Signature and Name of Invigilator Answer Sheet No. : ...... (To be filled by the Candidate) 1. (Signature) Roll No. (Name) (In figures as per admission card) 2. (Signature) Roll No. (In words) (Name) Test Booklet No. J—6 5 0 5 PAPER—II Time : 1¼ hours] PERFORMING ART [Maximum Marks : 100 Number of Pages in this Booklet : 28 Number of Questions in this Booklet : 25 + (25+25) Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ 1. Write your roll number in the space provided on the top of 1. ÂãÜðU ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ِÕÚU çÜç¹°Ð this page. 2. §â ÂýàÙ-˜æ ×𢠿æâ Õãéçß·¤ËÂèØ ÂýàÙ ãñ¢Ð 2. This paper consists of fifty multiple-choice type of questions. 3. ÂÚUèÿææ ÂýæڐUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU 3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are ¥æ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çِÙçÜç¹Ì Áæ¡¿ ·ð¤ çÜ° çÎØð requested to open the booklet and compulsorily examine it ÁæØð¢»ð çÁâ·¤è Áæ¡¿ ¥æ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ as below : (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çÜ° ©â·ð¤ ·¤ßÚU ÂðÁ¤ÂÚU Ü»è ·¤æ»Á ·¤è (i) To have access to the Question Booklet, tear off the âèÜ ·¤ô ȤæǸU Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ paper seal on the edge of this cover page. Do not Sßè·¤æÚU Ù ·¤Úð¢UÐ accept a booklet without sticker-seal and do not accept an open booklet. (ii) ·¤ßÚU ÂëDU ÂÚU ÀUÂð çÙÎðüàææÙéâæÚU ÂýàÙ-ÂéçSÌ·¤æ ·ð¤ ÂëDU ÌÍæ ÂýàÙô¢ ·¤è (ii) Tally the number of pages and number of questions ⢁Øæ ·¤ô ¥‘ÀUè ÌÚUã ¿ñ·¤ ·¤ÚU Üð¢U ç·¤ Øð ÂêÚðU ãñ¢UÐ ÎôáÂê‡æü ÂéçSÌ·¤æ in the booklet with the information printed on the çÁÙ×ð¢ ÂëDU / ÂýàÙ ·¤× ãô¢ Øæ ÎéÕæÚUæ ¥æ »Øð ãô¢ Øæ âèçÚUØÜU ×ð¢ Ù ãô¢ cover page. Faulty booklets due to pages/questions ¥ÍæüÌ ç·¤âè Öè Âý·¤æÚU ·¤è ˜æéçÅUÂê‡æü ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢U ÌÍæ missing or duplicate or not in serial order or any ©âè â×Ø ©âð ÜUõÅUæ·¤ÚU ©â·ð¤ SÍæÙ ÂÚU ÎêâÚUè âãè ÂýàÙ-ÂéçSÌ·¤æ other discrepancy should be got replaced immediately Üð Üð¢Ð U §â·ð¤ çÜ° ¥æ·¤ô Âæ¡¿ ç×ÙÅU çÎØð ÁæØð¢»ðÐ ©â·ð¤ ÕæÎ Ù by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the question Ìô ¥æ·¤è ÂýàÙ-ÂéçSÌ·¤æ ßæÂâ Üè ÁæØð»è ¥õÚU Ù ãè ¥æ·¤ô booklet will be replaced nor any extra time will be ¥çÌçÚUQ¤ â×Ø çÎØæ ÁæØð»æÐ given. (iii) §â Áæ¡¿ ·ð¤ ÕæÎ ÂýàÙ-ÂéçSÌ·¤æ ·¤è R¤× ⢁Øæ ©žæÚU-˜淤 ÂÚU ¥¢ç·¤Ì (iii) After this verification is over, the Serial No. of the ·¤Úð¢U ¥UõÚU ©žæÚU-˜淤 ·¤è R¤×¤â¢Øæ §â ÂýàÙ-ÂéçSÌ·¤æ ÂÚU ¥¢ç·¤Ì ·¤ÚU booklet should be entered in the Answer-sheets and Îð¢Ð the Serial No. of Answer Sheet should be entered on this Booklet. 4. ÂýˆØð·¤ ÂýàÙ ·ð¤ çÜ° ¿æÚU ©žæÚU çß·¤Ë (A), (B), (C) ÌÍæ (D) çÎØð »Øð ãñ¢Ð 4. Each item has four alternative responses marked (A), (B), ¥æ·¤ô âãè ©žæÚU ·ð¤ Îèƒæüßëžæ ·¤ô ÂðÙ âð ÖÚU·¤ÚU ·¤æÜæ ·¤ÚUÙæ ãñ Áñâæ ç·¤ Ùè¿ð (C) and (D). You have to darken the oval as indicated çιæØæ »Øæ ãñÐ below on the correct response against each item. ©ÎæãÚU‡æ Ñ A B C D Example : A B C D ÁÕç·¤ (C) âãè ©žæÚU ãñÐ where (C) is the correct response. 5. ÂýàÙô¢ ·ð¤ ©žæÚU ·ð¤ßÜU Âýà٠˜æ I ·ð¤ ¥‹ÎÚU çÎØð »Ø𠩞æÚU-˜淤 ÂÚU ãè ¥¢ç·¤Ì 5. Your responses to the items are to be indicated in the Answer ·¤ÚUÙð ãñ¢Ð ØçÎ ¥æ ©žæÚU ˜淤 ÂÚU çÎØð »Øð Îèƒæüßëžæ ·ð¤ ¥Üæßæ ç·¤âè ¥‹Ø Sheet given inside the Paper I booklet only. If you mark SÍæÙ ÂÚU ©žæÚU 翋ãæ¢ç·¤Ì ·¤ÚUÌð ãñ, Ìô ©â·¤æ ×êËUØ梷¤Ù Ùãè¢ ãô»æÐ at any place other than in the ovals in the Answer Sheet, it will not be evaluated. 6. ¥‹ÎÚU çÎØð »Øð çÙÎðüàæô¢ ·¤ô ŠØæÙÂêßü·¤ Âɸð¢UÐ 6. Read instructions given inside carefully. 7. ·¤“ææ ·¤æ× (Rough Work) §â ÂéçSÌ·¤æ ·ð¤ ¥ç‹Ì× ÂëDU ÂÚU ·¤Úð¢UÐ 7. Rough Work is to be done in the end of this booklet. 8. ØçÎ ¥æ ©žæÚU-ÂéçSÌ·¤æ ÂÚU ¥ÂÙæ Ùæ× Øæ °ðâæ ·¤ô§ü Öè çÙàææÙ çÁââð ¥æ·¤è 8. If you write your name or put any mark on any part of the Âã¿æÙ ãô â·ð¤, ¤ç·¤âè Öè Öæ» ÂÚU ÎàææüÌð Øæ ¥¢ç·¤Ì ·¤ÚUÌð ãñ¢ Ìô ÂÚUèÿææ ·ð¤ test booklet, except for the space allotted for the relevant çÜØð ¥Øô‚Ø ƒæôçáÌ ·¤ÚU çÎØð ÁæØð¢»ðÐ entries, which may disclose your identity, you will render yourself liable to disqualification. 9. ¥æ·¤ô ÂÚUèÿææ â×æ# ãôÙð ¤ÂÚU ©žæÚU-ÂéçSÌ·¤æ çÙÚUèÿæ·¤ ×ãôÎØ ·¤ô ÜUõÅUæÙæ 9. You have to return the test question booklet to the ¥æßàØ·¤ ãñ ¥õÚU ÂÚUèÿææ â×æç# ·ð¤ ÕæÎ ¥ÂÙð âæÍ ÂÚUèÿææ ÖßÙ âð ÕæãÚU Ù invigilators at the end of the examination compulsorily Üð·¤ÚU ÁæØð¢Ð and must not carry it with you outside the Examination 10. ·ð¤ßÜ ÙèÜð / ·¤æÜð ÕæÜU Œßæ§ZÅU ÂñÙ ·¤æ ãè §SÌð×æÜ ·¤Úð¢UÐ Hall. 11. ç·¤âè Öè Âý·¤æÚU ·¤æ ⢻‡æ·¤ (·ñ¤Ü·é¤ÜðÅUÚU) UØæ Üæ» ÅðUÕÜ ¥æçÎ ·¤æ 10. Use only Blue/Black Ball point pen. ÂýØô» ßçÁüÌ ãñÐ 11. Use of any calculator or log table etc., is prohibited. 12. There is NO negative marking. 12. »ÜÌ ©žæÚU ·ð¤ çÜ° ¥¢·¤ Ùãè¢ ·¤æÅðU ÁæØð¢»ðÐ

See Page No. 2 and 3 for Special Instructions / çßàæðá âê¿Ùæ¥ô¢ ·ð¤ çÜU° ÂëDU ⢁Øæ 2 ¥õÚU 3 Îð¹ð¢Ð J—6505 1 P.T.O. DANCE / DRAMA / THEATRE PAPER—II SPECIAL INSTRUCTIONS 1. Candidates are required to answer all the 25 questions in Part-I , which are compulsory. They should also select any one from Part-II and Part-III and answer all the 25 questions of that Part only. Each question carries two marks. 2. Candidates are required to mark clearly on the OMR Answer Sheet, the Part Number which they have selected. PART—I COMMON TO DANCE AND DRAMA / THEATRE

1. Who is the author of ‘Dance of Shiva’ ? (A)Bharata Muni (B)Ananda Coomaraswamy (C)Akkamahadevi (D)Shankaradeva

2. Jayadeva is the author of : (A)Bajagovinda (B) Shrimad Bhagavatam (C)Gita Govinda (D)C haitanyacharitam

3. The Poet Vallathol established : (A)Kalamandalam (B) Kalakshetra (C)Sopanam (D)D arpana

4. Mani Madhava Chakyar was a renowned artist of : (A)Chakyarkoothu (B)Kathakali (C)Krishnattam (D)Koodiyattam

5. Match the items in List-I with that of List-II : List-I List-II (a)Kalaripayitru (i) Tamil Nadu (b)Thang-ta (ii) Kerala (c)Raibenshe (iii)M anipur (d)Silambam (iv) Bengal Codes : (a) (b) (c) (d) (A)(ii) (i) (iv)(iii) (B) (ii) (iii)(iv)(i) (C)(iii)(ii) (i) (iv) (D)(iv)(iii)(i) (ii)

J—6505 2 ÂýàÙ˜æ—II ÙëˆØ / ÙæÅU·¤ / Ú¢U»×¢¿ çßàæðá âê¿Ùæ°¡

1. ÂÚUèÿææÍèü Öæ»-I ·ð¤ âÖè 25 ÂýàÙô¢ ·ð¤ ©žæÚU Îð¢Ð Øã Öæ» ¥çÙßæØü ãñÐ ÂÚUèÿææÍèü Öæ»-II ¥õÚU Öæ»-III¤×ð¢ âð ç·¤âè °·¤ Öæ» ·ð¤ âÖè 25 ÂýàÙô¢ ·ð¤ ©žæÚU Îð¢Ð ÂýˆØð·¤ ÂýàÙ ·ð¤ Îô ¥¢·¤ ãñ¢Ð 2. ÂÚUèÿææÍèü ¥UÂÙè ¿ØçÙÌ Öæ» ·¤ô OMR ©žæÚU ˜æ ×ð¢ SÂCU M¤Â âð ¥¢ç·¤Ì ·¤Úð¢UÐ Ö滗I ÙëˆØ ¥õÚU ÙæÅU·¤ / Ú¢U»×¢U¿ UÎôÙô¢ ·ð¤ çÜU° 1. ‘Çæ‹â ¥æòȤ çàæßæ’ ·ð Üð¹·¤ ·¤æñÙ ãñ ? (A) ÖÚÌ ×éçÙ (B) ¥æًΠ·é¤×æÚSßæ×è (C) ¥P¤æ×ãæÎðßè (D) àæ´·¤ÚÎðß

2. ÁØÎðß ç·¤â·ð¤ »ý‹Í·¤æÚ ãñ´ ? (A) ÖÁ»æðçߋÎ× (B) Ÿæè×Î÷ Öæ»ßÌ (C) »èÌ»æðçߋΠ(D) ¿ñ̋ؿçÚÌ×

3. ·¤çß ß„ÌæðÜ Ùð 緤ⷤè SÍæÂÙæ ·¤è ? (A) ·¤Üæ×´ÇÜ× (B) ·¤Üæÿæð˜æ (C) âæðÂæÙ (D) ÎÂü‡æ

4. ×ç‡æ×æÏß ¿æ€ØÚâ °·¤ ØæÌ ·¤Üæ·¤æÚ ç·¤â·ð¤ Íð ? (A) ¿æ€ØÚ·ê¤Íé (B) ·¤Í·¤Üè (C) ·ë¤c‡ææ¥^× (D) ·ê¤çÇØæ^×

5. âê¿è-I ·¤æð âê¿è-II âð âé×ðçÜÌ ·¤èçÁ° : âê¿è-I âê¿è-II (a) ·¤æÜæçÚÂØèÅL¤ (i) Ìç×ÜÙæÇé (b) Í´»-Åæ (ii) ·ð¤ÚÜæ (c) ÚæØÕð‹àæð (iii) ×ÙèÂéÚ (d) çâÜæÕæÙ (iv) Õ´»æÜ ·¤æðǸ : (a) (b) (c) (d) (A)(ii) (i) (iv)(iii) (B) (ii) (iii)(iv)(i) (C)(iii)(ii) (i) (iv) (D)(iv)(iii)(i) (ii)

J—6505 3 P.T.O. 6. Azhwars and Nayanmars were the poets of Bhakti movement whose works were written in : (A)Kannada (B) Telugu (C)Tamil (D) Malayalam

7. Which one is the correct sequence ? (A)Shankuka, Abhinavagupta, Rajashekhara, Jagannatha (B)Abhinavagupta, Jagannatha, Shankuka, Rajashekhara (C)Rajashekhara, Abhinavagupta, Shankuka, Jagannatha (D)Shankuka, Jagannatha, Abhinavagupta, Rajashekhara

8. Guru Singhajit Singh is an exponent of : (A)Mohiniattam (B) Odissi (C)Manipuri (D) Bharatanatyam

9. Assertion (A) : Song and dance sequences are the essential component of popular Indian cinema. Reason (R) : A total realistic representation of life does not sell as popular entertainment. (A) (A) and (R) are true (B) (A) is true (R) is false (C) (A) and (R) are false (D) (A) is false (R) is true

10. Which one is not correct according to Natyashastra ? (A)Vyabhichari bhavas - 33 (B) Sthayibhavas - 9 (C)Karanas - 108 (D)Charis - 32

11. Which one of the following is a modern dancer ? (A)Malavika Sarukkai (B)Padma Subrahmaniam (C)Aditi Mangaldas (D)Astad Deboo

12. ‘Jasma Odan’ is a play from the folk theatre tradition of : (A)Tamasha (B) Dashavatara (C)Burrakatha (D)Bhavai

J—6505 4 6. ¥ÛæßÚ ¥æñÚ ÙØÙ×æÚ ßñâð ·¤çß»‡æ Íð çÁ‹ãæð´Ùð ÖçQ¤ ¥æ‹ÎæðÜÙ ·¤è Ú¿ÙæØð´ ·¤èÐ ©Ù·¤è ·ë¤çÌØæ¡ ç·¤â×ð´ çÜ¹è »Øè ? (A) ·¤óæÇ (B) ÌðÜ»ê (C) Ìç×Ü (D) ×ÜØæÜ×

7. âãè R¤× €Øæ ãñ ? (A) à洷餷¤, ¥çÖÙß»é#, ÚæÁàæð¹Ú, Á»óææÍ (B) ¥çÖÙß»é#, Á»óææÍ, à洷餷¤, ÚæÁàæð¹Ú, (C) ÚæÁàæð¹Ú, ¥çÖÙß»é#, à洷餷¤, Á»óææÍ (D) à洷餷¤, Á»óææÍ, ¥çÖÙß»é#, ÚæÁàæð¹Ú,

8. »éL¤ çⴃæÁèÌ çâ´ã ç·¤â·ð¤ ÂýçÌÂæη¤ ãñ´ ? (A) ×æðçãÙè ¥^× (B) ¥æðçÇâè (C) ×çÙÂéÚè (D) ÖÚÌÙæÅK×

9. ·¤ÍÙ (A) : Üæð·¤çÂýØ ÖæÚÌèØ çâÙð×æ ·ð¤ ÙëˆØ ¥æñÚ »èÌ ¥çÙßæØü Ìˆß ãñ´Ð ·¤æڇæ (R) : ÁèßÙ ·ð¤ Âê‡æüÌÑ ØÍæÍüßæΠ̉Øæð´ ·¤æ ÂýçÌçÙçÏˆß ·¤ÚÙðßæÜð, Üæð·¤çÂýØ ×ÙæðÚ´ÁÙ ·ð¤ ÿæð˜æ ×ð´ çÕ·¤æª¤ Ùãè´ ãæðÌðÐ (A) (A) ¥æñÚ (R) âãè (B) (A) âãè (R) »ÜÌ (C) (A) ¥æñÚ (R) »ÜÌ (D) (A) »ÜÌ (R) âãè

10. ÙæÅKàææS˜æ ·ð¤ ¥ÙéâæÚ ·¤æñÙ âãè Ùãè´ ãñ ? (A) ÃØçÖ¿æÚè Öæßæð´ ·¤è ⴁØæ - 33 (B) SÍæØèÖæß - 9 (C) ·¤Ú‡æ - 108 (D) ¿æçÚ - 32

11. §Ù×ð´ âð ·¤æñÙ ¥æÏéçÙ·¤ ÙÌü·¤ ãñ ? (A) ×æÜçß·¤æ âæL¤·ê¤§ü (B) ÂÎ×æ âéÕýræ‡Ø× (C) ¥çÎçÌ ×´»ÜÎæâ (D) ¥SÌæÎ ÇðÕê

12. ‘Áà×æ ©Çæْ Øã °·¤ Üæð·¤ Ú´»×´¿ ·¤è ç·¤â ÂڐÂÚæ ·¤æ ÙæÅ·¤ ãñ ? (A) Ì×æàææ (B) ÎàææßÌæÚ (C) ÕÚæ·¤ÌÙæ (D) Öߧü

J—6505 5 P.T.O. 13. The author of the book ‘The Square and Circle in Indian Arts’ is : (A)Kanak Rele (B) Kapila Vatsyayaa (C)Mohan Khokar (D)Geeta Kapur

14. ‘Vishwa Bharati’ was established by : (A)Vishwesvarayya (B) Netaji Subhash Chandra Bose (C)Rabindranath Tagore (D)Devendranath Tagore

15. The musical instrument ‘Pena’ is played in : (A)Lai Haroba (B) Pandvani (C)Therukkoothu (D) Satriya

16. ‘Chande’ is a : (A)Wind instrument (B) Percussion instrument (C)String instrument (D)None of above

17. National academy for performing arts of India is known as : (A)National School of Drama (B)Indira Gandhi National Centre for Arts (C)National Centre for Performing Arts (D)Sangeet Natak Akademi

18. ‘Bharat Rang Mahotsava’ is organised by : (A)Sangeet Natak Akademi (B)Department of culture (C)National School of Drama (D)National Centre for Performing Arts

19. Indicate the odd one out : (A)Natyashastra (B)Dasarupaka (C)Abhinayadarpana (D)Ashtadhyayi

J—6505 6 13. ‘Î S`¤æØÚ °‡Ç â´·ü¤Ü §Ù §ç‹ÇØÙ Õé·¤’ ·¤æ Üð¹·¤ ·¤æñÙ ãñ ?

(A) ·¤Ù·¤ ÚðÜð (B) ·¤çÂÜæ ßæˆSØæØÙ

(C) ×æðãÙ ¹æð·¤Ú (D) »èÌæ ·¤ÂêÚ

14. çßàßÖæÚÌè ·¤è SÍæÂÙæ ç·¤âÙð ·¤è ?

(A) çßàßðàßÚñØæ (B) ÙðÌæÁè âéÖæá ¿‹Îý Õæðâ

(C) Úßè‹ÎýÙæÍ Åñ»æðÚ (D) Îðßð‹ÎýÙæÍ Åñ»æðÚ

15. ßæη¤ Ø´˜æ ÒÂðÙæÓ ç·¤â×ð´ ÕÁæØæ ÁæÌæ ãñ?

(A) ÜæØ ãÚæðßæ (B) ´ÇßæÙè

(C) ÍðL¤·é¤Øê (D) âæçÅþØæ

16. Ò¿æ‹ÎðÓ ãñ °·¤ —

(A) ãßæ âð ÕÁÙð ßæÜæ ßælØ´˜æ (B) ⴃææÌ ßæÜæ ßælØ´˜æ

(C) ÚSâèßæÜæ ßælØ´˜æ (D) ©ÂÚæð€Ì ·¤æð§ü Ùãè´

17. ÖæÚÌ ßáü ·¤è ÒÂýSÌéçÌ·¤Üæ ·¤è ÚæCþèØ ¥·¤æÎ×èÓ ·¤æð ç·¤â Ùæ× âð ÁæÙæ ÁæÌæ ãñ?

(A) ÙðàæÙÜ S·ê¤Ü ¥æòȤ Çþæ×æ (B) §ç‹ÎÚæ »æ´Ïè ÙðàæÙÜ âð‹ÅÚ È¤æðÚ ¥æÅüâ÷

(C) ÙðàæÙÜ âð‹ÅÚ È¤æðÚ ÂÚȤæðç×Z» ¥æÅüâ÷ (D) â´»èÌ ÙæÅ·¤ ¥·¤æÎ×è

18. ÒÖæÚÌ Ú´» ×ãæðˆâßÓ ·¤æ ¥æØæðÁÙ ç·¤â·ð¤ mæÚæ ç·¤Øæ ÁæÌæ ãñ?

(A) â´»èÌ ÙæÅ·¤ °·ð¤Ç×è (B) â´S·ë¤Ì çßÖæ»

(C) ÙðàæÙÜ S·ê¤Ü ¥æòȤ Çþæ×æ (D) ÙðàæÙÜ âð‹ÅÚ È¤æðÚ ÂÚȤæðç×Z» ¥æÅüâ÷

19. Áæð ¥â´»Ì ©âð ÕÌæØð´ Ñ

(A) ÙæÅKàææS˜æ (B) ÎàæM¤Â·¤

(C) ¥çÖÙØÎÂü‡æ (D) ¥CæŠØæØè

J—6505 7 P.T.O. 20. Who wrote Arthashastra ?

(A)Manu (B) Chanakya

(C)Kautilya (D)Vatsyayan

21. Which one is not correctly matched ?

(A)E. Alkazi - Theatre (B) G. Aravindan - Film

(C)M.F. Hussain - Painting (D)Fida Hussain - Literature

22. Yamini Krishnamurthi is an eminent :

(A)Bharatanatyam dancer (B) Ph ilosopher

(C)Actor (D) Writer

23. Which one of the following is a dance-theatre performed within the temple premises ?

(A)Krishnattam (B)Thappattam

(C)Kolattam (D)Veriyattam

24. ‘Chakravyuha’ is an internationally known theatre production of :

(A)Vijaya Mehta (B) Ratan Thiyam

(C)Jaffar Patel (D)K.N. Panikkar

25. Mrichakatikam is written by :

(A)Shudraka (B) Vishakadatta

(C)Charudatta (D)Bhasa

J—6505 8 20. ç·¤âÙð ¥ÍüàææS˜æ çܹæ?

(A) ×Ùé (B) ¿æ‡æ€Ø

(C) ·¤æñçÅËØ (D) ßæˆSØæØÙ

21. §Ù×ð´ ·¤æñÙ âãè M¤Â âð âé×ðçÜÌ Ùãè´ ãñ?

(A) §ü. ¥Ë·¤æÁè - Ú´»×´¿ (B) Áè. ¥ÚçߋÎÙ - çȤË×

(C) °×.°È¤. ãéâñÙ - Âð´çÅ´» (D) çȤÎæ ãéâñÙ - âæçãˆØ

22. Øæç×Ùè ·ë¤c‡æ×êçÌü °·¤ ÂýØæ̗

(A) ÖÚÌÙæÅK× Ùžæü·¤ (B) ÎæàæüçÙ·¤

(C) ¥çÖÙðÌæ (D) Üð¹·¤

23. ×ç‹ÎÚ ÂçÚâÚ ×ð´ ÂýSÌéÌ ç·¤Øæ ÁæÙð ßæÜð ÙëˆØ Ú´»×´¿ ·¤æñÙ-âæ ãñ?

(A) ·ë¤c‡ææ^× (B) ͌Âæ^×

(C) ·¤æðÜæ^× (D) ßðçÚØæ^×

24. Ò¿·ý¤ÃØêãÓ Ùæ×·¤ ¥‹ÌÚæücÅþèØ ØæÌ ÙæÅK ÂýSÌéçÌ ç·¤â·¤è ãñ?

(A) çß’Ø ×ðãÌæ (B) ÚÌÙ çÍØ×

(C) ÁŽÕæÚ ÂÅðÜ (D) ·ð¤.°Ù. Âçـ·¤Ú

25. ×ë‘À·¤ç^·¤× ç·¤âÙð çܹæ?

(A) àæêÎý·¤ (B) çßàææ¹Îžæ

(C) ¿æL¤Îžæ (D) Öæâ

J—6505 9 P.T.O. PART—II

26. Match List-I with List-II :

List-I List-II

(a)Sangai (i) Viswa Bharati

(b)Chandalika (ii)K alakshetra

(c)Gita Govinda (iii) Jawaharlal Nehru Dance Academy

(d)Ramlila (iv) Bharatiya Kala Kendra

Codes :

(a) (b) (c) (d)

(A)(i) (ii) (iii)(iv)

(B)(iii)(i) (ii)(iv)

(C)(ii) (iii)(iv)(i)

(D)(iii)(i) (iv)(ii)

27. The instrument ‘Pung’ is used in :

(A)Cholom (B) Laiharaoba

(C)Thabal Chongbi (D) Thang-ta

28. Shiva danced ‘Ananda Tandava’ in :

(A)Himalayas (B)Vindhyas

(C)Chennai (D)Chidambaram

29. Kartikeya performed :

(A)Tandava and Lasya (B) Toda and Paran

(C)Kudai and Tudi (D)Kummi and Kaikottikali

J—6505 10 PART—II

26. âê¿è-I âð âê¿è-II ·¤æ ç×ÜæÙ ·¤èçÁØð Ñ

âê¿è-I âê¿è-II

(a) âæ»æ´§ü (i) çßàß ÖæÚÌè

(b) ¿´ÇæçÜ·¤æ (ii) ·¤Üæÿæð˜æ

(c) »èÌ »æðçߋΠ(iii) ÁßæãÚÜæÜ ÙðãM¤ Çæ‹â ¥·¤æÎ×è

(d) Úæ×ÜèÜæ (iv) ÖæÚÌèØ ·¤Üæ ·ð¤‹Îý ·¤æðǸ Ñ

(a) (b) (c) (d)

(A)(i) (ii) (iii)(iv)

(B)(iii)(i) (ii)(iv)

(C)(ii) (iii)(iv)(i)

(D)(iii)(i) (iv)(ii)

27. ÒÂé´Ó ßæl؋˜æ ÃØßãæÚ ãæðÌæ ãñ—

(A) ¿æðÜ× ×ð´ (B) Üæ§üãÚæØæðÕæ ×ð´

(C) ÍæßÜ ¿æð´ßè ×ð´ (D) Íæ´-Ìæ ×ð´

28. çàæß Ùð ·¤ãæ¡ Ò¥æًΠÌæ´ÇßÓ ç·¤Øæ Íæ?

(A) çã×æÜØ ×ð´ (B) çߋŠØ ×ð´

(C) ¿ðóæ§ü ×ð´ (D) ç¿ÎæÕÚ× ×ð´

29. ·¤æçÌü·ð¤Ø Ùð €Øæ ÂýSÌéÌ ç·¤Øæ?

(A) Ìæ´Çß ¥æñÚ ÜæSØ (B) ÌæðÇ¸æ ¥æñÚ Âڇæ

(C) ·é¤Ç¸æ§ü ¥æñÚ ÌéçÇ (D) ·é¤ç× ¥æñÚ ·ñ¤·¤ç^·¤æðçÜ

J—6505 11 P.T.O. 30. Match List-I with List-II : List-I List-II (a)Ankiya Nat (i)Bengal (b)Bamboo Dance (ii) Maharashtra (c)Tamasha (iii) Mizoram (d)Dhamail (iv) Assam Codes : (a) (b) (c) (d) (A)(iv)(iii)(ii) (i) (B)(i) (ii)(iii)(iv) (C)(ii) (iii)(i) (iv) (D)(iv)(ii) (iii)(i)

31. Which one is correctly matched ? (A)The Dying Swan and Tamara Karsivena (B)The Sleeping Beauty and Petipa (C)The Swan Lake and Anna Pavlova (D)Gisselle and Isadora Duncan

32. Match List-I with List-II : List-I List-II (a)Pangi (i) Uttar Pradesh (b)Lazim (ii) Maharashtra (c)Rasia (iii) Himachal Pradesh (d)Chanchari (iv) Rajasthan Codes : (a) (b) (c) (d) (A)(i) (ii) (iii)(iv) (B) (iii)(ii) (iv)(i) (C)(iv)(iii)(ii) (i) (D)(iii)(iv)(ii) (i)

J—6505 12 30. âê¿è-I âð âê¿è-II ·¤æ ç×ÜæÙ ·¤èçÁ° Ñ

âê¿è-I âê¿è-II

(a) ¥´ç·¤Øæ ÙæÅ (i) Õ´»Üæ

(b) ÕñÕé Çæ‹â (ii) ×ãæÚæcÅþ

(c) Ì×æàææ (iii) ç×$ÁæðÚ×

(d) Ïæ×æ§üÜ (iv) ¥â× ·¤æðǸ Ñ (a) (b) (c) (d) (A)(iv)(iii)(ii) (i) (B)(i) (ii)(iii)(iv) (C)(ii) (iii)(i) (iv) (D)(iv)(ii) (iii)(i)

31. ·¤æñÙ-âæ Øé‚× âãè ãñ?

(A) Î Çæ§Z» SßæÙ ¥æñÚ Ì×æÚæ ·¤æÚçâßðÙæ (B) Î SÜèç´» çÕ©Åè ¥æñÚ ÂðçÅØæ

(C) Î SßæÙ Üð·¤ ¥æñÚ ¥ò‡ææ ÂæßÜæðßæ (D) çÁâðÜ ¥æñÚ §üâæÇæðÚæ ÇæÙ·¤æÙ

32. âê¿è-I âð âê¿è-II ·¤æð ç×Üæ§Øð Ñ

âê¿è-I âê¿è-II

(a) ´»è (i) ©žæÚ ÂýÎðàæ

(b) ÜæÁè× (ii) ×ãæÚæcÅþ

(c) ÚçâØæ (iii) çã×æ¿Ü ÂýÎðàæ

(d) ¿´¿Úè (iv) ÚæÁSÍæÙ ·¤æðǸ Ñ (a) (b) (c) (d) (A)(i) (ii) (iii)(iv) (B) (iii)(ii) (iv)(i) (C)(iv)(iii)(ii) (i) (D)(iii)(iv)(ii) (i)

J—6505 13 P.T.O. 33. Which one is not correctly matched ? (A)Indira Kala Sangit Mahavidyalaya and Khairagarh (B)Rabindra Bharati University and Santiniketan (C)Kalamandalam and Cherutruti (D)Viswa Bharati and Bolpur

34. Which is the correct sequence of Antaryabanika of Purvaranga ? (A)Arambha, Avatarana, Ashravana, Pratyahara (B)Pratyahara, Arambha, Avatarana, Ashravana (C)Pratyahara, Avatarana, Arambha, Ashravana (D)Arambha, Pratyahara, Avatarana, Ashravana

35. Indicate the odd one out : (A)Sunil Kothari (B) Sonal Mansign (C)Darshana Jhaveri (D) Kumudini Lakhia

36. Which is the correct sequence ? (A)Pataka, Ardhapataka, Tripataka, Kartarimukha (B)Tripataka, Ardhapataka, Pataka, Kartarimukha (C)Pataka, Tripataka, Ardhapataka, Kartarimukha (D)Kartari mukha, Ardhapataka, Tripataka, Pataka

37. Assertion (A) : The ‘maharas’ of Manipur follows Srimadbhagavata. Reason (R) : Srimadbhagavata is the only text on Rasleela. (A) (A) and (R) are both true (B) (A) and (R) are both false (C) (A) is true but (R) is false (D) (A) is false but (R) is true

38. Tankachi was one of the first artists to perform : (A)Kuchipudi (B) Bharatnatyam (C)Kathakali (D)Mohiniattam

39. How many ‘gati-bhedas’ are there according to Abhinaya Darpanam ? (A)10 (B) 12 (C)15 (D)17

J—6505 14 33. ·¤æñÙ-âæ Øé‚× âãè Ùãè´ ãñ? (A) §´çÎÚæ ·¤Üæ â´»èÌ ×ãæçßlæÜØ ¥æñÚ ¹ñÚæ»É¸ (B) Úßè‹Îý ÖæÚÌè çßàßçßlæÜØ ¥æñÚ àææ´çÌçÙ·ð¤ÌÙ (C) ·¤Üæ×´ÇÜ× ¥æñÚ ¿ðM¤˜æéçÌ (D) çßàßÖæÚÌè ¥æñÚ ÕæðÜÂéÚ

34. ÂêßüÚ´» ·¤æð ¥´ÌØüßçÙ·¤æ ·¤æ âãè ·ý¤× ·¤æñÙâæ ãñ? (A) ¥æڐÖ, ¥ßÌڇæ, ¥æŸæ߇æ, ÂýˆØæãæÚ (B) ÂýˆØæãæÚ, ¥æڐÖ, ¥ßÌڇæ, ¥æŸæ߇æ (C) ÂýˆØæãæÚ, ¥ßÌڇæ, ¥æڐÖ, ¥æŸæ߇æ (D) ¥æڐÖ, ÂýˆØæãæÚ, ¥ßÌڇæ, ¥æŸæ߇æ

35. çßá× ·¤æð ¿éçÙØð Ñ (A) âéÙèÜ ·¤æðÆæÚè (B) âæðÙÜ ×æÙçâ´ã (C) ÎàæüÙæ ÛæßðÚè (D) ·é¤×éçÎÙè Üæç¹Øæ

36. âãè ·ý¤× ·¤æñÙâæ ãñ? (A) ÂÌæ·¤æ, ¥ÏüÂÌæ·¤æ, ç˜æÂÌæ·¤æ, ·¤ÌüÚè×é¹ (B) ç˜æÂÌæ·¤æ, ¥ÏüÂÌæ·¤æ, ÂÌæ·¤æ, ·¤ÌüÚè×é¹ (C) ÂÌæ·¤æ, ç˜æÂÌæ·¤æ, ¥ÏüÂÌæ·¤æ, ·¤ÌüÚè×é¹ (D) ·¤ÌüÚè×é¹, ¥ÏüÂÌæ·¤æ, ç˜æÂÌæ·¤æ, ÂÌæ·¤æ

37. ·¤ÍÙ (A) : ×ç‡æÂéÚ ·¤æ Ò×ãæÚæâÓ Ÿæè×jæ»ßÌ÷, ·¤æ ¥ÙéâÚ‡æ ·¤ÚÌæ ãñÐ ·¤æڇæ (R) : ÚæâÜèÜæ ·¤æ ߇æüÙ ·ð¤ßÜ Ÿæè×jæ»ßÌ÷ ×ð´ ãè ç×ÜÌæ ãñÐ (A) (A) ÌÍæ (R) ÎæðÙæð´ âãè ãñ (B) (A) ÌÍæ (R) ÎæðÙæð´ »ÜÌ ãñ (C) (A) âãè ãñ (R) »ÜÌ ãñ (D) (A) »ÜÌ ãñ (R) âãè ãñ

38. ÒÌæÙ·¤æç¿Ó ·¤æð âßüÂýÍ× ·¤Üæ·¤æÚ ÂýSÌéÌ ·¤ÚÌð Íð ©â×ð´ Ñ (A) ·é¤ç¿ÂéÇè (B) ÖÚÌÙæÅK× (C) ·¤Íæ·¤çÜ (D) ×æðçãÙè¥^×÷

39. ¥çÖÙØÎÂü‡æ×÷ ·ð¤ ¥ÙéâæÚ »çÌÖðÎ ç·¤ÌÙð ãñ´? (A)10 (B) 12 (C)15 (D)17

J—6505 15 P.T.O. 40. Assertion (A) : Udayshankar performed Manipuri and Kathakali dances. Reason (R) : He learnt from Guru Amubi Singh and Shankaran Namboodiri. (A) (A) and (R) are both true (B) (A) and (R) are both false (C) (A) is true but (R) is false (D) (A) is false but (R) is true

41. The Word ‘Nautch’ is associated with : (A)Kudiyattam (B) Kathak (C)Kathakali (D) Kaikottikali

42. The dance magazine published from Mumbai is called : (A)Nartana Patrika (B) Nartanam (C)Shruti (D)Dance Magazine

43. The ‘Khon’ dance-drama belongs to : (A)Korea (B) Japan (C)Indonesia (D)Thailand

44. ‘Talapuspaputa’ is a : (A)Angahara (B) Karana (C)Kakshabibhaga (D) Chari

45. The colours blue and yellow stands for : (A)Bibhatsa and Adbhuta rasa (B) Bibhatsa and Bhayanaka rasa (C)Adbhuta and Bhayanaka rasa (D)Bhayanaka and Veer rasa

46. A ‘guru’ is : (A)an inspiring teacher (B) a good performer (C)a strict disciplinarian (D)all of the above

J—6505 16 40. ·¤ÍÙ (A) : ©ÎØàæ´·¤Ú ×ç‡æÂéÚè ¥æñÚ ·¤Í·¤çÜ ÂýSÌéÌ ·¤ÚÌð ÍðÐ

·¤æڇæ (R) : ©‹ãæð´Ùð »éL¤ ¥×éßè çâ´ã ¥æñÚ àæ´·¤Ú‡æ ِÕéçÎÚè âð çàæÿææ »ýã‡æ ·¤è ÍèÐ

(A) (A) ÌÍæ (R) ÎæðÙæð´ âãè ãñ

(B) (A) ÌÍæ (R) ÎæðÙæð´ »ÜÌ ãñ

(C) (A) âãè ãñ (R) »ÜÌ ãñ

(D) (A) »ÜÌ ãñ (R) âãè ãñ

41. ÒÙ¿Ó àæŽÎ ·¤æ â´Õ´Ï ãñ—

(A) ·é¤çÇØæ^× âð (B) ·¤Í·¤

(C) ·¤Íæ·¤çÜ (D) ·ñ¤·¤æðç^·¤çÜ

42. ×éÕ§ü âð Âý·¤æçàæÌ ÙëˆØ Âç˜æ·¤æ ãñ Ñ

(A) ÙÌü‡æ Âç˜æ·¤æ (B) ÙÌüÙ×

(C) ŸæéçÌ (D) Çæ‹â Âç˜æ·¤æ

43. ¹æðÙ ÙëˆØ-ÙæÅK ç·¤â Îðàæ ·¤æ ãñ?

(A) ·¤æðçÚØæ (B) ÁæÂæÙ

(C) §´ÇæðÙðçàæØæ (D) Íæ§Üñ‡Ç

44. ÒÌÜÂécÂÂéÅÓ €Øæ ãñ?

(A) ¥´»ãæÚ (B) ·¤Ú‡æ

(C) ·¤ÿæçßÖæ» (D) ¿æÚè

45. ÙèÜæ ¥æñÚ ÂèÜæ Ú´» ç·¤â×ð´ ãñ?

(A) ßèֈ⠥æñÚ ¥jéÌ Úâ (B) ßèֈ⠥æñÚ ÖØæÙ·¤ Úâ

(C) ¥jéÌ ¥æñÚ ÖØæÙ·¤ Úâ (D) ÖØæÙ·¤ ¥æñÚ ßèÚ Úâ

46. Ò»éL¤Ó ·¤æ ×ÌÜÕ ãñ—

(A) ÂýðڇææÎæØ·¤ çàæÿæ·¤ (B) ©žæ× ¥çÖÙðÌæ

(C) ·¤Ç¸æ ¥Ùéàææâ·¤ (D) ª¤ÂÚ ·ð¤ âÖè

J—6505 17 P.T.O. It may be added that while there are hardly any gandharvas, kinnaras or kinnaris

known by name, in the case of the apsaras, not only are most of them identifiable but

some even have juicy stories retailed about them. Menaka, for example is believed to

have seduced the sage Vishwamitra and it is said that of this union was born Shakuntala,

the heroine of Kalidasa’s celebrated play of that name. And then there is Urvashi, the

principal dancer of Indra’s court, who is perhaps best remembered for her infatuation

for the mortal King Pururavas - atheme that finds its first metnion in the vedas, gains

substance in the puranas and attains its full stature in the hands of Kalidasa through

his masterly work, Vikramorvashi.

47. Heavenly spirits having human bodies with horses’ heads are called :

(A)gandharavas (B) kinnaras

(C)kinnaris (D) apsaras

48. The apsaras may be described as :

(A)celestial damsels (B) water nymphs

(C)skillful dancers (D)all the above

49. The episode of Urvashi and Pururava is described in :

(A)Rig veda (B) Sama veda

(C)Yajur veda (D)Atharva veda

50. Dusyamta is the hero of the play :

(A)Malabikagnimitram (B)Vikramorvashi

(C)Abhijyana Shakuntalam (D)Mrichha Katikam

J—6505 18 Øã Öè ÁæÙÙæ ¿æçã° ç·¤ »´Ïßü ç·¤óæÚ Øæ ç·¤óæÚè ·ð¤ Ùæ× âð çÁÙ·¤è ¿¿æü ãæðÌè ãñ, ßð ÂæØð Ùãè´ ÁæÌð ÌÍæ

Áãæ¡ Ì·¤ ¥ŒâÚæ ·¤è ÕæÌ ãñ Øð ¥ç֙æðØ ãñ´ ·é¤À ·ð¤ çßáØ çÎÜ¿S ·¤ãæçÙØæ´ ·¤ãè ÁæÌè ãñÐ ©ÎæãÚ‡æ ·ð¤ çÜ°

×ðÙ·¤æ, çÁâ·ð¤ çßáØ ·¤ãæ ÁæÌæ ãñ ·ð¤ ©âÙð çßàßæç×˜æ ·¤è ÌÂSØæ Ö´» ·¤è Íè ¥æñÚ ©âè ·ð¤ Âçڇææ×SßM¤Â

àæ·é¤‹ÌÜæ ·¤æ ¥æçßÖæüß ãé¥æ, Áæð ·¤æçÜÎæâ ·ð¤ ç߁ØæÌ ÙæÅ·¤ ·¤è ÙæçØ·¤æ ·¤æ Ùæ× ãñÐ çÈ¤Ú §‹Îý ·¤è ÚæÁâÖæ

·¤è ×éØ ÙÌü·¤è ª¤ßüàæè Íè, çÁâð ×ëˆØüÜæð·¤ ·ð¤ ÚæÁæ ÂéL¤¹æ ·¤æð ©gè# ·¤ÚÙð ·ð¤ çÜ° ØæÎ ç·¤Øæ ÁæÌæ ãñÐ Øã ßðÎ

·¤æ Öè çßáØ ÕÙæ ¥æñÚ ÂéÚæ‡ææð´ Ùð Öè §â·¤è âæ×»ýè »ýã‡æ ·¤èÐ ÕæÎ ×ð´ ·¤æçÜÎæâ Ùð ¥ÂÙè ©ˆ·ë¤C ·ë¤çÌ

Òçß·ý¤×æðüßàæèØÓ ×ð´ §âð Âê‡æü ÂýçÌDæ ÂýÎæÙ ·¤èÐ

47. ×ÙécØ àæÚèÚ ×𴠃ææðǸ𠷤æ àæèàæ-Øé€Ì Sß»èüØ ¥æˆ×æ¥æð´ ·¤æð €Øæ ·¤ãæ ÁæÌæ ãñ?

(A) »‹Ïßü (B) ç·¤óæÚ

(C) ç·¤óæÚè (D) ¥ŒâÚæ

48. ¥ŒâÚæ¥æð´ ·¤æ ߇æüÙ ç·¤â Âý·¤æÚ ç·¤Øæ ÁæÌæ ãñ?

(A) Sß»èüØ ØéßÌè (B) ÁÜÂÚè

(C) çÙÂé‡æ ÙëˆØ»´ÙæØð´ (D) ª¤ÂÚ ·ð¤ âÖè

49. ©ßüàæè ¥æñÚ ÂéL¤¹æ ·¤è ·¤ãæÙè ßç‡æüÌ ·¤ãæ¡ ãñ?

(A) @ñ‚ßðÎ ×ð´ (B) âæ× ßðÎ ×ð´

(C) ØÁéßðüÎ ×ð´ (D) ¥ÍßüßðÎ ×ð´

50. ÎécØ‹Ì ç·¤â ÙæÅ·¤ ·ð¤ ÙæØ·¤ ãñ´?

(A) ×æÜçß·¤æç»A çטæ× (B) çß·ý¤×æðßüàæèØ

(C) ¥ç֙ææÙàææ·é¤‹ÌÜ×÷ (D) ×ë‘À·¤çÅ·¤×÷

J—6505 19 P.T.O. PART—III

26. The play Cherry Orchard was written by : (A)Bernard Shaw (B) Edward Albee (C)Anton Chekhov (D)Henrik Ibsen

27. The Book ‘An Actor Prepares’ was written by : (A)Grotowski (B) John Gassner (C)Stanislavski (D)A. Nicoll

28. Bhagawat Mela is a Traditional Theatre form of : (A)Andhra Pradesh (B) Tamil Nadu (C)Kerala (D)Karnataka

29. ‘TRILOGY’ means : (A)Series of 3 plays on a Single Theme (B)Series of 3 plays on different Themes (C)A play with 3 Acts (D)Three plays

30. Ditnyramb is associated with : (A)Roman Theatre (B)Greek Theatre (C)Japanese Theatre (D)Indian Theatre

31. Sanskrit play ‘Ratnavali’ was written by : (A)Aswagosha (B) Sri Harsha (C)Bhasa (D) Kalidasa

32. Commedia dell’aste is found in : (A)Roman Theatre (B) Theatre of Spain (C)Italian Theatre (D)Greek Theatre

33. ‘Marrionates’ means : (A)Rod puppets (B) String puppets (C)Shadow puppets (D)Glove puppets

34. SHITE is a character in : (A)Peking Opera. (B)Indonesian Theatre (C)Japanese Play (D)Sanskrit Play

J—6505 20 PART—III

26. ÒÎ ×ð ¿ðÚè ¥æÚ¿æÇüÓ ç·¤â·ð¤ mæÚæ çÜ¹æ »Øæ Íæ? (A) ÕÙæüÇü àææò (B) °ÇßÇü °ÜÕè (C) °‹ÅÙ ¿ð¹ß (D) ãðÙÚè·¤ §ŽâÙ

27. Ò°Ù °€ÅÚ ÂýèÂðØÚâÓ ç·¤ÌæÕ ç·¤âÙð çܹè? (A) »ýæðÅæðßS·¤è (B) ÁæðÙ »æSÙÚ (C) SÅðÙè SÜæßS·¤è (D) °. çÙ·¤æðÜ

28. Öæ»ßÌ×ðÜæ ·¤ãæ¡ ·¤æ °·¤ ÂæڐÂæçÚ·¤ Ú´»×´¿ Âý·¤æÚ ãñ— (A) ¥æ‹Ïý ÂýÎðàæ (B) Ìç×ÜÙæÇê (C) ·ð¤ÚÜ (D) ·¤ÙæüÅ·¤

29. ÒçÅþÜæðÁèÓ ·¤æ ¥Íü ãñ— (A) °·¤ çßáØ ÂÚ ÌèÙ ÙæÅ·¤æð´ ·¤è Ÿæë´¹ÜæØð´ (B) çßçÖóæ çßáØæð´ ÂÚ ÌèÙ ÙæÅ·¤æð´ ·¤è Ÿæë´¹ÜæØð´ (C) ÌèÙ ¥´·¤æð´ ·¤æ °·¤ ÙæÅ·¤ (D) ÌèÙ ÙæÅ·¤

30. ÒçÇÅÙèڐÕÓ ·¤æ âÕ‹Ï ç·¤ââð ãñ? (A) Úæð×Ù Ú´»×´¿ (B) »ýè·¤ Ú´»×´¿ (C) ÁæÂæÙè Ú´»×´¿ (D) ÖæÚÌèØ Ú´»×´¿

31. â´S·ë¤Ì ÙæÅ·¤ ÒÚ%æßÜèÓ ç·¤âÙð çܹæ? (A) ¥à߃ææðá (B) Ÿæèãáü (C) Öæâ (D) ·¤æçÜÎæâ

32. ·¤æò×ðçÇØæ ÇðÜðÓ¥æÅðü ç·¤â×ð´ ç×ÜÌæ ãñ? (A) Úæð×Ù Ú´»×´¿ (B) SÂðÙ ·ð¤ çÍØðÅÚ (C) §ÅÜè ·ð¤ çÍØðÅÚ (D) »ýè·¤ çÍØðÅÚ

33. Ò·¤ÆÂéÌÜèÓ ·¤æ ¥Íü ãñ Ñ (A) ÀÇ¸è ·¤è ÂéÌçÜØæ¡ (B) ÚSâè ·¤è ÂéÌçÜØæ¡ (C) ÀæØæ ÂéÌçÜØæ¡ (D) ãSÌ ÂéÌçÜØæ¡

34. °â.°¿.¥æ§ü.Åè.§ü. °·¤ ¿çژæ ãñ ç·¤â·¤æ— (A) Âð§ç·´¤» ¥æòÂðÚæ (B) §‹ÇæðÙðçàæØæ Ú´»×´¿ (C) ÁæÂæÙ ·¤æ ÙæÅ·¤ (D) â´S·ë¤Ì ÙæÅ·¤

J—6505 21 P.T.O. 35. In Sanskrit Theatre ‘Nepathya’ means : (A)Auditorium (B) Off Stage (C)Stage Technique (D)On Stage

36. The plays in which Sringara is the main Rasa. (A)Mriccha Katika (B) Uttara Rama Charita (C)Vikramorvasia (D) All the above

37. Which one of the following is written by Rabindranath Tagore ? (A)Chirakumara Sabha (B) Ade Adure _ (C)Andayug (D)Panjara Sha le

38. Mohan Rakesh wrote the play : (A)Leharon Ke Rajhans (B) Andheri Nagari (C)Suno Janamejaya (D) Pagla Goda

39. Which one of the following statement is correct ? (A)In Sanskrit Theatre the term “Kushilava” means Actor _ (B)The term kuka refers to Satwika Abhinaya (C)Jasma Odan is based on Tamasha of Maharastra (D)Rangma is a Folk Dance form of Punjab

40. Which one of the following statement is correct ? (A)Pantomime means speechless Drama with sets and music (B)Pantomime is a speechless Drama without Music (C)Chorus means Instrumental ensemble (D)Epilogue is a speech given in the beginning of a play

41. Which one of the following statement is not correct ? (A)The play Mudrarakshasa was written by Vishakadatta (B)Balasaraswathi was a Dance Exponent (C)Dr. K. Venkatalakshamma was a Bharatanatyam Dancer (D)Bhoota kola is a Dance form of Maharashtra

J—6505 22 35. â´S·ë¤Ì Ú´»×´¿ ×ð´ ÒÙðÂÿØÓ ·¤æ ¥Íü ãñ— (A) Âýðÿææ»æÚ (B) ×´¿ ·ð¤ ÂèÀð (C) Ú´»×´¿ Ì·¤Ùè·¤ (D) Âýðÿææ/×´¿

36. çÁÙ ÙæÅ·¤æð´ ×𴠟æë´»æÚ ×éØ Úâ ãñ— (A) ×ë‘À ·¤çÅ·¤ (B) ©žæÚ Úæ× ¿çÚÌ (C) çß·ý¤×æðßüàæèØ (D) ª¤ÂÚ ·ð¤ âÖè

37. çِÙçÜç¹Ì ×ð´ âð Úßè‹ÎýÙæÍ Åñ»æðÚ Ùð ·¤æñÙâæ ÙæÅ·¤ çܹæ? (A) ç¿Ú·é¤×æÚ âÖæ (B) ¥æçÎ ¥ÎéÚ (C) ¥´ÏæØé» (D) ´ÁæÚæ àæðÜð

38. ×æðãÙ Úæ·ð¤àæ Ùð ·¤æñÙ-âæ ÙæÅ·¤ çܹæ? (A) ÜãÚæð´ ·ð¤ ÚæÁã´â (B) ¥´ÏðÚ Ù»Úè (C) âéÙæð ÁÙ×ðÁØ (D) »Üæ ƒææðǸæ

39. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙ-âè ·¤ÍÙ âãè ãñ? (A) â´S·ë¤Ì Ú´»×´¿ ×ð´ Ò·é¤àæèÜßÓ ·¤æ ¥Íü ¥çÖÙðÌæ ãæðÌæ ãñÐ (B) Ò·¤æ·é¤Ó àæŽÎ ·¤æ âÕ‹Ï âæçˆß·¤ ¥çÖÙØ âð ãñÐ (C) ÒÁæâ×æ ¥æñÎÙÓ ·¤æ âÕ‹Ï ×ãæÚæcÅþ ·ð¤ Ì×æàææ âð ãñÐ (D) Ú´»×æ ´ÁæÕ ·¤æ °·¤ Üæð·¤ÙëˆØ ãñÐ

40. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙ-âæ ·¤ÍÙ âãè ãñ? (A) Âñ‹Åæð×æ§× ·¤æ ¥Íü ãñ, âðÅ ¥æñÚ â´»èÌ ·ð¤ âæÍ ×ê·¤ ÙæÅ·¤ (B) Âñ‹Åæð×æ§× â´»èÌ ·ð¤ çÕÙæ °·¤ ×ê·¤ ÙæÅ·¤ ãñ (C) ·¤æðÚ× ·¤æ ¥Íü ãñ ßælØ´˜ææð´ ·¤æ âæ×êçã·¤ ßæÎÙ (D) Ò°çÂÜæð»Ó ÙæÅ·¤ ·ð¤ ¥æÚÖ ×ð´ çÎØæ »Øæ Öæá‡æ ãñ

41. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙâæ ·¤ÍÙ âãè Ùãè´ ãñ? (A) ×éÎýæÚæÿæâ ÙæÅ·¤ çßàææ¹Îžæ mæÚæ çÜ¹æ »ØæÐ (B) ÕæÜæâÚSßÌê °·¤ ÙæÅ·¤ ·¤æ ¥´» ãñÐ (C) Çæò. ·ð¤. ßð´·¤ÅÜÿ×æ ÖÚÌÙæÅK ·¤è ÙÌü·¤ ãñÐ (D) ÖêÌæ·¤æðÜæ ×ãæÚæcÅþ ·¤è °·¤ ÙëˆØ ÂhçÌ ãñÐ

J—6505 23 P.T.O. 42. Which one of the following statement is not correct ? (A)Dhananjaya wrote Dasharoopaka (B)Nabyadarmi and Lokadarmi are two Dharmis (C)Balagandharva was a Music Director _ (D)Yakshagana is also known as Dashavatarata A

43. Match the items in List-I with that of items in List-II : List-I List-II (a)Sakaram Binder (i) Badal Sircar (b)Evam Indrajit (ii) B.M. Shah (c)Tugalak (iii) Vijay Tendulkar (d)Trishanku (iv) Girish Karnad Codes : (a) (b) (c) (d) (A)(ii) (i) (iii)(iv) (B)(iv)(ii)(i) (iii) (C)(iii)(i) (iv)(ii) (D)(i) (ii) (iv)(iii)

44. Match the items in List-I with that of items in List-II : List-I List-II (a)Bhavai (i) Maharashtra (b)Jatra (ii) Assam (c)Oza-Pali (iii) West Bengal (d)Tamasha (iv) Gujarat Codes : (a) (b) (c) (d) (A)(iii)(ii) (i) (iv) (B) (iv)(iii)(ii) (i) (C)(ii) (i) (iii)(iv) (D)(i) (iii)(iv)(ii)

J—6505 24 42. çِÙçÜç¹Ì ×ð´ âð ·¤æñÙâæ âãè Ùãè´ ãñ?

(A) ÎàæM¤Â·¤ ÏÙ´ÁØ Ùð çܹæ

(B) ÙæÅKÏ×èü ¥æñÚ Üæð·¤Ï×èü Øð Îæð Ï×èü ãñ

(C) ÕæÜ»´Ïßü °·¤ â´»èÌ çÙÎðüàæ·¤ Íð

(D) Øÿæ»‡æ ·¤æð ÎàææßÌæÚ ¥òÅæ ·ð¤ Ùæ× âð Öè ÁæÙæ ÁæÌæ ãñ

43. âê¿è-I ·¤æð âê¿è-II âð ç×Üæ§üØð Ñ

âê¿è-I âê¿è-II

(a) â¹æÚæ× Õ構ÇÚ (i) ÕæÎÜ âÚ·¤æÚ

(b) °ß× §‹ÎýÁèÌ (ii) Õè.°×. àææã

(c) Ìé»Ü·¤ (iii) çßÁØ Ìð´ÎéÜ·¤Ú

(d) ç˜æàæ´·é¤ (iv) ç»Úèàæ ·¤ÙæüÇ ·¤æðǸ Ñ (a) (b) (c) (d) (A)(ii) (i) (iii)(iv) (B)(iv)(ii)(i) (iii) (C)(iii)(i) (iv)(ii) (D)(i) (ii) (iv)(iii)

44. âê¿è-I ·¤æð âê¿è-II âð âé×ðçÜÌ ·¤èçÁØð Ñ

âê¿è-I âê¿è-II

(a) Öߧü (i) ×ãæÚæcÅþ

(b) Øæ˜ææ (ii) ¥æâæ×

(c) ¥æðÁæ-ÂæÜè (iii) Âçà¿× Õ´»æÜ

(d) Ì×æàææ (iv) »éÁÚæÌ ·¤æðǸ Ñ (a) (b) (c) (d) (A)(iii)(ii) (i) (iv) (B) (iv)(iii)(ii) (i) (C)(ii) (i) (iii)(iv) (D)(i) (iii)(iv)(ii)

J—6505 25 P.T.O. 45. Match the items in List-I with that of items in List-II : List-I List-II (a)Dasharoopaka (i) Nandikeshvara (b)Abhinaya Darpana (ii) Dhananjaya (c)Bhavaprakashana (iii) Ramachandra Gunachandra (d)Natya Darpana (iv) Sharadatanaya Codes : (a) (b) (c) (d) (A)(ii) (i) (iv)(iii) (B)(i) (ii)(iii)(iv) (C)(iii)(i) (ii) (iv) (D)(iv)(iii)(ii) (i)

46. Which is the correct sequence ? (A)Urubhanga, Mricchakatika, Shariputra Prakarana, Vikramorvasiya (B)Mricchakatika, Urubhanga, Vikramorvasiya, Shariputra Prakarana (C)Shariputra Prakarana, Urubhanga, Vikramorvasiya, Mricchakatika (D)Vikramorvasiya, Urubhanga, Mricchakatika, Shariputra Prakarana,

47. Rangayana is a Reportary Theatre of : (A)Andhra Pradesh (B) Tamil Nadu (C)Karnataka (D)Kerala

48. Puntilla and his Man Matti is a play written by : (A)Girish Karnad (B) Bertolt Breent (C)Henrik Ibsen (D)George Bernard Shaw

49. Environmental Theatre is a concept of : (A)Alkazi (B) B.V. Karanth (C)Richard Schechner (D)Gordon Creig

50. Yakshagana is also known as : _ (A)Bhagawatara Ata (B)Bayalata _ (C)Dashavatara Ata (D)All the above

- o O o -

J—6505 26 45. âê¿è-I ·¤æð âê¿è-II âð âé×ðçÜÌ ·¤Úð´ Ñ âê¿è-I âê¿è-II (a) ÎàæM¤Â·¤ (i) ًÎè·ð¤àæßÚæ (b) ¥çÖÙØ ÎÂü‡æ (ii) ÏÙ´ÁØ (c) ÖæßÂý·¤æàæÍæ (iii) Úæ׿‹Îý »é‡æ濋Îýæ (d) ÙæÅK ÎÂü‡æ (iv) àææÚÎæÌÙØ ·¤æðǸ Ñ (a) (b) (c) (d) (A)(ii) (i) (iv)(iii) (B)(i) (ii)(iii)(iv) (C)(iii)(i) (ii) (iv) (D)(iv)(iii)(ii) (i)

46. ·¤æñÙ-âæ ·ý¤× âãè ãñ? (A) ª¤L¤Ö´», ×ë‘À·¤çÅ·¤, àææÚèÂé˜æ Âý·¤Ú‡æ, çß·ý¤×æðüßàæèØ (B) ×ë‘À·¤çÅ·¤, ª¤L¤Ö´», çß·ý¤×æðßüàæèØ, àææÚèÂé˜æ Âý·¤Ú‡æ (C) àææÚèÂé˜æ Âý·¤Ú‡æ, ª¤L¤Ö´», çß·ý¤×æðßüàæèØ, ×ë‘À·¤çÅ·¤ (D) çß·ý¤×æðßüàæèØ, ª¤L¤Ö´», ×ë‘À·¤çÅ·¤, âæÚèÂé˜æ Âý·¤Ú‡æ

47. Ú´»æØÙ °·¤ ÒçÚÂæðÅüÚè çÍØðÅÚÓ ·¤ãæ¡ ·¤æ ãñ? (A) ¥æ‹Ïý ÂýÎðàæ (B) Ìç×ÜÙæÇê (C) ·¤ÙæüÅ·¤ (D) ·ð¤ÚÜ

48. ÒÂé‹ÌèÜæ °‹Ç çãÁ ×ð٠מæèÓ ÙæÅ·¤ ·ð¤ Üð¹·¤ ·¤æñÙ ãñ? (A) ç»Úèàæ ·¤ÙæüÇ (B) ÕÌæðüËÅ ÕýðÚ‹Ì (C) ãðÙçÚ·¤ §ŽâÙ (D) ÁæòÁü ÕÙæüÇ àææò

49. ÂØæüßڇæèØ Ú´»×´¿ ·¤è Ïæڇææ 緤ⷤè ãñ? (A) ¥Ë·¤æÁè (B) Õè.ßè. ·¤æÚ´Ì (C) çÚ¿Çü âð‘ÙÚ (D) »æðÇüÙ ç·ý¤»

50. Øÿæ»æÙ ·¤æð §Ùâð Öè ÁæÙæ ÁæÌæ ãñ Ñ (A) Ö»ßÌæÚæ ¥^æ (B) ÕØÜæÕæ (C) ÎàæßæÌæÚæ ¥^æ (D) ª¤ÂÚ ·ð¤ âÖè

- o O o -

J—6505 27 P.T.O. Space For Rough Work

J—6505 28