DOCSLIB.ORG

Stephen James Smithcurates

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stephen James Smithcurates THE BONNYMEN STEPHEN JAMES SMITH CURATES ‘CREATIVITY’ Winter/Spring OUR FUNDERS FOREWORD From our Principal Funder The Duncairn is at the heart of what is happening in the arts in north Belfast. It is creating opportunities for people to engage with a whole range of top quality creative experiences, in a shared space that is welcoming to all and which actively encourages people from different backgrounds and circumstances to come together. The Arts Council is proud to be the principal funder of this remarkable creative hub though our National Lottery funds. This year the National Lottery celebrates 25 years of making it possible for arts organisations just like this to be ambitious and innovative and make a big impact on their local communities. With the help of this investment, The Duncairn continues to deliver an excellent programme of inspiring, enriching and inclusive arts and cultural experiences for everyone to enjoy. Roisin McDonough, Chief Executive, Arts Council of Northern Ireland work for our events team, but we are all determined to make this work and we are grateful for the support INTRODUCTION we’ve received for this from you - our audiences and our community. From our Creative Director We are working with Bryson House and other agencies, taking advice It’s 2020 and here’s our new on to the next level, not only as an on how we can become better with programme. To everyone out there, organisation, but as a part of this our recycling and environmental I want to say please have a look at community. practices. It’s early days, and we have what’s happening at The Duncairn. a lot to learn, but we have so much Come and join us, don’t be put off by It’s all change with the catering at to be proud of in north Belfast, and words like ‘arts’, or ‘creativity’. We The Duncairn as well. Café Krem the environment needs to be part of just want people to get involved and moved on to pastures new at the end that. Let’s try hard to get even better, enjoy themselves. Whether it’s to get of last year, and I would like to thank not just at The Duncairn, but on our your head showered, to learn a new them sincerely for the commitment streets as well. skill, catch a show, meet friends, make and time spent with us. But we think new friends, read, sing, paint, or take we’ve found the perfect replacement Lastly, none of this would happen a photo - we want to offer something and we’re delighted to welcome Love without my small but mighty that is hopefully going to suit you, it’s Works who have taken over the café at staff team, our volunteers, artists, as simple as that. If you have Belfast The Duncairn. Love Works is a workers performers, funders, audience in your DNA, please come on down, cooperative based here in north members and the wider community. this place is for you. And if you aren’t Belfast, and we reckon that ethically Thanks for all your continued support from Belfast, we want you to come and in terms of our organisational throughout 2019. We’re looking here and get a taste of what Belfast ethos, they are a perfect fit. This is forward to getting stuck into 2020. has to offer. a cooperative café that values its customers and aims to give its very, Ray Giffen, In many ways 2020 is no different very best to people at affordable Creative Director, The Duncairn from previous years in that we’ll prices. If you’ve attended any Fifty be doing our very best to provide Social Club or 100 Club nights here, superior high-quality arts for you to you will have tasted some of their enjoy and take part in. However, we fare already. Yup! It’s going to be that also hope to start working with some good. different partners over the course of this year, just to make sure we In 2019 we started our single-use keep things fresh. We can’t let the plastics ban, which meant that we grass grow under our feet. You’ll get asked our audiences not to bring bored with us! We’ll get bored with disposable plastic bags or plastic us! We want to continue offering our bottles with them. We began offering community the services they deserve. reusable plastic glasses for people to So, we’ve submitted two new funding use on the night, which they return, applications, and if they’re successful and we wash at the end of the event. they could help move The Duncairn To be honest, that does add more THE ARTS MATTER Philip King, Other Voices The arts matter for at least four sets of reasons: first because creativity, culture and the arts are essential to our wellbeing and valuable in their own right as uniquely irreplaceable human activities; second for the individual and personal benefits that they confer by enabling us to imagine, invent, interpret and communicate diverse ways of seeing the world; third for the communal and societal value and diversity that they create, promote and share; and fourth for the value that they add to our reputation globally and for their potential to strengthen our role in developing bilateral relationships by enriching common ground. John Tusa, former Director of The Barbican in London puts it like this: “The arts matter because they embrace, express and define the soul of a civilisation. A nation without arts would be a nation that had stopped talking to itself, stopped dreaming, and had lost interest in the past and lacked curiosity about the future.” The Duncairn’s is a significant venue for the performing arts, and as a venue that values artists and treats them with the dignity and respect that they deserve. The Duncairn is building connections locally and more widely across the Belfast region. Our work with The Duncairn is driven by the belief that culture and the arts build the bridges that we need, and they empower people to navigate the borders and boundaries that get in the way of full, active participation in community and society. Philip King, Director of Other Voices Love Works Café delicious wheat loaves. new project called the 100 Club. So, because of this, everything increases, “new year new venture” The first six weeks or so will be a indeed the amount of Tapas and wine settling in period, but they are open doubles. With that in mind we’ve had We’re really, really, excited about and ready for business. Operating to increase the admission fee, yet it the new caterers who have taken up Monday-Saturday they want to keep still somehow manages to be the best residence at The Duncairn, and we things simple, delicious, fresh, and value (and sometimes the hottest can’t wait to hear what you think. good quality. Come down and check ticket) in town. Our brand-new café is part of Love out the new Love Works Cooperative Works, a workers cooperative based café at The Duncairn, you’ll love it! in north Belfast, and their operations 100 Arts & Social Club include an artisan bakery, gardening We’re upping the ante. The last series and landscaping service, and a Prices bike repair workshop. “We want to of 100 Clubs reached a clear peak regarding talent and musicianship, generate dignity and well-being for Making arts accessible for as many stagecraft and innovation and people, for our workers, and for the people as possible is at the heart of tradition. But we didn’t challenge community we are part of by giving what we do, so if anybody out there you enough. We didn’t send you workers the right to decide the best feels that you can’t afford to attend home with questions in your head, way forward and by supporting a a class, if our pricing inhibits you, if or points to be examined further. vibrant family-based community,” you qualify for a subsidised fee, or Our new season though, that’s they explained, referring us to their you reach our criteria for a free place, different. From Young-Turk-spoken- website for more info. “We want to please just call. This discussion is word-upstart Stephen James Smith, create a welcoming and inclusive private, if you speak to a member of to globally recognised musician- working environment which sustains our team about this it is treated with filmmaker-broadcaster-Other livelihoods, healthy relationships and utmost confidentiality. Tell us your Voices-founder Philip King, we provides a place of belonging.” We circumstances, and if the person is intend to get you pondering know this is a meeting of minds with eligible we’ll have no hesitation in and pausing and double-taking. us here at The Duncairn. providing a number of free places. We have the contemporary and “Our new café at The Duncairn will With regards to music events, in traditional Irish music singer and be serving freshly made food, with general tickets prices have stayed Fair Plé campaigner Pauline Scanlon as many locally sourced ingredients still or even decreased. The only curating the International Women’s as possible,” they explained. The price increase has been a move Day event. While the last 100 Club menu will be based around the from our first year of extremely of this programme will gather the products that the Love Works bakery successful events at the Club Fifty Creative Collective of singer and produces including cakes, pastries, Arts and Social Club, to the 100 multi-instrumentalist John Francis and bread - but not just any bread! Club.
Load more

Recommended publications
  • FOREWORD Our Funders
    FOREWORD 2019 was a big year for The Duncairn programme and I need to say out and we were delighted to be able loud just how appreciative I am, to mark our five-year anniversary allowing me the space to create an in May. We did it with style and arts programme that continues to Our Funders continued to provide high quality grow in stature. arts and cultural events for the North Belfast community, for broader By the nature of how we worked Belfast, and beyond. during 2018 - 2019 we got the opportunity to programme some Highlights of our anniversary year young and emerging artists about obviously included having our whom we are very excited, and of friends at Other Voices coming whom we are very supportive. We back here to North Belfast with an started thinking that maybe we could outstanding line-up of talent, which do more to help raise the profile and not only involved amazing high showcase the work of a number of wire marquee acts, but also a very these amazing young artists. So, we healthy representation of local acts sat down and worked out ways in that are on the rise. Other Voices, which we could make that happen. we hope, is going to be a long term relationship - maybe even an annual One idea was to loosely form a event, not only for North Belfast but Creative Collective of young artists for the city. And we’re happy to play with whom we have worked. As our part in that. part of this Collective they are given the opportunity to either work Also, our collaboration with master together at The Duncairn, or curate film maker Myles O’Reilly led to a a specially commissioned weekend/ whole weekend curated and filmed stand-alone event, bringing and by the man himself.
    [Show full text]
  • You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
    1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences.
    [Show full text]
  • Ashton Patriotic Sublime.5.Pdf (9.823Mb)
    commercial spaces like theaters, and to performances spanning the gamut from the solemn, to the joyous. This diversity encompassed celebrations outside the expected calendar of national days. Patriotic sentiment was even a key feature of events celebrating the economic and commercial expansion of the new nation. The commemorative celebration for the laying of the foundation-stone of the Baltimore & Ohio Railroad, the “great national work which is intended and calculated to cement more strongly the union of the Eastern and the Western States,” took place on July 4, 1828.1 It beautifully illustrated the musical ties that bound different spaces together – in this case a parade route, a temporary outdoor civic space, and the permanent space of the Holliday Street Theatre. Organizers chose July Fourth for the event, wishing to signal civic pride and affective patriotism. Baltimore filled with visitors in the days before the celebration, so that on the morning of the Fourth the “immense throng of spectators…filled every window in Baltimore-street, and the pavement below….fifty thousand spectators, at least, must have been present.” The parade was massive and incorporated a great diversity of groups, including “bands of music, trades, and other bodies.” One focal point was a huge model, “completely rigged,” of a naval vessel, the “Union,” complete with uniformed sailors. Bands playing patriotic tunes were interspersed amongst the nationalist imagery on display: militia uniforms, banners emblazoned with patriotic verse, national flags, eagle figures, shields, and more. Charles Carrollton, one of the last surviving signers of the Declaration of Independence, gave the main public address at the site, accompanied by a march composed for the occasion, the “Carrollton March” (see Figure 2.4).
    [Show full text]
  • TOWARDS a POLICY for the TRADITIONAL ARTS Published September 2004 ISBN: 1-904291-09-0
    TOWARDS A POLICY FOR THE TRADITIONAL ARTS Published September 2004 ISBN: 1-904291-09-0 70 Merrion Square, 70 Cearnóg Mhuirfean, t +353 1 6180200 e [email protected] Dublin 2, Ireland Baile Átha Cliath 2, Éire f +353 1 6761302 w www.artscouncil.ie Callsave 1850 392492 CONTENTS Foreword by the Chair of the Arts Council 2 Foreword by the Chair of the Special Committee 3 Report of the Special Committee on the Traditional Arts Introduction: Terms of Reference 6 1. Terminology 8 2. Irish Traditional Arts: Towards a Coherent Policy 10 3. The Funding Role of the Arts Council 12 4. The Arts Council in Relation to Other Supporting Agencies 17 5. An Effective Framework for Funding 22 Conclusion: List of Recommendations 28 Appendix 1: List of Public Submissions Received 32 Appendix 2: List of Committee Meetings Held 34 The Arts Council and the Traditional Arts 36 Towards a Policy for the Traditional Arts - 2004 1 FOREWORD BY THE CHAIR OF THE ARTS COUNCIL The publication of Towards a Policy for the Traditional Arts constitutes a significant step forward for the Arts Council in its relationship with the traditional arts. It consists of two parts: firstly, the report of the Special Committee on the Traditional Arts, and secondly, the resulting principles agreed by the Council, on the basis of that report. The Special Committee on the Traditional Arts was established by the Minister for Arts, Sport and Tourism, Mr John O’Donoghue TD, in December 2003. He appointed Jerome Hynes, Deputy Chair of the Arts Council, as Chairman of the Committee.
    [Show full text]
  • Spring Season 2020
    The Mall, Waterford Box Office: 051 874 402 www.theatreroyal.ie SPRING SEASON 2020 Follow us on: BOOKINGS CARERS POLICY The Theatre Royal accepts bookings in person, by phone A carers discount is applicable on certain performances or online. All ticket prices include €1 transaction fee for and on presentation of a carers card. 3rd party charges. REFUND POLICY 051 874 402 PHONE: A refund can be made no later than close of business, Payment is accepted by cash, cheque, laser, IN PERSON: 4pm, on the day before the event. A refund will be debit or credit card. made in the form of credit for Theatre Royal events. You can book your tickets online at ONLINE: No refund can be issued on the day of the event or You can also select your seat from www.theatreroyal.ie following an event. the seat map. THE STAGE DOOR BAR BOX OFFICE OPENING HOURS Why not relax and enjoy a pre-show drink. Select wines, MONDAY-FRIDAY: soft drinks, bottled beers, tea and coffee are available 10am – 4pm (10am – 8pm on performance days) an hour before performance. SATURDAY: Pre-order your interval drink before the performance. 12pm – 4pm (12pm – 8pm on performance days) Our Front of House team will be on stand-by to take your SUNDAYS & BANK HOLIDAYS: order. Box Office opens one hour before the performance for ticket sales & collection SESSIONS CONCESSIONS During a Session, the Stage Door Bar will remain open until 8pm; theatre Concessions for Seniors, Students, Unwaged and customers have the option to bring Stage Children are available for selected productions.
    [Show full text]
  • The Archive JOURNAL of the CORK FOLKLORE PROJECT IRIS BHÉALOIDEAS CHORCAÍ ISSN 1649 2943 21 UIMHIR FICHE a HAON
    The Archive JOURNAL OF THE CORK FOLKLORE PROJECT IRIS BHÉALOIDEAS CHORCAÍ ISSN 1649 2943 21 UIMHIR FICHE A HAON FREE COPY The Archive 21 | 2017 Contents PROJECT MANAGER 3 Introduction Dr Tomás Mac Conmara No crew cuts or new-fangled styles RESEARCH DIRECTOR 4 Mr. Lucas - The Barber. By Billy McCarthy Dr Clíona O’Carroll A reflection on the Irish language in the Cork Folklore 5 EDITORIAL ADVISOR Project Collection by Dr. Tomás Mac Conmara Dr Ciarán Ó Gealbháin The Loft - Cork Shakespearean Company 6 By David McCarthy EDITORIAL TEAM Dr Tomás Mac Conmara, Dr Ciarán Ó The Cork Folklore Masonry Project 10 By Michael Moore Gealbháin, Louise Madden-O’Shea The Early Days of Irish Television PROJECT RESEARCHERS 14 By Geraldine Healy Kieran Murphy, Jamie Furey, James Joy, Louise Madden O’Shea, David McCarthy, Tomás Mac Curtain in Memory by Dr. Tomás Mac 16 Conmara Mark Foody, Janek Flakus Fergus O’Farrell: A personal reflection GRAPHIC DESIGN & LAYOUT 20 of a Cork music pioneer by Mark Wilkins Dermot Casey 23 Book Reviews PRINTERS City Print Ltd, Cork Boxcars, broken glass and backers: Ballyphehane Oral www.cityprint.ie 24 History Project by Jamie Furey 26 A Taste of Tripe by Kieran Murphy The Cork Folklore Project Northside Community Enterprises Ltd facebook.com/corkfolklore @corkfolklore St Finbarr’s College, Farranferris, Redemption Road, Cork, T23YW62 Ireland phone +353 (021) 422 8100 email [email protected] web www.ucc.ie/cfp Acknowledgements Disclaimer The Cork Folklore Project would like to thank : Dept of Social Protection, The Cork Folklore Project is a Dept of Social Protection funded joint Susan Kirby; Management and staff of Northside Community Enterprises; Fr initiative of Northside Community Enterprises Ltd & Dept of Folklore and John O Donovan, Noreen Hegarty; Roinn an Bhéaloideas / Dept of Folklore Ethnology, University College Cork.
    [Show full text]
  • L-G-0003552750-0006830598.Pdf
    GATHERED FROM COINCIDENCE __________________________________________ A singular history of Sixties’ pop by Tony Dunsbee Copyright © Tony Dunsbee 2014. All Rights Reserved An M-Y Books Production m-ybooks.co.uk Take what you have gathered from coincidence “It’s All Over Now, Baby Blue” – Bob Dylan (© 1965 Warner Bros. Inc., renewed 1993 by Special Rider Music) To my wife Nicky, with love and thanks for her patience and belief in my ability to give at least this much semblance of form and meaning to a lifetime’s obsession. Contents Chapter 1 The Intro … 5 Chapter 2 1960 14 Chapter 3 1961 36 Chapter 4 1962 61 Chapter 5 1963 95 Chapter 6 1964 158 Chapter 7 1965 246 Chapter 8 1966 355 Chapter 9 1967 464 Chapter 10 1968 560 Chapter 11 1969 615 Chapter 12 … and The Outro 678 Acknowledgements 684 Bibliography 686 Index 711 5 Chapter 1 The Intro … This may or may not turn out to be the book in my head but I’m still driven, even now in retirement, to write it by my undimmed passion for the music of the Sixties and a desire to set – no pun intended – the record straight. The one and only record? Well, all right then, by no means, but informed by my ambition to set down my record of the interweaving of the events of those tumultuous years and the impact of the music made in parallel to them, as I lived through the decade then and as I recall it now. Make no mistake, then: this is unashamedly a highly selective rather than a comprehensive account, dictated wholly by my own personal tastes and interests as they were shaped and developed by the consecutive twists and turns of the era.
    [Show full text]
  • 2013 : VOLUME 7 Previous Volume Next Volume
    4/29/13 DPRP : CD & DVD REVIEWS | Back to Reviews | Back to DPRP Main [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [XYZ] [Misc] [DVD's] [2013] [2012] [2011] [2010] [2009] [2008] [2007] [2006] [2005] [2004] [2003] 2013 : VOLUME 7 Previous Volume Next Volume REVIEWS IN THIS ISSUE: Godsticks - The Envisage Conundrum (Duo Review) Kingcrow - In Crescendo (Duo Review) The Enid - Invicta (Duo Review) Mind:Soul - Patterns 1.5 [EP] Ashent - Inheritance Tír na nÓg - Tír na nÓg Tír na nÓg – A Tear And A Smile Tír na nÓg – Strong In The Sun A Lonely Crowd - User Hostile Syndone - The Beauty Is The Beast Bill Nelson – Trial By Intimacy (The Book Of Splendours) Boxer - Below The Belt Boxer - Bloodletting Apogee feat. Gerald Heimann – Die Gläserne Wand & Schleifen Godsticks - The Envisage Conundrum Country of Origin: U.K. Format: CD Record Label: Independent Catalogue #: GODSTICKS003 Year of Release: 2013 Time: 59:44 Info: Godsticks Samples: Click here Tracklist: Convergence [Intro] (1:18), Caught In A Bind (5:04), The Envisage Conundrum (6:44), In A Way That Ended Me (5:00), Benchmark (4:35), Submerged (4:58), A Brief Foray (4:48), Disclosure (3:49), Borderstomp - Part 1 [Death To Tuesday] (5:05), Borderstomp - Part 2 [Blind] (5:54), Borderstomp - Part 3 [Cielo Azul] (6:53), Raised Concerns (5:31) Jez Rowden's Review My first exposure to Godsticks came in late 2008 when I received a review copy of their debut EP from bassist Jason Marsh.
    [Show full text]
  • Donegal Bay and Blue Stacks Festival SEPTEMBER 25 – OCTOBER 4 Féile an Fhómhair 2015
    15th Annual Donegal Bay and Blue Stacks Festival SEPTEMBER 25 – OCTOBER 4 Féile an Fhómhair 2015 FREE PROGRAMME Presented by Donegal County Council Cultural Services BA MHAITH LINN BUÍOCHAS A GHABHÁIL CHUIG Ailis McIntyre, Michael Daly, Andrea Kennedy Abbey Arts Centre, Ballyshannon. Conor Malone, Balor Arts Centre, Ballybofey. Paul Diver, Sandhouse Hotel, Rossnowlagh. Johnny & Christine Boyle, Highlands Hotel, Glenties. Mary Thompson, Margaret Sweeney, Glenties Community Centre. Gerry Gillespie, Halla Muire, Gleann Choilm Cille. Maura Logue, Dark Daughter Productions. Denise Blake, Literary Programme Curator. Mandy Blinco, Mark Hill, LUXe. Emer Keon, Barry Sweeney, Erne Enterprise Development Company Ltd. Hannah McGuinness, Donegal Designer Makers. Aoife Nic Cormaic, RTÉ, Sunday Miscellany. Derek Vial. Kieran Quinn, Andrew McNulty, Balor Rep Theatre Company. Seán Ó Ghallchóir, Aisteoirí Ghaoth Dobhair. Mark McCollum, Kathleen McCreery, Bread and Roses Theatre. Christian Carbin, Art Kavanagh, Donegal Drama Circle. Deborah J. Stockdale, Meitheal Ealaíne, Gleann Cholm Cille. Caoimhín MacAoidh, Rab Cherry, Cairdeas na bhFidléirí. Aidan O’Donnell, Coiste Cultúrtha Dhún Cheann Fhaola. Michael Harnett. Pat McGill, Johnny Doherty Music and Dancing Festival. Marc Geagan, Modal Citizens, Bundoran. Patsy O’Kane. Daniel Brown, Ocean FM. Deborah J. Stockdale, Meitheral Ealaíne. Patricia McBride, Niall Cranny, Nicola Burns, An Grianán Theatre. Guy Barriscale, Theatre Artist in Residence. Margaret Cunningham, The Folk Village ( & Fr. James McDyer Archive), Gleann Cholm Cille. Liam Ó Chuinneagáin, Oideas Gael, Gleann Cholm Cille. Iga Lawne, Donegal Tourism Ltd. Anne Marie Conlon, Connie Duffy, Donegal County Council. Rory Gallagher, Rita Chapman, Jill Doherty, Bundoran Community Library. Shane Smyth, Discover Bundoran. Paul Brown, Dana Smith, Earagail Arts Festival. Shaun Hannigan, Jeremy Howard, Regional Cultural Centre, Letterkenny.
    [Show full text]
  • Strings / Violin Instruction
    strings 122 Sevcik Studies for Strings 123 Violin Methods by G. Schirmer, Inc. 124 All Strings 124 Orchestra Play-Along 124 Violin 124 Instruction & Technique 129 Songbooks & Repertoire 128 Violin Play-Along Series 133 Easy Concertos & Concertinos Series 134 Solos 134 Duets 134 Quartets 135 Viola 135 Instruction & Technique 135 Songbooks 135 Solos 136 Cello 136 Instruction & Technique 137 Songbooks & Repertoire 139 Solos 139 Duets 139 Quartets 139 Bass 139 Harp hal 140 String Ensembles 140 Duets 140 Trios 140 Quartets 140 Quintets 140 Ensembles 140 Pop Specials for String Quartets 2011 141 Strings Charts Series 122 SEVCIK STUDIES FOR STRINGS Bosworth Since 1901, Otakar Sevcik’s works have formed the basis of many schools of string playing around the world. Thousands of players continue to find Sevcik an invaluable aid to technical development. In practicing Sevcik – as in playing scales, etudes, or pieces – there are always four main headings to consider: purity of intonation, evenness of tone, exactness of rhythm and physical freedom and ease. This series of books is designed for the beginning student to improve all areas of technique. Each book contains numerous exercises and melodies. VIOLIN SEVCIK VIOLIN SEVCIK VIOLIN SEVCIK VIOLIN Studies – OPUS 6 Studies – OPUS 8 Studies – OpUS 1 VIOLIN METHOD FOR BEGINNERS CHANGES OF POSITION AND PREPARATORY SCALE STUDIES SCHOOL OF VIOLIN TECHNIQUE A compendium of studies for changes of positions with preparatory scale studies. One of the unique advantages of the shifting exercises in Sevcik’s Opus 8 is that they provide a musical framework within which to place PART 3 each shift.
    [Show full text]
  • Artist / Bandnavn Album Tittel Utg.År Label/ Katal.Nr
    ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP A AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. AEROSMITH PUMP 1989 GEFFEN RECORDS 924254 EUR LP Steven Taylor, Joe Perry, Tom Hamilton, Joey Kramer. Spilt inn i Canada. AKKERMAN, JAN & KAZ LUX JAN AKKERMAN & KAZ LUX 1976 ATLANTIC K 50320 UK LP Akkermann med et mere bluespeget album, sammen med bluesvokalist Kaz Lux. AKKERMAN, JAN JAN AKKERMAN 1977 ATLANTIC 50420 HOL LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. 20TH CENTURY FOX MOV- ALAN PARSONS PROJECT, THE TALES OF MYSTERY AND IMAGINATION 1976 POR LP Portugisisk LP utgivelse, basert på tekster av Edgar Allan Poe.Hipgnosis cover. 7003 ALAN PARSONS PROJECT, THE I ROBOT 1977 ARISTA 062-99168 SWE LP Coverdesign av Hipgnosis En av de beste med Alan Parsons,med tysk symf.orkester,vocalhjelp fra Leslie Duncan, ALAN PARSONS PROJECT, THE EVE 1979 ARISTA 201 157 HOL LP Clare Torry (P:Floyd), hun med den utrolige bra vocalen i Great gig in the sky (Dark side of the moon).Coverdesisgn av Hipgnosis. Hjelp av Elmer Ganrtry (Velvet Opera) på vocal.Tysk symf.orch.Cover av Kevin Godley & ALAN PARSONS PROJECT, THE THE TURN OF A FRIENDLY CARD 1980 ARISTA I-203000 SPA LP Lol Creme fra 10 CC. ALARM, THE DECLARATION 1983 ILP 25887 UK LP Debutalbumet til Walesbandet , friskt rockepust inspirert av punken.
    [Show full text]
  • Artist / Bandnavn Album Tittel Utg.År Label/ Katal.Nr
    ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A 80-talls synthpop/new wave. Fikk flere hitsingler fra denne skiva, bl.a The look of ABC THE LEXICON OF LOVE 1983 VERTIGO 6359 099 GER LP love, Tears are not enough, All of my heart. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. HEADLINES AND DEADLINES – THE HITS WARNER BROS. A-HA 1991 EUR LP OF A-HA RECORDS 7599-26773-1 Samlealbum fra de norske gutta, med låter fra perioden 1985-1991 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer.
    [Show full text]