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Newsletter of the Institute of Slavic, East European, and Eurasian Studies
ISSN 1536-4003 University of California, Berkeley Newsletter of the Institute of Slavic, East European, and Eurasian Studies Fall 2005 Volume 22, Number 3 Notes from the Director In this issue: Welcome to another year of intellectual stimulation, learning, and convivi- ality. I am very happy to announce that we will be joined by two new Notes from the Director ................... 1 faculty members: Victoria Frede, Assistant Professor in the History Development of Slavic Studies ....... 2 Department, and Jason Wittenberg, Assistant Professor in the Department Campus Visitors .............................. 2 of Political Science. Victoria is a Berkeley Ph.D. (2002), so many of you Fall Courses .................................... 3 already know her. She works on Imperial Russia, primarily eighteenth- Recent Graduates ........................... 4 and nineteenth-century intellectual history. Jason received his Ph.D. at Susanne Wengle MIT in 1999. His main research interests include the comparative politics The Monetization of L'got: Politics of Eastern Europe, especially Hungary. Please help us welcome them to of Welfare and International Change our community. in Russia ............................................ 5 Olga Matich The fall semester begins with a very ambitious program organized by A Digital Map of Petersburg at the the Caucasus and Central Asia Program (CCAsP), directed by Dr. Sanjyot Beginning of the 20th Century ......... 12 Mehendale. It includes an exhibit of paintings by the Kazakh artist Saule Upcoming Events .......................... 17 Suleimenova and a conference on contemporary Central Asian film, Outreach Programs....................... 20 music, and visual arts. Accompanying these events will be a month-long Faculty and Student News ............ 21 film series, “Films from Along the Silk Road: Central Asian Cinema,” at Kujachich Endowment Funding ... -
An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917
An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917 Dissertation Presented in Partial Fulfillment of the Requirements for the Doctoral Degree of Philosophy in the Graduate School of The Ohio State University By Peter Thomas De Simone, B.A., M.A Graduate Program in History The Ohio State University 2012 Dissertation Committee: Nicholas Breyfogle, Advisor David Hoffmann Robin Judd Predrag Matejic Copyright by Peter T. De Simone 2012 Abstract In the mid-seventeenth century Nikon, Patriarch of Moscow, introduced a number of reforms to bring the Russian Orthodox Church into ritualistic and liturgical conformity with the Greek Orthodox Church. However, Nikon‘s reforms met staunch resistance from a number of clergy, led by figures such as the archpriest Avvakum and Bishop Pavel of Kolomna, as well as large portions of the general Russian population. Nikon‘s critics rejected the reforms on two key principles: that conformity with the Greek Church corrupted Russian Orthodoxy‘s spiritual purity and negated Russia‘s historical and Christian destiny as the Third Rome – the final capital of all Christendom before the End Times. Developed in the early sixteenth century, what became the Third Rome Doctrine proclaimed that Muscovite Russia inherited the political and spiritual legacy of the Roman Empire as passed from Constantinople. In the mind of Nikon‘s critics, the Doctrine proclaimed that Constantinople fell in 1453 due to God‘s displeasure with the Greeks. Therefore, to Nikon‘s critics introducing Greek rituals and liturgical reform was to invite the same heresies that led to the Greeks‘ downfall. -
Prince Felix Yusupov: the Man Who Murdered Rasputin Online
A9XVt [Free download] Prince Felix Yusupov: The Man Who Murdered Rasputin Online [A9XVt.ebook] Prince Felix Yusupov: The Man Who Murdered Rasputin Pdf Free Christopher Dobson ebooks | Download PDF | *ePub | DOC | audiobook #49370 in eBooks 2016-05-24 2016-05-24File Name: B01G5S90I8 | File size: 30.Mb Christopher Dobson : Prince Felix Yusupov: The Man Who Murdered Rasputin before purchasing it in order to gage whether or not it would be worth my time, and all praised Prince Felix Yusupov: The Man Who Murdered Rasputin: 0 of 0 people found the following review helpful. InterestingBy drfiddler1Even if you are well read on the Romanov family, this book contains a few new facts and insights.0 of 0 people found the following review helpful. Two StarsBy Diana BurginIt turns out Yusupov was a pretty boring man except for murdering Rasputin.0 of 0 people found the following review helpful. If you like Russian history it is worth theBy jimInteresting book that gives a much different view of the murder of Rasputin and the fall of the Tsar. If you like Russian history it is worth the readl This powerful biography tells the compelling story of Prince Felix Yusupov mdash; the man who murdered Rasputin.The murder of the Tsarinarsquo;s lsquo;Mad Monkrsquo; sent shock waves through pre-revolutionary Russia. Many foretold it would mean the end of the monarchy mdash; and they might have been right. But the murderers and their leader, the notorious Prince Yusupov, saw Rasputinrsquo;s hold over Nicholas II and his wife as an evil influence that was destroying Russia, whose armies were being slaughtered in the First World War.Yusupov was one of the richest men in Russia. -
Chapter 23: War and Revolution, 1914-1919
The Twentieth- Century Crisis 1914–1945 The eriod in Perspective The period between 1914 and 1945 was one of the most destructive in the history of humankind. As many as 60 million people died as a result of World Wars I and II, the global conflicts that began and ended this era. As World War I was followed by revolutions, the Great Depression, totalitarian regimes, and the horrors of World War II, it appeared to many that European civilization had become a nightmare. By 1945, the era of European domination over world affairs had been severely shaken. With the decline of Western power, a new era of world history was about to begin. Primary Sources Library See pages 998–999 for primary source readings to accompany Unit 5. ᮡ Gate, Dachau Memorial Use The World History Primary Source Document Library CD-ROM to find additional primary sources about The Twentieth-Century Crisis. ᮣ Former Russian pris- oners of war honor the American troops who freed them. 710 “Never in the field of human conflict was so much owed by so many to so few.” —Winston Churchill International ➊ ➋ Peacekeeping Until the 1900s, with the exception of the Seven Years’ War, never ➌ in history had there been a conflict that literally spanned the globe. The twentieth century witnessed two world wars and numerous regional conflicts. As the scope of war grew, so did international commitment to collective security, where a group of nations join together to promote peace and protect human life. 1914–1918 1919 1939–1945 World War I League of Nations World War II is fought created to prevent wars is fought ➊ Europe The League of Nations At the end of World War I, the victorious nations set up a “general associa- tion of nations” called the League of Nations, which would settle interna- tional disputes and avoid war. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Steps for Success 2020
Steps for Success 2020 Independence: Literacy: Equipment: Attitude: Resilience: Numeracy Mr M Koza, Assistant Headteacher WELCOME Independence: Literacy: Equipment: Attitude: Resilience: Numeracy HOW TO REVISE EFFECTIVELY… Independence: Literacy: Equipment: Attitude: Resilience: Numeracy Location Information Memorising Scheduling Revision Environment Grigori Rasputin 1869 - 1916 Grigori Yefimovich Rasputin (21 January 1869 – 30 December 1916) was a Russian mystic and advisor to the Romanovs, the Russian imperial family. Rasputin was born a peasant in the small village of Pokrovskoye, along the Tura River in the immense West Siberian Plain. Rasputin was born on 21 January and was baptised the following day, the feast day of Gregory of Nyssa. When he was around the age of eighteen, Rasputin spent three months in the famous Verkhoturye monastery, maybe as a penance for theft. Not far from the monastery, Rasputin visited a holy man named Makariy, whose hut was situated nearby. Makariy had an enormous influence on Rasputin, and then later modelled himself largely on him. Rasputin gave up drinking alcohol and eating meat. His experience there, combined with a reported vision of the Virgin Mary on his return, turned him towards the life of a religious mystic and wanderer. He was not a monk, nor was he ever officially connected to the Orthodox Church, but was considered a "strannik" (or pilgrim) wandering from cloister to cloister. He was regarded as a starets, an "elder", a title usually reserved for monk-confessors by those believing him to be a psychic and mystic healer. Rasputin was obsessed by religion and impressed many people with his knowledge and ability to explain the Bible in an uncomplicated way. -
Transformation of Stereotypical Perception of „The Image of Poles” in the Russian Empire Society During the World War I
The Person and the Challenges Volume 7 (2017) Number 2, p. 151–164 DOI: http://dx.doi.org/10.15633/pch.2188 Olga Bilobrovets Zhytomyr Ivan Franko State University, Ukraine Transformation of stereotypical perception of „the image of Poles” in the Russian Empire society during the World War I Abstract The cohabitation of different nations in the border of one state creates certain ethnic, social, mental collective nation’s image which changes very slowly. These processes are enhanced during the global historical processes with significant devastating effects which lead to an alteration in public consciousness. During World War І, under the influence of the external crisis circumstances, the necessity to take into account the strategic interests and fundamental values of the nations involved in the war, led to a change in perception of the image of the Pole. The image of a Pole as a disloyal person to Russian statehood had changed into the image of a true confederate in the mutual striving with the enemy. Perception of the Poles as partners in state‑building and international cohabitation became possible only due to global geopolitical changes, the policy of powerful nations, including the Polish territory and the ability of Polish political powers to consolidate their efforts around the idea of statehood restoration. Keywords Russian Empire, the image of the Pole, loyalty, World War І. The Person and the Challenges 152 Volume 7 (2017) Number 2, p. 151–164 1. Introduction The cohabitation of different nations in the border of one state always has its own features caused, among other things, by their status, historical circumstances and conditions of development. -
Cultural Heritage, Cinema, and Identity by Kiun H
Title Page Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity by Kiun Hwang Undergraduate degree, Yonsei University, 2005 Master degree, Yonsei University, 2008 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kiun Hwang It was defended on November 8, 2019 and approved by David Birnbaum, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Mrinalini Rajagopalan, Associate Professor, University of Pittsburgh, Department of History of Art & Architecture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Dissertation Advisor: Nancy Condee, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures ii Copyright © by Kiun Hwang 2019 Abstract iii Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity Kiun Hwang, PhD University of Pittsburgh, 2019 St. Petersburg’s image and identity have long been determined by its geographical location and socio-cultural foreignness. But St. Petersburg’s three centuries have matured its material authenticity, recognizable tableaux and unique urban narratives, chiefly the Petersburg Text. The three of these, intertwined in their formation and development, created a distinctive place-identity. The aura arising from this distinctiveness functioned as a marketable code not only for St. Petersburg’s heritage industry, but also for a future-oriented engagement with post-Soviet hypercapitalism. Reflecting on both up-to-date scholarship and the actual cityscapes themselves, my dissertation will focus on the imaginative landscapes in the historic center of St. -
The Wicker Husband Education Pack
EDUCATION PACK 1 1 Contents Introduction Introduction ......................................................................................................................................................................... 3 Section 1: The Watermill’s Production of The Wicker Husband ........................................................................ 4 A Brief Synopsis.................................................................................................................................................................. 5 Character Profiles…………………………………………………………………………………………………………………………....…8 Note from the Writer…………………………………………..………………………..…….……………………………..…………….10 Interview with the Director ………………………….……………………………………………………………………..………….. 13 Section 2: Behind the Scenes of The Watermill’s The Wicker Husband …………………………………..… ...... 15 Meet the Cast ................................................................................................................................................................... 16 An Interview with The Musical Director .................................................................................................................. .20 The Design Process ......................................................................................................................................................... 21 The Wicker Husband Costume Design ...................................................................................................................... 23 Be a Costume Designer……………………………………………………………………………………………………………………..25 -
Background Guide, and to Issac and Stasya for Being Great Friends During Our Weird Chicago Summer
Russian Duma 1917 (DUMA) MUNUC 33 ONLINE 1 Russian Duma 1917 (DUMA) | MUNUC 33 Online TABLE OF CONTENTS ______________________________________________________ CHAIR LETTERS………………………….….………………………….……..….3 ROOM MECHANICS…………………………………………………………… 6 STATEMENT OF THE PROBLEM………………………….……………..…………......9 HISTORY OF THE PROBLEM………………………………………………………….16 ROSTER……………………………………………………….………………………..23 BIBLIOGRAPHY………………………………………………………..…………….. 46 2 Russian Duma 1917 (DUMA) | MUNUC 33 Online CHAIR LETTERS ____________________________________________________ My Fellow Russians, We stand today on the edge of a great crisis. Our nation has never been more divided, more war- stricken, more fearful of the future. Yet, the promise and the greatness of Russia remains undaunted. The Russian Provisional Government can and will overcome these challenges and lead our Motherland into the dawn of a new day. Out of character. To introduce myself, I’m a fourth-year Economics and History double major, currently writing a BA thesis on World War II rationing in the United States. I compete on UChicago’s travel team and I additionally am a CD for our college conference. Besides that, I am the VP of the Delta Kappa Epsilon fraternity, previously a member of an all-men a cappella group and a proud procrastinator. This letter, for example, is about a month late. We decided to run this committee for a multitude of reasons, but I personally think that Russian in 1917 represents such a critical point in history. In an unlikely way, the most autocratic regime on Earth became replaced with a socialist state. The story of this dramatic shift in government and ideology represents, to me, one of the most interesting parts of history: that sometimes facts can be stranger than fiction. -
English & Continental Furniture & Decorative Arts Old Master Paintings
ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS RUSSIAN WORKS OF ART Wednesday, October 31, 2018 NEW YORK ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS RUSSIAN WORKS OF ART AUCTION Wednesday, October 31, 2018 at 10am EXHIBITION Saturday, October 27, 10am – 5pm Sunday, October 28, Noon – 5pm Monday, October 29, 10am – 6pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com OLD MASTER PAINTINGS & DRAWINGS INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Paintings 1-103 The Eileen & Herbert C. Bernard Collection Russian Works of Art 104-245 Swanhild N. Castle Silver 246-337 A Connecticut Collector Furniture & Decorative Arts 338-508 A Prominent Connecticut Estate Chandeliers & Lighting 509-519 An East Hampton Collection Furniture & Decorative Arts 520-592 Leo Hershkowitz Carpets & Rugs 593-617 Lili Israel Eleanor Johnson Wendy Vanderbilt Lehman Hermine Leventhal The Noel and Harriet Levine Collection A Private Collection Felice Ross Glossary I Marianne Schaller Conditions of Sale II Jo Anne Schneider Terms of Guarantee IV Stephen Stempler Information on Sales & Use Tax V Sheldon and Judith Streisand Buying at Doyle VI Barbara Wainscott Selling at Doyle VIII The James P. and Joan M. Warburg Collection Auction Schedule IX Company Directory X Absentee Bid Form XII INCLUDING PROPERTY FROM The Descendants of Grand Duchess Xenia Alexandrovna An Arizona Private Collection A Beekman Place Apartment A Connecticut Private Collection An Important Jewel Collector A Miami Lady A Private Collector The Collection of Bennett and Judie Weinstock Lot 7 1 7 1 2 4 7 10 11 Circle of Lucas Cranach the Elder Manner of Marcus Gheeraerts the Elder Flemish School After Bernardino Luini After Raffaello Sanzio, called Raphael Follower of Andrea del Sarto The Feast of Love Portrait of Sir Thomas Chamberlayne 17th Century An Allegory of Modesty and Vanity Allegory of Theology Holy Family Inscribed DE IMAGINE CONVIVII Inscribed Sr. -
Avalon Announce Edinburgh Festival Fringe Line-Up for 2014
AVALON ANNOUNCE EDINBURGH FESTIVAL FRINGE LINE-UP FOR 2014 Monday, 28th April 2014 Avalon announce the full line-up for their 26th year at the Edinburgh Festival Fringe, with the chance to see: FRANK SKINNER performing stand-up at the Fringe for the first time in seven years, limited runs from established and award- winning comics AL MURRAY, CHRIS RAMSEY and RUSSELL KANE, a follow-up hour from 2013 Edinburgh Comedy Award nominee CARL DONNELLY, a first solo UK appearance by US comic TOM SHILLUE and a host of other debut shows, musical, sketch, political comedy and theatrical productions for a fully-charged 26th anniversary at the Fringe. Tickets for all shows are available to buy from Tuesday 13th May on www.edinburghsbestcomedy.com. During the last 26 years, Avalon has promoted more Edinburgh Comedy Award winners and nominees than any other company including: CHRIS ADDISON, GREG DAVIES, DAVE GORMAN, HARRY HILL, RUSSELL HOWARD, RUSSELL KANE, THE MIGHTY BOOSH, CARL DONNELLY, AL MURRAY, KRISTEN SCHAAL & KURT BRAUNOHLER, ROISIN CONATY, GARTH MARENGHI and FRANK SKINNER and two of only four female winners of the prestigious Edinburgh Comedy Award; JENNY ECLAIR and LAURA SOLON. Avalon’s line-up for 2014 includes: AL MURRAY THE PUB LANDLORD - One Man One Guvnor - Work in Progress AL MURRAY THE PUB LANDLORD - The Pub Landlord’s Summer Saloon ALEX HORNE - Monsieur Butterfly ALEX HORNE - The Percentage Game CARL DONNELLY - Now That’s What I Carl Donnelly! Volume VI CARL HUTCHINSON - Here’s Me Show THE COMEDY ZONE CHRIS RAMSEY - The Most Dangerous