Latin America and Asia
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1 Uniwersytet Warszawski Wydział Filozofii I Socjologii Instytut
1 Uniwersytet Warszawski Wydział Filozofii i Socjologii Instytut Socjologii Danuta Zasada Strategie tożsamościowe Nikkei hiszpańskojęzycznych w Japonii Rozprawa doktorska napisana pod kierunkiem prof. Ewy Nowickiej Praca została przyjęta Podpis promotora …………………………………………. Warszawa, 2017 rok 2 Strona tytułowa……………………………………………………………………………….1 Spis treści……………………………………………………………………………………...2 Streszczenie……………………………………………………………………………………5 WSTĘP………………………………………………………………………………………...7 Uwagi dotyczące używanych terminów i skrótów…………………………………………21 Podziękowania……………………………………………………………………………….22 ROZDZIAŁ I. KONCEPCJA PRACY…………………………………………………….23 1.1 Kontekst teoretyczny……………………………………………………………23 1.2 Pojęcie migracji powrotnych a przypadek Nikkei…………………………….24 1.3 Wybór paradygmatu…………………………………………………………….26 1.4 Pojęcie tożsamości……………………………………………………………….31 1.5 Strategie tożsamościowe…………………………………………………………38 1.6 Metody badań i trudności w trakcie pracy w terenie………………………….42 1.6.1 Zbieranie danych…………………………………………...……………45 1.6.2 Obserwacja w czasie imprez…………………………………………….46 1.6.3 Drukowane i elektroniczne źródła informacji………………………….48 1.6.4 Wywiady i ich uwarunkowanie osobą badaczki……………………….49 1.6.5 Scenariusz wywiadu……………………………………………………..59 ROZDZIAŁ II. SKĄD SIĘ WZIĘLI NIKKEI W JAPONII. RYS HISTORYCZNY…..64 2.1. Uwagi wstępne…………………………………………………………………...64 2.2. Historia emigracji japońskiej…………………………………………………..66 2.3. Emigracja japońska do poszczególnych krajów Ameryki Łacińskiej……….76 2.3.1. Emigracja do Argentyny………………………………………………….76 2.3.2. Emigracja -
Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Black History Month 2018
Black History Month 2018 Theme: Artists • This year we will be celebrating Black History Month with a focus on Black artists in the field of fine art, sculpture, architecture • In recent years, the important contribution that black artists have made in all fields of art has been highlighted and DKH we are going to celebrate the significant impact that has been made by black artists in Britain, USA and across the world. • Today, you will have the opportunity to learn about and been inspired by the art of some black artists. There might be a particular artist or form of art you prefer. Be inspired and have a go at creating your own art both at school and at home. •ENJOY OBSERVE ENGAGE REFLECT Michel-Jean Cazabon (September 20, 1813 – November 20, 1888) is regarded as the first great Trinidadian painter and is Trinidad’s first internationally known artist. He is also known as the layman painter. He is renowned for his paintings of Trinidad scenery and for his portraits of planters, merchants and their families in the 19th century. Boscoe Holder (1921-2007) was born in Port of Spain, Trinidad and Tobago. He was Trinidad and Tobago's leading contemporary painter, who also had a celebrated international career spanning six decades as a designer and visual artist, dancer and musician. Jacob Lawrence (September 7, 1917 – June 9, 2000) • He was an African-American painter known for his portrayal of African-American life. Stephen Wiltshire (24th April 1974 • Stephen Wiltshire is a British architectural artist and autistic savant. He is known for his ability to draw from memory a landscape after seeing it just once. -
Ultraman Hawaii’
Sex differences in pacing during `Ultraman Hawaii' Beat Knechtle1,2 and Pantelis T. Nikolaidis3 1 Gesundheitszentrum St. Gallen, St. Gallen, Switzerland 2 Institute of Primary Care, University of Zurich, Zurich, Switzerland 3 Exercise Physiology Laboratory, Nikaia, Greece ABSTRACT Background. To date, little is known for pacing in ultra-endurance athletes competing in a non-stop event and in a multi-stage event, and especially, about pacing in a multi-stage event with different disciplines during the stages. Therefore, the aim of the present study was to examine the effect of age, sex and calendar year on triathlon performance and variation of performance by events (i.e., swimming, cycling 1, cycling 2 and running) in `Ultraman Hawaii' held between 1983 and 2015. Methods. Within each sex, participants were grouped in quartiles (i.e., Q1, Q2, Q3 and Q4) with Q1 being the fastest (i.e., lowest overall time) and Q4 the slowest (i.e., highest overall time). To compare performance among events (i.e., swimming, cycling 1, cycling 2 and running), race time in each event was converted in z score and this value was used for further analysis. Results. A between-within subjects ANOVA showed a large sex × event (p D 0:015, η2 D 0:014) and a medium performance group × event interaction (p D 0:001, η2 D 0:012). No main effect of event on performance was observed (p D 0:174, η2 D 0:007). With regard to the sex × event interaction, three female performance groups (i.e., Q2, Q3 and Q4) increased race time from swimming to cycling 1, whereas only one male performance group (Q4) revealed a similar trend. -
384 Alain Boulanger, John Cowley & Marc Monneraye This Book Is
384 book reviews Alain Boulanger, John Cowley & Marc Monneraye Creole Music of the French West Indies: A Discography 1900–1959. Holste-Oldendorf, Germany: Bear Family Records, 2014. 367 pp. (Cloth US$61.18) This book is a rarity—a discography that dazzles: one part visual treat, one part meticulous scholarly document. Its publisher, known for lavish boxed sets of rereleased popular music of the past (mostly American and European), took its first major plunge into Caribbean music in 2006 with ten cds of classic Trinidadian recordings from the late 1930s accompanied by a thick, beautifully illustrated book including chapters by several of the world’s lead- ing calypso scholars.1 Though lacking companion cds, the present book makes an equally noteworthy contribution. It began in 2008 as a less elaborate publication with limited distribution.2 The 2014 version, vastly improved, is the only extensive discographic treatment of French Antillean music to date. Drawing on the authors’ personal archives, the audiovisual department of the Bibliothèque Nationale de France, the British Library Sound Archive, and a number of other libraries and private collections, it lists what must be the great majority of commercial recordings of French Caribbean music released (on 78 rpm discs, LPs, and 45 rpm singles) during roughly the first half of the twentieth century. It also includes a handful of “ethnographic recordings” made by linguists, folklorists, and musicologists during this period. The book’s two main components—the discography and historical essay— evidence years of painstaking research, and include, in addition to basic disco- graphic information (names of singers/band leaders and/or orchestras, album and/or song titles, dates, recording locations, labels, and catalog numbers), many valuable details. -
Press Release
GOBELINS and Netflix strengthen their partnership in favour of the emergence of new talents in animation Paris, November 3rd, 2020 - One year after the establishment of a partnership aimed at identifying and developing new talent in animation, Netflix and GOBELINS announce a new chapter in their collaboration with the creation of scholarships for three Bachelor's students, a new post-baccalaureate course. This new chapter of action complements the initiatives already in place with, in particular, the financing of scholarships for Master students from the African continent and the integration each year of a young graduate from GOBELINS into the Netflix Animation Fellowship programme. A broadening of the partnership set up in 2019 On the occasion of the start of the 2020 academic year, Netflix and GOBELINS are strengthening the partnership set up in 2019 with the creation of scholarships that will give three students each year access to GOBELINS' education as part of the introduction of a Bachelor's degree. This new course aims to master all animation techniques, both traditional and digital (2D and 3D), from pre-production to post-production, using professional methods practised in animation film studios in France and abroad. The first beneficiaries of this character animation apprenticeship scholarship programme will be appointed in June 2021. "We are proud to help foster the emergence of new talent from diverse backgrounds alongside GOBELINS. With this new chapter of our collaboration, we will also be able to support younger profiles with just raw talent and their highschool diploma in their pockets", said Dominique Bazay, Kids & Family Director at Netflix. -
Songbook October 2015
Žižkov Karaoke! Song Lists October 2015: • General Song List 1 • Duets 57 • Musicals, Movies and TV etc. 59 • Czech & Slovak Songs 63 • Other Languages 67 Find a song you'd like to sing. Find a piece of paper and a pen. Write down: • The name of the song. • The name of the artist. • And your name! Give the piece of paper to the host or the KJ. Karaoke tips: Sing by yourself, unless you're singing a duet. Put in multiple songs at once if you know already what you want to sing next. It's easier for the KJ and you'll be up sooner. Be patient, if you arrived late there will probably be a lot of people singing before you. Asking the KJ will not help, arriving early will. Enjoy! www.zizkovkaraoke.com 1 www.zizkovkaraoke.com 1 General Song List General Song List 10cc 98 Degrees ABBA Donna Because Of You Thank Abba For The Dreadlock Holiday Hardest Thing Music (Mix) (With Im Mandy Way You Want Me To Vocals) Im Not In Love A Teens Thank You For The Music Rubber Bullets Upside Down Voulez-Vous Things We Do For Love A1 Waterloo Wall Street Shuffle Caught In The Middle Winner Takes It All 112 No More ABC Dance With Me Nothing Look Of Love 2 Eivissa Ready Or Not ACDC Oh La La La Summertime Of Our Back In Black 2 Unlimited Lives Big Balls No Limit Aaliyah Big Gun 21st Century Girls More Than A Woman Dirty Deeds Done Dirt 21st Century Girls Rock The Boat Cheap 3 Doors Down Try Again For Those About To Rock Away From The Sun Aaron Tippin Have A Drink On Me Be Like That Always Was Heatseeker Here Without You Door Hells Bells Kryptonite I Get A Kick Out -
A Unified Platform for Big Trajectory Data Management and Analytics
UlTraMan: A Unified Platform for Big Trajectory Data Management and Analytics Xin Ding∗;y Lu Chenz Yunjun Gao∗;y Christian S. Jensenz Hujun Bao∗;y ∗State Key Laboratory of CAD&CG, Zhejiang University, Hangzhou, China yCollege of Computer Science, Zhejiang University, Hangzhou, China zDepartment of Computer Science, Aalborg University, Aalborg, Denmark fdingxin@, gaoyj@, [email protected] fluchen, [email protected] ABSTRACT also in real-world applications. As an example, DiDi, the Massive trajectory data is being generated by GPS-equipped largest ride-sharing company in China, utilizes trajectory devices, such as cars and mobile phones, which is used in- data to provide services such as travel time prediction, de- creasingly in transportation, location-based services, and mand forecasting, and carpool scheduling [6]. The explosive urban computing. As a result, a variety of methods have increase in data volumes and the rapid proliferation of new been proposed for trajectory data management and ana- data analysis methods expose three shortcomings of tradi- lytics. However, traditional systems and methods are usu- tional trajectory data management platforms. ally designed for very specific data management or analyt- First, in real-life applications, trajectory data is collected ics needs, which forces users to stitch together heteroge- at a rapid pace. For instance, the Daisy Lab at Aalborg neous systems to analyze trajectory data in an inefficient University currently receives some 100 million points per manner. Targeting the overall data pipeline of big trajec- day from about 40,000 vehicles in Denmark. Consequently, tory data management and analytics, we present a unified traditional centralized systems [13, 23, 35] are or will be platform, termed as UlTraMan. -
Dancing Postcolonialism
Sabine Sörgel Dancing Postcolonialism TanzScripte | edited by Gabriele Brandstetter and Gabriele Klein | Volume 6 Sabine Sörgel (Dr. phil.) teaches the history and theory of theatre and dance at Johannes Gutenberg-University Mainz. Her current research includes cross- cultural corporealities, contemporary performance and postcolonial theory. Sabine Sörgel Dancing Postcolonialism The National Dance Theatre Company of Jamaica Die vorliegende Arbeit wurde vom Fachbereich 05 Philosophie und Philologie der Jo- hannes Gutenberg-Universität Mainz im Jahr 2005 als Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) angenommen. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2007 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Cover illustration: Rex Nettleford, NDTC’s »moving spirit«, co-founder, princi- pal choreographer, and current Artistic Director. Here seen in lead role of »Myal«. Credits: Photographs: cover illustration and pages 100, 102, 103, 110, 112, 119, 131, 175, 176, 177 courtesy and copyright by Maria LaYacona and NDTC ar- chives; page 140 courtesy and copyright by Denis Valentine and NDTC ar- chives; page 194 courtesy and coypright by W. Sills and NDTC archives. All video stills: courtesy -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Challenge of Japanese-Peruvian Descendent Families in the XXI Century
Challenge of Japanese-Peruvian descendent families in the XXI century, Peruvian dekasegi in Japan: Overview of Socio Economic Issues of Nikkei by LAGONES VALDEZ Pilar Jakeline DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in International Development Doctor of Philosophy GRADUATE SCHOOL OF INTERNATIONAL DEVELOPMENT NAGOYA UNIVERSITY Approved by the Dissertation Committee: Naoko SHINKAI (Chairperson) Sanae ITO Hideto NISHIMURA Tetsuo UMEMURA Approved by the GSID Committee: March 07, 2016 1 Acknowledgements First, I would like to give my gratefulness to Professor SHINKAI Naoko, my academic advisor, for her priceless academic guidance throughout my research term at the Graduate School of International Development in Nagoya University. I achieved my goals as a graduate student with her useful and professional advices. She also gave me an invaluable guidance for my social life in Japan. She encouraged and supported me warmly. I would also like to deeply thank Professor ITO Sanae and Professor NISHIMURA Hideto, who supported me with valuable comments. I would like to appreciate Professor FRANCIS Peddie for important comments in my dissertation. I also thank to all my seminar members, who helped me with their experience and knowledge. In Japan, they became my family members. I felt so happy to meet them in my life. I appreciate the Peruvian Consul in Japan, who gave me the permission to do my interview survey to Peruvian Nikkei. I also thank to the Peruvian Nikkei community, they permitted me to enter their home to observe and interview with questions regarding to my research during my field work. -
Teaching and Learning Across an Ethnic Divide: Peruvian Parents and a Japanese School
「TEACHING AND LEARNING ACROSS AN ETHNIC DIVIDE」(Robert MOOREHEAD) TEACHING AND LEARNING ACROSS AN ETHNIC DIVIDE: PERUVIAN PARENTS AND A JA PANESE SCHOOL Robert MOOREHEAD Key Word: Immigrant integration, Acculturation, Education, Japan, Japanese-Peruvians, Race, Ethnicity My fieldwork at Shiroyama1public elementary school began dramatically, as Mr. Nakamura, a Japanese teacher in his fifties, explained his views on Latino cultures. “‘Hasta mañana’ tte wakaru,” he asked me. (“Do you know ‘hasta mañana’ [until tomorrow]?”)2“Perū-jin mo burajiru-jin mo, ratenjin dakara, shigoto shinai shi, jikan mo mamoranai. Itsumo ‘hasta mañana’ da” (“Peruvians and Brazilians are Latino, so they don’t work, and they don’t value time. It’s always hasta mañana.”) “Raten-kei dakara,” he explained. (“It’s because they’re Latino.”) Amid national and local public policy discussions of developing Japan into a multicultural society, the difficulties of communicating with foreign parents who speak little to no Japanese often frustrate Japanese public school teachers. As frustrations mount, teachers also complain that these parents are not acquiring Japanese language and culture quickly enough and are remaining too foreign. In contrast, foreign parents complain about the structural constraints that limit their ability to effectively interact with the school, despite their desire to be more involved. Based on ongoing research, this case study uses examples from parent-teacher interactions, including each side’s expressed concerns about the other, to explore the often-tense relationship between Peruvian parents and Japanese teachers. This approach challenges some teachers’ “definition of the situation” (Thomas 1923), and highlights structural factors that place the parents in a disadvantageous position when interacting with the school, including poor language support, ineffective remedial language instruction, and the view that parents’ cultural difference is a source of problems at the school.