DOCSLIB.ORG

Generated with Expertpdf Html to Pdf Converter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Generated with Expertpdf Html to Pdf Converter Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Search Wikipedia The Beatles Anthology (TV series) From Wikipedia, the free encyclopedia Main page The Beatles Anthology is a documentary series on the career of The Beatles. It was Contents broadcast on UK television in six abridged parts on ITV between 19 and 23 November The Beatles Anthology Featured content 1995, while in the United States it was seen as three feature­length episodes on ABC.[1] Genre Music documentary Current events An eight­volume VHS set and an eight­disc Laserdisc set were released on 5 Written by Bob Smeaton Random article September 1996.[citation needed] The series was re­released on DVD in 2003, with an 81­ Directed by Geoff Wonfor Donate to Wikipedia Bob Smeaton Wikipedia store minute special­features disc. Starring John Lennon Interaction Contents [hide] Paul McCartney George Harrison Help 1 Production history Ringo Starr About Wikipedia 1.1 The Long and Winding Road Theme music The Beatles Community portal 1.2 Project resurrected composer George Martin Recent changes 1.3 Critical reception Country of United Kingdom Contact page 1.4 New music origin 2 Production credits Tools Original English 3 Episodes What links here language(s) 3.1 One (July '40 to March '63) Related changes No. of 8 3.2 Two (March '63 to February '64) Upload file episodes Special pages 3.3 Three (February '64 to July '64) Production Permanent link 3.4 Four (August '64 to August '65) Producer(s) Neil Aspinall Page information 3.5 Five (August '65 to July '66) Chips Chipperfield Wikidata item 3.6 Six (July '66 to June '67) Cite this page 3.7 Seven (June '67 to July '68) Running time 11:23:24 3.8 Eight (July '68 to The End) Distributor EMI Records Print/export Label: Apple Corps 3.8.1 DVD Special Features [citation needed] Create a book 07243 4 92969 9 2 4 Notes Download as PDF 5 References Release Printable version 6 External links Original 19 November – 23 November Languages release 1995 Español [ edit ] Norsk Production history Edit links The Long and Winding Road [ edit ] An official documentary on The Beatles career had been in the pipeline as early as 1970. Long­time friend and Apple Corps manager Neil Aspinall had compiled footage of concert, interview, and television appearances from various sources around the world. From this archival footage, he assembled a 90­minute feature film which was tentatively titled The Long and Winding Road and was completed in 1971. At this point, none of the former members had any involvement with the project, and plans for its release lay dormant until 1980, when John Lennon made a statement as part of a legal deposition against the producers of the musical Beatlemania. "I and the other three former Beatles have plans to stage a reunion concert", he said, referring to an event that was to be filmed as a finale of The Long and Winding Road (which was now to be a television special).[2] According to Yoko Ono, the concert would have been held in England: "Just days before his brutal death, John was making plans to go to England for a triumphant Beatles reunion. His greatest dream was to recreate the musical magic of the early years with Paul, George and Ringo … (he) felt that they had traveled different paths for long enough. He felt they had grown up and were mature enough to try writing and recording new songs."[3] The alleged plan for a reunion was abandoned after Lennon was murdered on 8 December. Project resurrected [ edit ] In 1992, the project was resurrected as a six­part documentary series. This time, the surviving members[4] were directly involved, giving interviews on film with Jools Holland. Lennon's interviews were sourced from archived footage. Also interviewed were insiders Neil Aspinall, the band's press agent Derek Taylor, and their long­time producer George Martin. The title of the documentary was now changed to The Beatles Anthology, as George Harrison was against naming the entire Beatles career after a Paul McCartney song.[citation needed] This new title was to be a working one but it eventually stayed, as it suited the parties concerned.[5] A rough cut was completed in 1993 which was much more interview­based and focused on events, as opposed to the final cut, which included more concert and television performances.[6] This early version of the series has since leaked and been released via bootleg. The documentary was broadcast on American television in three feature­length episodes comprising six abridged parts (two per episode) on Sunday 19 November, Wednesday 22 November, and Thursday 23 November 1995. It aired from 9 pm to 11 pm on ABC.[citation needed] The documentary was released on VHS and Laserdisc the following year. The Anthology was first shown on American television on ABC; the tagline for the network during the time was "A Beatles C".[7][8] Critical reception [ edit ] The documentary was met with generally positive reviews. Richard Buskin, author of The Complete Idiot's Guide to Beatles, commented that the retelling of the band's story was "extremely subjective" with the small lineup of only the four Beatles plus Martin, Aspinall and Taylor to voice their recollections.[9] McCartney, Harrison and Starr "provided insights into their legend from the mature perspective of men in their fifties", according to Buskin, while "Lennon's [interviews] mostly originated from when he was in his twenties or thirties."[9] When viewing the separate interviews, the three surviving Beatles did not always recall events the same way. Compromises had to be reached so that sensibilities were not offended, in particular with regard to events resulting in the 1970 breakup. Thus, Buskin stated, the end result was not a definitive story of the Beatles' history, but rather a diplomatic celebration.[9] New music [ edit ] The plans for a concert were abandoned and replaced with the intention that the surviving three members would play some incidental music in between segments and interviews. It was then put forward[by whom?] that the Beatles should write some new songs for the project. Both McCartney and Harrison wrote some material which became the song "All For Love", but it was then suggested[by whom?] to ask Yoko Ono if Lennon had left any unfinished material that they could work with. Ono gave McCartney cassette tapes in 1994 after they appeared together on stage at Lennon's induction to the Rock and Roll Hall of Fame. The tapes contained four song demos that Lennon had been working on: "Free as a Bird", "Real Love", "Now and Then" and "Grow Old With Me". The last two were left unfinished by the group,[10] but "Free as a Bird" and "Real Love" were completed with producer Jeff Lynne in 1994–95 and premiered during the Anthology's initial broadcast. Production credits [ edit ] Editor: Andy Matthews Production Manager: Bryony Cranstoun Line Producer: Stan Storc Archive Consultants: Julian Adamoli/Geraldine Royds Design/Art Direction: Richard Ward/The Team Cover Concept: Klaus Voormann Cover Painting: Klaus Voormann/Alfons Kiefer Picture Grading & Image Restoration: Ascent Media, London Picture Aspect: 4:3 Sound: LPCM Stereo, Dolby Digital 5.1 surround sound, DTS 5.1 surround sound Episodes [ edit ] All songs are written by Lennon–McCartney and performed by The Beatles, unless otherwise noted. One (July '40 to March '63) [ edit ] 1. Liverpool: The Childhood Years [7:35] "In My Life" – Edited clip of Beatles footage throughout the years. 2. Discovering Rock & Roll [11:23] 3. John, Paul & George – The Beginning of The Beatles [5:21] 4. First Recordings 1958–1960 [2:55] 5. Stuart Sutcliffe [3:20] 6. Early Tours [6:59] 7. Pete Best [2:07] 8. Hamburg [13:16] "Roll Over Beethoven" (Chuck Berry) 9. Growing Pains [1:09] 10. Stuart Sutcliffe Leaves [2:08] Excerpts of the following songs: "I'm Down" "F.B.I." (Marvin­Welch­Harris) — Performed by The Shadows 11. The Cavern [4:08] Excerpts of the following songs: "Long Tall Sally" (Johnson­Blackwell­Penniman) "Kansas City" (Leiber­Stoller) 12. Decca Sessions [1:28] Audition tapes recorded at the Decca Studios, London on 1 January 1962. "Three Cool Cats" (Leiber­Stoller) — Harrison on lead vocal and Best on drums. "The Sheik of Araby" (Smith­Wheeler­Snyder) — Harrison on lead vocal and Best on drums. Audition tape recorded at Decca Studios, London on 1 January 1962, sequel to Get Back Sessions Footage. "Bésame Mucho" (Velazquez­Skylar) — Paul McCartney on lead vocal and Pete Best on drums. 13. "George Martin" [1:40] The Beatles and George Martin discuss the context of their first meeting and recording contract. 14. Ringo Arrives [4:44] "Some Other Guy" (Leiber­Stoller­Barrett) — video of the whole song played by the Beatles (with Ringo) in the Cavern. 15. "Love Me Do" [3:13] Overdubbed footage of the Beatles performing "Love Me Do" in 1963, which merges at the very end into brief footage of Ringo playing drums in 1995 during the Anthology sessions. 16. "Please Please Me" – "We're No. 1" [7:27] "How Do You Do It?" (Murray) Audio of performance by Mitch Murray. Video of performance by Gerry & the Pacemakers. Audio of performance by The Beatles recorded at Abbey Road Studios on 4 September 1962. "Please Please Me" – performed live in 1964 on The Ed Sullivan Show "Leave My Kitten Alone" (John­Turner­McDougal) — Demo recording done on 14 August 1964 at Abbey Road Studios and played over the credits. Two (March '63 to February '64) [ edit ] 1.
Load more

Recommended publications
  • BWTB Nov. 13Th Dukes 2016
    1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • DVD Review: Strange Fruit: the Beatles' Apple Records - Blogcritics Video Page 1 of 4
    DVD Review: Strange Fruit: The Beatles' Apple Records - Blogcritics Video Page 1 of 4 SECTIONS WRITERS PARTNERS MORE TV/Film Music Culture Sci/Tech Books Politics Sports Gaming Tastes Home Video DVD Review: Strange Fruit: The Beatles' Apple Records DVD Review: Strange Fruit: The Beatles' Apple Records Share 9 2 retweet 0 Author: Wesley Britton — Published: Mar 29, 2012 at 10:27 am 5 comments Ads by Google The Beatles DVD Video Video Girls Music DVD BC TV/Film Sponsor Are You Writing a Book? Advertise here now Get a free guide to professional editing & publishing options. www.iUniverse.com In Chrome Dreams’ previous documentary on a specialty record company, From Straight to Bizarre , the filmmakers had several advantages. First, the story of Frank Zappa and Herb Cohen’s eccentric labels is known mainly among cult circles. Much of the music discussed is extremely rare, so most viewers would find this film an eye-opening history lesson in a rather obscure chapter of rock. Second, while there was useful commentary from music historians, the heart of the film were the interviews with many of the actual participants including members of the GTOs, Alice Cooper, and Captain Beefheart’s Magic Band. However, the story for Strange Fruit: The Beatles' Apple Records is rather different and much more complex. After all, Apple had four head chefs named John, Paul, George, and Ringo with other key players like Beatle compatriots Peter Asher, Mal Evans, and Neil Aspinall. While the Zappa and Beatles projects were almost exactly concurrent (essentially from 1968 to the mid-70s), Apple Records had a very high profile indeed.
    [Show full text]
  • George Harrison
    COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they
    [Show full text]
  • KLOS Aug.5Th
    1 PLAYLIST AUG. 5TH 2012 Special Guests WINGS Denny Seiwell – Denny Laine – Laurence Juber 1 2 9AM The Beatles - Rain - Non-LP B-side (Lennon-McCartney) Lead vocal: John Recorded on April 14 and 16, 1966. The track is notable for the backwards vocal from John Lennon at the end of the song. The section is John singing part of the first verse but the tape is superimposed backwards in the mix. The song contains slowed down instruments, guitar distortion, and vocals recorded and played back at variable speed. Aside from Paul McCartney’s dominant bass part, the song features a striking drum performance from Ringo, who has called “Rain” his favorite Beatles song. The B-side of “Paperback Writer.” Issued in America on May 23, 1966 and the UK on June 10, 1966, several months in advance of the “Revolver” album. On U.S. album: Hey Jude - Capitol LP (1970) 2 3 The Beatles - Paperback Writer - A Collection Of Beatles Oldies (Lennon-McCartney) Lead vocal: Paul The Beatles’ twelfth single release for EMI’s Parlophone label. Recorded on April 13 and 14, 1966. The track is notable for Paul McCartney’s furious bass line. The bass is so prominent in the mix that sound engineers at EMI worried it could cause the stylus of a record player tone arm (the needle thing on record players) to jump when fans played the 45 RPM single at home. Thankfully, no such calamity occurred. For this heavy bass sound Paul’s chose to replace his usual Hofner bass with a Rickenbacker 4001S bass.
    [Show full text]
  • Super Bowl Singles Sunday 2017
    1 TH PLAYLIST FEB. 5 2017 SUPER SINGLES SUNDAY As we feature the Beatles 1 PLUS LP 2 9AM The entire NEW Beatles 1 PLUS (including bonus highlights) The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI), Ringo Starr (September 4, 1962), and Andy White (September 11, 3 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland. On U.S. albums: Introducing… The Beatles (Version 1) - Vee-Jay LP The Early Beatles - Capitol LP The Beatles - From Me To You - A Collection of Beatles Oldies `66 (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ third single release for EMI’s Parlophone label.
    [Show full text]
  • BWTB Revolver @ 50 2016
    1 PLAYLIST AUG. 7th 2016 Part 1 of our Revolver @ 50 Special~ We will dedicate to early versions of songs…plus the single that preceded the release of REVOLVER…Lets start with the first song recorded for the album it was called Mark 1 in April of 1966…good morning hipsters 2 9AM The Beatles - Tomorrow Never Knows – Revolver TK1 (Lennon-McCartney) Lead vocal: John The first song recorded for what would become the “Revolver” album. John’s composition was unlike anything The Beatles or anyone else had ever recorded. Lennon’s vocal is buried under a wall of sound -- an assemblage of repeating tape loops and sound effects – placed on top of a dense one chord song with basic melody driven by Ringo's thunderous drum pattern. The lyrics were largely taken from “The Psychedelic Experience,” a 1964 book written by Harvard psychologists Timothy Leary and Richard Alpert, which contained an adaptation of the ancient “Tibetan Book of the Dead.” Each Beatle worked at home on creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards. Paul got “arranging” credit. He had discovered that by removing the erase head on his Grundig reel-to-reel tape machine, he could saturate a recording with sound. A bit of….The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul 3 The Beatles - Here, There And Everywhere / TK’s 7 & 13 - Revolver (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966.
    [Show full text]
  • The Beatles in Context Edited by Kenneth Womack Frontmatter More Information
    Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information THE BEATLES IN CONTEXT Since their first performances in 1960, the Beatles’ cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from Dance Halls to Abbey Road Studios and the digital age, the band’s impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles’ fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band’s complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore the Beatles’ lives and work and understand their cultural legacy, focusing on the people and places central to the Beatles’ careers, the visual media that contributed to their enduring success, and the culture and politics of their time. kenneth womack is Dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University, where he also serves as Professor of English. He is the author or editor of numerous books, including Long and Winding Roads (2007), Cambridge Companion to the Beatles (2009), and The Beatles Encyclopedia (2014). More recently, he is the author of a two-volume biography of Beatles producer George Martin, including Maximum Volume: The Life of Beatles Producer George Martin (The Early Years, 1926–1966) and Sound Pictures: The Life of Beatles Producer George Martin (The Later Years, 1966–2016). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information composers in context Understanding and appreciation of musical works is greatly enhanced by knowledge of the context within which their composers lived and worked.
    [Show full text]
  • Was Original Whom He Liked, Though He's Not Too Keen on Originally As Nobody Ever Asked Me to Play Live
    HARRY NILSSON r.,I3 ej ictor "We thought it had a sense of humour. I don't know... things that the studio has to offer which you can't do in I guess I'm just bitter about it. I think that sense of g a live situation. I did some TV shows in America a long humour is the single most lacking thing in popular time ago -the Johnny Carson show, the Mike Douglas music. It's also the single most lacking quality in the show -with just me and a piano. people that present popular music to the public. It hurts, "I was once advised to do live shows and appear on TV. because that's what rock'n'roll is all about -fun. I agreed to the TV. 'Everybody's Talkin" had just come out and "'Acting lilce a man on a fuzzy tree. .'It's humour. How serious can you it was a hit, so I went on this TV show. I didn't have a suit to wear so I get about'your baby, my baby'?Lots of musicians take it too seriously and borrowed my manager's suit, which didn't fit. As soon as it was over it's dull and boring, and that's what's killing pop music. I like humour and I realised I was making a mistake and stopped doing it. My reputation I like songs that have humour. That's why I'm arguing with RCA. is now unscathed. "They don't get the joke aboutGod's Greatest Hits.I asked them whether "I've talked about it with the band that I use on the albums but I don't they'd have turned downJesus Christ Superstarfor the same reason.
    [Show full text]
  • Download PDF < Free As a Bird \\ OJKWQAQC87ON
    OHFPU4UKH3H6 \ eBook Free as a Bird Free as a Bird Filesize: 8.91 MB Reviews This composed pdf is great. It usually will not cost too much. I am very easily can get a pleasure of reading a composed book. (Luis Klein) DISCLAIMER | DMCA Y11MNZKPITZ7 > Kindle // Free as a Bird FREE AS A BIRD To download Free as a Bird PDF, you should click the web link under and download the ebook or have access to other information that are in conjuction with FREE AS A BIRD book. Alphascript Publishing. Taschenbuch. Book Condition: Neu. Neuware - 'Free as a Bird' is a song performed by The Beatles. The single was released on 4 December 1995, as part of the promotion for the release of The Beatles Anthology video documentary and the band's Anthology 1 compilation album. The song had been written and recorded as a demo by John Lennon in 1977. Paul McCartney asked Lennon's widow Yoko Ono for any unreleased material by Lennon, and 'Free as a Bird' was chosen as being the song all three remaining Beatles could be involved in, as they could finish the arrangement and write extra lyrics. Je Lynne of Electric Light Orchestra was asked to co-produce the record as he had worked with George Harrison as part of The Traveling Wilburys. The music video for 'Free as a Bird' was produced by Vincent Joliet and directed by Joe Pytka (Space Jam) and depicts, from the point of view of a bird in flight, many references to The Beatles songs, such as 'Strawberry Fields Forever,' 'Penny Lane', 'Paperback Writer', 'A Day in the Life', 'Eleanor Rigby', 'Helter Skelter' and many, many more.
    [Show full text]
  • Harmonic Resources in 1980S Hard Rock and Heavy Metal Music
    HARMONIC RESOURCES IN 1980S HARD ROCK AND HEAVY METAL MUSIC A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts in Music Theory by Erin M. Vaughn December, 2015 Thesis written by Erin M. Vaughn B.M., The University of Akron, 2003 M.A., Kent State University, 2015 Approved by ____________________________________________ Richard O. Devore, Thesis Advisor ____________________________________________ Ralph Lorenz, Director, School of Music _____________________________________________ John R. Crawford-Spinelli, Dean, College of the Arts ii Table of Contents LIST OF FIGURES ............................................................................................................................... v CHAPTER I........................................................................................................................................ 1 INTRODUCTION ........................................................................................................................... 1 GOALS AND METHODS ................................................................................................................ 3 REVIEW OF RELATED LITERATURE............................................................................................... 5 CHAPTER II..................................................................................................................................... 36 ANALYSIS OF “MASTER OF PUPPETS” ......................................................................................
    [Show full text]
  • Download PDF File
    Goran Skrobonja RUBBER SOUL PROJEKT: PUTOVANJE Alternativna muzička istorija/ konceptualni eksperiment THE RUBBER SOUL PROJECT JOURNEY Alternative music history / a conceptual experiment DRAMATIS PERSONAE: DRAMATIS PERSONAE: (po redu izlaska na scenu) (in the order of appearance) RASTKO ĆiRiĆ (Beograd, 1955) Rastko ĆiRiĆ (Belgrade, 1955) Profesor ilustracije i animacije Professor of illustration and anima- na Fakultetu primenjenih umet­ tion at the Faculty of Applied Arts nosti u Beogradu. Poznati ilu­ in Belgrade. Well known illustrator strator i animator. Samouki and animator. Self-taught musician. mu zičar. Dugo godišnji Bitls fa­ Long-standing Beatles fanatic. natik. GORAN SKROBONJA (Belgrade, GORAN SKROBONJA (Beo­ 1962) Lawyer and Sworn to Court grad, 1962) Dipl. prav nik i sud­ ski tumač, književ­­ni prevodilac i Interpreter, literary translator and pisac horora i naučne fantastike. writer of horror and science fiction. Dugogodišnji Bitls fanatik. Long-standing Beatles fanatic. NEBOJŠA IgnjatoviĆ–NEBE NEBojŠa IGNJAToviĆ–NEBE (Beograd, 1951) Profesor kon­ (Belgrade, 1951) double bass profes- trabasa na Fakultetu muzičke sor at the Faculty of Music Arts in umetnosti u Beogradu. Kom­ Belgrade. Composer and theater mu- pozitor i teatarski muzičar. Bivši sician. A former member of the Bel- član Beogradske filharmonije, grade Philharmonic Orchestra Sko- orkestra Skovran, grupe Rene- vran, Renaissance Group, Symphony sans, Simfonij skog orkestra Nju Orchestra of New Jersey, USA. Long- Džersija, SAD. Dugogodišnji standing Beatles fanatic. Bitls fanatik. MIROSLAv CvetkoviĆ MIroslav CVETKOViĆ (Beo­ (Belgrade, 1953) bass guitarist in the grad, 1953) Bas gitarista u Ba­ Bajaga’s band. Sound engineer and jaginom bendu. Inženjer zvuka i producent. Osnivač i dekan producer. Founder and Dean of the beogradske Rok akademije.
    [Show full text]