hundred acres each. Some few located in Kent afterwards, but, not finding a proper welcome, and for their welfare, returned to St. Mary’s. Among these were: John Jenkins, Thomas Thompson Henry Jenkins, Peter Robinson. Thomas Edelin, [14 “Austin Jenkins, second son of Edward Jenkins, was born in Baltimore, 1806; married Margaret Jenkins, of Charles County, 1839. He died 1888. He was one of the most esteemed members of his name, and of the community in which he moved. Was a man of singular integrity and keen judgment in affairs of business matters, and made an honorable record among the progressive men of Baltimore. He was a man of clear judgment, and of unimpeach¬ able integrity of life. The children of Austin Jenkins were: — Edward Austin, Isabel, Harriet, Mary Plowden, Thomas Mere¬ dith, and Francis De Sales.” “Alfred Jenkins, son of Edward Jenkins, born in 1810. Mar¬ ried Elizabeth Hickley in 18—; died 1875. -
Sweet Adelines International Arranged Music List
Sweet Adelines International Arranged Music List ID# Song Title Arranger I03803 'TIL I HEAR YOU SING (From LOVE NEVER DIES) June Berg I04656 (YOUR LOVE HAS LIFTED ME) HIGHER AND HIGHER Becky Wilkins and Suzanne Wittebort I00008 004 MEDLEY - HOW COULD YOU BELIEVE ME Sylvia Alsbury I00011 005 MEDLEY - LOOK FOR THE SILVER LINING Mary Ann Wydra I00020 011 MEDLEY - SISTERS Dede Nibler I00024 013 MEDLEY - BABY WON'T YOU PLEASE COME HOME* Charlotte Pernert I00027 014 MEDLEY - CANADIAN MEDLEY/CANADA, MY HOME* Joey Minshall I00038 017 MEDLEY - BABY FACE Barbara Bianchi I00045 019 MEDLEY - DIAMONDS - CONTEST VERSION Carolyn Schmidt I00046 019 MEDLEY - DIAMONDS - SHOW VERSION Carolyn Schmidt I02517 028 MEDLEY - I WANT A GIRL Barbara Bianchi I02521 031 MEDLEY - LOW DOWN RYTHYM Barbara NcNeill I00079 037 MEDLEY - PIGALLE Carolyn Schmidt I00083 038 MEDLEY - GOD BLESS THE U.S.A. Mary K. Coffman I00139 064 CHANGES MEDLEY - AFTER YOU'VE GONE* Bev Sellers I00149 068 BABY MEDLEY - BYE BYE BABY Carolyn Schmidt I00151 070 DR. JAZZ/JAZZ HOLIDAY MEDLEY - JAZZ HOLIDAY, Bev Sellers I00156 072 GOODBYE MEDLEY - LIES Jean Shook I00161 074 MEDLEY - MY BOYFRIEND'S BACK/MY GUY Becky Wilkins I00198 086 MEDLEY - BABY LOVE David Wright I00205 089 MEDLEY - LET YOURSELF GO David Briner I00213 098 MEDLEY - YES SIR, THAT'S MY BABY Bev Sellers I00219 101 MEDLEY - SOMEBODY ELSE IS TAKING MY PLACE Dave Briner I00220 102 MEDLEY - TAKE ANOTHER GUESS David Briner I02526 107 MEDLEY - I LOVE A PIANO* Marge Bailey I00228 108 MEDLEY - ANGRY Marge Bailey I00244 112 MEDLEY - IT MIGHT -
Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events. -
Traidtional New Orleans Jazz As a Methaphor for American Life
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Syracuse University Research Facility and Collaborative Environment Syracuse University SURFACE Imagining America Scholarship in Action 2010 Traidtional New Orleans Jazz as a Methaphor for American Life Dr. Michael White Xavier University of Louisiana Follow this and additional works at: https://surface.syr.edu/ia Part of the Arts and Humanities Commons Recommended Citation White, Dr. Michael, "Traidtional New Orleans Jazz as a Methaphor for American Life" (2010). Imagining America. 6. https://surface.syr.edu/ia/6 This Report is brought to you for free and open access by the Scholarship in Action at SURFACE. It has been accepted for inclusion in Imagining America by an authorized administrator of SURFACE. For more information, please contact [email protected]. Traditional New Orleans Jazz as a Metaphor for American Life by Dr. Michael White introduced by Nick Spitzer with a response by Adam Bush Foreseeable Futures #9 Position Papers from Artists and Scholars in Public Life Artists and Scholars in Public Life Dear Reader, In her Introduction to the ends of performance, Peggy Phelan writes that performance “is a discipline based on that which disappears, art that can not be preserved or posted. And we know performance knows things worth knowing” (1998: 8). She raises the question of how to illuminate an “event that is gone but still radiating meaning to someone…who is removed in time from its ‘first’ unfolding?” (1998: 9) Our challenge in this Foreseeable Futures is, particularly, how to capture in print what took place as a live event for those who were not present at its “first unfolding.” The occasion for our effort is the keynote at the heart of this Foreseeable Futures, delivered by Dr.