DOCSLIB.ORG

NEWSLETTER 2009 Looking Back to the Future Exhibitions & Events SASA History Project Reveals Hidden Gems Thirty-Seven Years on Autumn/Winter 2009

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NEWSLETTER 2009 Looking Back to the Future Exhibitions & Events SASA History Project Reveals Hidden Gems Thirty-Seven Years on Autumn/Winter 2009 Friends of the South Australian School of Art Patron Dr H R (Kym) Bonython AC DFC AFC KCSJ Volume 1, Issue 2 April NEWSLETTER 2009 Looking Back to the Future Exhibitions & Events SASA History Project reveals hidden gems thirty-seven years on Autumn/Winter 2009 1-22 April: Hill-Smith Gallery exhibitions by artists Crispin Akerman, & Laima Politis 1-24 May: Hill-Smith Gallery Figurative Exhibition. Artists include Zhong Chen, Peter Churcher, Robert Hannaford. Sunday 3 May: The Secrets of Lines: a mark making exhibition by Helen Mickan, opening 2.30pm, at RSASA Gallery, Level 1, Institute Building, cnr North Tce & Kintore Ave. Saturday 9 May: Changing Climates in Arts Publishing: Free one-day forum The South Australian eral history of the South Austra- organised by Artlink, Bradley School of Art (so-called since lian School of Art. Forum, UniSA, Hawke Bldg, 1958) has the longest continuing L5, North Tce, 9.30-5.00pm history of a state-supported art The photograph above shows Tuesday 16 June: school in Australia. fu-time academic staff of the South Friends of SASA Council Australian School of Art, circa 1972. During its long history, the meeting, 5.30pm school has been variously located Seated front row, L-R, Messrs August 7 - 23: SALA Smith, Bettany (Vice-Principal), Roberts in the Exhibition Building on Festival North Terrace, Adelaide, at (Principal), Miss McIntosh (Dean), Messrs Figwer, White. August 27: Friends of Stanley Street, North Adelaide in SASA Annual General the 1960s and ‘70s, at Underdale Seated 2nd row L-R, Mr Copeland, Mrs Douglas, Mr Wilson, Mrs Jaugietis, Meeting, 5.30 pm Campus of the South Australian Messrs Waller, Frith, Lyle, Hall. College of Advanced Education Standing, 3rd row L-R, Messrs in the ‘70s and ‘80s and during Evening with Geoff on the Hawke, Kapociunas, Dallwitz, Bishop, Couch raises $1,000 for the the 1990s as part of the Miss Newmarch, Mr Goddard, Miss Jay, SASA History Project University of South Australia. Messrs Chandler, Tetlow, Brown, The Friends’ second major fundraiser/ Hardie, Geering. In 2005 the School relocated social event, Geoff on the Couch, drew to the City West Campus of Standing back row, L-R, Messrs 70 people to the Bradley Forum, UniSA Chaplin, Kempf, Broughton, Clements, on 24 March to hear Friends SASA Vice UniSA. Moon, Boynes. President, Winnie Pelz, interview well- The School is currently undertak- known School of Art teacher and http://www.unisa.edu.au/art/ artist, Geoff Wilson. ing a history project that will lead historyproject.asp Photos and story inside. to a longer term initiative - a gen- More photos in the next issue. PAGE 1 PRESIDENT’S COLUMN Dear colleagues and friends, be downloaded from the website if you have not already received it in the mail Time again to bring you up-to-date and highlight the http://www.unisa.edu.au/art/events/friends.asp events planned for 2009. Gloria Goddard has been appointed exhibition cu- Our 7 month existence has been hard work, fun and exciting. Finding our way in the maze about what Friends can and cannot do, we now find our- selves with a much clearer direction, and feeling uplifted by our achievements. Major social/fundraising events in the last 7 months have raised several thousands of dollars from the sale of donated art works. Membership increases daily as new members are recruited, and yet many people still say they have not heard of our existence. We now have over a hundred members, and can still double our numbers through a new recruit- rator along with several capable experienced artists. ment program, particularly of new graduates and undergraduates students. Please spread the word Please enjoy what Louise has put together in this about Friends SASA, and encourage new recruits. second edition of the newsletter. We hope you en- joy the breadth of information it brings about the ‘First of the Friends’ Exhibition in September: valuable contribution Friends make to art in our Artists, students, former teachers, lecturers and society. If we haven’t heard what you’re up to, current staff of SASA who are members of Friends please let us know so that we can get word out are invited to exhibit at our first exhibition, “First through our publication and website. It’s such a of the Friends”, to be held in the Kerry Packer pleasure to hear of the tremendously valuable mark Civic Gallery, UniSA, from 7 September to 2 Octo- our members are making in the exciting world of ber 2009. art. Please support this major event by exhibiting your work. A ‘Notice of Intention to Exhibit’ form can Jack Condous REPORT FROM THE TREASURER Many thanks to members for their sup- and encouraging them to join our staff for providing me with the port of Friends of SASA to date. group. If each member did this, opportunity to create a fulfilling membership would DOUBLE career path, and I would encourage In a very short time following our overnight! everyone to contemplate the im- first social event in October, we portant role the Art School has managed to raise close to $6000. For my own view I am pleased to had on their lives, and realise the An auction of donated artworks be a part of this group by way of friendships, knowledge and skills raised over $2000, with a huge pay-back. that were part of that ongoing ex- boost of $800 from one sale alone! perience. As a schoolboy, I was inspired and Thanks to artist Toni Corso for lead by excellent art and design Suffice to say I am not the only that generous donation and also to teachers. This lead me to apply for one that sees that it is not what Trim Design, Magill Rd for the Art School, and four years later I the Art School can do for us, but beautiful framing job under glass, began my own career in art and what we can do for the Art School, also very generously donated by design and a position that ended in by standing with them as grateful Pat Trimboli. 1997 as a design lecturer of some supporters of Australia’s most his- 20 years. toric School of Art and Design. We trust all members will continue to join the fun and support future I continue my career in art and Regards, events. Please consider contacting design as a promoter of sales in the Garrie Hisco at least one colleague or friend field. I thank the Art School and Treasurer PAGE 2 GEOFF IN THE HOT SEAT - By Pamela Karran We-known School of Art In his inimitable man- Lecturer, Geoff Wilson, ner, he wandered from was the unanimous couch to chair as the choice of Friends Council evening progressed re- for its first interview of splendent in his dress- interest and social evening, ing gown. held on 24 March at the The evening included a Bradley Forum, UniSA. silent auction of do- nated artworks, and was ‘Geoff on the Couch’, was attended by patron attended by 70 mem- Kym Bonython and his bers and their guests, wife Julie. and raised a total of 14 new members joined Above: Geoff Wilson $1000. on the night, and prof- with interviewer Friends Vice President its from the evening Winnie Pelz, on Winnie Pelz inter- will be passed on to the stage at the Bradley viewed Geoff with in- SASA History Project. Forum sightful and inspira- A very special thank tional questioning, and you to Geoff and together they produced Winne for a great night, an informative and, at and to everyone who times, revealing presen- attended. Also to tation. Council members, Geoff is well-known to President Jack Condous Lef: Geoff makes a so many of us, but he and Garrie Hisco for point, without put- still managed to pull a ‘the couch’ and props. ting too fine a point few surprises out of the The assistance of on it hat during the inter- UniSA staff was also view. appreciated. Planning Under Way for ‘First of the Friends’ Exhibition Gloria Goddard has accepted the position of convenor for the First of the Friends exhibition to be held in Adelaide in September this year. Artists, students, former teachers, lecturers and current staff of SASA who are members of Friends are invited to exibit in the exhibition, to be held from 7 September - 2 October in the Kerry Packer Civic Gallery, Hawke Building, City West Campus of UniSA. The official opening will take place at 5.30pm on Monday 7th September. Gloria Goddard was born in South Australia and educated as an art teacher at the University of Adelaide, Adelaide Teachers College and the South Australian School of Art from 1960 to 1972. She taught art in secondary schools for 15 years before becoming a lecturer at North Adelaide School of Art, where she lectured in painting, design, concept development and fibre construction. She lectured at O’Halloran Hill TAFE and was guest lecturer at Sturt CAE until 1981. She has travelled widely overseas and throughout Australia, and has exhibited her work in solo and mixed exhibitions with several awards and commissions. Her work is in numerous galleries, and she has more recently been on the selection committee for TARTS. Gloria will be supported by an experienced group of member artists - Brian Budgen, Yvonne East, Helen Stacey, Toni Corso and Rob Johnston. We are fortunate in having the beautiful Civic Gallery as our venue for the exhibition, and we look forward to members’ participation towards making this ‘First of the Friends’ a great showing. The event will be supported by The Bob Hawke Prime Ministerial Centre, and proudly sponsored by Michael Scarpantoni of Scarpantoni Estate Wines.
Load more

Recommended publications
  • Samstag International Visual Arts Scholarships Samstag
    The Anne & Gordon Samstag International Visual Arts Scholarships samstag ’95 The 1995 Anne & Gordon Samstag International Visual Arts Scholarships samstag University of South Australia ’95 samstag Mehmet Adil Marika Borlase Catherine Brennan Kate Daw Ruth Fazakerley Susan Fereday Matthÿs Gerber Marcia Lochhead Sue Saxon Lucy Turner Megan Walch Foreword his publication witnesses the achievement of eleven artists who were Tawarded Anne & Gordon Samstag International Visual Arts Scholarships, tenable for twelve-months of study overseas, commencing from 1995. These nine women and two men are beneficiaries of Gordon Samstag’s vision to level the playing field for Australian artists, whom he knew to be as good as their international peers, but restricted unreasonably by geographic isolation. Consequently, this third group of Samstag Scholars will soon be embarking on lengthy and enviable creative adventures in New York, Utrecht, London, San Francisco, Los Angeles, Glasgow and Dundee. Following the good news of their award, the preparations which “Samstagers” must make to secure their overseas study opportunity are, invariably, complex and taxing. For example, while under no obligation to enrol in formal degree courses, their project must nevertheless demonstrate a full commitment to studio practice under the bona fides of an appropriate institution. Negotiations for acceptance into a preferred institution can be arduous and slow. While concerned primarily with artistic development and enrichment, the Samstag experience is thus distinguished also by endeavour and Matthÿs GERBER self-reliance. Moreover, when confronted L'Origine du Monde #1 1992 oil on canvas directly by the formidable dimensions 200 x 300 of international contemporary art, scholarship recipients may discover, beneficially, that their own indigenous artistic character is distinct and viable.
    [Show full text]
  • Thesis Title
    Creating a Scene: The Role of Artists’ Groups in the Development of Brisbane’s Art World 1940-1970 Judith Rhylle Hamilton Bachelor of Arts (Hons) University of Queensland Bachelor of Education (Arts and Crafts) Melbourne State College A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 School of English, Media Studies and Art History ii Abstract This study offers an analysis of Brisbane‘s art world through the lens of artists‘ groups operating in the city between 1940 and 1970. It argues that in the absence of more extensive or well-developed art institutions, artists‘ groups played a crucial role in the growth of Brisbane‘s art world. Rather than focusing on an examination of ideas about art or assuming the inherently ‗philistine‘ and ‗provincial‘ nature of Brisbane‘s art world, the thesis examines the nature of the city‘s main art institutions, including facilities for art education, the art market, conservation and collection of art, and writing about art. Compared to the larger Australian cities, these dimensions of the art world remained relatively underdeveloped in Brisbane, and it is in this context that groups such as the Royal Queensland Art Society, the Half Dozen Group of Artists, the Younger Artists‘ Group, Miya Studios, St Mary‘s Studio, and the Contemporary Art Society Queensland Branch provided critical forms of institutional support for artists. Brisbane‘s art world began to take shape in 1887 when the Queensland Art Society was founded, and in 1940, as the Royal Queensland Art Society, it was still providing guidance for a small art world struggling to define itself within the wider network of Australian art.
    [Show full text]
  • The Haptic Dimension of Ceramic Practice: Ways of Knowing
    School of Media, Creative Arts and Social Inquiry The Haptic Dimension of Ceramic Practice: Ways of Knowing Alana Carol McVeigh This thesis is presented for the Degree of Doctor of Philosophy of Curtin University October 2020 i ii The Haptic Dimension of Ceramic Practice: Ways of Knowing Declaration Alana Carol McVeigh iii Acknowledgements My heartfelt thanks to my supervisors, Dr Ann Schilo, Dr Anna Nazzari and Dr Susanna Castleden for their generosity of knowledge, immeasurable support, encouragement and guidance. I would like to acknowledge my colleagues for their support and friendship. In particular I would like to thank Dr Monika Lukowska- Appel not only for her support but also her design knowledge. I acknowledge Dr Dean Chan for his detailed attention to copyediting. I gratefully acknowledge my family Damien, Regan, Ashlea and Maiko for your understanding and support. Most importantly, to Chaz for your unrelenting encouragement, belief, love and for teaching me of courage. Finally, this journey has been for, Bailey, Kyuss, Tiida, Jai, Lumos and Otoko No Akachan. iv The Haptic Dimension of Ceramic Practice: Ways of Knowing Abstract My research seeks to unravel how an influx of multiple streams of tacit knowledge and sensory awareness has impacted upon an Australian approach to ceramic art making. Through a combination of creative practice and exegesis, I consider how experiential knowledge, amassed over time by observing, replicating and doing, built a visual, cognitive and sensual vocabulary that has become embodied into a visceral form of making: a form of making and awareness that entered Australian ceramic studio practice from China, Japan, Korea and Britain primarily during the 1940s–1960s.
    [Show full text]
  • Fred Williams
    FRED WILLIAMS Born: 1927, Melbourne, Australia Died: 1982 SELECTED EXHIBITIONS 1947 Figure And Portrait Exhibition, Victorian Artists Society, Melbourne 1951 Ian Armstrong, Fred Williams, Harry Rosengrave, Stanley Coe Galleries, Melbourne Australian Arts Association Exhibition, Royal Watercolour Society Gallery, London. 1952 Group Exhibition, Australian Artists' Association 1957 Fred Williams, Oil Painting And Gouache, Australian Galleries, Melbourne Fred Williams, Etchings, Gallery Of Contemporary Art, Melbourne 1958 Fred Williams, Landscapes, Australian Galleries, Melbourne Fred Williams - Etchings, Gallery Of Contemporary Art, Melbourne May Day Art Show, Lower Town Hall, Melbourne A Critic's Choice, Selected By Alan Mcculloch, Australian Galleries, Melbourne 2nd Anniversary Exhibition, Australian Galleries, Melbourne Crouch Prize, Ballarat Art Gallery, Victoria 1959 Fred Williams, Recent Landscapes And Still Life, Australian Galleries, Melbourne 18 Recent Acquisitions..., Museum Of Modern Art, Melbourne 1960 Fred Williams, Australian Galleries, Melbourne Helena Rubenstein Travelling Art Scholarship, (By Invitation), National Gallery Of Victoria, Melbourne Drawings And Prints, Australian Galleries, Melbourne 1960 Perth Art Prize, Art Gallery Society, Western Australia, Art Gallery Of W.A., Perth Mccaughey Memorial Art Prize, National Gallery Of Victoria, Melbourne Drawings, Paintings And Prints Up To 45 Gns, Australian Galleries, Melbourne 1961 Fred Williams, Paintings, Australian Galleries, Melbourne Fred Williams, The Bonython Art
    [Show full text]
  • T H E a U Ss Ie M O Ss Ie
    RAAF’s 90th Birthday The Royal Australian Air Force marked its 90th birthday with an annual commemorative service in Canberra and the addition of Battle Honours to the RAAF Memorial while there was a display of historic planes at the service's birthplace in Victoria. The Chief of Air Force, Air Marshal Mark Binskin AO used his address as an opportunity to re- member those that gave their lives in service to Australia over the last 90 years. The RAAF was formed on March 31, 1921, with Point Cook its sole base. "We have aeroplanes that date back to the 1930s," Air Commodore Ron Luke said at Point Cook. "When you look at the difference in technology between those aircraft and what we're operating today with Super Hornets and C-17 transports, it's really quite amazing”. The general public gathered to see the Roulette acrobat team perform and more than 60 aeroplanes, including Spitfires and Mustangs and Hudson bombers, 1930s vintage airliners, DC- 3s, plus an assortment of other aero- planes. While this was happening F/A-18 jets Air Marshal Mark Binskin AO lays a wreath at flew over Canberra, as people gathered the Canberra Ceremony at Anzac Parade to mark the anniver- sary. More squadrons have been formally added to the RAAF memorial, recognising those who served in the Philippines in 1944, the Malayan Peninsular and Ubon Thailand in the 1960s, and more recently East Timor and Iraq. Retired RAAF Squadron Leader Denis Macneall said he has fond memo- ries as a member of 75 Squadron in Malaysia.
    [Show full text]
  • Art Training in Brisbane to 1991
    Chapter 2 Those who started, those who stayed, those who departed, those who strayed: Art training in Brisbane to 1991 Glenn R. Cooke Preamble Throughout the second half of the twentieth century the higher education sector in Australia went through a series of reorganisations culminating in the Dawkins Report 1988 which recommended that the various technical colleges, teachers’ colleges and colleges of advanced education be incorporated into a system of multi-campus universities. Negotiations were put underway so that on 1 July 1991 the Queensland Conservatorium of Music amalgamated with Griffith University. The art, craft and design courses and students of the Queensland College of Art, from Associate Diploma level on, also joined Griffith University and on 1 January 1992 an independent history of 110 years was brought to a close. The history of the college over this time also reflected a series of restructures to mirror perceived educational needs and the political agendas of Queensland governments. The Brisbane School of Arts was founded in 1881 and incorporated into the Brisbane Technical College in 1884. As a result of the Technical Instruction Act of 1908, the suburban technical colleges at South Brisbane and West End were merged with Brisbane to form the Central Art training in Brisbane to 1991 Glenn R. Cooke Technical College (CTC) in 1909. When the Queensland Institute of Technology was established in 1965 on the same site, the CTC and its Art Branch retained their independence. In 1972 the Art Branch separated from the CTC to become the College of Art (CoA) which, two years later moved from George Street to purpose- built premises shared with the Seven Hills TAFE and was formally renamed the Queensland College of Art (QCA) in 1982.
    [Show full text]
  • The Canberra Potter Fired-Up
    The Canberra Potter fired -up – March 2018 (best read online at canberrapotters.com.au ) Welcome to the March issue of our online news feed fired-up. We're well into another year of activities having just completed a wonderful weekend of demonstrations and prize winning at the Canberra Show—congratulations to all the award winners. Carla Wolfs, Chris Harford and Alex de Vos have all run (fully booked) Workshops in Slip Casting, Glazing and Medieval Cookware respectively and our Term 1 classes are fully enrolled too! What's next? Lots! We eagerly await the arrival of Eric Landon from Tortus Copenhagen who will be running a Workshop and a Master Class in early March. Chris Dunn (NZ), our next Artist in Residence, will be hosting a four day firing Workshop later in the month. Be sure to check out Chris' video to whet your appetite. The gallery schedule is heating up too as the Bald Archy Prize enters its final weeks and we look forward to Australian pottery heavyweight Milton Moon—A Potters Pilgrimage opening on 22 March. It's time to get fired-up! CANBERRA SHOW CRAFTS EXPO 2018 The judging has been done, ribbons have been awarded and the garlands handed out. Congratulations to all the winners at this year’s Royal Canberra Show Crafts Expo. Although entries were down somewhat on previous years the overall standard was once again very high and the guest judge, Janet DeBoos, thought long and hard when selecting these worthy recipients . Thank you to all who entered and we look forward to seeing your entries next year.
    [Show full text]
  • 2008/2009 Annual Report
    ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2008-09 September 2009 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.adelaidefestivalcentre.com.au0U ABN: 90940 220 425 Contents Introduction ................................................................................................................ 4 Chairman’s Report ..................................................................................................... 5 CEO3 & Artistic Director’s Report ................................................................................ 7 Trustees4 ..................................................................................................................... 9 Organisational5 Chart ................................................................................................ 10 The Objectives of Arts SA ........................................................................................ 11 The7 Objectives of Adelaide Festival Centre Trust .................................................... 12 South8 Australia’s Strategic Plan ............................................................................... 12 TO BE THE SOUTH AUSTRALIAN ARTS HUB & A LEADING ARTS CENTRE IN THE ASIA PACIFIC REGION ....................................... 13 CALENDAR OF EVENTS ................................................................................. 13 SUSTAIN AND DEVELOP OUR PROGRAM LED ETHOS TO DELIVER GREAT WORK IN OUR VENUES ...................................
    [Show full text]
  • Annual Report
    ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2012 – 30 June 2013 North Terrace ADELAIDE SA 5000 www.artgallery.sa.gov.au ISSN 0728-7925 The Hon Jay Weatherill, Minister for the Arts Sir, I have the honour to present the seventieth Annual Report of the Art Gallery Board of South Australia for the Gallery’s 132nd year, ended 30 June 2013. Michael Abbott AO QC, Chairman Art Gallery Board 2012–13 Chairman Michael Abbott AO QC Members Mr Andrew Gwinnett (Deputy Chair) Emeritus Professor Anne Edwards AO Ms Frances Gerard Ms Sandra Sdraulig AM Mrs Sue Tweddell (from December 2012) Mrs Tracey Whiting Mrs Zena Winser (until November 2012) Robert Whitington QC 2 TABLE OF CONTENTS Principal Objectives 4 Major Achievements 2012–2013 5-7 Key Challenges Facing the Gallery 8 Strategic Goals 2012–2015 9-10 Resources and Administration 11-28 Collections 29-43 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 44-45 Appendix B1 Art Gallery Board 46 Appendix B2 Art Gallery of South Australia Foundation Council and Contemporary 46-47 Collectors Committee Appendix B3 Art Gallery Organisational Chart 48-54 Appendix B4 Art Gallery Staff and Volunteers 55-58 Appendix C Staff Public Commitments 59-63 Appendix D Conservation 64-65 Appendix E Donors, Funds, Sponsorships 66-67 Appendix F Acquisitions 68-98 Appendix G Inward Loans 99-104 Appendix H Outward Loans 105-109 Appendix I Exhibitions and Public Programs 110-123 Appendix J Schools Support Services 124 Appendix K Gallery Guide Tour Services 125-126 Appendix L Gallery Publications 127-128 Appendix M Annual Attendances 129 Appendix N Information Statement 130-131 Appendix O Financial Statements 132-159 3 PRINCIPAL OBJECTIVES Objectives The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act 1939 and can be summarised as the preservation, research and communication associated with heritage and contemporary works of art of aesthetic excellence and historical or regional significance.
    [Show full text]
  • Room Guide4.Indd
    colonial to contemporary: queensland college of art 125 years Author Wright, Simon Published 2006 Copyright Statement © 2006 Griffith University. Reproduced in accordance with the copyright policy of the publisher. Use hypertext link to access publishers website. Downloaded from http://hdl.handle.net/10072/12065 Link to published version https://www.griffith.edu.au/arts-education-law/queensland-college-art Griffith Research Online https://research-repository.griffith.edu.au Joe ROOTSEY (1918-1963) Joe Rootsey, of the Barrow Point people (Amu Wuringu clan), lived and worked as a stockman in country north of Cooktown, in East Cape York, and eventually settled at ‘Olivevale’, near Laura. He did not start painting until 1954 when, diagnosed with tuberculosis, he was confi ned to a Cairns hospital for two years. His fi rst solo exhibition was in Cooktown, and in the late 1950s he studied art for six months at the Central Technical College, Brisbane, under the sponsorship of the Native Affairs Department. COLONIAL to CONTEMPORARY Margaret OLLEY (b.1923) Queensland College of Art 125 Years Margaret Olley, born in Lismore, New South Wales, studied art at the Central Technical College in 1941. She then attended the East Sydney Technical College from 1942 to 1947. Olley travelled to England and Paris in 1949 and attended classes at the Academie de la Grande Chaumière. Returning to Australia in 1954 she travelled through far north Queensland and New Guinea before settling in Historical Overview 1881-1974 Sydney in 1965. Although Sydney became her home base, she continued travelling throughout Asia and Europe. She has received many awards and prizes and in 1997 was declared an Australian National Treasure.
    [Show full text]
  • Short Courses 1
    2014 Term Three Term Short Courses 1 Adelaide Central School of Art is an independent, not-for-profit, accredited Higher Education Provider that offers intensive training for students looking to develop careers as practising artists. In addition to the School’s accredited and highly regarded degree courses, we also conduct specialist short courses throughout the year for those who are interested in taking the first step towards developing basic skills, knowledge and valuable techniques in the visual arts. Intermediate and more advanced classes are also offered for those artists looking to extend or hone their skills and learn new techniques. Like our degree course, the 2014 Short Course Program features some of South Australia’s most outstanding artists/teachers and we guarantee that they will take the fear out of learning how to draw and paint. Small class sizes ensure students receive one-on-one expert tuition provided by our lecturers. Students also have the flexibility to attend daytime, evening or weekend classes, all held in the air-conditioned studios of the School’s new Teaching and Studio Building, within the Glenside Cultural Precinct where free parking is available. Be courageous this year and let us take you on your creative journey. Beginning 21 June 2014 Early-bird fee ends Friday, 6 June 2014 (see policy on reverse) Code Course Lecturer Cost Drawing 1 S21401 Introduction to Drawing Trena Everuss Sat 9.30am - 12.30pm 12 Jul - 2 Aug 4 wks $240 Fundamentals 1 S21402 Life Drawing Fundamentals Melanie Brown Sat 1.00 - 4.00pm
    [Show full text]
  • Newsletter PATRON:DR H R (KYM) BONYTHON AC DFC AFC KCSJ
    Friends of the South Australian School of Art, Inc. Newsletter PATRON:DR H R (KYM) BONYTHON AC DFC AFC KCSJ VOLUME 3, ISSUE 1 M A R C H 2 0 1 1 A B O U T T H E FRIENDS OF S A S A , I N C Adelaide Festival Centre gets bright new look!! The Friends of the South Australian n eruption of fresh new South Australian School of Art (FSASA) School of Art art is about to give the International Travel Grant’ to be awarded at the (SASA) aim to A promote the Adelaide Festival Centre foyer end of 2011. work, history, and an April makeover! An The exhibition will be opened by The Hon. development of inspired selection created by John Hill, Minister assisting the Minister for the the South Australian School artists from Friends of the Arts in the Festival Centre Foyer, Tuesday April of Art, using the South Australian School of 12th at 6pm. The Foyer Gallery will be open outstanding Art (FSASA Inc), this series of from Mon-Fri 9-6; Sat & Sun with theatre expertise, experience and brilliant and colourful works, performances. For more information, check out collegial nature of both 2D and sculptural, will smother the brown our website at www.friendsasa.com, or phone its past and panelling of this sociable space, in a knockout Jack Condous on 0409 414 455. present scholars and staff. ‘Wicked’ trick. th nd DEATH OF OUR PATRON: From April 12 to May 22 the ‘Second of I N S I D E the Friends’ Exhibition will provide theatre goers DR KYM BONYTHON T H I S and art lovers with a new reason to linger.
    [Show full text]