Westminster Beatles by Bike Cycle Ride
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Soho Action Plan: Your Thoughts in Action
Soho Action Plan: Your thoughts in action One Soho Soho is a unique part of the t it has an international identity as a cros ities and energy of the people who live an Without order we cannot live in, work in, o pleasant experience and we will work with ense of belonging and a wide range of op e of the most exciting and colourful part uraging diversity in retail and protecting up dialogue between businesses and re he foundations for enterprise in Soho. Re e look after the heart of this city. We propo neration, and we will improve the public re Contents 1 Introduction 3 Foreword 7 One Soho 13 Order 21 Opportunity 27 Enterprise 35 Renewal: Our lasting legacy 41 One Soho, One City, One Action Plan 45 List of actions 52 Contact details capital that has grown out of a rich s-cutting and cosmopolitan melting nd work here, which makes this area or visit Soho in enjoyment and peace. h the police and the Soho community pportunities in Soho that make even ts of the capital, if not the world, in Soho’s core businesses, promoting esidents, making the council more enewal: Our lasting legacy We will be ose real consultation with residents, ealm to make Soho accessible to all. Soho Boundary Soho is the area within the boundaries set by Oxford Street, Regent Street, Shaftesbury Avenue, and Charing Cross Road (for the purpose of this Action Plan). Featured Imagery 1 KINGLY COURT 2 SOHO HOTEL 3 SOHO SQUARE TOTTENHAM 4 MEARD STREET COURT ROAD 5 BERWICK STREET MARKET 6 GREAT MARLBOROUGH STREET 19 20 18 GREA OXFORD STREET TCH W CH TON RO Additional Streets -
Svenska Artisten Adée Signar Med Anrika Londonbaserade Skivbolaget Trident Records - Första Singeln ”Done” Släpps 26 Mars
Fotograf: Isabelle Bringert 2021-02-24 08:00 CET Svenska artisten Adée signar med anrika Londonbaserade skivbolaget Trident Records - första singeln ”Done” släpps 26 mars The Beatles, The Rolling Stones, T-Rex, David Bowie, Black Sabbath, Elton John och Queen är några av de klassiska akter som spelade in i ikoniska Trident Studios vid St Anne’s Court i Soho i London. Nu återlanseras Trident Records genom att knyta ett gäng internationella akter till sitt stall. En av dessa är Adée från Sverige som 26 mars släpper singeln ”Done” som hon har skrivit tillsammans med före detta Eurythmics-medlemmen Dave Stewart. Adée säger, - Jag är väldigt glad och ser mycket fram emot att se hur "Done" tas emot och hur detta samarbete kommer fortsätta utvecklas, det känns hoppfullt att något så här fint kunde hända under det annars rätt tuffa 2020, säger Adée själv om att ha blivit signad till Trident. Förhandslyssna på ”Done”: https://trident.news/adee-done (Release: 26 mars) Artisten Adée har under sommaren och hösten 2020 framfört sina coronasäkrade konserter på Konstmuseet i Kalmar och på Ronneby Art Gallery m.fl. Nu släpper hon sin första singel ”Done” på engelska skivbolaget Trident Records och är snart även aktuell med en minidokumentär om hennes coronasäkrade konserter för en-två personer. Den här veckan besöker hon konstnären Susanne Demåne i hennes ateljé i Blekinge för att slutföra dokumentären genom att spela in kommande låten ”Done” i en avskalad akustisk version i Demånes ateljé. ”Done” är skriven tillsammans med Adam Richards och Eurythmics-medlemmen Dave Stewart som också ligger bakom signingen med Adée till Trident Records. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
• Average Cafe Spend Per Visitor £2.33
DUNDEE CITY COUNCIL REPORT TO: Leisure, Arts and Communities Committee - 25 April 2011 REPORT ON: Dundee Industrial Heritage Ltd - Revenue Support 2011-2012 REPORT BY: Director of Leisure and Communities REPORT NO: 98-2011 1.0 PURPOSE OF REPORT 1.1 To submit to the Committee a request for renewal of Revenue Grant funding to Dundee Industrial Heritage Ltd for the year 2011-2012. 2.0 RECOMMENDATIONS It is recommended that the Committee: 2.1 remits the Director of Leisure & Communities, on behalf of Dundee City Council, to enter into a one year Service Level Agreement with Dundee Industrial Heritage Ltd, subject to on-going monitoring and evaluation as to its efficiency, economy and effectiveness. 2.2 remits the Director of Leisure and Communities to keep these arrangements under review and amend as appropriate. 2.3 approves the Revenue Grant Funding amounting to £63,000 per the period 1 April 2011 - 31 March 2012. 3.0 FINANCIAL IMPLICATIONS 3.1 The funding recommended is £63,000 from the Leisure and Communities Department 2011-2012 Revenue Budget as shown in the budget at Appendix 1. 3.2 The terms and conditions of Revenue Grant funding will be contained within a Service Level Agreement for 2011-2012 between Dundee City Council and Dundee Industrial Heritage Ltd. 4.0 MAIN TEXT 4.1 Dundee Industrial Heritage Limited (DIH) operates two of Dundee’s premier tourist attractions – Discovery Point and Verdant Works. It is a charitable company, the trading body of Dundee Heritage Trust. The Trust is the only independent charity in Scotland operating two five star rated museums 4.2 Review of the year 2010-2011 • Over 190,000 visits to the Trust’s venues. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Kristine Stiles
Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN13: 9780226774510 (cloth) ISBN13: 9780226774534 (paper) ISBN13: 9780226304403 (ebook) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress CataloguinginPublication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 9780226774510 (cloth : alkaline paper) — ISBN 9780226774534 (paperback : alkaline paper) — ISBN 9780226304403 (ebook) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.481992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an Xman, dotman war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then redraw it in a different posmon... -
Carnaby History
A / W 1 1 Contents Introduction C S W T S C A RN A BY IS KNO W N FOR UNIQUE INDEPENDENT BOUTIQUES , C ON C EPT STORES , GLOBA L FA SHION C F & D N Q BR A NDS , awa RD W INNING RESTAUR A NTS , ca FÉS A ND BA RS ; M A KING IT ONE OF L ONDON ' S MOST H POPUL A R A ND DISTIN C TIVE SHOPPING A ND LIFESTYLE DESTIN ATIONS . T K C S TEP UNDER THE IC ONIC C A RN A BY A R C H A ND F IND OUT MORE A BOUT THE L ATEST EXPERIEN C E THE C RE ATIVE A ND UNIQUE VIBE . C OLLE C TIONS , EVENTS , NE W STORES , T HE STREETS TH AT M A KE UP THIS STYLE VILL AGE RESTAUR A NTS A ND POP - UP SHOPS AT I F’ P IN C LUDE C A RN A BY S TREET , N E W BURGH S TREET , ca RN A BY . C O . UK . M A RSH A LL S TREET , G A NTON S TREET , K INGLY S TREET , M F OUBERT ’ S P L ac E , B E A K S TREET , B ROA D W IC K S TREET , M A RLBOROUGH C OURT , L O W NDES C OURT , G RE AT M A RLBOROUGH S TREET , L EXINGTON S TREET A ND THE VIBR A NT OPEN A IR C OURTYA RD , K INGLY C OURT . C A RN A BY IS LO caTED JUST MINUTES awaY FROM O XFORD C IR C US A ND P Icca DILLY C IR C US IN THE C ENTRE OF L ONDON ’ S W EST E ND . -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
The Beatles in Context Edited by Kenneth Womack Frontmatter More Information
Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information THE BEATLES IN CONTEXT Since their first performances in 1960, the Beatles’ cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from Dance Halls to Abbey Road Studios and the digital age, the band’s impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles’ fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band’s complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore the Beatles’ lives and work and understand their cultural legacy, focusing on the people and places central to the Beatles’ careers, the visual media that contributed to their enduring success, and the culture and politics of their time. kenneth womack is Dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University, where he also serves as Professor of English. He is the author or editor of numerous books, including Long and Winding Roads (2007), Cambridge Companion to the Beatles (2009), and The Beatles Encyclopedia (2014). More recently, he is the author of a two-volume biography of Beatles producer George Martin, including Maximum Volume: The Life of Beatles Producer George Martin (The Early Years, 1926–1966) and Sound Pictures: The Life of Beatles Producer George Martin (The Later Years, 1966–2016). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information composers in context Understanding and appreciation of musical works is greatly enhanced by knowledge of the context within which their composers lived and worked. -
8-12 Broadwick Street
8-12 BROADWICK STREET 898 sq ft of contemporary loft-style office space on the 4th floor UNIQUE space 8-12 Broadwick Street is a unique office building in the heart of Soho. The available loft-style space is on the 4th floor and has been refurbished in a contemporary style. The office features a large central skylight, views over Soho and original timber flooring. The floor benefits from a demised WC and shower as well as a fitted kitchenette. SPECIFICATION • Loft-style offices with fantastic natural light • Original parquet timber flooring • Demised WC and shower • Perimeter trunking • New comfort cooling system • Refurbished entrance and common parts • Fitted kitchenette • Lift to 3rd floor • BT internet available 4th FLOOR PLAN 898 sq ft / 84 sq m Shower NORTH Kitchen CLICK HERE FOR VIRTUAL tour 360 BROADWICK STREET LOCATION Broadwick Street sits in an area of Soho famed for its record shops, markets and restaurant scene, with the iconic Carnaby Street an easy walking distance away. There are excellent transport links available, with Tottenham Court Road, Oxford Circus, Leicester Square and Piccadilly Circus within a 10-minute walk. Oxford Street Oxford Berwick Street Tottenham Court Road Circus BREWDOG Dean Street SOULCYCLE Noel Street Street Wardour Poland Street Poland Tenants will benefit from discounts from tens of Soho food, drink and fashion staples with the Soho NEIGHBOURHOOD London Soho Square TED’S Gin Club CARD. Neighbourhood Card holders are BLANCHETTE GROOMING CARNABY entitled to receive 10% off full price STREET D’Arblay Street merchandise, menus or services at Sheraton Street participating stores, restaurants, bars and cafés across Soho and Carnaby. -
I Dig a Pony (Lennon/Mccartney)
I Dig A Pony (Lennon/McCartney) False start: A-one-two-three HOLD IT! Intro (also use as ending |-----------------------------||--G-----------------D----------------| |-----------------------------||-------------------------------------| |-----------------------------||-----------------------------4--7--4-| |-----------------------------||-----------2--5--2-----4--7----------| |-----------------------------||-----2--5-----------5----------------| |---------------------------3-||--3----------------------------------| -|--A---------------------------------------------| -|------------------------------------------------| -|-----------------------------2------------------| (repeat) -|--5--5--5---------2--h3--h4-----4--2---------2--| -|--0--0--0--3--h4----------------------3--h4-----| -|------------------------------------------------| Verse: I dig a pony A F#m -|--5--5----5--5----5--5----5----------2-| -|--2--2h3--2--2h3--2--2h3--2----------2-| -|--2--2----2--2----2--2----2----------2-| -|--2--2h4--2--2h4--2--2h4--2----------4-| -|--0--0----0--0----0--0----0----------4-| -|-------------------------------------2-| Well you can celebrate any thing you want (*) yes Bm G |-----------------------------------------------3--5--5/7--5-- |------------------------------------------------------------- |-----------------------------------------------4--5--5/7--5-- |-2h4--2------------------------------------------------------ |--------------4-------2-------------------------------------- |------------------------------------------------------------- You -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297).