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Local History of Ethiopia an - Arfits © Bernhard Lindahl (2005)
Local History of Ethiopia An - Arfits © Bernhard Lindahl (2005) an (Som) I, me; aan (Som) milk; damer, dameer (Som) donkey JDD19 An Damer (area) 08/43 [WO] Ana, name of a group of Oromo known in the 17th century; ana (O) patrikin, relatives on father's side; dadi (O) 1. patience; 2. chances for success; daddi (western O) porcupine, Hystrix cristata JBS56 Ana Dadis (area) 04/43 [WO] anaale: aana eela (O) overseer of a well JEP98 Anaale (waterhole) 13/41 [MS WO] anab (Arabic) grape HEM71 Anaba Behistan 12°28'/39°26' 2700 m 12/39 [Gz] ?? Anabe (Zigba forest in southern Wello) ../.. [20] "In southern Wello, there are still a few areas where indigenous trees survive in pockets of remaining forests. -- A highlight of our trip was a visit to Anabe, one of the few forests of Podocarpus, locally known as Zegba, remaining in southern Wello. -- Professor Bahru notes that Anabe was 'discovered' relatively recently, in 1978, when a forester was looking for a nursery site. In imperial days the area fell under the category of balabbat land before it was converted into a madbet of the Crown Prince. After its 'discovery' it was declared a protected forest. Anabe is some 30 kms to the west of the town of Gerba, which is on the Kombolcha-Bati road. Until recently the rough road from Gerba was completed only up to the market town of Adame, from which it took three hours' walk to the forest. A road built by local people -- with European Union funding now makes the forest accessible in a four-wheel drive vehicle. -
Spring: Lent, Easter, Ascension Source
Spring: Lent, Easter, Ascension Source: www.jahresfeste.ch Lent / Pre-Easter Time (begins on Ash Wednesday, roughly 6 weeks before Easter) preparation process for Easter; Symbols of Easter: lamb, rabbit, egg, Easter tree, ... Lent, beginning Ash Wednesday (earlier = end of carnival) Duration 40 days (excluding Sundays) = biblical number NT: Jesus fasted for 40 days in the desert; it was 40 days from Easter to the Ascension. OT: 40 days of the Flood, 40 years wandering of the people of Israel from Egypt to Canaan; Moses’ 40-day encounter with God on Mount Sinai; Elijah’s 40-day journey to Mount Horeb; in the story of Jonah the people had 40 days to return; a woman was considered unclean up to 40 days after birth and only after the visit to the temple as ritually clean again (--> Candlemas, Presentation of the Lord). See also: Jonas spent three days in the belly of the whale before he was vomited out safely on dry land --> we celebrate the resurrection from the dead on the third day after the death of Jesus. History: In early Christianity during Lent the Catechumen (Introduction to Christian doctrine) took place, which was the preparation for the adult baptism in the night before Easter or early on Easter morning. Child baptisms were only popularized in the Middle Ages. Until 300 AD baptism took place in open waters, after that usually in baptismal fonts. Before Christianity became the official religion under Emperor Constantine in the 4th century, the baptism corresponded to a complete break with the previous life of the baptised, which was accompanied by great danger to body and soul. -
Julia Kostsova
Julia Kostsova GALLERY ON FIFTH Naples, Florida Julia Kostsova RUSSIAN TRADITIONS Exhibition dedicated to 400 anniversairy of Romanov's Dynasty Russian Traditions Russia is indeed a unique country, which, along with highly developed modern culture carefully preserves the national traditions deeply rooted not only in the Orthodox religion but also in paganism. The Russians still celebrate pagan holidays, many people believe in numerous omens and legends. Christianity gave Russians such great holidays as Easter and Christmas, and Paganism - Maslenitsa and Ivan Kupala. Old traditions are passed on from generation to generation. Easter Easter is the day of the resurrection of Christ. The holiday came to Russia from Byzantium together with Russia's christening in the end of the 10th century. Since then, this Christian holiday has been widely celebrated all over Russia. Christmas Christmas is the holiday of the birth of Jesus Christ, the Savior of the world, whose advent gave people hope for mercy, kindness, truth and eternal life. The Orthodox Church observes Christmas according to the Julian Calendar, on January 7, while Western churches celebrate it on December 25, in accordance with the Gregorian Calendar. Ivan Kupala Even in the time of the ancient pagan deity Ancient Russians used to have Kupalo, the God of summer fertility. In his honor people of sang songs and jumped over the bonfire. This ritual act has become an annual celebration of summer solstice, combining a pagan and Christian traditions. Kupala got the name Ivan after the baptizing of Russia, when he was replaced by John the Baptist (the way he was percepted by common people), who baptized Christ and whose birthday was celebrated on 24 June. -
Easter ( Finland)
EASTER ( FINLAND) DIDACTIC UNIT BACKGROUND FOR TEACHERS Origins: The Finnish Easter celebration is a mixture of religious traditions and folklore rituals celebrating the spring. The birch twigs about to burst for example; in the earlier days they represented the palm leaves on Palm Sunday in Jerusalem, but they would also be used to drive away evil spirits and bless the people against witches and trolls, that after old pagan beliefs appeared on Easter Saturday. Witches and trolls today: Nowadays Easter has become a celebration mostly for children. On Palm Sunday young children go round from door to door, dressed as small witches or trolls with old skirts, colourful scarfs, freckles painted on their faces, carrying a coffee pot to collect treats in it. Nowadays you can also see more Halloween style hats etc, but the original way is more like a russian Babushka. The children recite a poem, an old rhyme to bless the people and drive away evil spirits, and wave a decorated willow twig in return for sweets – usually chocolate eggs or small treats. It’s a bit like the trick or treat tradition on Halloween - but without the nasty tricks. The willow twigs - often called ”the kittens of the willow” because of their appearance, are decorated with colourful feathers, crepe paper, candy paper or whatever small and colourful things related to Easter you can come up to. Grass, birch, eggs, bunnies and ”mämmi”: It’s also common to celebrate the beginning of the spring by planting grass seeds in small dishes and decorate them with small eggs and other Easter figures, and have birch twigs in vases of water to see them grow new leaves called ”mouse ears”. -
MARCH 2018 COUPON BOOK Elwyn SEEDS Parent Partners 4025 Chestnut Street, 2Nd Fl. Philadelphia, PA 19104 215-222-4181
MARCH 2018 COUPON BOOK Elwyn SEEDS Parent Partners 4025 Chestnut Street, 2nd fl. Philadelphia, PA 19104 215-222-4181 Easter Family Fun Day & Egg Hunt Sunday, March 25, 2018 2:00 - 4:00pm 1900 Pattison Avenue | Philadelphia, PA 19145 | 215.389.1776 ACCESS ALERT!! 2.00 ADMISSION (up to 4 people) with valid photo I.D. Introduce your little ones to Swedish Easter traditions. Easter Family Fun day includes Swedish Easter crafts, face painting, Easter witch dress up, and an Easter egg hunt! TRY SOMETHING NEW!!!!!!! SWEDISH BUTTER COOKIIES Ingredients: 1 cup butter (softened) 2 cups sugar confectioner’s sugar 1 teaspoon baking soda 2 teaspoons maple syrup 2 cups all-flour Directions: 1. Stir butter and sugar together. Add syrup. Combine flour and baking soda, in separate bowl. Gradually add to creamed mixture. Divide dough into 8 portions. Roll each portion 9-in. long. 2. Place on ungreased baking sheet. Bake at 300 degree for 25 minutes/lightly browned. Cut into 1-in slices. Dust with confectioner’s sugar. BOOM!!!! GREAT SWEDISH BUTTER COOKIES!!!!! What’s the holiday “EASTER”ALL ABOUT??? In Catholic countries, Easter week starts with Palm Sunday, the day of joyous processions of people carrying palm fronds and laying them before the image of Christ leading to the Commemorating of Christ's triumphant entry into Jerusalem, which is considered EASTER!!!! Easter Promenade Apr 1, 2018 12:30pm Price: Free Hop over to watch Easter Promenade 2018. This annual Philadelphia tradition begins at 5th and South Street and proceeds to 2nd and Lombard Street. Guests can expect to hear music from Philadelphia Freedom Band, see Mr. -
Kunst Und Tourismus
r DEUTSCH-ÄTHIOPISCHER VEREIN E.V. e t t GERMAN ETHIOPIAN ASSOCIATION ä l www.deutsch-aethiopischer-verein.de b s n o i t Ausgabe Februar 2005 a 2222200322003252003Nove m r o f n I Kunst und Tourismus Handel mit illegal erworbenen fast aussichtslos, etwas dagegen zu unternehmen. Das gilt jedenfalls so lange, wie die betroffenen Länder nicht Kunst- und Kulturgegenständen ihre Polizei- und Zollstellen damit betrauen, auch außer Landes gebrachten Kunstteilen nachzufahnden. Bernhard Schulte-Kemna Ein möglicher Weg könnte nämlich sein: wenn in Deutschland eine Anzeige erstattet wird, dass ein alter Die Schlagzeile „Ethiopian Heritages increasingly oder bedeutender Kunstgegenstand z.B. aus Äthiopien trafficked“ weiter hinten in dieser Ausgabe der in einer Galerie oder Internetversteigerung zu finden ist, „Informationsblätter“ verdient Beachtung! kann die Polizei dieses Teil zeitweilig sicherstellen. Allerdings muss dann innerhalb von wenigen Wochen Sie benennt ein Problem, dass es zwar schon immer aus dem Herkunftsland glaubhaft gemacht werden, latent gab, dass in Zeiten von Ebay und anderen woher der sichergestellte Gegenstand stammt, und ob Internet-Verkaufsplattformen aber Ausmaße annimmt, bzw. wie er kriminell abhanden kam. Danach kann es die nicht anders als mit Plünderung der Kulturschätze dann zur Gerichtsverhandlung kommen. Die gängige in vielen Regionen der Welt bezeichnet werden kann. Praxis ist leider noch so, dass bei den wenigen Und das betrifft praktisch alle Regionen der Welt, wo es angezeigten Fällen und Nachfragen deutscher alte Kulturen gab, sei es in Mexiko, Peru, Italien, dem Polizeistellen in den Herkunftsländern überhaupt keine Irak, Ex-Jugoslawien oder eben auch Äthiopien. Antwort zurückkommt. In der Regel werden die Hintergrund ist, dass meist Menschen in den reichen Zuständigkeiten nicht geklärt sein und es wird keine Nationen den Besitz von Kultgegenständen anstreben, Fachbehörden geben, wo derartige Vorgänge deren Bedeutung ihnen nichts sagt und die auch diese zusammenlaufen und weiter bearbeitet werden. -
Easter Traditions Around the World
Easter Traditions around the World the around Traditions Easter Easter Traditions around the World READ ABOUT TRADITIONS AROUND THE WORLD: Birthday Traditions around the World Christmas Traditions around the World Easter Traditions around the World Halloween and Day of the Dead Traditions around the World National Day Traditions around the World New Year Traditions around the World Tooth Traditions around the World COSSON Wishing Traditions around the World • CHAVARRI www.childsworld.com THE CHILD’S WORLD ® by M. J. Cosson • illustrated by Elisa Chavarri Page intentionally blank Easter Traditions around the World by M. J. Cosson • illustrated by Elisa Chavarri Published by The Child’s World® About the Author 1980 Lookout Drive • Mankato, MN 56003-1705 M. J. Cosson has written many books 800-599-READ • www.childsworld.com for children. She lives in the Texas hill Acknowledgments country with her husband, two dogs, The Child’s World®: Mary Berendes, Publishing Director Red Line Editorial: Editorial direction and one cat. Easter has always been her The Design Lab: Design favorite holiday. As a child, it brought new Amnet: Production clothes for church, Easter-egg cakes from Design elements: Loskutnikov/Shutterstock Images a friend’s bakery, and a special coconut- filled chocolate egg. Photographs ©: Shutterstock Images, Cover, Title, 5, 29; Timothy Craig Lubcke/Shutterstock Images, 9; Stephane Bidouze/Shutterstock Images, 11; LiliGraphie/Shutterstock Images, 13; Gabriel Nardelli Araujo/Shutterstock About the Illustrator Images, 14; ShopArtGallery/Shutterstock Images, 15; iStockphoto, 21; Elisa Chavarri is a Peruvian illustrator Roberto A Sanchez/iStockphoto, 23; Charles Dharapack/AP Images, 27 who works from her home in Alpena, Copyright © 2013 by The Child’s World® Michigan, which she shares with her All rights reserved. -
The Paintings in St. George Church in Addis Ababa As a Method
Studies of the Department of African Languages and Cultures, No 49, 2015 ISSN 0860-4649 Hanna Rubinkowska-Anioł University of Warsaw The Paintings in St. George Church in Addis Ababa as a Method of Conveying Information about History and Power in 20 th - century Ethiopia 1 Abstract: In one of the most important churches in Addis Ab- aba (Ethiopia), there is a panel containing several paintings. They are exact copies of photographs showing Emperor Haile Sellasie I during the war against Italy (1935-1941). The paint- ings were copied from frequently published, and thus well- known, photographs, which served imperial propaganda to show the Emperor’s role in fighting for Ethiopia’s independ- ence. Using the paintings as source material, it is the aim of this article to discuss specific propagandistic methods applied in Ethiopia under Haile Sellasie to transmit a message about power and history, and to present the intended image of the Emperor to his subjects. Keywords : Ethiopia, visual representation, St. George Church, Haile Sellasie I, Italo-Ethiopian War Introduction In St. George Church, one of the main Addis Ababa churches, there is a panel of paintings presenting scenes from the Italo- Ethiopian war (between 1935 and 1941). The paintings were made as a reminder of the role Haile Sellasie I (the emperor of Ethiopia from 1930 to 1974) performed in regaining Ethiopia’s independence. The pictures were meant to testify to the Emperor’s services to the nation and emphasize his right – frequently undermined by his opponents – to rule the country after independence was regained. They also con- 1 The author thanks Dr. -
Signature Tune Tetteh- Lartey
II AR TS AND AFRI Ci\. II No.; 90 (5R 53 S090G) ANN'JUNCEMENT AND SIGN/~ TURE TUNE ALEX TETTEH-LARTEY : Welcome from Alex Tetteh-Lartey to "Arts and 1-\frica" nnd to our guesT, todoy from Ethiopia. SIGNATURE TUNE TETTEH- LARTEY: Now! don't suppose that anywhere on the continent of Africa has generated more myths, more fnntnsies, more legend.3 than whnt was until recently, the Kingdom of Ethiopia. ETHIOPIAN TRADITIONAL MUSIC TETTEH- LARTEY: Everyone who's been to Ethiopin enthuses a.bout the beauty of the country o.nd so it isn't surprising tho.t the people who live there sing its praises. In thls music the singers ond doncers of the Notional 'Troupe are expressing their feelings about the hillE= of Amho.raland, the central ploteau. ETHIOPIAN TRADITIONAL MUSIC TETTEH-LARTEY: But i~ the last year or so it has been the realities ro.ther than t he wonders of life in the country tho.t h~ve been foremost in the minds of people. The terrible drought, especially in Wallo Province, and the political changes that included the deposing of the Emperor Haile Selassie have found expression in the arts - in music, in art and in the theatre. Now , at the time, "Arts and Africa" reported on a mus ical drama performed for the fjrsT, t ime in the early days of the revolution with the thought-pr:)Voking t itle "The Ethiopic.n, Who Is He? You may r emember the melo.ncholy song of t:i1e old mo.n r efusing to obandon his drought-stricken f arm. -
Title SCHOLARSHIP on ETHIOPIAN MUSIC
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kyoto University Research Information Repository SCHOLARSHIP ON ETHIOPIAN MUSIC: PAST, PRESENT Title AND FUTURE PROSPECTS Author(s) SIMENEH, Betreyohannes African study monographs. Supplementary issue (2010), 41: Citation 19-34 Issue Date 2010-03 URL http://dx.doi.org/10.14989/108286 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University African Study Monographs, Suppl.41: 19-34, March 2010 19 SCHOLARSHIP ON ETHIOPIAN MUSIC: PAST, PRESENT AND FUTURE PROSPECTS SIMENEH Betreyohannes Institute of Ethiopian Studies, Addis Ababa University ABSTRACT Broad and signifi cant appraisals on Ethiopian studies have been carried out with thematic and disciplinary orientations from authors such as Bahru Zewde, Alula Pankhurest, Gebre Yntiso and Belete Bizuneh. One might expect music to be a relevant aspect of such works, yet it is hardly addressed, resulting in a dearth of independent and comprehensive assessments of Ethiopian music scholarship; a rare exception is the 3 volume Ethiopian Chris- tian Liturgical Chant: An Anthology edited by Kay Kaufman Shelemay and Peter Jeffery (1993–1997). Generally speaking, music is one of the most neglected themes in Ethiopian studies, especially as compared to the dominant subjects of history and linguistics. Although some progress in musical studies has recently developed, the existing scholarly literature remains confi ned to limited themes. Beside inadequate attention to various topics there are problems of misconceptions and lack of reciprocity in contemporary scholarship. This paper outlines the evolution of Ethiopian music scholarship and exposes general trends in the exist- ing body of knowledge by using critical works from a variety of disciplines. -
Afewerk Tekle As Remembered by Richard and Rita Pankhurst
Afewerk Tekle As remembered by Richard and Rita Pankhurst Afewerq Tekle was Ethiopia’s most celebrated artist. Born in the old Šawan capital, Ankobar, on 22 October 1932, he was the son of Ato Tekle Mammo, a minor court functionary, and Woizero Felekech Yematawork. As a small child, Afewerq was seriously wounded during the Italian invasion. After the Liberation, he was enrolled in Addis Ababa’s Patriots’s School, together with the children of other Ethiopian Patriots. He was subsequently selected as one of the first students to be admitted to the newly established, élite Haile Selassie I Secondary School at Kotebe. There he studied with sons of the nobility and other youngsters destined to play important roles in post- war Ethiopian government. IN 1944 Richard’s mother, the British Suffragette, Sylvia Pankhurst, visited this school. She had been editing New Times and Ethiopia News – a publication in support of Ethiopia since 1936, and was on her first trip to the country. One of the school’s teachers showed her Afewerq’s exercise-books. They included several interesting sketches, which showed signs of considerable artistic promise. She took a particular interest in these, having studied art herself but, much to her regret, had given it up to dedicate herself to political campaigning. In the summer of 1947, Afewerq, then aged fifteen, was selected for further education in Britain – one of a number of chosen Ethiopian students to be sent abroad. On arrival at the airport in London there was no one to meet them, as it was a public holiday and the Ethiopian Legation had not been informed of their arrival. -
International Journal of Social Sciences and Management a Rapid Publishing Journal
International Journal of Social Sciences and Management A Rapid Publishing Journal ISSN 2091-2986 CrossRef, Google Scholar, International Society of Universal Research in Sciences (EyeSource), Journal TOCs, NewAvailable Jour, Scientific online Indexing at: Services, InfoBase Index, Open Academic Journals Index http://www.ijssm.org(OAJI), Scholarsteer, Jour Informatics, Directory of Research Journals Indexing (DRJI), International& Society for Research Activity http://www.nepjol.info/index.php/IJSSM/index (ISRA): Journal Impact Factor (JIF), Simon Fraser University Library, etc. Vol- 2(4), October 2015 Impact factor*: 3.389 *Impact factor is issued by SJIF INNO SPACE. Kindly note that this is not the IF of Journal Citation Report (JCR). For any type of query or feedback kindly contact at email ID: [email protected] R.N. Pati et al. (2015) Int. J. Soc. Sci. Manage. Vol-2, issue-4: 315-326 DOI: 10.3126/ijssm.v2i4.13620 Research Article CULTURAL RIGHTS OF TRADITIONAL MUSICIANS IN ETHIOPIA: THREATS AND CHALLENGES OF GLOBALISATION OF MUSIC CULTURE R.N. Pati1*, Shaik Yousuf. B1 and Abebaw Kiros2 1Department of Anthropology, Institute of Paleoenvironment and Heritage Conservation, Mekelle University, Mekelle, Ethiopia. 2Department of Music and Visual Arts, College of Social Sciences, AdiHaqi campus, Mekelle University, Mekelle, Ethiopia. Corresponding author’s email: [email protected] Abstract Ethiopia upholds unique cultural heritage and diverse music history in entire African continent. The traditional music heritage of Ethiopia has been globally recognized with its distinct music culture and symbolic manifestation. The traditional songs and music of the country revolves around core chord of their life and culture. The modern music of Ethiopia has been blended with combination of elements from traditional Ethiopian music and western music which has created a new trend in the music world.