Le Havre Press Notes
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Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you. -
Programme 2013 / 2014 Films Shown Monthly September to April
Films are shown in Appleby Magna Church Hall usually on the second Friday of the month: Appleby Magna Matinee: 2.30 pm Refreshments available during the interval and subtitles for the hard of hearing. Film Society Evening: 8.00 pm No interval. To join the Film Society Come along to a showing or contact Sonia Liff Programme 2013 / 2014 Tel. 01530 272327 Email: [email protected] Films shown monthly Annual Membership: £29 (£24 for over 60’s) for eight films Guests: £6 (£5 for over 60’s) per film September to April Members must be 16 years or over Friday afternoons at 2.30 pm New members are made very welcome. and Disabled Access: The Church hall is only accessible via four steep steps Friday evenings at 8.00 pm with a handrail on an upward sloping tarmac path. The Committee reserve the right to amend the programme if unavoidable. Appleby Magna Church Hall, Church Street, Appleby Magna DE 12 7BB (Opposite the Church) Appleby Magna Film Society is a not-for-profit club run by volunteers 13th September 2013 10th January 2014 ‘SONG FOR MARION’ UK 2012 Cert.PG13 (93 min.) ‘QUARTET’ UK 2012 Cert. PG12A (99 min.) Stars: Terence Stamp, Vanessa Redgrave, Gemma Arterton, Stars: Maggie Smith, Tom Courtnenay, Billy Connolly, Pauline Collins, Michael Gambon Director: Paul Andrew Williams Director: Dustin Hoffman A heart-warming story of a loving marriage between grumpy pensioner, Arthur (Terence Bittersweet tale of ageing former opera stars who reunite for one performance to fundraise Stamp) and the ever cheerful Marion (Vanessa Redgrave). -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
LE HAVRE Aki Kaurismäki
SPUTNIK, PYRAMIDE PRODUCTIONS AND PANDORA FILM PRESENT ANDRÉANDRÉ KATIKATI JEAN-PIERREJEAN-PIERRE BLONDIN WILMSWILMS OUTINENOUTINEN DARROUSSINDARROUSSIN MIGUEL LELE HAVREHAVREa film by Aki Kaurismäki PRODUCTIONS Sputnik Oy Pyramide Productions Pandora Film Museokatu 13 A 5 rue du Chevalier de Saint George Balthasarstrasse 79 00100 Helsinki 75 008 Paris 50670 Koeln Finland France Germany Tel : +358 9 6877 100 Tel : +33 (0)1 40 20 13 60 Tel : +49 221 973 320 Fax : +358 9 6877 1010 Fax : +33 (0)1 42 96 05 90 Fax : +49 221 973 329 [email protected] [email protected] [email protected] www.pyramide-productions.com www.pandorafilm.com INTERNATIONAL SALES FESTIVALS The Match Factory GmbH Finnish Film Foundation Balthasarstrasse 79-81 in Cannes Kanavakatu 12 in Cannes 50670 Koeln Résidence ”La Bagatelle” 00160 Helsinki Scandinavian Terrace Germany 4ème étage Finland 55, La Croisette Tel : +49 221 539 709 - 0 25 La Croisette Tel : +358 9 6220 300 Jaana Puskala, Fax :+49 221 539 709 10 Tel : +33 (0)4 93 99 66 98 Fax :+358 9 6220 3050 Tel : +358 50 593 2068 [email protected] Fax :+33 (0)4 93 99 68 33 [email protected] Jenni Domingo, www.the-match-factory.com www.ses.fi Tel : +358 40 841 2849 INTERNATIONAL PRESS FRENCH PRESS SPUTNIK, PYRAMIDE PRODUCTIONS AND PANDORA FILM PRESENT Wolfgang W. Werner Public Relations eva Simonet Tal 46 in Cannes Galatée films 80331 Muenchen Christiane Leithardt 19, avenue de Messine - 75008 Paris Germany Cell : +49 179 104 80 64 France Tel :+49 89 38 38 67-0 Wolfgang Werner Cell Paris and Cannes : +33 6 62 -
Pressmaterial Mannen Från Le Havre
ANDRÉ KATI JEAN-PIERRE BLONDIN WILMS OUTINEN DARROUSIN MIGUEL FOLKETS BIO PRESENTERAR ELINA SALO EVELYNE DIDI QUOC-DUNG NGUYEN LAIKA FRANÇOIS MONNIÉ ROBERTO PIAZZA A.K.A LITTLE BOB PIERRE ÉTAIX JEAN-PIERRE LÉAUD Manus, regi och producent AKI KAURISMÄKI Regiassistent GILLES CHARMANT Foto TIMO SALMINEN Chefselektriker OLLI VARJA Ljud TERO MALMBERG Scenografi WOUTER ZOON Kostym FRED CAMBIER Smink VALÉRIE THÉRY-HAMEL Klippning TIMO LINNASALO Produktionsledare CLAIRE LANGMANN RÉMI PRADINAS MARK LWOFF Exekutiva producenter STÉPHANE PARTHENAY HANNA HEMILÄ Medproducenter FABIENNE VONIER, REINHARD BRUNDIG Produktion SPUTNIK OY PYRAMIDE PRODUCTIONS PANDORA FILM i samproduktion med ARTE FRANCE CINÉMA ZDF/ARTE med stöd av FONDATION DU CINÉMA FINLANDAIS CANAL+ NORDISK FILM & TV FOND CENTRE NATIONAL DU CINÉMA ET DE L’IMAGE ANIMÉE YLE COPRODUCTIONS CINÉ+ ARTE FRANCE RÉGION HAUTE NORMANDIE Marcel Marx har ett förflutet som författare ochär en Det han står emot ett blint statsmaskineri, denna gång i välkänd bohem. Nu har har gått i frivillig exil i hamnstaden form av ett polispådrag som med stormsteg närmar sig den Le Havre där han känner att han får en bättre relation till lilla flyktingpojken. sina medmänniskor genom det hederliga, men kanske inte Det är dags för Marcel att putsa skorna och visa tänderna. så lönsamma arbetet som skoputsare. Han har begravt drömmarna om ett litterärt genombrott och lever ett ”Den europeiska filmen har varit dålig på att skildra den bekymmersfritt liv som han delar mellan baren, jobbet och ständigt växande finansiella, politiska och framför allt sin under bara fru Arletty, tills en dag hans väg korsas av en moraliska kris som har lett fram den sedan länge olösta minderårig illegal flykting från mörkaste Afrika. -
Program C Apríl 2012 Apríl V Kine Lumière
KINO SLOVENSKÉHO FILMOVÉHO ÚSTAVU ŠPITÁLSKA UL. 4 BRATISLAVA PROGRAM c APRÍL 2012 Apríl v Kine Lumière 4x Aki Kaurismäki počiatkov. Svedčí o tom množstvom filmov o požiarnych zásahoch, zániku Pompejí a pod. Tvorbu výnimočného fínskeho režiséra Akiho Kaurismäkiho pripomenie Febiofest 2012 v samo- Ide o filmy postavené na efektných, šokujúcich zobrazeniach, narábajúcich s divákovou súlad- stanej profilovej sekcii. Následne v priebehu apríla bude možné v Kine Lumière vidieť výber nosťou strachu a fascinácie. Tieto filmy majú samozrejme aj dnes viac či menej vydarených z jeho štylizovaných a výtvarne ladených trpkých tragikomédií plných sympatických outsiderov pokračovateľov. a stroskotancov z okraja spoločnosti. Okrem premiérového titulu Le Havre (2011) ponúkne Pätica filmov k téme sa však nezaoberá len premenou prostredia spôsobenou katastrofou, ale pre- Lumière tri staršie bonbóniky: Muž bez minulosti (2002), Svetlá v súmraku (2006) dovšetkým odrazom takejto udalosti v človeku. Akým spôsobom ju človek prežíva, duševne refle- a vôbec posledný nemý film 20. storočia Juha (1999). ktuje, respektíve ako sa vysporiadava so skutočnosťou, že jej pôvodcom je často on samotný. 5x Kim Ki-duk Deti z Nagasaki (K. Kinoshita , 1983) Obeť (A. Tarkovskij, 1986) Konec srpna k k k Kim Ki-duka pravdepodobne slovenským klubovým divákom netreba špeciálne predstavovať. Patrí v hotelu Ozon (J. Schmidt, 1966) k Dotyk Medúzy (J. Gold, 1978) k Piesne z druhého k najznámejším súčasným kórejským režisérom uznávaným na celom svete kvôli výtvarnému cíte- poschodia (R. Andrersoon, 2009). niu a výpovediam svojich filmov, ktoré sú nadčasové a internacionálne natoľko, že by sa mohli odohrávať kdekoľvek. Na druhej strane, svojím surovým a otvoreným zobrazovaním reálií ako aj EuroFilmClub fyzického a psychického násilia si našiel celý rad odporcov. -
Le Havre Countries: Finnland, France, Germany Year: 2012 Writer &Director: Aki Kaurismäki Cinematography: Timo Salminen Editing: Timo Linnasalo
Le Havre Countries: Finnland, France, Germany Year: 2012 Writer &Director: Aki Kaurismäki Cinematography: Timo Salminen Editing: Timo Linnasalo CAST André Wilms, Kati Outinen, Jean-Pierre Darroussin, www.chelmsford-filmclub.co.uk Blondin Miguel, Elina Salo, Evelyne Didi, Quoc Dung Nguyen, François Monnié, Little Bob (as Roberto Piazza), Laïka the dog. ‘Aki Kaurismäki’s Le Havre is a film you want to hug. It is so adorable – like a loved mutt – that it lowers your blood pressure while heightening your besotted and caring interest. In a noirish corner of north-west France the former author and social rebel Marcel Marx (Kaurismäki regular André Wilms) employs himself as a shoe-shiner. In a vocational acte gratuit (existentialism alert!) he has gone native with the common people. He is now a one-man catchment and protection area for foreign fugitives, such as the young Gabon stowaway Idrissa (Blondin Miguel) pursued by immigration police. Imagine a plot made from Rimbaud, Camus and Simenon, mixed together, then served with a festive cracker and funny hat. Kaurismäki finds that point where a basilisk spoofiness intersects with a throbbing verismo. You can take the film seriously: the ominous music, shadow-edged décor, men in hats pursuing men without. Or you can giggle in pastiche-lovers’ delight. Or you can do both. This is the temps perdu of novelist Céline and filmmakers Melville and Carné. People say solemnly surreal lines like “She is the road manager of my soul.” And who could resist the Dadaist scene of a brooding black-coated detective (Jean-Pierre Darroussin) sitting in a bar holding a pineapple, drinking a Calvados, pondering unsolved crimes? Maigret meets Magritte. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
List of Films Shown by NWFS
List of films shown by NWFS 2015 Feb The little death MA Australia English 2014 95 mins http://www.imdb.com/title/tt2785032/?ref_=fn_al_tt_1 Mar Two days, one night M Belgium French 2014 91 mins http://www.imdb.com/title/tt2737050/?ref_=nv_sr_1 Apr Finding Vivian Maier PG USA English 2014 84 mins http://www.imdb.com/title/tt2714900/?ref_=fn_al_tt_1 Apr The dark horse M New Zealand English 2014 124 mins http://www.imdb.com/title/tt2192016/?ref_=nv_sr_1 May Leviathan M USSR Russian 2015 141 mins http://www.imdb.com/title/tt2802154/?ref_=nv_sr_1 Jun Love is strange M USA English 2015 94 mins http://www.imdb.com/title/tt2639344/?ref_=nv_sr_1 Jul Trash M Brazil Portuguese 2014 114 mins http://www.imdb.com/media/rm3038037760/tt1921149?ref_=tt_ov_i/ Jul The mafia only kills in summer M Italy / USA Italian/English 2013 90 mins http://www.imdb.com/title/tt3374966/?ref_=fn_al_tt_1/ Aug Partisan CTC Australia English 2015 98 mins http://www.imdb.com/title/tt3155242/?ref_=nv_sr_1/ Sep Kumiko, the treasure hunter PG Japan / USA Japanese / English 2014 105 mins http://www.imdb.com/title/tt3263614/?ref_=nv_sr_1/ Oct Living is easy with eyes closed M Spain Spanish 2013 108 mins http://www.imdb.com/title/tt2896036/?ref_=nv_sr_2/ Nov Madame Bovary M USA English 2014 118 mins http://www.imdb.com/title/tt2334733/?ref_=rvi_tt/ Dec Waking the camino - six ways to Santiago PG USA English 2014 84 mins http://www.imdb.com/title/tt2406422/?ref_=fn_al_tt_1 2014 Feb 20 Feet From Stardom M US - English 2013 90 mins Mar Fill The Void PG Israel - Hebrew 2013 90 mins -
FILMS WORTH TALKING ABOUT 56 Days That Will Rock Your Cinema World!
10 JAN 20 5 MAR 20 1 | 10 JAN 20 - 5 MAR 20 88 LOTHIAN ROAD | FILMHOUSECINEMA.COM FILMS WORTH TALKING ABOUT 56 days that will rock your cinema world! Well, here we are again… it’s Awards season! I was reminded of such by a communication that came my way from AMPAS (the Oscar® people) listing nine categories’ shortlists of potential nominees. Now, they’ve been doing that shortlist thing with Foreign Language films for quite some time – there’s a lot of films out there in the world, it would be rather too much for the Academy members to have to watch them all! – but, to my knowledge, they’ve not before done it with any other category. It may be it’s for the same reason of sheer volume as above, but I guess what it also does is allows a greater number of films a reason to mention their Academy Award status in their advertising. I can see it now, “Academy Award Nomination shortlisted…” written on the poster. Where will it all end I wonder, “Academy Award Nomination eligible…”? As luck would have [nothing to do with] it, one of the films on the Foreign Language short list – which at this point in time seems the overwhelming favourite – is Bong Joon Ho’s utterly brilliant Parasite, which takes its place alongside a programme of films that is simplythe best line-up of new cinema I’ve seen in a long time. There’s not just the aforementioned South Korean masterpiece, there’s Sam Mendes’ extraordinary ‘one-take’ wonder 1917 (google ‘1917 behind the scenes featurette’ and prepare to simply have to see this film); Taika (‘Wilderpeople’) Waititi’s WWII, Nazi Germany-set, Jojo Rabbit; Armando Iannucci’s breathless Dickens, The Personal History of David Copperfield; Robert Egger’s uniquely bonkers, fog-bound The Lighthouse; Kidman, Robbie and Theron taking on the Fox News patriarchy in Bombshell; and to cap it all off, and possibly the best of the lot, Céline Sciamma’sexquisite Portrait of a Lady on Fire. -
The Auteurial-National Nexus and Aki Kaurismäki's Finland Trilogy
“Our Aki” The auteurial-national nexus and Aki Kaurismäki’s Finland trilogy Sanna Peden Bachelor of Arts (European Studies) Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities European Studies 2012 Abstract This thesis explores the interconnections of ‘Finnishness’ and ‘Kaurismäkianness’ in and around Aki Kaurismäki’s so-called Finland trilogy: Drifting Clouds (1996), The Man Without A Past (2002) and Lights in the Dusk (2006). The thesis addresses how Kaurismäki, whose work and public persona have tended to be critical of national institutions and preoccupations, has developed into an increasingly national figure in Finland’s years of Europeanisation. In order to examine the links between ‘Finnishness’ and ‘Kaurismäkianness’ I establish, first, the way in which Kaurismäki’s films engage with national themes; and, second, the way in which this Kaurismäkian take on Finnishness is received and further appropriated in Finland. I provide a textual analysis of each of the focus films, paying particular attention to their national aspects and their references to Kaurismäki’s other films. I combine this close analysis of the film texts with discussion of the context of the films, their media presence and ‘afterlife’, for example the discourses surrounding the films after their initial release or the ways in which their ‘Kaurismäkianness’ has been appropriated by others for specifically national purposes. In seeking to understand how Kaurismäki’s auteurial engagement with narratives of Finnishness feeds back into Finnish society this thesis contributes to current debates about the relationship between auteurs and national identity. -
Die Welt Des Aki Kaurismäki
Die Welt des Aki Kaurismäki »Das Kino ist der einzige Ort, an dem der Mensch immer Kaurismäkis filmische Mittel orientieren sich an noch frei ist. Und wie Camus und Reich gesagt haben, be- Robert Bresson, Jean-Pierre Melville, und Yasujirō Ozu steht das größte Bedürfnis des Menschen darin, der Frei- – sie werden bestimmt von einer klaren Bildsprache, heit zu entfliehen, was den Zuschauerschwund der Kinos dem reduzierten Spiel der Darsteller und einem präzi- erklärt. Die Menschen meiden den einzigen Ort, an dem sen Schnitt. Kaurismäkis eigenwilliger Sinn für Humor sie ihrer Phantasie freien Lauf lassen könnten, und stre- ben nach einem Zustand der beruhigenden Gefangen- verbindet ihn zudem mit Luis Buñuel, Charles Chaplin schaft, zum Beispiel in die Nähe eines Videorekorders.« und Buster Keaton. Typisch für Aki Kaurismäki ist sein psychologischer Anti-Realismus, der Mangel an äuße- »Die Kunst ist so wie das Gebet eine ins Dunkle aus- ren Emotionen. Da spürt man eine Verwandtschaft mit gestreckte Hand«, sagte Frank Kafka nach Gustav Ja- der Tradition des japanischen Theaters. nouch. Aki Kaurismäkis ausgestreckte Hand ist seit den Das Bewusstsein vom Ende der Kunst ist ein Grund- Aki Kaurismäki 1980er Jahren weltweit gerne angenommen worden, gefühl in Kaurismäkis Kino. »Es gibt ein Kino vor und 74 von Tokio bis Buenos Aires. Der Name Kaurismäki wur- nach Godard«, sagte Richard Roud; Aki Kaurismäkis de zu einem Markenzeichen. »Die Welt des Aki Kauris- Filme sind dem postmodernen Kino zuzurechnen. Die mäki« ist zwar in Finnland entstanden, findet sich aber Komplexität von Jean-Luc Godards Metakino in Kau- auch in London, Paris, und Le Havre wieder.