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Short Courses 1 2014 Term Three Term Short Courses 1 Adelaide Central School of Art is an independent, not-for-profit, accredited Higher Education Provider that offers intensive training for students looking to develop careers as practising artists. In addition to the School’s accredited and highly regarded degree courses, we also conduct specialist short courses throughout the year for those who are interested in taking the first step towards developing basic skills, knowledge and valuable techniques in the visual arts. Intermediate and more advanced classes are also offered for those artists looking to extend or hone their skills and learn new techniques. Like our degree course, the 2014 Short Course Program features some of South Australia’s most outstanding artists/teachers and we guarantee that they will take the fear out of learning how to draw and paint. Small class sizes ensure students receive one-on-one expert tuition provided by our lecturers. Students also have the flexibility to attend daytime, evening or weekend classes, all held in the air-conditioned studios of the School’s new Teaching and Studio Building, within the Glenside Cultural Precinct where free parking is available. Be courageous this year and let us take you on your creative journey. Beginning 21 June 2014 Early-bird fee ends Friday, 6 June 2014 (see policy on reverse) Code Course Lecturer Cost Drawing 1 S21401 Introduction to Drawing Trena Everuss Sat 9.30am - 12.30pm 12 Jul - 2 Aug 4 wks $240 Fundamentals 1 S21402 Life Drawing Fundamentals Melanie Brown Sat 1.00 - 4.00pm 21 Jun - 2 Aug 7 wks $490 1 S21403 Developing Non-Representational Yve Thompson Sat 1.30 - 4.30pm 21 Jun - 2 Aug* 6 wks $360 Drawings 2 3 S21404 Drawing from the South Luke Thurgate Wed 1.00 - 4.00pm 25 Jun - 6 Aug# 6 wks $360 Australian Museum 2 3 S21405 Anatomical Drawing 1 Rob Gutteridge M-W 9.30am - 4.30pm 30 Jun - 2 Jul 3 days $450 Painting 1 S21406 Introduction to Life Painting Melanie Brown Thu 6.30 - 9.30pm 26 Jun - 7 Aug 7 wks $490 1 S21407 Introduction to Watercolour Arthur Phillips Sat 1.00 - 4.00pm 21 Jun - 2 Aug* 6 wks $360 1 S21408 Introduction to Oil Painting Nona Burden Sat 1.00 - 4.00pm 21 Jun - 2 Aug 7 wks $420 2 3 S21409 Painting from the Found Image Deidre But-Husaim Sat 9.30am - 12.30pm 21 Jun - 2 Aug 7 wks $420 Ceramics 1 S21410 Introduction to the Potter’s Wheel Damon Moon Sat 1.00 - 4.00pm 21 Jun - 2 Aug^ 7 wks $430 All courses have a maximum of 15 places unless otherwise specified. 1 Beginners *Please note there are no classes held on Sat 12 July Intermediate (basic drawing/painting experience required) 2 #Please note there are no classes held on Wed 3 July 3 Advanced (drawing/painting experience assumed) ^Please note this short course is held at JamFactory "Art is the only way to run away without leaving home" Twyla Tharp Glenside Cultural Precinct | Carpark C 7 Mulberry Road Glenside SA 5065 [via Gate 1, 226 Fullarton Road] T 08 8299 7300 [email protected] www.acsa.sa.edu.au Drawing 1 Introduction to Drawing 2 3 Anatomical Drawing 1 1 Introduction to Oil Painting Fundamentals | Trena Everuss Rob Gutteridge Nona Burden Sat 12 Jul - Sat 2 Aug 9.30am - 12.30pm Mon 30 Jun - Wed 2 Jul 9.30am - 4.30pm Sat 21 Jun - Sat 2 Aug 1.00 - 4.00pm This structured course introduces students to In this intensive three day drawing course, This course is designed for the complete the basic techniques of drawing by observation. students will explore the essentials of human beginner who has an interest in learning about Students acquire the skills to achieve precision in anatomy for artists. The aim is to assist students the basics of painting. Students will learn about their drawing and to accurately represent what in making more convincing representations the materials and techniques of painting with they see. of the figure, through drawing’s capacity to oils on canvas, including how to handle paint Materials visualise and explore the relationship between and how to use tone and colour. Students will A2 sketch pad, 4 sheets A1 cartridge paper, HB, 2B, underlying structure and surface form. A complete a tonal study, start a colour wheel 4B pencils, plastic eraser, willow and compressed range of drawing strategies will be explained and paint a still life in an informative and charcoals, white conte stick, 1 sheet of mid grey as students work from a variety of resources creative environment. Canson paper, masking tape. including a human skeleton, an anatomical Materials sculpture of a flayed figure, examples from art Oil paints: Titanium White, Lemon Yellow, Cadmium 1 Life Drawing Fundamentals history, and the life model. Some prior drawing Yellow Deep, Cadmium Red, Alizarin Crimson, Melanie Brown experience is assumed. Ultramarine Blue, Pthalo Blue, Ivory Black. Brushes: flat hoghair brushes Nos 1, 2, 3, 4, 8, 10 and 12 Materials Sat 21 Jun - Sat 2 Aug 1.00 - 4.00pm plus 1 larger bristle brush, c5cm in width. Odourless 6 sheets A2 cartridge paper, plastic eraser, HB, 2B, 4B solvent and an oil medium, an A3 disposable palette, pencils, set of coloured pencils or coloured marker This course will introduce participants to the several small jars with lids, lots of cotton rags, palette pens, masking tape. A course booklet with anatomical fundamentals of drawing a life model. Aimed knife, masking tape, willow charcoal and a small jar of illustrations will be provided to each student. at people with limited life drawing experience, Disolve hand and brush cleaner. Supports: A3 sheet of this course will build confidence, develop new oil or acrylic sketch paper, canvas boards, one 14 x18 skills and refine existing techniques. Participants inches and one 16 x 20 inches. will explore the human figure through a Painting structured series of exercises that build on core Painting from the Found Image observational drawing skills. 2 3 1 Introduction to Life Painting Deidre But-Husaim Materials Melanie Brown 10 sticks willow charcoal (medium and thick), Sat 21 Jun - Sat 2 Aug 9.30am - 12.30pm 2 2B pencils, black and white conte (1 each), Thu 26 Jun - Thu 7 Aug 6.30 - 9.30pm knife or sharpener, masking tape, white plastic This course explores the use of the ‘found eraser, cotton rag, 12 sheets newsprint paper, Covering the basics of colour theory, mixing image’ in contemporary painting practice. 8 sheets A1 cartridge paper, 1 mid-grey Canson paper. techniques and paint application this course Participants will discuss various technical and is the ideal introduction to painting from a conceptual aspects of using found images 1 Developing Non-Representational life model. Participants will develop core oil as the basis for oil painting. Participants will Drawings | Yve Thompson painting techniques as they explore various be encouraged to produce a series of studies ways of depicting the human body and based on these images which can be developed Sat 21 Jun - Sat 2 Aug 1.30 - 4.30pm accurately rendering realistic skin tones. in to resolved works at a later stage. Materials Drawings can be much more than a report Please bring a range of found images for of what is seen. This course is perfect for Oil paints: Titanium White, Ivory Black, Yellow Ochre, Burnt Sienna, Burnt Umber, Cadmium Red (light), discussion and development during the course. students wanting to produce engaging non- Alizarin Crimson, Cadmium Yellow, Ultramarine Materials representational drawings. A range of exercises Blue, Lemon Yellow, Prussian Blue. 1 tube Burnt Oil paints: Titanium White, Lemon Yellow, Cadmium will explore the use of expressive mark-making Sienna acrylic paint. Brushes: a range of flat and Yellow Deep, Yellow Ochre, Burnt Sienna, Cadmium and develop strategies to generate drawings filbert brushes in varying sizes including nos 2, 4 & 6. Red Deep, Alizarin Crimson, Ultramarine Blue, Mars through the deconstruction/reconstruction of Medium: cold pressed linseed oil OR painting medium, Black. Optional extra colours: Lead White, Transparent imagery, the manipulation of pictorial space and odourless solvent, solvent eg. Disolve for cleaning Oxide Red, Raw Sienna. Brushes: A selection of attention to formal elements. brushes. 20” x 24” canvas board, palette and palette professional quality Bright Hog Hair brushes # 2, 4, 6, knife, willow charcoal, rags, disposable palette, 8, 10. Mediums: low toxic odourless solvent, refined Materials 2 small glass jars. linseed oil or medium of choice. Small palette knife, To be specified as projects unfold. For session 1 A3 disposable palette, palette knife small jar with lid, please bring 2 sheets A1 cartridge paper, 20 sheets Introduction to Watercolour absorbent rags. 3 sheet of oil painting paper. A4 cartridge paper (or an A4 sketchbook), 3 sticks 1 Apron. A prepared canvas will be required for the of willow charcoal, 3 sticks of compressed charcoal, Arthur Phillips second week. HB, 2B, 4B pencils, plastic eraser, ball-point or fine felt-tip pen. Sat 21 Jun - Sat 2 Aug 1.00 - 4.00pm Discover the unique qualities and creative 2 3 Drawing from the South potential of watercolours. This course is for Australian Museum beginners and students with some experience Luke Thurgate in watercolour. This course will explore how to develop watercolour techniques, Thu 25 Jun - Thu 6 Aug 1.00 - 4.00pm from basic washes, wet in wet techniques, Explore the South Australian Museum through through to advanced brushwork. Students the lens of drawing. Participants will use the will be introduced to basic composition and Museum’s unique and varied collection as the the watercolour palette and encouraged to basis for a series of experimental, observational experiment boldly with this unpredictable drawings.
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