A Symbol of Habsburg Military Power: the Slavonian General Command Palace in Osijek (1723)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
300 Jahre Karl VI. 1711–1740
3 0 0 J a h r e K a r l V I . 1 7 1 1 – 1 7 4 0 Spuren der Herrschaft des „letzten“ Habsburgers Begleitband zur Ausstellung des Österreichischen Staatsarchivs 300 Jahre Karl VI. (1711–1740). Spuren der Herrschaft des „letzten“ Habsburgers, hrsg. von der Generaldirektion des Österreichischen Staatsarchivs Herausgeber: Stefan Seitschek – Herbert Hutterer – Gerald Theimer Autoren: Elisabeth Garms-Cornides, Roman Hans Gröger (RG), Herbert Hutterer (HH), Susanne Kühberger (SK), Irmgard Pangerl (IP), Friedrich Polleroß, Zdislava Röhsner (ZR), Stefan Seitschek (StS), Pia Wallnig (PW), Thomas Wallnig (TW) Projektleiterin: Zdislava Röhsner Ausstellungsdidaktik: Susanne Kühberger Kurator: Stefan Seitschek Redaktion: Michaela Follner, Stefan Seitschek Umschlaggestaltung: Sabine Gfrorner, Isabelle Liebe Umschlagabbildung: Doppeladler mit Medaillon siehe Kat.Nr. IV/2, Medaillon mit Karl VI. siehe Kat.Nr. I/1; Straßenbild aus Handschrift zur Via Carolina im FHKA, SUS Kartensammlung C-016, fol. 58 – Rückseite: Auswurfmünze zur böhmischen Krönung 1723, Revers (Silber, Privatbesitz) Für die Inhalte der einzelnen Aufsätze zeichnen die Autoren selbst verantwortlich. Das Werk ist urheberrechtlich geschützt. Es ist es nicht gestattet, das Werk oder auch nur Teile davon, unter Verwendung mechanischer, elektronischer und anderer Systeme in irgendeiner Weise zu verarbeiten und zu verbreiten. Insbesondere vorbehalten sind die Rechte der Vervielfältigung – auch von Teilen des Werkes – auf fotomechanischem oder ähnlichem Wege, der tontechnischen Wiedergabe, des -
Storia Militare Moderna a Cura Di VIRGILIO ILARI
NUOVA RIVISTA INTERDISCIPLINARE DELLA SOCIETÀ ITALIANA DI STORIA MILITARE Fascicolo 7. Giugno 2021 Storia Militare Moderna a cura di VIRGILIO ILARI Società Italiana di Storia Militare Direttore scientifico Virgilio Ilari Vicedirettore scientifico Giovanni Brizzi Direttore responsabile Gregory Claude Alegi Redazione Viviana Castelli Consiglio Scientifico. Presidente: Massimo De Leonardis. Membri stranieri: Christopher Bassford, Floribert Baudet, Stathis Birthacas, Jeremy Martin Black, Loretana de Libero, Magdalena de Pazzis Pi Corrales, Gregory Hanlon, John Hattendorf, Yann Le Bohec, Aleksei Nikolaevič Lobin, Prof. Armando Marques Guedes, Prof. Dennis Showalter (†). Membri italiani: Livio Antonielli, Marco Bettalli, Antonello Folco Biagini, Aldino Bondesan, Franco Cardini, Piero Cimbolli Spagnesi, Piero del Negro, Giuseppe De Vergottini, Carlo Galli, Roberta Ivaldi, Nicola Labanca, Luigi Loreto, Gian Enrico Rusconi, Carla Sodini, Donato Tamblé, Comitato consultivo sulle scienze militari e gli studi di strategia, intelligence e geopolitica: Lucio Caracciolo, Flavio Carbone, Basilio Di Martino, Antulio Joseph Echevarria II, Carlo Jean, Gianfranco Linzi, Edward N. Luttwak, Matteo Paesano, Ferdinando Sanfelice di Monteforte. Consulenti di aree scientifiche interdisciplinari: Donato Tamblé (Archival Sciences), Piero Cimbolli Spagnesi (Architecture and Engineering), Immacolata Eramo (Philology of Military Treatises), Simonetta Conti (Historical Geo-Cartography), Lucio Caracciolo (Geopolitics), Jeremy Martin Black (Global Military History), Elisabetta Fiocchi Malaspina (History of International Law of War), Gianfranco Linzi (Intelligence), Elena Franchi (Memory Studies and Anthropology of Conflicts), Virgilio Ilari (Military Bibliography), Luigi Loreto (Military Historiography), Basilio Di Martino (Military Technology and Air Studies), John Brewster Hattendorf (Naval History and Maritime Studies), Elina Gugliuzzo (Public History), Vincenzo Lavenia (War and Religion), Angela Teja (War and Sport), Stefano Pisu (War Cinema), Giuseppe Della Torre (War Economics). -
Front Matter
Cambridge University Press 978-1-107-14770-6 — Turin and the British in the Age of the Grand Tour Edited by Paola Bianchi , Karin E. Wolfe Frontmatter More Information i Turin and the British in the Age of the Grand Tour h e Duchy of Savoy i rst claimed royal status in the seventeenth century, but only in 1713 was Victor Amadeus II, Duke of Savoy (1666– 1732), crowned King of Sicily. h e events of the Peace of Utrecht (1713) sanc- tioned the decades- long project the Duchy had pursued through the con- voluted maze of political relationships between foreign powers. Of these, the British Kingdom was one of their most assiduous advocates, because of complementary dynastic, political, cultural and commercial interests. A notable stream of British diplomats and visitors to the Sabaudian capital engaged in an extraordinary and reciprocal exchange with the Turinese during this fertile period. h e l ow of travellers, a number of whom were British emissaries and envoys posted to the court, coincided, in part, with the itineraries of the international Grand Tour which transformed the capital into a gateway to Italy, resulting in a conl agration of cultural cosmopolitanism in early modern Europe. PAOLA BIANCHI teaches Early Modern History at the Universit à della Valle d’Aosta. She has researched and written on the journeys of various English travellers who came to Italy in the eighteenth century to be pre- sented at the Savoy court and to be part of Piedmont society. Her pub- lications include Onore e mestiere. Le riforme militari nel Piemonte del Settecento (2002); Cuneo in et à moderna. -
Britain, Austria, and the “Burden of War” in the Western Mediterranean, 1703–1708
international journal of military history and historiography 39 (2019) 7-33 IJMH brill.com/ijmh Britain, Austria, and the “Burden of War” in the Western Mediterranean, 1703–1708 Caleb Karges* Concordia University Irvine, California [email protected] Abstract The Austrian and British alliance in the Western Mediterranean from 1703 to 1708 is used as a case study in the problem of getting allies to cooperate at the strategic and operational levels of war. Differing grand strategies can lead to disagreements about strategic priorities and the value of possible operations. However, poor personal rela- tions can do more to wreck an alliance than differing opinions over strategy. While good personal relations can keep an alliance operating smoothly, it is often military necessity (and the threat of grand strategic failure) that forces important compro- mises. In the case of the Western Mediterranean, it was the urgent situation created by the Allied defeat at Almanza that forced the British and Austrians to create a work- able solution. Keywords War of the Spanish Succession – Coalition Warfare – Austria – Great Britain – Mediter- ranean – Spain – Strategy * Caleb Karges obtained his MLitt and PhD in Modern History from the University of St An- drews, United Kingdom in 2010 and 2015, respectively. His PhD thesis on the Anglo-Austrian alliance during the War of the Spanish Succession received the International Commission of Military History’s “André Corvisier Prize” in 2017. He is currently an Assistant Professor of History at Concordia University Irvine in Irvine, California, usa. © koninklijke brill nv, leiden, 2019 | doi:10.1163/24683302-03901002Downloaded from Brill.com09/28/2021 04:24:08PM via free access <UN> 8 Karges 1 Introduction1 There were few wars in European history before 1789 as large as the War of the Spanish Succession. -
Surveying Curriculum from the Point of View of Multidisciplinarity
Surveying Curriculum from the Point of View of Multidisciplinarity V´aclav Slaboch CLGE, Vice President for Professional Education vaclavs.vaclavs seznam.cz Keywords: Multidisciplinarity, Modern curriculum for Surveying Education, role of CLGE, multilateral Agreement of Mutual recognition of qualification. Necessity of a CPD system for Surveying Profession. Summary The multidisciplinarity and globalization makes fade the differences among professions and surveying is no exception. CLGE – CLGE has a name in two of the many European languages English and French, namely “The Council of European Geodetic Surveyors” and “Comit´ede Liaison des G´eom`etres Europ´eens”. A “Multilateral Agreement” on mutual recognition of qualification in surveying was signed in 2005 in Brussels by representatives of Germany, France, Belgium, Switzerland and Luxembourg. In 2006 also Slovakia joint this Agreement. The signature by the Czech Republic is recently under discussion. Multidisciplinarity and globalization and their influence on surveying The multidisciplinarity in our profession is nothing new. A good example might be the Famous Italian Surveyor an architect Domenico Martinelli (1650-1718) to whom an European Research Project financed from ERDF (European Regional Development Fund) has been dedicated. Martinelli was not a mere surveyor, but also a diplomat, judge, valuer, professor and architect. By the way his multidisciplinarity is typical even for present Italian surveyors. Martinelli´s relations to Czechia are represented namely through his diplomatic services for count Kounic, during his diplomatic mission in as emperor’s ambassador in the Dutch Hague in 1698. One of the most famous architectonical project of Martineli is the chˆateau Slavkov by Brno (Austerlitz). Partners of this Project are, Universit¨atWien, Faculty of Philosophy of the Masaryk University in Brno, Senate of the Czech Republic, Liechtenstein Museum Vienna, U.S. -
“Burden of War” in the Western Mediterranean, 1703–1708
international journal of military history and historiography 39 (2019) 7-33 IJMH brill.com/ijmh Britain, Austria, and the “Burden of War” in the Western Mediterranean, 1703–1708 Caleb Karges* Concordia University Irvine, California [email protected] Abstract The Austrian and British alliance in the Western Mediterranean from 1703 to 1708 is used as a case study in the problem of getting allies to cooperate at the strategic and operational levels of war. Differing grand strategies can lead to disagreements about strategic priorities and the value of possible operations. However, poor personal rela- tions can do more to wreck an alliance than differing opinions over strategy. While good personal relations can keep an alliance operating smoothly, it is often military necessity (and the threat of grand strategic failure) that forces important compro- mises. In the case of the Western Mediterranean, it was the urgent situation created by the Allied defeat at Almanza that forced the British and Austrians to create a work- able solution. Keywords War of the Spanish Succession – Coalition Warfare – Austria – Great Britain – Mediter- ranean – Spain – Strategy * Caleb Karges obtained his MLitt and PhD in Modern History from the University of St An- drews, United Kingdom in 2010 and 2015, respectively. His PhD thesis on the Anglo-Austrian alliance during the War of the Spanish Succession received the International Commission of Military History’s “André Corvisier Prize” in 2017. He is currently an Assistant Professor of History at Concordia University Irvine in Irvine, California, usa. © koninklijke brill nv, leiden, 2019 | doi:10.1163/24683302-03901002Downloaded from Brill.com09/26/2021 05:14:25AM via free access <UN> 8 Karges 1 Introduction1 There were few wars in European history before 1789 as large as the War of the Spanish Succession. -
Respublica Mosaica: Imposters, Legislators and Civil Religion
Respublica mosaica 7 . Respublica mosaica: imposters, legislators and civil religion oland was, then, embroiled in the day-to-day cut and thrust of British Tpolitics, advancing a clear and profound defence of commonwealth principles especially by supporting the interest of the Protestant succession against popery. This was not simply a British project, but a European-wide campaign. Toland exploited all possible connections. His intellectual contri- bution was not just made in the form of printed works but (as we have seen in chapter 2 above) was also manifest in the conversations and scribal materials he circulated amongst his powerful friends. One potent relationship was the connection with Hanover. From the very moment Toland managed to intrude himself into the diplomatic mission charged with presenting the Act of Settlement to Sophia, he used his intimacy with her as a theatre for the display of his arguments. This relationship with Sophia (and her daughter) was both public and private: the series of public defences and eloges of her political legitimacy and rational character were matched by a private liaison manifest in a series of profoundly erudite and heterodox conversations about the nature of the soul, the sacred status of Scripture and political theory.1 The textual remnants of these conversations are the closest we can get to capturing the power of Toland’s intellectual charisma. Taking advantage of the ‘complete liberty of conscience’ established at Hanover, Toland, often encouraged by Sophia (much to the anxiety of Leibniz), -
Baroque Architecture
'"" ^ 'J^. rfCur'. Fig. I. — Venice. S. Maria della Salute. (See pp. 88-90.) BAROQUE ARCHITECTURE BY MARTIN SHAW BRIGGS A.K.I. B. A. " iAulhor of " In the Heel of Italy WITH 109 ILLUSTRATIONS NEW YORK ; ' McBRIDE, NAST & COMPANY ^ y 1914 ,iMvMV NA (^Ay n^/i/j reserved) In all ages there have been some excellent workmen, and some excellent work done.—Walter Pater. PREFACE is commonly supposed that the purpose of a preface is to IT explain the scope of a book to those who do not read so far as the first page. There is a touch of cynicism in such an opinion which makes one loth to accept it, but I prefer to meet my troubles half way by stating at the outset what I have emphasized in my last chapter—that this book is not in any way an attempt to create a wholesale revival of Baroque Architecture in England. It is simply a history of a complex and neglected period, and has been prepared in the uncertain intervals of an architectural practice. The difficulty of the work has been increased by the fact that the subject has never been dealt with as a whole in any language previously. Gurlitt in his Geschichte des Barockstiles, published in 1887, covered a considerable part of the ground, but his work is very scarce and expensive. To students his volumes may be recommended for their numerous plans, but for details and general views they are less valuable. In recent years several fine mono- graphs have appeared dealing with Baroque buildings in specific districts, and very recently in a new international series the principal buildings of the period in Germany and Italy have been illustrated. -
Background FELLOWSHIP REPORT
FELLOWSHIP REPORT Summary of work activities Iulia Adelina Turiac Intervention Epidemiology path (EPIET) Cohort 2015 Background The ECDC Fellowship Training Programme includes two distinct curricular pathways: Intervention Epidemiology Training (EPIET) and Public Health Microbiology Training (EUPHEM). After the two-year training EPIET and EUPHEM graduates are considered experts in applying epidemiological or microbiological methods to provide evidence to guide public health interventions for communicable disease prevention and control. Both curriculum paths are part of the ECDC fellowship programme that provides competency based training and practical experience using the ‘learning by doing’ approach in acknowledged training sites across the European Union (EU) and European Economic Area (EEA) Member States. Intervention Epidemiology path (EPIET) Field epidemiology aims to apply epidemiologic methods in day to day public health field conditions in order to generate new knowledge and scientific evidence for public health decision making. The context is often complex and difficult to control, which challenges study design and interpretation of study results. However, often in Public Health we lack the opportunity to perform controlled trials and we are faced with the need to design observational studies as best as we can. Field epidemiologists use epidemiology as a tool to design, evaluate or improve interventions to protect the health of a population. The European Programme for Intervention Epidemiology Training (EPIET) was created in 1995. Its purpose is to create a network of highly trained field epidemiologists in the European Union, thereby strengthening the public health epidemiology workforce at Member State and EU/EEA level. Current EPIET alumni are providing expertise in response activities and strengthening capacity for communicable disease surveillance and control inside and beyond the EU. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Französische Einflüsse in der ungarischen Schlossarchitektur des Barock“ Verfasserin Timea Molnár BA angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, November 2012 Studienkennzahl lt. Studienblatt: A 315 Studienrichtung lt. Studienblatt: Kunstgeschichte Betreuer: Ao. Univ.-Prof. Dr. Petr Fidler 1 2 DANKSAGUNG Ich möchte mich an dieser Stelle bei den Menschen bedanken, die mir aufgrund ihrer Unterstützung, ihrem Beistand und ihrem Zuspruch Kraft gegeben haben, eine für mich so wichtige Arbeit zu schreiben. Mein allererster und größter Dank geht an meine Eltern Viktoria und István Molnár. Ihr habt mir nicht nur die Möglichkeit geschenkt, eine gute und fundierte Ausbildung zu erhalten, sondern diese auch in jenem Fachbereich genießen zu können, der mir Freude bereitet und mich ausfüllt. Durch euren Mut und eure Kraft habt ihr mich zu dem Menschen geformt der ich heute bin und dafür kann ich euch nicht genug danken. Ihr seid die liebsten, großzügigsten und verständnisvollsten Menschen die ich kenne. Ich hoffe, ich kann euch eines Tages das was ihr für mich getan habt in einer euch würdigen Art und Weise wieder zurück geben. Köszönöm szépen! Ein großes Dankeschön geht an meine bessere Hälfte, Thomas. Danke, dass du so geduldig mit mir warst, mich angetrieben hast als ich kraftlos war, mir Mut gemacht hast, als ich hoffnungslos war. Ohne deine Liebe und dein Verständnis hätte ich das alles nie so bravourös meistern können. Szeretlek! Außerdem möchte ich mich bei meinem Diplombetreuer, Univ.-Prof. Dr. Petr Fidler bedanken, der mir aufgrund seines kunstgeschichtlichen Fachwissens, das mir grenzenlos scheint, dieses Thema vorgeschlagen hat. Mein Interesse an der Architektur wurde nicht zuletzt durch Ihr spannendes Seminar über die italienische Barockarchitektur geweckt. -
Pdf Mrežno Izdanje
RADOVI INSTITUTA ZA POVIJEST UMJETNOSTI – BIBLIOGRAFIJA SV. 1-2(1972) - 40(2016) ISBN 978-953-7875-42-8 Radovi Instituta za povijest umjetnosti Journal of the Institute of Art History Bibliograja sv. 1-2(1972) - 40(2016) Zagreb, 2017. RADOVI INSTITUTA ZA POVIJEST UMJETNOSTI – BIBLIOGRAFIJA SV. 1-40 IPU, Zagreb, 2017. MREŽNA IZDANJA INSTITUTA ZA POVIJEST UMJETNOSTI Knjiga 7 IZDAVAČ Institut za povijest umjetnosti Ulica grada Vukovara 68 10000 Zagreb ZA IZDAVAČA Milan Pelc UREDNICA MREŽNIH IZDANJA Ivana Haničar Buljan BIBLIOGRAFIJU SASTAVILA Anita Katulić SURADNICI Danko Zelić Irena Šimić NASLOVNICE: Marcel Bačić (sv. 1-30) Ivana Haničar Buljan (sv. 31-40) GRAFIČKI DIZAJN Danijela Šapina ISBN 978-953-7875-42-8 Zagreb, 2017. 2 RADOVI INSTITUTA ZA POVIJEST UMJETNOSTI – BIBLIOGRAFIJA SV. 1-40 IPU, Zagreb, 2017. UDK 7.0/77 ISSN 0350-3437 e-ISSN 1845-4534 Radovi Instituta za povijest umjetnosti znanstveni je godišnjak u kojem se objav- ljuju recenzirani znanstveni članci iz područja povijesti umjetnosti i znanosti o umjet- nosti. Članci u prvom redu prezentiraju istraživanja nacionalne umjetničke baštine (slikarstva, kiparstva, arhitekture, urbanizma i organizacije prostora, primijenjenih umjetnosti) i s njom vezanih umjetničkih opusa i pojava. Znanstvena kvalikacija objavljenih članaka je A1. Časopis je međunarodno indeksiran u: Repertoire de la literature de l’art – RILA (1975.– 1989.) Bibliography of the History of Art - BHA (1990.–2007.) International Bibliography of Art - IBA (od 2007.) European Reference Index for the Humanities – ERIH EBSCO (Art source Database) Scopus Glavni i odgovorni urednici: Josip Stošić (1972.) Milan Prelog (1979.– 1987.) Ivanka Reberski (1988.– 2002.) Andrej Žmegač (2003.) Mirjana Repanić-Braun (2004.–) Bibliograja časopisa sadrži potpune opise 690 članaka objavljenih u Radovima Instituta za povijest umjetnosti od broja 1–2 (1972) do broja 40 (2016), s podacima o slikovnim prilozima i bilješkama, napomenama (o sažetku, nekrologu i nazivu znanstvenog skupa, prilogu/dodatku) te naslovima sažetaka na stranim jezicima. -
Historic Centre of Vienna
WHC Nomination Documentation File Name: 1033.pdf UNESCO Region: EUROPE AND THE NORTH AMERICA __________________________________________________________________________________________________ SITE NAME: Historic Centre of Vienna DATE OF INSCRIPTION: 16th December 2001 STATE PARTY: AUSTRIA CRITERIA: C (ii)(iv)(vi) DECISION OF THE WORLD HERITAGE COMMITTEE: Excerpt from the Report of the 25th Session of the World Heritage Committee The Committee inscribed the Historic Centre of Vienna on the World Heritage List under criteria (ii), (iv), and (vi): Criterion (ii): The urban and architectural qualities of the Historic Centre of Vienna bear outstanding witness to a continuing interchange of values throughout the second millennium. Criterion (iv): Three key periods of European cultural and political development - the Middle Ages, the Baroque period, and the Gründerzeit - are exceptionally well illustrated by the urban and architectural heritage of the Historic Centre of Vienna. Criterion (vi): Since the 16th century Vienna has been universally acknowledged to be the musical capital of Europe. While taking note of the efforts already made for the protection of the historic town of Vienna, the Committee recommended that the State Party undertake the necessary measures to review the height and volume of the proposed new development near the Stadtpark, east of the Ringstrasse, so as not to impair the visual integrity of the historic town. Furthermore, the Committee recommended that special attention be given to continuous monitoring and control of any changes to the morphology of the historic building stock. BRIEF DESCRIPTIONS Vienna developed from early Celtic and Roman settlements into a Medieval and Baroque city, the capital of the Austro- Hungarian Empire. It played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century.