Twin Galaxies Card Checklist
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Ah, the Glorious 1980'S
Jeff Kirkendall’s Thoughts For The Month Column Thoughts, Opinions, Reviews, Commentary & More! Hello and Welcome! My name is Jeff Kirkendall and I'm an independent filmmaker and actor from the Upstate New York area. This is the section of the Very Scary Productions website where I write about topics related to independent filmmaking, digital video production, acting, movies in general, horror movies in particular, my own indie movies, as well as anything and everything related or in between. I decided to create this commentary page because I find that I often come across things that either interest me, excite me, intrigue me, or maybe just bug me. Any topic related to movies and cinema is fair game, from the most mainstream to the most controversial. For example I'll often read about movie projects that I have a strong interest in or opinion on, for one reason or another. This page gives me a forum to discuss these things. It's all about discussion and furthering understanding of our pop culture. Anyone who has feedback concerning what I have to say here, feel free to contact me (see the contact link at http://www.veryscaryproductions.com/). I'd also like to point out that the following is just my opinion, and everyone is free to agree or disagree with what I have to say. Enjoy, and to all the Indies out there: Keep on Filming! SUBJECT: Movie Review – The King of Kong: A Fistful of Quarters (documentary) Note: The following review of The King of Kong: A Fistful of Quarters may contain details that could be considered spoilers. -
Pinball Game List
Visual Pinball Tables (VPX) Pinball FX 3 1 2001 (Gottlieb 1971) 1 Adventure Land Pinball 2 24 (Stern 2009) 2 Alien Isolation 3 4 Square (Gottlieb 1971) 3 Alien vs Predator 4 Abra Ca Dabra (Gottlieb 1975) 4 Aliens 5 AC-DC Let There Be Rock LE (Stern 2012) 5 American Dad 6 AC-DC Luci (Stern 2012) 6 Archer 7 AC-DC Back in Black LE (Stern 2012) 7 Attack from Mars (Bally 1995) 8 AC-DC Helen (Stern 2012) 8 Back to the Future 9 Airport (Gottlieb 1969) 9 Biolab 10 Aquarius (Gottlieb 1970) 10 Black Rose (Bally 1992) 11 Atlantis (Gottlieb 1975) 11 Bobs Burgers 12 Attack from Mars (Bally 1995) 12 Castle Storm 13 Austin Powers (Stern 2001) 13 The Champion Pub (Bally 1998) 14 Avatar Pro (Stern 2010) 14 Doom 15 Avengers Hulk LE (Stern 2012) 15 E.T. 16 Avengers Premium (Stern 2012) 16 Earth Defense 17 Back to the Future (Data East 1990) 17 El Dorado 18 Bad Cats (Williams 1989) 18 Epic Quest 19 Batman DE (Data East 1991) 19 Excalibur 20 Batman The Dark Knight (Stern 2008) 20 Fallout 21 Beach Bums (Gottlieb 1986) 21 Family Guy 22 Beat Time (Williams 1967) (Beatles MOD) 22 Fish Tales (Williams 1992) 23 Big Bang Bar (Capcom 1996) 23 Hercules - Son of Zeus 24 Big Brave (Gottlieb 1974) 24 Hurricane (Williams 1991) 25 Big Buck Hunter (Stern 2009) 25 Jaws 26 Big Game (Stern 1980) 26 Junk Yard (Williams 1996) Visual Pinball Tables (VPX) Pinball FX 3 27 Big Guns (Williams 1987) 27 Jurassic Park 28 Black Knight (Williams 1980) 28 Jurassic Park Pinball Mayhem 29 Black Knight 2000 (Williams 1989) 29 Jurassic World 30 Black Rose (Bally 1992) 30 Mars 31 Blue Note (Gottlieb 1979) 31 Marvel - Age of Ultron 32 Bram Stoker's Dracula (Williams 1993) 32 Marvel - Ant-Man 33 Bronco (Gottlieb 1977) 33 Marvel - Blade 34 Bubba the Redneck Werewolf (2018) 34 Marvel - Captain America 35 Buccaneer (Gottlieb 1976) 35 Marvel - Civil War 36 Buckaroo (Gottlieb 1965) 36 Marvel - Deadpool 37 Bugs Bunny B. -
STERN RELEASES Big Buck Hunter® PRO PINBALL to MUCH ACCLAIM
PRESS RELEASE STERN RELEASES Big Buck Hunter® PRO PINBALL TO MUCH ACCLAIM January 13, 2010--Big Buck Hunter® PRO Pinball by Stern Pinball, Inc. is a hunting game that delivers a hot new quarry of no-limit fun to players everywhere. Big Buck Hunter® PRO Pinball is based on the hugely successful Big Buck Hunter® Arcade Video Game series by Raw Thrills, Inc. and Play Mechanix, Inc. Eugene Jarvis, George Petro, and Mark Ritchie of Raw Thrills/Play Mechanix assisted the staff at Stern Pinball with the design of Big Buck Hunter® PRO Pinball. And like the arcade video games, Big Buck Hunter® PRO Pinball is sure to challenge new hunters, as well as seasoned marksmen. Big Buck Hunter® PRO Pinball takes you on a hunting adventure. Players are in pursuit of wild game. The game features a motorized buck that runs across a forest-like playfield. Strike the buck multiple times and start Big Buck Multiball. Big Buck Hunter® PRO Pinball also features a ramp that winds around the playfield, a ram that kicks the ball back to the player, an elk mechanism that re-directs the pinball, and lots of multiball action. Big Buck Hunter® PRO Pinball features speech from the video game. George Petro, narrator of the Big Buck Hunter® Arcade Video Game series narrates the Pinball machine while contributing additional original speech. Pappy, voiced by Scott Pikulski, also appears offering comic relief. John Youssi, creator of the Big Buck Hunter® Arcade Video Game art, contributes the art for the pinball. Big Buck Hunter® PRO Pinball also features sounds and music by Ken Hale, the sound engineer for the Big Buck Hunter® Arcade Video Games. -
CB-1990-03-31.Pdf
TICKERTAPE EXECUTIVES GEFFEN’S NOT GOOFIN’: After Dixon. weeks of and speculation, OX THE rumors I MOVE I THINK LOVE YOU: Former MCA Inc. agreed to buy Geffen Partridge Family bassist/actor Walt Disney Records has announced two new appoint- Records for MCA stock valued at Danny Bonaduce was arrested ments as part of the restructuring of the company. Mark Jaffe Announcement about $545 million. for allegedly buying crack in has been named vice president of Disney Records and will of the deal followed Geffen’s Daytona Beach, Florida. The actor develop new music programs to build on the recent platinum decision not to renew its distribu- feared losing his job as a DJ for success of The Little Mermaid soundtrack. Judy Cross has tion contract with Time Warner WEGX-FM in Philadelphia, and been promoted to vice president of Disney Audio Entertain- Inc. It appeared that the British felt suicidal. He told the Philadel- ment, a new label developed to increase the visibilty of media conglomerate Thom EMI phia Inquirer that he called his Disney’s story and specialty audio products. Charisma Records has announced the appointment of Jerre Hall to was going to purchase the company girlfriend and jokingly told her “I’m the position of vice president, sales, based out of the company’s for a reported $700 million cash, going to blow my brains out, but New York headquarters. Hall joins Charisma from Virgin but David Geffen did not want to this is my favorite shirt.” Bonaduce Records in Chicago, where he was the Midwest regional sales engage in the adverse tax conse- also confessed “I feel like a manager. -
Super Smash Bros. Melee: an Interdisciplinary Esports Ethnography
"Melee is Broken": Super Smash Bros. Melee: An Interdisciplinary Esports Ethnography Abbie ·spoopy' Rappaport A Thesis In the Department of Humanities Presented in Partial Fulfillment of the Requirements F or the Degree of Master of Arts (Individualized Program) at Concordia University Montreal, Quebec, Canada May 2020 © Abbie 'spoopy' Rappaport, 2020 CONCORDIA UNN ERSITY School of Graduate Studies This is to ce1tify that the thesis prepared By: Abbie ''spoooopy' Rappaport Entitled: Mellee iis Brrokkeenn”":: Supperr Smassh Bros.. Melleee:: An Interrdiisscciipplliinnary Esporrttss Etthnography and submitted in prutial fulfillment of the requirements for the degree of Indiivviiddualized Mastterss (IINDI MA)) complies with the regulations of the University and meets the accepted standru·ds with respect to originality and quality. Signed by the final examining committee: Rachel Berger Chair Darrrren Werrsshllerr Examiner Barrtt Siimon Examiner Pipppin Barr Thesis Supervisor(s) Darren Wershlerr,, Bart Simon,, Piippppin Baarrrr Approved by Rachel Berger Chair of Department or Graduate Program Director Effrosyni Diamantoudi, Dean, Date iii Abstract "Melee is Broken": Super Smash Bros. Melee: An Interdisciplinary Esports Ethnography Abbie 'spoopy' Rappaport This work presents a qualitative analysis of the esports community that plays and watches Super Smash Bros. Melee (SSBM) , a platform-based fighting game released for the Nintendo GameCube in 2001. SSBM is unusual as an esport for the way that it is built on a grass-roots foundation shaped by players (rather than the game's developers) and is contingent on the continued use of residual media objects, specifically the CRT television, Nintendo GameCube and Wii console coupled with the restraints of analog signal processing. SSBM players show particular dedication to dominant community practices like strict tournament rules and settings, shared use of dialect/nomenclatures, mode of play and so on, which are derived from, embedded in, and reinforced by specific hardware and software objects. -
Arcade-Style Game Design: Postwar Pinball and The
ARCADE-STYLE GAME DESIGN: POSTWAR PINBALL AND THE GOLDEN AGE OF COIN-OP VIDEOGAMES A Thesis Presented to The Academic Faculty by Christopher Lee DeLeon In Partial Fulfillment of the Requirements for the Degree Master of Science in Digital Media in the School of Literature, Communication and Culture Georgia Institute of Technology May 2012 ARCADE-STYLE GAME DESIGN: POSTWAR PINBALL AND THE GOLDEN AGE OF COIN-OP VIDEOGAMES Approved by: Dr. Ian Bogost, Advisor Dr. John Sharp School of LCC School of LCC Georgia Institute of Technology Georgia Institute of Technology Dr. Brian Magerko Steve Swink School of LCC Creative Director Georgia Institute of Technology Enemy Airship Dr. Celia Pearce School of LCC Georgia Institute of Technology Date Approved: March 27, 2012 In memory of Eric Gary Frazer, 1984–2001. ACKNOWLEDGEMENTS I would like to thank: Danyell Brookbank, for companionship and patience in our transition to Atlanta. Ian Bogost, John Sharp, Brian Magerko, Celia Pearce, and Steve Swink for ongoing advice, feedback, and support as members of my thesis committee. Andrew Quitmeyer, for immediately encouraging my budding pinball obsession. Michael Nitsche and Patrick Coursey, for also getting high scores on Arnie. Steve Riesenberger, Michael Licht, and Tim Ford for encouragement at EALA. Curt Bererton, Mathilde Pignol, Dave Hershberger, and Josh Wagner for support and patience at ZipZapPlay. John Nesky, for his assistance, talent, and inspiration over the years. Lou Fasulo, for his encouragement and friendship at Sonic Boom and Z2Live. Michael Lewis, Harmon Pollock, and Tina Ziemek for help at Stupid Fun Club. Steven L. Kent, for writing the pinball chapter in his book that inspired this thesis. -
Gamasutra - Features - the History of Activision 10/13/11 3:13 PM
Gamasutra - Features - The History Of Activision 10/13/11 3:13 PM The History Of Activision By Jeffrey Fleming The Memo When David Crane joined Atari in 1977, the company was maturing from a feisty Silicon Valley start-up to a mass-market entertainment company. “Nolan Bushnell had recently sold to Warner but he was still around offering creative guidance. Most of the drug culture was a thing of the past and the days of hot-tubbing in the office were over,” Crane recalled. The sale to Warner Communications had given Atari the much-needed financial stability required to push into the home market with its new VCS console. Despite an uncertain start, the VCS soon became a retail sensation, bringing in hundreds of millions in profits for Atari. “It was a great place to work because we were creating cutting-edge home video games, and helping to define a new industry,” Crane remembered. “But it wasn’t all roses as the California culture of creativity was being pushed out in favor of traditional corporate structure,” Crane noted. Bushnell clashed with Warner’s board of directors and in 1978 he was forced out of the company that he had founded. To replace Bushnell, Warner installed former Burlington executive Ray Kassar as the company’s new CEO, a man who had little in common with the creative programmers at Atari. “In spite of Warner’s management, Atari was still doing very well financially, and middle management made promises of profit sharing and other bonuses. Unfortunately, when it came time to distribute these windfalls, senior management denied ever making such promises,” Crane remembered. -
Finding Aid to the Atari Coin-Op Division Corporate Records, 1969-2002
Brian Sutton-Smith Library and Archives of Play Atari Coin-Op Division Corporate Records Finding Aid to the Atari Coin-Op Division Corporate Records, 1969-2002 Summary Information Title: Atari Coin-Op Division corporate records Creator: Atari, Inc. coin-operated games division (primary) ID: 114.6238 Date: 1969-2002 (inclusive); 1974-1998 (bulk) Extent: 600 linear feet (physical); 18.8 GB (digital) Language: The materials in this collection are primarily in English, although there a few instances of Japanese. Abstract: The Atari Coin-Op records comprise 600 linear feet of game design documents, memos, focus group reports, market research reports, marketing materials, arcade cabinet drawings, schematics, artwork, photographs, videos, and publication material. Much of the material is oversized. Repository: Brian Sutton-Smith Library and Archives of Play at The Strong One Manhattan Square Rochester, New York 14607 585.263.2700 [email protected] Administrative Information Conditions Governing Use: This collection is open for research use by staff of The Strong and by users of its library and archives. Though intellectual property rights (including, but not limited to any copyright, trademark, and associated rights therein) have not been transferred, The Strong has permission to make copies in all media for museum, educational, and research purposes. Conditions Governing Access: At this time, audiovisual and digital files in this collection are limited to on-site researchers only. It is possible that certain formats may be inaccessible or restricted. Custodial History: The Atari Coin-Op Division corporate records were acquired by The Strong in June 2014 from Scott Evans. The records were accessioned by The Strong under Object ID 114.6238. -
What Factors Led to the Collapse of the North American Video Games Industry in 1983?
IB History Internal Assessment – Sample from the IST via www.activehistory.co.uk What factors led to the collapse of the North American video games industry in 1983? Image from http://cdn.slashgear.com/wp-content/uploads/2010/04/atari-sq.jpg “Atari was one of the great rides…it was one of the greatest business educations in the history of the universe.”1 Manny Gerard (former Vice-President of Warner) International Baccalaureate History Internal Assessment Word count: 1,999 International School of Toulouse 1 Kent, Steven L., (2001). The Ultimate History of Video Games. Roseville, Calif.: Prima, (ISBN: 0761536434), pp. 102 Niall Rutherford Page 1 IB History Internal Assessment – Sample from the IST via www.activehistory.co.uk Contents 3 Plan of the Investigation 4 Summary of Evidence 6 Evaluation of Sources 8 Analysis 10 Conclusion 11 List of Sources 12 Appendices Niall Rutherford Page 2 IB History Internal Assessment – Sample from the IST via www.activehistory.co.uk Plan of the Investigation This investigation will assess the factors that led to the North American video game industry crash in 1983. I chose this topic due to my personal enthusiasm for video games and the immense importance of the crash in video game history: without Atari’s downfall, Nintendo would never have been successful worldwide and gaming may never have recovered. In addition, the mistakes of the biggest contemporary competitors (especially Atari) are relevant today when discussing the future avoidance of such a disaster. I have evaluated the two key interpretations of the crash in my analysis: namely, the notion that Atari and Warner were almost entirely to blame for the crash and the counterargument that external factors such as Activision and Commodore had the bigger impact. -
Mancave Games Virtual Pinball Game List
Mancave Games Virtual Pinball Game List 1 24 (Stern 2009) 2 311(Original 2012) 3 2001 (Gottlieb 1971) AbraCa Dabra 4 4Queens( Bally 1970) 5 6 ACDC (Stern 2012) (Gottlieb 1975) Adventures of Rocky AC-DC Helen( Stern AC-DC Pro (Stern 7 8 9 and Bullwinkle and 2012)(VPM5) 2012)(VPM5) Friends (DataEast 1993) Agents777 (Game Airborne (Capcom 10 11 12 Airport (Gottlieb 1969) Plan 1984) 1996) Al's Garage Band Goes Alien Poker (Williams 13 Ali (Stern 1980) 14 15 On World Tour (Alivin 1980) G. 1992) Amazon Hunt (Gottlieb 16 17 Antar (Playmatic 1979) 18 Apollo 13 (Sega 1995) 1983) Aquarius (Gottlieb Asteroid Annie andt he 19 20 21 Atlantis (Gottlieb 1975) 1970) Aliens (Gottlieb 1980) Attack From Mars Austin Powers (Stern 22 Atlantis (Midway 1989) 23 24 (Bally 1995) 2001) Back to the Future Bad Cats (Williams 25 Avatar (Stern 2010) 26 27 (DataEast 1990) 1989) Bad Girls (Premier Banzai Run (Williams Barbarella( Talleres del 28 29 30 1988) 1988) Llobregat 1967) Barracora (Williams Batman (DataEast 31 32 33 Batman (Stern 2008) 1981) 1991) Batman DE (DataEast Batman Forever (Sega 34 35 36 Baywatch (Sega 1995) 1991) 1995) Beat Time (Williams Big Bang Bar (Capcom Big Brave (Maresa 37 38 39 1967) 1996) 1974) Big Buck Hunter Pro Big Guns (Williams 40 41 Big Game (Stern 1980) 42 (Stern 2009) 1987) Big Shot (Gottlieb 43 Big Hit (Gottlieb 1977) 44 45 Big Valley (Bally 1970) 1974) Black Hole (Gottlieb Black Knight (Williams 46 47 Black Jack (Bally 1976) 48 1981) 1980) Black Knight 2000 Black Pyramid (Bally Black Rose (Bally 49 50 51 (Williams 1989) 1984) 1992) -
Classic Gaming Expo 2005 !! ! Wow
San Francisco, California August 20-21, 2005 $5.00 Welcome to Classic Gaming Expo 2005 !! ! Wow .... eight years! It's truly amazing to think that we 've been doing this show, and trying to come up with a fresh introduction for this program, for eight years now. Many things have changed over the years - not the least of which has been ourselves. Eight years ago John was a cable splicer for the New York phone company, which was then called NYNEX, and was happily and peacefully married to his wife Beverly who had no idea what she was in for over the next eight years. Today, John's still married to Beverly though not quite as peacefully with the addition of two sons to his family. He's also in a supervisory position with Verizon - the new New York phone company. At the time of our first show, Sean was seven years into a thirteen-year stint with a convenience store he owned in Chicago. He was married to Melissa and they had two daughters. Eight years later, Sean has sold the convenience store and opened a videogame store - something of a life-long dream (or was that a nightmare?) Sean 's family has doubled in size and now consists of fou r daughters. Joe and Liz have probably had the fewest changes in their lives over the years but that's about to change . Joe has been working for a firm that manages and maintains database software for pharmaceutical companies for the past twenty-some years. While there haven 't been any additions to their family, Joe is about to leave his job and pursue his dream of owning his own business - and what would be more appropriate than a videogame store for someone who's life has been devoted to collecting both the games themselves and information about them for at least as many years? Despite these changes in our lives we once again find ourselves gathering to pay tribute to an industry for which our admiration will never change . -
The Effect of School Closure On
Public Gaming: eSport and Event Marketing in the Experience Economy by Michael Borowy B.A., University of British Columbia, 2008 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art, and Technology Michael Borowy 2012 SIMON FRASER UNIVERSITY Summer 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Michael Borowy Degree: Master of Arts (Communication) Title of Thesis: Public Gaming: eSport and Event Marketing in the Experience Economy Examining Committee: Chair: David Murphy, Senior Lecturer Dr. Stephen Kline Senior Supervisor Professor Dr. Dal Yong Jin Supervisor Associate Professor Dr. Richard Smith Internal Examiner Professor Date Defended/Approved: July 06, 2012 ii Partial Copyright Licence iii STATEMENT OF ETHICS APPROVAL The author, whose name appears on the title page of this work, has obtained, for the research described in this work, either: (a) Human research ethics approval from the Simon Fraser University Office of Research Ethics, or (b) Advance approval of the animal care protocol from the University Animal Care Committee of Simon Fraser University; or has conducted the research (c) as a co-investigator, collaborator or research assistant in a research project approved in advance, or (d) as a member of a course approved in advance for minimal risk human research, by the Office of Research Ethics.