RUPTURING the DIALECTIC the Struggle Against Work, Money, and Financialization
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A Brief History of Occupy Wall Street ROSA LUXEMBURG STIFTUNG NEW YORK OFFICE by Ethan Earle Table of Contents
A Brief History of Occupy Wall Street ROSA LUXEMBURG STIFTUNG NEW YORK OFFICE By Ethan Earle Table of Contents Spontaneity and Organization. By the Editors................................................................................1 A Brief History of Occupy Wall Street....................................................2 By Ethan Earle The Beginnings..............................................................................................................................2 Occupy Wall Street Goes Viral.....................................................................................................4 Inside the Occupation..................................................................................................................7 Police Evictions and a Winter of Discontent..............................................................................9 How to Occupy Without an Occupation...................................................................................10 How and Why It Happened........................................................................................................12 The Impact of Occupy.................................................................................................................15 The Future of OWS.....................................................................................................................16 Published by the Rosa Luxemburg Stiftung, New York Office, November 2012 Editors: Stefanie Ehmsen and Albert Scharenberg Address: 275 Madison Avenue, Suite 2114, -
Implications for the Training Provision for Brazilian Office Workers
TECHNOLOGY, SKILLS AND THE TRANSFORMATION OF WORK: IMPLICATIONS FOR THE TRAINING PROVISION FOR BRAZILIAN . OFFICE WORKERS Ana Maria Lakomy Dissertation submitted in fulfilment of the requirements for the degree of PhD in Education at the Institute of Education University of London Department of Policy Studies Institute of Education University of London 1995 BIEL LOREN. UNA/. Abstract This thesis is concerned with the process of office automation in Brazil and its skills and training outcomes. The thesis combines a theoretical analysis with an empirical study undertaken in Brazil. Following an introductory chapter, Chapter 2 discusses and analyses two existing theoretical perspectives which address the relationship between technology, work organisation and skills. These are: the labour process approach with reference to the 'deskilling thesis' developed by Harry Braverman (1974) and the 'flexible specialisation thesis' based on Michael Piore and Charles Sabel (1984). They focus on technological changes on the shopfloor, in advanced industrialised countries. Chapter 3 applies the main arguments put forward by these two • approaches to the office environment in advanced industrialised countries. Based on the discussion of a number of empirical studies concerned with the skill outcomes of new technology in the office, the chapter also develops two models of office automation: the 'technology-driven' and the 'informational' models. These models are used as a framework for the discussion of the empirical research undertaken in Brazilian offices. Chapter 4 discusses the recent economic developments in Brazil in order to provide a context for understanding the empirical findings. The chapter describes the country's process of industrialisation, the current economic context and its implications for the adoption of new technology in the Brazilian office environment. -
More Is More Brochure Cropped
forEword What is the difference between a graphic designer and a “fine artist,” between he who gives highway signs their typeface and she whose canvasses and sculptures live in museums where admission must be paid? In terms of talent, possibly none. The difference is one of intimacy. We gaze up at our favorite paintings, gingerly circumnavigate the greatest sculptures—we literally put them on pedestals. But we hug our favorite books and records, and kiss their covers, and a particular typeface will forever conjure the road-sign at the turnoff to the summer lodge, that last turn that led to nirvana, the last week of August, the summer after tenth grade. I don’t want to meet the artist (the painter, the sculptor, the violin prodigy, the rock star), for if I did, she’d probably disappoint, and if she didn’t, I’d be tongue-tied. But the graphic designer? I want to clasp him to me, and ask how he did it, and say Thank you. No need to invite George Corsillo into your living room and offer him a nip or a puff—he’s been there all along. He’s been in your album crate since the early 1980s, showcasing John and Olivia at their Grease-iest, Luther Vandross at his sultriest, Benatar, Mellencamp, Yoko. In his toolbox, George always brings his analog chops, learned with the legendary book-jacket designer Paul Bacon; nobody has that facility with typeface or silkscreening who grew up only on computers. He brings, too, a party- down fierceness, a willingness to get his hands dirty (on the Grease jacket, those are George’s teeth marks on the pencil), a scavenger’s resourcefulness (the legs on the Tilt cover? his wife, Susan’s), and a tactful deference to the artist, masking, as needed, Vandross’s girth or Benatar’s pregnancy. -
Before Braverman: Harry Frankel and the American Workers' Movement
chapter 8 Before Braverman: Harry Frankel and the American Workers’ Movement* What was so great about Harry Braverman? The question, obviously rhetorical, elicits a predictable response in academic circles, where the author of Labor and Monopoly Capital (1974) is deservedly praised for a text that christened the emerging field of labour process studies.1 Braverman’s book was rigorous in its conceptualisations, sufficiently abstract to present an argument that reached beyond particularities into generalised, universal experience and historical and empirical enough to sustain an analysis meant to be received across disciplin- ary boundaries. Moreover, it bridged the academic and activist worlds of left scholarship and practice, a breeze of fresh interpretive air that reinvigorated intellectual sensibilities and revived the study of the work process in fields such as history, sociology, economics, political science and human geography. One of the 50 or so most important studies produced in the third quarter of the 20th century, Labor and Monopoly Capital earned its author a remarkable reputation that, sadly, he never lived to enjoy.2 Authors of great books, having scored the music which rings in the collective ear of generations of readers, inevitably face a cacophony of criticism, some very good, some quite indifferent and some irritatingly bad. Braverman soon faced an avalanche of revisionist study, much of which was written to displace his analysis by showing that somewhere, somehow, some group’s historical engagement with the work process stepped outside the general boundaries developed in Labor and Monopoly Capital. In the end, such studies remain, for the most part, mere footnotes to the edifice of labour process studies, the foundation of which has been, for almost a quarter-century, Braverman’s book. -
European Journal of American Studies, 12-4
European journal of American studies 12-4 | 2017 Special Issue: Sound and Vision: Intermediality and American Music Electronic version URL: https://journals.openedition.org/ejas/12383 DOI: 10.4000/ejas.12383 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-4 | 2017, “Special Issue: Sound and Vision: Intermediality and American Music” [Online], Online since 22 December 2017, connection on 08 July 2021. URL: https:// journals.openedition.org/ejas/12383; DOI: https://doi.org/10.4000/ejas.12383 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity Johannes Voelz Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics Lukas Etter The Power of Conformity: Music, Sound, and Vision in Back to the Future Marc Priewe Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) Johanna Hartmann “Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report Wolfgang Lorenz European journal of American studies, 12-4 | 2017 2 Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling 1 The medium of music represents a pioneering force of crossing boundaries on cultural, ethnic, racial, and national levels. Critics such as Wilfried Raussert and Reinhold Wagnleitner argue that music more than any other medium travels easily across borders, language barriers, and creates new cultural contact zones (Raussert 1). -
The Power of Debt
powerthe debtof Identity & Collective Action in the Age of Finance contents introduction 4 i Financialization and Household Debt 7 ii Indebtedness Today: 2008—2018 18 iii Debtor as Political Identity 29 iv Debtor Collective Action: A Case Study 40 conclusion 52 authors Hannah Appel is Assistant Professor of Anthropology at Univer- sity of California, Los Angeles, and a founding member of the Debt Collective. Her research, writing, and teaching focus on the daily life of capitalism and the economic imagination. She has a forthcom- ing book (Duke 2019) on U.S. oil companies in Central Africa, and has published extensively on Occupy Wall Street and the economic imagination. Her research has been supported by the National Sci- ence Foundation, the Social Science Research Council, and the Mel- lon Foundation, among others. Sa Whitley is a PhD Candidate in the Department of Gender Studies at University of California, Los Angeles, a Part-Time Faculty member at Maryland Institute College of Art, and a Visiting Grad Scholar in the Department of Anthropology at Johns Hopkins University. Based in Baltimore, Maryland, their ethnographic dissertation project explores the afterlives of the subprime foreclosure crisis - particularly how black women and femmes organize against the gendered racism that underwrites foreclosure, gentrification, and speculative real estate development. They work with collectives that devise alternative models for community building that decenter heteronormativity and market individualism. Their research has been supported by the UC Consortium for Black Studies and the Center for the Study of Women. Caitlin Kline is an advisor to the Securities and Exchange Commission on derivatives enforcement issues. -
Marketocracy and the Capture of People and Planet
The Jus Semper Global Alliance In Pursuit of the People and Planet Paradigm Sustainable Human Development July 2021 BRIEFS ON TRUE DEMOCRACY AND CAPITALISM Marketocracy and the Capture of People and Planet The acceleration of Twenty-First Century Monopoly Capital Fascism through the pandemic and the Great Reset Álvaro J. de Regil TJSGA/Assessment/SD (TS010) July 2021/Álvaro J. de Regil 1 Prologue Prologue... 2 ❖ Capitalism’s Journey of Dehumanisation... 6 n innate feature of capitalism has been the endless First Industrial Revolution... 6 A pursuit of an ethos with the least possible intervention Second Industrial Revolution... 10 of the state in its unrelenting quest for the reproduction and Third Industrial Revolution... 16 accumulation of capital, at the expense of all other participants ➡Modern Slave Work Stuctures… 20 in the economic activity prominently including the planet. ➡The Anthropocene… 23 Capitalism always demands to be in the driver's seat of the ❖ The Capture of Democracy… 29 economy. Only when its activities are threatened by ➡Sheer Laissez-Faire Ethos… 33 communities and nations opposing the expropriation of their ➡Capital Equated with Human Beings… 34 natural resources and the imposition of structures that extract ➡Untramelled and Imposed Marketrocratic System... 35 the vast majority of the value of labour—the surplus-value—, ❖ Fourth Industrial Revolution... 39 capitalism demands the intervention of the states; these include ➡Conceptual Structure… 41 their armed forces, to protect the exploits of the owners of the ➡Application… 42 system. This is all the more evident in the global South. Across ➡Impact… 44 centuries of imperialism and colonialism, the practice of ❖ The COVID-19 Pandemic… 59 invasion, conquering, expropriation and exploitation by ➡Management of COVID-19.. -
Where Did Braverman Go Wrong? a Marxist Response to the Politicist Critiques
Where did Braverman go wrong? A Marxist response to the politicist critiques Onde está errado Braverman? A resposta marxista às críticas politicistas Eduardo Sartelli1 Marina Kabat2 Abstract Braverman is considered an unquestionable reference of Marxist labour process. The objective of this paper is to show that despite Braverman’s undeniable achievements he forsakes the classical Marxist notions related to work organization, i. e. simple cooperation, manufacture and large-scale industry and replaces them with the notion of Taylorism. We also intend to show that because of this abandonment, Braverman cannot explain properly how the deskilling tendency operates in different historical periods, and in distinct industry branches. Finally, we try to demonstrate that those Marxist concepts neglected by Braverman are especially useful to understand labor unrest related to job organization. Braverman overvalues the incidence of labor fragmentation and direct forms of control and disregards the impact of mechanization achieved with the emergence of Large-scale industry and the new forms of control associated with it. Whereas Braverman’s allegedly Marxist orthodoxy is considered responsible for this, in fact, exactly the opposite can be asserted: the weaknesses of the otherwise noteworthy work of Harry Braverman are grounded in his relinquishment of some crucial Marxist concepts. We state that labor processes conventionally considered Taylorist or Fordist can be reconceptualized in Marxist classic terms allowing a better understanding of the dynamic of conflicts regarding labor process. Keywords: Labor process. Politics. Marxism. Regulationism. Workers’ Struggles. Resumo Braverman é considerado uma referência inquestionável do processo de trabalho marxista. O objetivo deste artigo é mostrar que, apesar das contribuições inegáveis de Braverman ele abandona as noções marxistas clássicas relacionadas à organização do trabalho, a saber, cooperação simples, manufatura e grande-indústria e substituí-las com a noção do taylorismo. -
Marxism and the Solidarity Economy: Toward a New Theory of Revolution
Class, Race and Corporate Power Volume 9 Issue 1 Article 2 2021 Marxism and the Solidarity Economy: Toward a New Theory of Revolution Chris Wright [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/classracecorporatepower Part of the Political Science Commons Recommended Citation Wright, Chris (2021) "Marxism and the Solidarity Economy: Toward a New Theory of Revolution," Class, Race and Corporate Power: Vol. 9 : Iss. 1 , Article 2. DOI: 10.25148/CRCP.9.1.009647 Available at: https://digitalcommons.fiu.edu/classracecorporatepower/vol9/iss1/2 This work is brought to you for free and open access by the College of Arts, Sciences & Education at FIU Digital Commons. It has been accepted for inclusion in Class, Race and Corporate Power by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. Marxism and the Solidarity Economy: Toward a New Theory of Revolution Abstract In the twenty-first century, it is time that Marxists updated the conception of socialist revolution they have inherited from Marx, Engels, and Lenin. Slogans about the “dictatorship of the proletariat” “smashing the capitalist state” and carrying out a social revolution from the commanding heights of a reconstituted state are completely obsolete. In this article I propose a reconceptualization that accomplishes several purposes: first, it explains the logical and empirical problems with Marx’s classical theory of revolution; second, it revises the classical theory to make it, for the first time, logically consistent with the premises of historical materialism; third, it provides a (Marxist) theoretical grounding for activism in the solidarity economy, and thus partially reconciles Marxism with anarchism; fourth, it accounts for the long-term failure of all attempts at socialist revolution so far. -
Restructuring the Socialist Economy
CAPITAL AND CLASS IN CUBAN DEVELOPMENT: Restructuring the Socialist Economy Brian Green B.A. Simon Fraser University, 1994 THESISSUBMllTED IN PARTIAL FULFULLMENT OF THE REQUIREMEW FOR THE DEGREE OF MASER OF ARTS Department of Spanish and Latin American Studies O Brian Green 1996 All rights resewed. This work my not be reproduced in whole or in part, by photocopy or other means, without permission of the author. Siblioth&ye nationale du Canada Azcjuis;lrons and Direction des acquisitions et Bitjibgraphic Sewices Branch des services biblicxpphiques Youi hie Vofrergfereoce Our hie Ncfre rb1Prence The author has granted an L'auteur a accorde une licence irrevocable non-exclusive ficence irrevocable et non exclusive allowing the National Library of permettant & la Bibliotheque Canada to reproduce, loan, nationafe du Canada de distribute or sell copies of reproduire, preter, distribuer ou his/her thesis by any means and vendre des copies de sa these in any form or format, making de quelque maniere et sous this thesis available to interested quelque forme que ce soit pour persons. mettre des exemplaires de cette these a la disposition des personnes int6ress6es. The author retains ownership of L'auteur consenre la propriete du the copyright in his/her thesis. droit d'auteur qui protege sa Neither the thesis nor substantial th&se. Ni la thbe ni des extraits extracts from it may be printed or substantiefs de celle-ci ne otherwise reproduced without doivent 6tre imprimes ou his/her permission. autrement reproduits sans son autorisatiow. PARTIAL COPYRIGHT LICENSE I hereby grant to Sion Fraser Universi the sight to Iend my thesis, prosect or ex?ended essay (the title o7 which is shown below) to users o2 the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the Zibrary of any other university, or other educational institution, on its own behalf or for one of its users. -
Breaking the Spell
Praise for Breaking the Spell “Christopher Robé’s meticulously researched Breaking the Spell traces the roots of contemporary, anarchist-inflected video and Internet activism and clearly demonstrates the affinities between the anti-authoritarian ethos and aesthetic of collectives from the ’60s and ’70s—such as Newsreel and the Videofreex—and their contemporary descendants. Robé’s nuanced perspective enables him to both celebrate and critique anarchist forays into guerrilla media. Breaking the Spell is an invaluable guide to the contempo- rary anarchist media landscape that will prove useful for activists as well as scholars.” —Richard Porton, author of Film and the Anarchist Imagination “Breaking the Spell is a highly readable history of U.S. activism against neo- liberal capitalism from the perspective of ‘Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas,’ the subtitle of the book. Based on ninety interviews, careful readings of hundreds of videos, and his own participant observation, Robé links the development of better-known video makers such as Videofreex, Paper Tiger Television, ACT UP and Indymedia with activist media makers among key protest movements, such as the League of Revolutionary Black Workers in Detroit, Oregon’s Cascadia Forest Defenders, the day workers of Voces Mobiles/Mobile Voices in Los Angeles, and the indigenous youth in Outta Your Backpack Media. Underscored by significant tensions of class, race/ethnicity, and gender among the groups and the videos discussed, Robé traces the continuing concerns -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.