What's Happening in June?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
Cole Albert Porter (June 9, 1891 October 15, 1964) Was An
Cole Albert Porter (June 9, 1891 October 15, 1964) was an American composer and songwriter. Born to a wealthy family in Indiana, he defied the wishes of his dom ineering grandfather and took up music as a profession. Classically trained, he was drawn towards musical theatre. After a slow start, he began to achieve succe ss in the 1920s, and by the 1930s he was one of the major songwriters for the Br oadway musical stage. Unlike many successful Broadway composers, Porter wrote th e lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 30s, but in 1948 he made a triumphant comeback with his most successful musical, Kiss Me, Kate. It w on the first Tony Award for Best Musical. Porter's other musicals include Fifty Million Frenchmen, DuBarry Was a Lady, Any thing Goes, Can-Can and Silk Stockings. His numerous hit songs include "Night an d Day","Begin the Beguine", "I Get a Kick Out of You", "Well, Did You Evah!", "I 've Got You Under My Skin", "My Heart Belongs to Daddy" and "You're the Top". He also composed scores for films from the 1930s to the 1950s, including Born to D ance (1936), which featured the song "You'd Be So Easy to Love", Rosalie (1937), which featured "In the Still of the Night"; High Society (1956), which included "True Love"; and Les Girls (1957). -
Father Riggs of Yale by Stephen Schmalhofer
Dispatch March 24, 2021 05:11 pm Father Riggs of Yale by Stephen Schmalhofer We open in Venice. On an Italian holiday in 1926, early on in his Broadway career, Richard Rodgers bumped into Noël Coward. Together they strolled the Lido before ducking into a friend’s beach cabana, where Coward introduced Rodgers for the first time to “a slight, delicate-featured man with soft saucer eyes.” Cole Porter grinned up at the visitors and insisted that both men join him for dinner that evening at a little place he was renting. Porter sent one of his gondoliers to pick up Rodgers. At his destination, liveried footmen helped him out of the boat. He gazed in wonder up the grand staircase of Porter’s “little place,” the three-story Ca’ Rezzonico, where Robert Browning died and John Singer Sargent once kept a studio. This was not the only dramatic understatement from Porter that day. In the music room after dinner, their host urged Rodgers and Coward to play some of their songs. Afterwards Porter took his turn. “As soon as he touched the keyboard to play ‘a few of my little things,’ I became aware that here was not merely a talented dilettante, but a genuinely gifted theatre composer and lyricist,” recalled Rodgers in his autobiography, Musical Stages. “Songs like ‘Let’s Do It,’ ‘Let’s Misbehave,’ and ‘Two Babes in the Wood,’ which I heard that night for the first time, fairly cried out to be heard from the stage.” Rodgers wondered aloud what Porter was doing wasting his talent and time in a life of Venetian indolence. -
The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N. Kilgore Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE LIFE AND SOLO VOCAL WORKS OF MARGARET ALLISON BONDS (1913-1972) By ALETHEA N. KILGORE A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 Copyright © 2013 Alethea N. Kilgore All Rights Reserved Alethea N. Kilgore defended this treatise on September 20, 2013. The members of the supervisory committee were: Wanda Brister Rachwal Professor Directing Treatise Matthew Shaftel University Representative Timothy Hoekman Committee Member Marcía Porter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii This treatise is dedicated to the music and memory of Margaret Allison Bonds. iii ACKNOWLEDGEMENTS I would first like to acknowledge the faculty of the Florida State University College of Music, including the committee members who presided over this treatise: Dr. Wanda Brister Rachwal, Dr. Timothy Hoekman, Dr. Marcía Porter, and Dr. Matthew Shaftel. I would also like to thank Dr. Louise Toppin, Director of the Vocal Department of University of North Carolina at Chapel Hill for assisting me in this research by providing manuscripts of Bonds’s solo vocal works. She graciously invited me to serve as a lecturer and performer at A Symposium of Celebration: Margaret Allison Bonds (1913-1972) and the Women of Chicago on March 2-3, 2013. -
Recordings by Artist
Recordings by Artist Recording Artist Recording Title Format Released 10,000 Maniacs MTV Unplugged CD 1993 3Ds The Venus Trail CD 1993 Hellzapoppin CD 1992 808 State 808 Utd. State 90 CD 1989 Adamson, Barry Soul Murder CD 1997 Oedipus Schmoedipus CD 1996 Moss Side Story CD 1988 Afghan Whigs 1965 CD 1998 Honky's Ladder CD 1996 Black Love CD 1996 What Jail Is Like CD 1994 Gentlemen CD 1993 Congregation CD 1992 Air Talkie Walkie CD 2004 Amos, Tori From The Choirgirl Hotel CD 1998 Little Earthquakes CD 1991 Apoptygma Berzerk Harmonizer CD 2002 Welcome To Earth CD 2000 7 CD 1998 Armstrong, Louis Greatest Hits CD 1996 Ash Tuesday, January 23, 2007 Page 1 of 40 Recording Artist Recording Title Format Released 1977 CD 1996 Assemblage 23 Failure CD 2001 Atari Teenage Riot 60 Second Wipe Out CD 1999 Burn, Berlin, Burn! CD 1997 Delete Yourself CD 1995 Ataris, The So Long, Astoria CD 2003 Atomsplit Atonsplit CD 2004 Autolux Future Perfect CD 2004 Avalanches, The Since I left You CD 2001 Babylon Zoo Spaceman CD 1996 Badu, Erykah Mama's Gun CD 2000 Baduizm CD 1997 Bailterspace Solar 3 CD 1998 Capsul CD 1997 Splat CD 1995 Vortura CD 1994 Robot World CD 1993 Bangles, The Greatest Hits CD 1990 Barenaked Ladies Disc One 1991-2001 CD 2001 Maroon CD 2000 Bauhaus The Sky's Gone Out CD 1988 Tuesday, January 23, 2007 Page 2 of 40 Recording Artist Recording Title Format Released 1979-1983: Volume One CD 1986 In The Flat Field CD 1980 Beastie Boys Ill Communication CD 1994 Check Your Head CD 1992 Paul's Boutique CD 1989 Licensed To Ill CD 1986 Beatles, The Sgt -
Orbital in Sides Mp3, Flac, Wma
Orbital In Sides mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: In Sides Country: UK Released: 1997 Style: Breakbeat, Downtempo, Ambient MP3 version RAR size: 1980 mb FLAC version RAR size: 1788 mb WMA version RAR size: 1313 mb Rating: 4.2 Votes: 319 Other Formats: MIDI AUD MMF XM AHX APE WAV Tracklist Hide Credits 1 The Girl With The Sun In Her Head 10:26 2 P.E.T.R.O.L. 6:17 3 The Box (Part One) 6:28 4 The Box (Part Two) 5:58 5 Dŵr Budr 9:55 6 Adnan's 8:41 7 Out There Somewhere? (Part One) 10:42 8 Out There Somewhere? (Part Two) 13:26 The Saint 9 4:33 Arranged By – P&P HartnollWritten-By – E. Astley* Companies, etc. Marketed By – Barclay Marketed By – Motor Music GmbH Phonographic Copyright (p) – FFRR Records Ltd. Copyright (c) – FFRR Records Ltd. Copyright (c) – London Records 90 Ltd. Made By – PMDC, Germany Published By – Robbins Music Corp. Ltd. Credits Artwork [Collage Artists] – Foul End Trauma Artwork [Cover Artist] – John Greenwood Artwork [Mags Sauced @] – Studio Ranchero Design – Fultano Mauder 96'* Drums [Drumming] – Clune Mastered By [Cut By] – Kevin Metcalfe Producer – P&P Hartnoll Vocals – Auntie Written-By – P&P Hartnoll (tracks: 1 to 8) Notes BIEM/MCPS on the disc and 'PMDC, Germany' matrix info. With bonus track 'The Saint'. Track 1: Dedicated to the memory of Sally Harding. Track 9: Music from the Paramount motion picture. Published by Robbins Music Corp. Ltd. Marketed in France by Barclay and in Germany by Motor Music GmbH ℗1996 FFRR ©1997 FFRR except The Saint ℗1997 FFRR The copyright in this sound recording is owned by London Records 90 Ltd. -
Red Hot & New.Cdr
COLE RED PORTER HOT 1. Don't Fence Me In – David Byrne 2. Let's Do It (Let's Fall In Love) – Alanis Morrisette FOR +NEW 3. You Do Something To Me – Sinnead O'Connor 4. In The Still Of The Night – The Neville Brothers TODAY 5. Experiment – Kevin Kline 6. Love For Sale – Fine Young Cannibals COLE 7. Well Did You Evah! – Deborah Harry & Iggy Pop 8. What Is This Thing Called Love? – Lemar PORTER 9. Miss Otis Regrets – Just One Of Those Things – Kirsty Maccoll & The Pogues 10. Ev'ry Time We Say Goodbye – Annie Lennox FOR 11. True Love – Ashley Judd & Tayler Hamilton 12. I Love Paris – Le Negresses Vertes TODAY 13. So In Love – k.d. lang 14. It's De–Lovely – Robbie Williams 15. Down In The Depths – Lisa Stansfield 16. Begin The Beguine – Sheryl Crow 17. Who Wants To Be A Millionaire? – Thompson Twins 18. From This Moment On – Jimmy Sommerville 19. After You Who – Jody Watley 20. Too Darn Hot – Erasure 21. Anything Goes – Caroline O'Connor 22. I Love You – Mick Hucknall 23. Let's Misbehave – Elvis Costello RED RED HOT + NEW HOT RED HOT + NEW +NEW COLE 1. Don't Fence Me In – David Byrne PORTER 2. Let's Do It (Let's Fall In Love) – Alanis Morrisette 3. You Do Something To Me – Sinnead O'Connor FOR 4. In The Still Of The Night – The Neville Brothers COLE PORTER FOR TODAY COLE PORTER FOR TODAY 5. Experiment – Kevin Kline TODAY COLE PORTER FOR TODAY 6. Love For Sale – Fine Young Cannibals 7. -
Glenn Miller Archives
Glenn Miller Archives ARTIE SHAW INDEX Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 Table of Contents 2.1 Recording Sessions 3 2.2 Broadcasts (Recordings) 4 2.3 Additional Broadcasts (Data Only) 8 2.4 Personal Appearances 13 2.5 Music Library 16 2.6 On The Record 82 2.6.1 Analog Media 83 2.6.2 Digital Media 143 2.7 Glenn Miller Archives 162 2.7.1 Analog Media 163 RTR Edward Burke Collection 163 2.7.2 Digital Media 164 EHD Columbia Broadcasting System (CBS) 164 EHD Mutual Broadcasting System (MBS) 165 EHD National Broadcasting Company (NBC) 165 2.8 Star Spangled Radio Hour 167 Cover: Artie Shaw 1940 Paramount Publicity Photo P-2744-6 (Glenn Miller Archives) 2 2.1 Recording Sessions 38-07-24 Bluebird Recording Session, Victor Studio #2, New York 38-09-27 Bluebird Recording Session, Victor Studio #2, New York 38-11-17 Bluebird Recording Session, Victor Studio #2, New York 38-11-28 Vitaphone Melody Master (Film), Warner Brothers, New York 38-12-19 Bluebird Recording Session, Victor Studio #2, New York 39-01-17 Bluebird Recording Session, Victor Studio #2, New York 39-01-23 Bluebird Recording Session, Victor Studio #2, New York 39-01-31 Bluebird Recording Session, Victor Studio #2, New York 39-03-00 Vitaphone Melody Master (Film), Warner Brothers, New York 39-03-12 Bluebird Recording Session, Victor Studio #2, New York 39-03-17 Bluebird Recording Session, Victor Studio #2, New York 39-03-19 Bluebird Recording Session, Victor Studio #2, New York 39-06-05 Bluebird Recording Session, Victor Studio, Hollywood 39-06-12 Bluebird Recording Session, Victor Studio, Hollywood 39-06-22 Bluebird Recording Session, Victor Studio, Hollywood 39-06-00 Paramount Headliner (Film), Paramount Studios, Hollywood 39-07-15 MGM Prerecording Session, MGM Studio, Culver City, Cal. -
Nitelifers All-Star Show
PAGE FOURTEEN THE MICHIGAN CHRONICLE ~ C" A RELIABLE INDEPENDENT WEEKLY SATURDAY, JULY 14, 1945 DISCUSSES USE HAD SPOTLIGHT IN A NIGHT IN THE ORIENT CRACK YANK Hollywood Dots Present Miss Moore and Dashes OF NEGROES IN BAND EASES By BILL CHANDLER In Second Recital HOLLYWOOD, Calif. Benny Carter is undecided on whether to junior recital, which jor,” both by Ba«|i, elections continue with hi* band or The first at and FILM MAKING CBI BURDEN retire time Mis* Rose Marie Moore was from Chopin, Copeland, MacDow- to arranging and song-writing, for presented, was such a success that ell and Mendelssohn. ‘ • « mhhl » \ r *. $f 'l#. '.• the duration. Reason is that draft another has been planned for Fri- She was accompanied on second Rv PHIL < \RTFR By FRANK E. ROLKN statuses prevent him from keep- day. July 20, at Assembly hall, 913 piano by Elizabeth Johnson. i NNM War Correspondent) E Jefferson HOLLYWOOD Cal f- Devoid ing a top-notch avenue r group of sidemen daughter r propaganda. how and >es I,r F.,j- ALONG THE ROAD, Miss Moore, the of De- STILWELL together (pr any length of time, ' Earl Moore, w-as --l mean rrund function when it Safarafg ' India-Burma (Delayed) Way tective and Mrs. r ust r fir ¦ .Sf over Benny being a musical perfection- presented by the Detroit Founda- WANTED... conn dr status of the — here in the wilds of Assam :•*. ' %w/ tion Music Saturday, July Nfjro' ¦ is a band that is down with it, -Ist . Incidentally, he and his school COLORED ;:.; ‘"''' pro- In Hollywood thi« is an impor- bound with it, and around with it, wife, Inez, are about to call it 7. -
Programmheft Zum Download
PROGRAMM Cole Porter Konzertouvertüre über Melodien aus dem Musical Anything goes It’s De-Lovely ursprünglich für das Musical Red, Hot and Blue (1936), später in der Wiederaufnahme von Anything goes (1962) I’ve got you under my skin aus dem MGM Tanzmusical Born to Dance (1936) Miss Otis regrets aus der Revue Hi Diddle Diddle (1934) I get a kick out of you aus dem Musical Anything Goes (1934) Juliane Banse, Sopran PAUSE 1 Cole Porter Konzertouvertüre über Melodien aus dem Musical Kiss Me, Kate (1948) I love Paris aus dem Musical Can-Can (1953) You’re the top aus dem Musical Anything Goes (1934) So in Love aus dem Musical Kiss Me, Kate (1948) Juliane Banse, Sopran Leonard Bernstein Drei Tanzepisoden aus dem Musical On The Town – Nr. 2 und 3 Lonely Town: Pas De Deux. Andante - Sostenuto Times Square: 1944. Allegro – Poco Meno Mosso – Poco Accelerando – Più Mosso – Poco Meno – Tempo Come Prima Cole Porter C’est magnifique aus dem Musical Can-Can (1953) Juliane Banse, Sopran (Arrangements der Cole-Porter-Stücke: Lars J. Lange) Sendetermin Direktübertragung auf SR 2 KulturRadio und zum Nachhören unter www.drp-orchester.de und www.sr2.de 2 PLATINTAPETEN UND ZEBRAFELLMÖBEL Cole Porter: Ein Amerikaner in Paris See America First – so hieß seine erste Broadway-Show von 1916. Es war eine „patriotic comic opera“ im Stile von Gilbert and Sullivan und ein Flop. Die Handlung ist dumm, die Musik hinterlässt keinen Eindruck und taugt höchstens für eine Studentenaufführung, schrieb der New York Herald. Der 25-jährige Cole Porter hatte am Anfang seiner Karriere also keinen leichten Stand. -
Kiss Me, Kate Music and Lyrics by Cole Porter Book by Sam & Bella Spewack
Kiss Me, Kate Music and lyrics by Cole Porter Book by Sam & Bella Spewack Teaching resources researched and written by Simon Pollard 1 Kiss Me, Kate – teaching ResouRces Kiss Me, Kate Contents Kiss Me, Kate at The Old Vic 3 Cole Porter: His Story 4 Sam and Bella Spewack: Their Story 5 Cole Porter Chronology 6 Kiss Me, Kate: Notable Productions 7 Another Op’nin, Another Show: The Story Behind Kiss Me, Kate 8 Kiss Me, Kate Synopsis 9 Character Breakdown 10 Musical Numbers 11 The Taming of the Shrew Synopsis 13 I Hate Men: Gender politics in Kiss Me, Kate & The Taming of the Shrew 14 ‘Breaking the color line’: Integrating the theatre in 1940s America 15 If Music Be the Food of Love: Musicals Based on Shakespeare Plays 16 In conversation with... Hannah Waddingham 17 Adam Garcia 18 Clive Rowe 19 Gareth Valentine, Musical Director 20 Bibliography 21 2 3 Kiss Me, Kate – teaching ResouRces Cole Porter His Story Cole Albert Porter was born on 9 June 1891 in Peru, Indiana. His father, Sam Porter, was a local pharmacist and his mother, Kate Cole, was the daughter of James Omar ‘J. O.’ Cole allegedly ‘the richest man in Indiana’. Porter proved a talented musician from an early age, learning the violin and piano from the age of six, and he composed his first operetta with the help of his mother when he was just ten years old. In 1905, he enrolled at the Worcester Academy in Massachusetts, where his musical skills made him very popular and he was elected class valedictorian. -
Orbital Orbital Mp3, Flac, Wma
Orbital Orbital mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Orbital Country: Canada Style: Techno MP3 version RAR size: 1260 mb FLAC version RAR size: 1424 mb WMA version RAR size: 1162 mb Rating: 4.4 Votes: 771 Other Formats: VOC WMA VOX MMF ASF MOD MP4 Tracklist Hide Credits 1 Time Becomes 1:43 2 Planet Of The Shapes 9:36 Lush 3-1 3 5:42 Guitar – Paul Helliwell Lush 3-2 4 4:39 Guitar – Paul Helliwell 5 Impact (The Earth Is Burning) 10:25 Remind 6 7:57 Programmed By [Bass Line, One Jupiter 6 Part] – Chris Daly 7 Walk Now... 6:49 8 Monday 7:07 Halcyon + On + On 9 Producer – P&P HartnollProducer [Extra Production] – Mr Mr Mann*Vocals – Kirsty 9:27 HawkshawWritten By – Hartnoll/Hartnoll/BartonWritten-By – Barton*, Hartnoll/Hartnoll* 10 Input Out 2:12 Companies, etc. Phonographic Copyright (p) – Internal Records Copyright (c) – Internal Records Manufactured By – Cinram Designed At – Studio Ranchero Credits Design – Fultano '93* Lacquer Cut By [Cut By] – Kevin Metcalfe Notes The artwork is transferred from the European version. 'Internal' logos on the inserts 'FFRR' logo on the disc Back Insert TRUCD2/828 382.2 CD 828 386-2 / Made In Canada The copyright in this sound recording is owned by Internal Records. ℗ 1993 INTERNAL © 1993 INTERNAL 6: Derived from the Orbital mix of Mindstream by Meat Beat Manifesto Cat. No. BIAS 232 on Play It Again Sam Records. 9: Samples It's A Fine Day performed by Opus III courtesy of PWL Int. Durations taken from actual playing time, and deviate slightly from the printed durations on the front cover.