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Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
“Which Way Nigeria?”
J EAN-CHRISTOPHE S ERVANT “Which way Nigeria?” MUSIC UNDER THREAT: A QUESTION OF MONEY, MORALITY, SELF-CENSORSHIP AND THE SHARIA “WHICH WAY NIGERIA?” Music under Threat: A Question of Money, Morality, Self-Censorship and the Sharia by JEAN-CHRISTOPHE SERVANT Published by Freemuse Editor in Chief: Marie Korpe Translated from French by Daniel Brown ISSN 1601-2127 Layout: Sigrún Gudbrandsdóttir Cover illustration: Ali Bature Printed in Denmark 2003 by Handy-Print © Freemuse 2003 The views in the report do not necessarily represent the views of Freemuse. Report no. 04/2003 Freemuse Wilders Plads 8 H · 1403 Copenhagen K. · Denmark tel: +45 32 69 89 20 · fax: +45 32 69 89 01 e-mail: [email protected] web: www.freemuse.org OTHER PUBLICATIONS BY FREEMUSE: 1st World Conference on Music and Censorship (2001, ISBN: 87-988163-0-6) “Can you stop the birds singing?” – The Censorship of Music in Afghanistan, by John Baily (2001, ISSN: 1601-2127) “A Little Bit Special” – Censorship and the Gypsy Musicians of Romania, by Garth Cartwright (2001, ISSN: 1601-2127) Playing With Fire – Fear and Self-Censorship in Zimbabwean Music, by Banning Eyre (2001, ISSN: 1601-2127) TABLE OF CONTENTS PREFACE 5 ABSTRACT 7 5 CASE STUDY: FEMI KUTI - ABOUT THE AUTHOR 8 the banning of "Bang, Bang, Bang" MAP 9 5.1 Biography of Femi Kuti 56 INTRODUCTION 11 5.1.1 NBC vs. Femi Kuti 59 1 THE YEARS OF DEMOCRAZY: 6 GANGSTA RAP AND MAKOSSA 1999-2002 15 6.1 High moral grounds versus 65 the "Music of the Devil" 2 GENERAL BACKGROUND ON NIGERIA 2.1 Religion 17 7 SHARIAPHRENIA 2.2 -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Ladyslipper Tenth Anniversary
Ladyslipper Tenth Anniversary Resource Guide apes by Women T 1986 About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- 1982 brought the first release on the Ladys exempt organization which has been involved lipper label: Marie Rhines/Tartans & Sagebrush, in many facets of women's music since 1976. originally released on the Biscuit City label. In Our basic purpose has consistently been to 1984 we produced our first album, Kay Gard heighten public awareness of the achievements ner/A Rainbow Path. In 1985 we released the of women artists and musicians and to expand first new wave/techno-pop women's music al the scope and availability of musical and liter bum, Sue Fink/Big Promise; put the new age ary recordings by women. album Beth York/Transformations onto vinyl; and released another new age instrumental al One of the unique aspects of our work has bum, Debbie Tier/Firelight Our purpose as a been the annual publication of the world's most label is to further new musical and artistic direc comprehensive Catalog and Resource Guide of tions for women artists. Records and Tapes by Women—the one you now hold in your hands. This grows yearly as Our name comes from an exquisite flower the number of recordings by women continues which is one of the few wild orchids native to to develop in geometric proportions. This anno North America and is currently an endangered tated catalog has given thousands of people in species. formation about and access to recordings by an expansive variety of female musicians, writers, Donations are tax-deductible, and we do need comics, and composers. -
The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
(Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're -
BAM, Luaka Bop, and Red Bull Music Academy Present the US Premiere
BAM, Luaka Bop, and Red Bull Music Academy present the US premiere of ATOMIC BOMB! The Music of William Onyeabor, a live celebration of the legendary Nigerian synth-funk artist Two-night-only (May 2 & 3) event features a supergroup of musicians including David Byrne, Alexis Taylor (Hot Chip), and Devonté Hynes (Blood Orange) ATOMIC BOMB! The Music of William Onyeabor David Byrne Sinkane Money Mark (Beastie Boys) Pat Mahoney (LCD Soundsystem) Alexis Taylor (Hot Chip) Devonté Hynes (Blood Orange) Luke Jenner (The Rapture) The Lijadu Sisters Joshua Redman More to be announced BAM Howard Gilman Opera House (30 Lafayette Ave) May 2 & 3 at 8pm Tickets: $35, 45, 55, 65 (on sale Mar 17 for Friends of BAM and Mar 24 to the general public) Brooklyn, NY/UPDATED April 16, 2014—Mysterious synth-funk pioneer William Onyeabor self-released eight nearly impossible-to-find albums between 1978 and 1985 in south-eastern Nigeria before disappearing from the music scene. Last year, after a five year odyssey to track down Onyeabor and secure his permission to release his music, the Luaka Bop label released World Psychedelic Classics 5: Who is William Onyeabor? The album introduced Onyeabor’s music to a wider audience and was named one of Time magazine’s top 10 albums of the year and Pitchfork’s Best Reissue of the Year 2013. This spring, Alldayeveryday, in association with Luaka Bop, premiered the Onyeabor documentary Fantastic Man, directed by Jake Sumner. As evidenced by the diverse lineup of tremendously talented musicians set to celebrate Onyeabor on the BAM Howard Gilman Opera House stage May 2 & 3—under the musical direction of Ahmed Gallab (Sinkane) and Money Mark (Beastie Boys)—the elusive artist continues to exert a remarkable and wide-ranging influence. -
Recordings by Women Table of Contents
'• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September. -
Free Instrumentals Downloads Error 520
free instrumentals downloads Error 520. There is an unknown connection issue between Cloudflare and the origin web server. As a result, the web page can not be displayed. What can I do? If you are a visitor of this website: Please try again in a few minutes. If you are the owner of this website: There is an issue between Cloudflare's cache and your origin web server. Cloudflare monitors for these errors and automatically investigates the cause. To help support the investigation, you can pull the corresponding error log from your web server and submit it our support team. Please include the Ray ID (which is at the bottom of this error page). Additional troubleshooting resources. Cloudflare Ray ID: 67d9c8e6a6e51695 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Free instrumentals downloads. Last update on 2021-08-11 at 22:19. If you want to learn the pro secrets to using FL Studio you should definitely check out this brilliant course . This course will allow you to level up your FL Studio production skills fast! The FLuid course is by far the best FL Studio instructional course online . It allows beginners to get up to speed with the ins and outs of FL Studio, in an easy to follow step by step manner. Advanced FL Studio uses can also benefit from the course, as it covers many advanced hip hop production methods and techniques . Which Hip Hop Beat Making Software Is Best For You? Every producer has a different preference when it comes to choosing beat making software. -
Read Ebook {PDF EPUB} Double Trouble by Kehinde Olajide the Lijadu Sisters
Read Ebook {PDF EPUB} Double Trouble by Kehinde Olajide The Lijadu Sisters. One of the more popular acts in the Nigerian music scene of the 1970s, the Lijadu Sisters produced a handful of albums showcasing their tight harmonies and inventive incorporation of synthesizers and modern pop forms into funky Afro-beat grooves. Twins Taiwo and Kehinde were born in the northern Nigeria town of Jos on October 22, 1948. Second cousins of Fela Kuti, the two girls were drawn to music at a very early age, listening to records, singing, and writing songs together from their early childhood into their teenage years. Beginning as backing vocalists for studio sessions, the sisters eventually released a single under their own name, 1968's Iya Mi Jowo. In 1971, still working as session singers, the sisters met Cream/Africa 70 drummer Ginger Baker, and Taiwo and Baker soon started dating. The twins performed with Baker's band Salt at the 1972 Munich Olympic Games before the relationship fizzled out. The Lijadu Sisters. One of the more popular acts in the Nigerian music scene of the 1970s, the Lijadu Sisters produced a handful of albums showcasing their tight harmonies and inventive incorporation of synthesizers and modern pop forms into funky Afro-beat grooves. Twins Taiwo and Kehinde were born in the northern Nigeria town of Jos on October 22, 1948. Second cousins of Fela Kuti, the two girls were drawn to music at a very early age, listening to records, singing, and writing songs together from their early childhood into their teenage years. Beginning as backing vocalists for studio sessions, the sisters eventually released a single under their own name, 1968's Iya Mi Jowo. -
Afrobeat, Fela and Beyond: Scenes, Style and Ideology
AFROBEAT, FELA AND BEYOND: SCENES, STYLE AND IDEOLOGY by Oyebade Ajibola Dosunmu BA, Obafemi Awolowo University, Ile-Ife, Nigeria, 2001 MA, University of Pittsburgh, 2005 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2010 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Oyebade Ajibola Dosunmu It was defended on November 12, 2010 and approved by Jean-Jacques Sene, PhD, Department of History, Chatham University Laurence Glasco, PhD, Department of History Mary Lewis, PhD, Department of Music (Emerita) Nathan Davis, PhD, Department of Music Akin Euba, PhD, Department of Music ii Copyright © by Oyebade Dosunmu 2010 iii AFROBEAT, BEYOND FELA: SCENES, STYLE AND IDEOLOGY Oyebade Ajibola Dosunmu, PhD University of Pittsburgh, 2010 Afrobeat first emerged in the late 1960s amid the rapidly changing postcolonial terrain of Lagos, Nigeria. Created by Fela Anikulapo-Kuti (1938-1997), the genre blends scathing anti-establishment lyrics with Yoruba traditional music and Western forms, particularly jazz. Fela’s ideological dictum: “Music is the Weapon of the Future,” encapsulates his view of music as an oppositional tool, his enactment of which led to frequent violent confrontations with the Nigerian state. Throughout his lifetime, Fela held hegemonic sway over afrobeat’s stylistic and ideological trajectories. However, following his death, the genre has witnessed a global upsurge with protégés emerging in New York City, San Francisco, Paris, London and other cultural capitals of the world. In my dissertation, I chronicle afrobeat’s transnational networks and discuss processes of stylistic and ideological affiliation through which such networks have emerged. -
Ghana and the World Music Boom
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Ghana and the World Music Boom John Collins School of Performing Arts, University of Ghana From the 1950s to the early 1970s Ghana led the way in West Africa with its popular highlife and Afro-rock music and its viable recording and music production industry. However, things began to decline from the late 1970s due to a corrupt military government, followed by two coups, several years of night curfew and the imposition of massive import duties on musical instruments. Into the music vacuum came Ghanaian gospel-music (as the churches were not taxed) and hi- tech drum-box and synthesizer forms of local music (burgher highlife and hiplife) that did away with large expensive bands. By the mid-1980s the live commercial music and entertainment scene was almost at a stand-still, exactly at a time when there was a growing international interest in African music. However, the Ghanaian non-commercial gospel-music or computerized forms of music that appeared in the 1980s and 1990s were too hi-tech for the psychology of the World Music fans, who demanded “authentic” African sounds. Although Ghana was initially unable to benefit much from the early World Music boom, there have, however, been a number of important positive spin-offs from this international phenomenon. Some of these directly benefit Ghanaian musicians. Today hundreds of foreign musicians, students and World Music fans are coming to study African performance at Ghana’s universities or in the private drum and dance schools as well as beach resort and folkloric groups that have sprung up since the late 1980s. -
Downloadable In
DOWNBEAT Best CDs of 2012 The Bad Plus /// Pete Christlieb JOHN MCLAUGH JOHN L IN /// T HE BA D P L US /// PETE PETE Gerald C HRIST Clayton Blindfolded L IE B Reflects on Mahavishnu, /// BEST Shakti and The 4th C SPECIAL SECTION DS OF 2012 Dimension /// JAZZ SCHOOL JAZZ JAZZ S CHOO Pat Metheny’s L Jazz Camp John Patitucci’s Online Bass School Manhattan School of Music 30 Years of Jazz JANUARY 2013 U.K. £3.50 J ANUAR Y 2013 Y DOWNBEAT.COM JANUARY 2013 VOLUme 80 – NUMBER 1 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Maggie Glovatski Cuprisin 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.