Middle-Earth Waves Within Tolkien's “Jonah
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The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
The Comforts: the Image of Home in <I>The Hobbit</I>
Volume 14 Number 1 Article 6 Fall 10-15-1987 All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings Wayne G. Hammond Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Hammond, Wayne G. (1987) "All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 1 , Article 6. Available at: https://dc.swosu.edu/mythlore/vol14/iss1/6 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines the importance of home, especially the Shire, as metaphor in The Hobbit and The Lord of the Rings. Relates it to the importance of change vs. permanence as a recurring theme in both works. -
Why Is the Only Good Orc a Dead Orc Anderson Rearick Mount Vernon Nazarene University
Inklings Forever Volume 4 A Collection of Essays Presented at the Fourth Frances White Ewbank Colloquium on C.S. Article 10 Lewis & Friends 3-2004 Why Is the Only Good Orc a Dead Orc Anderson Rearick Mount Vernon Nazarene University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Rearick, Anderson (2004) "Why Is the Only Good Orc a Dead Orc," Inklings Forever: Vol. 4 , Article 10. Available at: https://pillars.taylor.edu/inklings_forever/vol4/iss1/10 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume IV A Collection of Essays Presented at The Fourth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS Taylor University 2004 Upland, Indiana Why Is the Only Good Orc a Dead Orc? Anderson Rearick, III Mount Vernon Nazarene University Rearick, Anderson. “Why Is the Only Good Orc a Dead Orc?” Inklings Forever 4 (2004) www.taylor.edu/cslewis 1 Why is the Only Good Orc a Dead Orc? Anderson M. Rearick, III The Dark Face of Racism Examined in Tolkien’s themselves out of sync with most of their peers, thus World1 underscoring the fact that Tolkien’s work has up until recently been the private domain of a select audience, In Jonathan Coe’s novel, The Rotters’ Club, a an audience who by their very nature may have confrontation takes place between two characters over inhibited serious critical examinations of Tolkien’s what one sees as racist elements in Tolkien’s Lord of work. -
Tolkien's Unnamed Deity Orchestrating the Lord of the Rings Lisa Hillis This Research Is a Product of the Graduate Program in English at Eastern Illinois University
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1992 Tolkien's Unnamed Deity Orchestrating the Lord of the Rings Lisa Hillis This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Hillis, Lisa, "Tolkien's Unnamed Deity Orchestrating the Lord of the Rings" (1992). Masters Theses. 2182. https://thekeep.eiu.edu/theses/2182 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for i,\1.clusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for iqclusion in that institution's library or research holdings. Date I respectfully request Booth Library of Ef\i.stern Illinois University not allow my thes~s be reproduced because --------------- Date Author m Tolkien's Unnamed Deity Orchestrating the Lord of the Rings (TITLE) BY Lisa Hillis THESIS SUBMITIED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DECREE OF Master .of Arts 11': THE GRADUATE SCHOOL. -
News from Bree 27
NewsNewsNews fromfromfrom BreeBreeBree MEPBM Newsletter: Issue 27, February '05 "Strange as News Updating the Game from Bree..." by Greg Shaffer The Lord of the Rings, chapter 9 MEPBM is a great game (credit to its original Dragon Flea Market. Also in 1650, we have the most inventors!) and has become a bit out of focus with rare and intelligent and powerful and selfish, its original intent, original game balance, and the idiosyncratic, temperamental creatures in Middle Earth Talk at the flavor of Tolkien’s world given growth in player called DRAGONS. Yet any character can waltz up to knowledge and playing style. The buyout of one of these mythic creatures (and the locations are MEPBM will allow the game moderators to make predictable) and sign them up at will to destroy 'Prancing'Prancing changes to update the game and allow the GSI folks numerous enemy armies simply by giving a stock to continue doing what they enjoy most – inventing response that everyone knows and doesn’t change from Pony... great new games. Here are the top 10 reasons we turn to turn or game to game. Again, in the original should be glad our game moderators to have the version noone knew the “one correct response per ability to update the game: dragon” but now everyone knows. This makes Bilbo’s Updating the Game fated encounter with Smaug look like a couple of Hobbit Welcome to my capital, here’s the keys. maidens getting together for afternoon tea. Tweak Your Nation Currently it is a piece of cake for dark servants to waltz into Lothlorien or granite-enclosed Moria Ineffectual Nations. -
The Road Goes Ever On
The Road Goes Ever On for SATB Chorus a capella Commissioned by the University of California Alumni Chorus for the University of California Choral Ensembles in memory of Ronni Kordell Gravitz J.R.R. Tolkien Gwyneth Walker Slowly p b 4 Ó q Œ‰j= §º , j , j Soprano 4 œ œ nœ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ The road goes e - ver on and on downp from the door where it be - gan. Now b 4 ∑ ∑ j , j Alto 4 & œ œ œ œ œ œ œ œ œ down from the door where it be - gan. Nowp b 4 ∑ ∑ Ó Œ‰ Tenor 4 Jœ V π Now 4 Bass ? b 4 w w w Mmm, Slowly b 4 Ó q = §ºŒ‰j , j , j 4 œ œ nœ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ j Piano for reahearsal only 4 ∑ ∑ Ó Œ‰œ ? b 4 w w w poco accel. 4 F cresc. j b , , œ S. œ œ œ œ œ œ nJœ œ œ œ œ œ œ œ nJœ J & far a - head the Road has gone, and I must fol - low, if I can,F pur - b cresc. j , j j , j A. œ œ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ far a - head the Road has gone, and I must fol - low, if I can, purF - b cresc. œ œ , œ œ , T. œ œ œ œ œ J Jœ œ œ œ œ œ J Jœ V far a - head the Road has gone, andp I must fol - low, if I can, purF - , cresc. -
The Geology of Middle-Earth
Volume 21 Number 2 Article 50 Winter 10-15-1996 The Geology of Middle-earth William Antony Swithin Sarjeant Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Sarjeant, William Antony Swithin (1996) "The Geology of Middle-earth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 50. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/50 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract A preliminary reconstruction of the geology of Middle-earth is attempted, utilizing data presented in text, maps and illustrations by its arch-explorer J.R.R. Tolkien. The tectonic reconstruction is developed from earlier findings yb R.C. Reynolds (1974). Six plates are now recognized, whose motions and collisions have created the mountains of Middle-earth and the rift structure down which the River Anduin flows. -
The Sense of Time in J.R.R. Tolkien's the Lord of the Rings
Volume 15 Number 1 Article 1 Fall 10-15-1988 The Sense of Time in J.R.R. Tolkien's The Lord of the Rings Kevin Aldrich Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Aldrich, Kevin (1988) "The Sense of Time in J.R.R. Tolkien's The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 1 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol15/iss1/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses the importance of time, death, and/or immortality for various races of Middle-earth. Additional Keywords Death in The Lord of the Rings; Immortality in The Lord of the Rings; Time in The Lord of the Rings This article is available in Mythlore: A Journal of J.R.R. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
WORD TOTAL Middle-Earth 53 Barad-Dv R 28 Good-Bye 27 Ring
Lord of the Rings Words with Dashes Decreasing Number of Occurrences By Oliver Loo Copyright 2010 WORD TOTAL middle-earth 53 barad-dvr 28 good-bye 27 ring-bearer 25 hill-top 24 sackville-bagginses 19 cross-roads 17 gil-galad 16 unlooked-for 12 barrow-downs 11 mountain-side 11 bree-folk 10 elven-cloak 10 hiding-place 10 khazad-dvm 10 mid-day 10 shire-folk 10 deeping-coomb 9 pipe-weed 9 star-glass 9 uruk-hai 9 drum-beats 8 elven-tongue 8 north-west 8 rock-wall 8 south-west 8 bree-land 7 elf-friend 7 far-off 7 ghGn-buri-ghGn 7 grey-green 7 kheled-zGram 7 squint-eyed 7 barrow-wights 6 bree-hill 6 errand-riders 6 hill-tops 6 horn-call 6 mail-shirt 6 out-thrust 6 tree-trunk 6 broad-bladed 5 dark-haired 5 deep-cloven 5 deeping-stream 5 elven-blade 5 elven-cloaks 5 horse-lords 5 mail-clad 5 ninety-nine 5 north-east 5 north-gate 5 orc-hold 5 orc-trail 5 orc-voices 5 orthanc-stone 5 portage-way 5 sea-birds 5 snow-white 5 tree-roots 5 tree-tops 5 tree-trunks 5 watch-fires 5 water-lilies 5 water-side 5 west-gate 5 wood-fire 5 battle-field 4 black-feathered 4 eleventy-one 4 elf-horse 4 elf-lord 4 elf-lords 4 elven-folk 4 ent-house 4 far-away 4 fir-trees 4 grey-eyed 4 hobbit-holes 4 hoom-hom 4 horse-men 4 left-hand 4 lore-masters 4 mallorn-trees 4 man-food 4 mithril-coat 4 morning-light 4 orc-arrows 4 out-wall 4 pine-trees 4 river-bank 4 river-daughter 4 rowan-trees 4 s-bs 4 shirriff-house 4 sister-son 4 south-east 4 south-gate 4 spring-time 4 tree-ish 4 tree-root 4 twenty-first 4 water-bottle 4 water-course 4 well-tended 4 westfold-men 4 willow-man -
The Celeblain of Celeborn and Galadriel
Volume 9 Number 2 Article 5 6-15-1982 The Celeblain of Celeborn and Galadriel Janice Johnson Southern Illinois University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Johnson, Janice (1982) "The Celeblain of Celeborn and Galadriel," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 9 : No. 2 , Article 5. Available at: https://dc.swosu.edu/mythlore/vol9/iss2/5 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Reviews the history of Galadriel and Celeborn as revealed in unpublished materials as well as The Lord of the Rings, The Silmarillion, Tolkien’s Letters, and Unfinished alesT , and examines variations and inconsistencies. Additional Keywords Tolkien, J.R.R.—Characters—Celeborn; Tolkien, J.R.R.—Characters—Galadriel; Patrick Wynne This article is available in Mythlore: A Journal of J.R.R. -
The Lord of the Rings: the Card Game Core Set.)
Ally Objective Card: Wilyador In this scenario, the players encounter an “ally objective” card, Wilyador, the Eagle. This card has a constant effect that reads, “The first player gains control of Wilyador, as an ally.” This means that the first player takes control of Wilyador, and can use him in the same manner he would use any ally he controls. At the end of each round, when the first player token passes to a new player, the new first player also gains control of Wilyador. Wilyador also has the text “no attachments.” This means A Journey to Rhosgobel that players cannot play or move attachment cards onto Wilyador. Difficulty Level = 6 If Wilyador leaves play for any reason, the players have While travelling in the Anduin Valley, the heroes come lost the game. Additionally, if the player who controls across a fallen Eagle, dreadfully wounded from a recent Wilyador is eliminated, the players have lost the game. battle with Goblins, and on the verge of death. Given their location, the heroes attempt to transport the Eagle to Removed from Game Rhosgobel, on the edge of Mirkwood, in the hope that the wizard Radagast can save the Eagle’s life. Players may be instructed to remove cards from the game during this scenario. When a card is removed from the A Journey to Rhosgobel is played with an encounter deck game, it should be set aside and ignored for the rest of the built with all the cards from the following encounter sets: game. Do not place any “removed from game” cards in A Journey to Rhosgobel, Spiders of Mirkwood, and Dol the discard pile, as effects that bring cards back from the Guldur Orcs.