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Thursday Playlist
October 31, 2019: (Full-page version) Close Window “Lesser artists borrow, great artists steal.” — Igor Stravinsky Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Tchaikovsky Moscow Radio 00:01 Buy Now! Glinka Waltz Fantasie Harmonia Mundi 288 114 N/A Awake! Symphony/Fedoseyev 00:12 Buy Now! Schubert String Quartet No. 1, D. 18 Verdi Quartet Haenssler Classic 98.329 4010276009580 Rubinstein, 00:28 Buy Now! Piano Sonata No. 3 in F, Op. 41 Leslie Howard Hyperion 66017 034571160177 Anton 01:01 Buy Now! Salieri Concerto in C for Flute and Oboe Dohn/Sous/Wurttemberg Ch. Orch./Faerber Vox 7198 04716371982 01:22 Buy Now! Tchaikovsky Ballet Music ~ The Maid of Orleans Royal Opera House Covent Garden/Davis Philips 422 845 028942284524 01:38 Buy Now! Rachmaninoff The Isle of the Dead, Op. 29 Royal Philharmonic/Litton Virgin 90830 075679083029 02:00 Buy Now! Balakirev Chopin Suite Singapore Symphony/Hoey Hong Kong 8.220324 N/A 02:22 Buy Now! Mendelssohn Violin Concerto in E minor, Op. 64 Pine/Gottingen Symphony/Mueller Cedille 144 765131914420 02:49 Buy Now! Canning Fantasy on a Hymn by Justin Morgan Suzuki/Orlovsky/Indianapolis SO/Leppard Decca 458 157 028945845725 03:01 Buy Now! Bach Prelude and Fugue in G, BWV 541 Läubin Brass Ensemble DG 423 988 028942398825 String Sextet in D minor, Op. 70 "Souvenir of 03:09 Buy Now! Tchaikovsky Bashmet/Gutman/Borodin Quartet EMI 49775 077774977524 Florence" 03:43 Buy Now! Grieg Lyric Suite, Op. 54 Malmö Symphony/Engeset Naxos 8.508015 747313801534 04:01 Buy Now! Strauss, R. -
Finale Transposition Chart, by Makemusic User Forum Member Motet (6/5/2016) Trans
Finale Transposition Chart, by MakeMusic user forum member Motet (6/5/2016) Trans. Sounding Written Inter- Key Usage (Some Common Western Instruments) val Alter C Up 2 octaves Down 2 octaves -14 0 Glockenspiel D¯ Up min. 9th Down min. 9th -8 5 D¯ Piccolo C* Up octave Down octave -7 0 Piccolo, Celesta, Xylophone, Handbells B¯ Up min. 7th Down min. 7th -6 2 B¯ Piccolo Trumpet, Soprillo Sax A Up maj. 6th Down maj. 6th -5 -3 A Piccolo Trumpet A¯ Up min. 6th Down min. 6th -5 4 A¯ Clarinet F Up perf. 4th Down perf. 4th -3 1 F Trumpet E Up maj. 3rd Down maj. 3rd -2 -4 E Trumpet E¯* Up min. 3rd Down min. 3rd -2 3 E¯ Clarinet, E¯ Flute, E¯ Trumpet, Soprano Cornet, Sopranino Sax D Up maj. 2nd Down maj. 2nd -1 -2 D Clarinet, D Trumpet D¯ Up min. 2nd Down min. 2nd -1 5 D¯ Flute C Unison Unison 0 0 Concert pitch, Horn in C alto B Down min. 2nd Up min. 2nd 1 -5 Horn in B (natural) alto, B Trumpet B¯* Down maj. 2nd Up maj. 2nd 1 2 B¯ Clarinet, B¯ Trumpet, Soprano Sax, Horn in B¯ alto, Flugelhorn A* Down min. 3rd Up min. 3rd 2 -3 A Clarinet, Horn in A, Oboe d’Amore A¯ Down maj. 3rd Up maj. 3rd 2 4 Horn in A¯ G* Down perf. 4th Up perf. 4th 3 -1 Horn in G, Alto Flute G¯ Down aug. 4th Up aug. 4th 3 6 Horn in G¯ F# Down dim. -
Ron Mcclure • Harris Eisenstadt • Sackville • Event Calendar
NEW YORK FebruaryVANGUARD 2010 | No. 94 Your FREE Monthly JAZZ Guide to the New ORCHESTRA York Jazz Scene newyork.allaboutjazz.com a band in the vanguard Ron McClure • Harris Eisenstadt • Sackville • Event Calendar NEW YORK We have settled quite nicely into that post-new-year, post-new-decade, post- winter-jazz-festival frenzy hibernation that comes so easily during a cold New York City winter. It’s easy to stay home, waiting for spring and baseball and New York@Night promising to go out once it gets warm. 4 But now is not the time for complacency. There are countless musicians in our fair city that need your support, especially when lethargy seems so appealing. To Interview: Ron McClure quote our Megaphone this month, written by pianist Steve Colson, music is meant 6 by Donald Elfman to help people “reclaim their intellectual and emotional lives.” And that is not hard to do in a city like New York, which even in the dead of winter, gives jazz Artist Feature: Harris Eisenstadt lovers so many choices. Where else can you stroll into the Village Vanguard 7 by Clifford Allen (Happy 75th Anniversary!) every Monday and hear a band with as much history as the Vanguard Jazz Orchestra (On the Cover). Or see as well-traveled a bassist as On The Cover: Vanguard Jazz Orchestra Ron McClure (Interview) take part in the reunion of the legendary Lookout Farm 9 by George Kanzler quartet at Birdland? How about supporting those young, vibrant artists like Encore: Lest We Forget: drummer Harris Eisenstadt (Artist Feature) whose bands and music keep jazz relevant and exciting? 10 Svend Asmussen Joe Maneri In addition to the above, this month includes a Lest We Forget on the late by Ken Dryden by Clifford Allen saxophonist Joe Maneri, honored this month with a tribute concert at the Irondale Center in Brooklyn. -
Boston Symphony Orchestra Concert Programs, Season 59,1939
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 FIFTY—NINTH SEASON, 1939-194o CONCERT BULLETIN OF THE Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor RICHARD BURGIN, Assistant Conductor with historical and descriptive notes by JOHN N. BURK COPYRIGHT, 1939, BY BOSTON SYMPHONY ORCHESTRA, Inc. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, INC. ERNEST B. DANE • • President HENRY B. SAWYER Vice-President ERNEST B. DANE . • Treasurer HENRY B. CABOT M. A. DE WOLFE HOWE ERNEST B. DANE ROGER I. LEE ALVAN T. FULLER RICHARD C. PAINE JEROME D. GREENE HENRY B. SAWYER N. PENROSE HALT OWELL EDWARD A. TAFT BENTLEY W. WARREN G. E. JUDD, Manager C. W. SPALDING, Assistant Manager ( 289 ) Complete FIDUCIARY SERVICE /^INDIVIDUALS The fiduciary services of Old Colony Trust Company available to individuals are many and varied. We cite some of the fiduciary capacities in which we act. Executor and Administrator We settle estates as Executor and Administrator. Trustee We act as Trustee under wills and under voluntary or living trusts. Agent We act as Agent for those who wish to be relieved of the care of their investments. The officers of Old Colony Trust Company are always glad to discuss estate and property matters with you and point out if and where our services are applicable. Old Colony Trust Company 17 COURT STREET, BOSTON Member of the Federal Deposit Insurance Corporation ^Allied w/'MThe First National Bank ^Boston [ 290] ,1 FIFTY-NINTH SEASON - NINETEEN HUNDRED THIRTY-NINE AND FORTY Seventh Programme FRIDAY AFTERNOON, December i, at 2:30 o'clock SATURDAY EVENING, December 2, at 8:15 o'clock IGOR STRAVINSKY Conducting Stravinsky "Jeu de Cartes" (Card Game, Ballet in Three Deals) (First performances at these concerts) Stravinsky Capriccio for Orchestra with Piano Solo I. -
Fabian Hügli Clarinetto
GIOVEDÌ ORE LIVE STREAMING 17.06.21 18:00 conservatorio.ch/eventi Fabian Hügli clarinetto Recital per il conseguimento del Master of Arts in Music Performance Conservatorio della Svizzera italiana Scuola universitaria di Musica Via Soldino 9 CH-6900 Lugano T +41 (0)91 960 23 62 [email protected] Fabian Hügli Fabian Hügli (*1997) received his first clarinet lessons at the age of 7. At the music conservatory in Zurich he was admitted to play in his first symphonic orchestra at the age of 13 and joined the local Zurich Youth Symphony Orchestra just a few years later. From 2016-2019 he completed his BA in the Zurich University of the Arts with Matthias Müller and is currently completing his Master of Arts in Music Performance in Lugano where he studies in the well-known class of François Benda and Jordi Pons. His participation as principle clarinetist in various youth orchestras and university orchestras has led him to concert tours all around the world. Famous clarinetists like Sharon Kam, Jörg Widmann, Gabor Varga and Christoph Zimper gave him new impulses in masterclasses. He also took part in several competitions and was awarded prizes such as the sponsorship award of the „Mozart Association Zurich“ and special prize in the „Concours National d‘Éxecution Musicale“. Jörg Widmann Fantasie *1973 per clarinetto solo Johannes Brahms Sonata n°1 in Fa minore op. 120 1833 – 1897 per clarinetto e pianoforte I. Allegro appassionato II. Andante, un poco adagio III. Allegretto grazioso IV. Vivace Luigi Bassi Fantasia da Concerto 1833 – 1871 su motivi del “Rigoletto” di Giuseppe Verdi per clarinetto e pianoforte Eva Bohte pianoforte Classe di clarinetto di François Benda e Jordi Pons Jörg Widmann – Fantasie Jörg Widmann, an internationally sought- after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fantasie' for solo clarinet. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Tue, Jul 20, 2021 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 13:01 Volkmann String Serenade No. 2 in F, Op. Bavarian Radio 01487 Christopho 74506 N/A 63 Symphony/Nicol rus 00:15:3144:28 Beethoven Symphony No. 6 in F, Op. 68 Vienna 06364 EMI 57445 724355744524 "Pastoral" Philharmonic/Rattle 01:01:29 18:21 Hoffmeister Oboe Concerto in C Mayer/Potsdam 12355 DG 479 2942 028947929420 Chamber Academy 01:20:5012:59 Haydn Piano Sonata No. 49 in C Emanuel Ax 06244 Sony 89363 n/a sharp minor 01:34:49 25:03 Strauss, R. Suite from Der Rosenkavalier Detroit 00617 London 411 893 028941189325 Symphony/Dorati 02:01:2208:21 Albinoni Trumpet Concerto in B flat, Op. Andre/Academy St. 00526 RCA 5864 07863558642 7 No. 3 Martin/Marriner 02:10:43 05:59 Rossini Una voce poco fa from Il Yende/RAI National 12979 Sony 88985321 889853216925 barbiere di Siviglia SO/Armiliato Classical 692 02:17:4242:09 Brahms Symphony No. 4 in E minor, Boston 13169 BSO 1703 828020003425 Op. 98 Symphony/Nelsons 03:01:21 30:34 Gounod Symphony No. 2 in E flat Orchestra of the 04723 EMI 63949 077776394923 Toulouse Capitole/Plasson 03:32:5507:46 Borodin In the Steppes of Central Asia Kirov 08532 Philips 470 618 028947061823 Orchestra/Gergiev 03:41:4116:24 Telemann Overture in D from Tafelmusik, Amsterdam Baroque 01602 Erato 85394 08908853942 Part II Orchestra/Koopman 03:59:3512:08 Tchaikovsky Pas de six from Act III, Swan Boston 00500 DG 415 367 028941536723 Lake, Op. -
Music and Combinations
Tom Johnson Music and Combinations Lecture presented Dec. 13, 2003 in a colloquium on Arts and Sciences sponsored by the association La Métive in La Creuse (France) Combinations for String Quartet (2003) contains five movements, and each of these contains all the combinations of something. As usual, I wanted the music to know what it was doing, to be correct and complete in a rigorous sense, and this is one way of achieving this. The theory of combinations is a totally explored mathematical discipline, as we have known for more than a century how to calculate all kinds of combinations and probabilities, and how to prove all of this. So what I say about my composition can not have fundamental significance for mathematics. I can, however, demonstrate that new questions arrive when one wants to go inside some set of combinations, to see how they come together, to observe the many symmetries within them, to find the best sequence for them, to consider how they might sound, to turn them into music. Combinations of ABCD Permutations The first movement had to do with the permutations of four notes (A,B,C,D). I wanted to use all 24 permutations, but I also wanted to find how the permutations could be combined so that all four notes would be present in four instruments at every moment. The most obvious solution was to let the four musicians all play the same thing starting at different points. Of course, one may change the sequence of the lines and still have the same four permutations: ABCD BCDA CDAB DABC This was not musically very interesting, since everyone was essentially playing the same rising scale, so I looked for other possibilities. -
Copy of 2017 Solo & Ensemble Additions
2016/2017 Solo & Ensemble Additions and Edits Event UIL Title Composer Arranger Treble Voice Solo 107-1-32691 Sweet Suffolk Owl Hundley Treble Voice Solo 107-1-32693 Come Ready and See Me Hundley Treble Voice Solo 107-1-32696 Ich Sagte Nicht Beach Treble Voice Solo 107-1-32698 Deine Blumen Beach Treble Voice Solo 107-1-32700 Je Demande a l'oiseau Beach Treble Voice Solo 107-1-32701 Warnung Mozart Treble Voice Solo 107-1-32702 Als Luisa die Briefe Mozart Treble Voice Solo 107-1-32704 The Year's at the Spring Beach Treble Voice Solo 107-1-32705 Pippa's Song Rorem Treble Voice Solo 107-1-32707 See How They LoVe Me Rorem Treble Voice Solo 107-1-32709 Simple Song Bernstein Treble Voice Solo 107-1-32711 The Lord is my Shepherd Childs Treble Voice Solo 107-1-32712 Wir Wandelten Brahms Treble Voice Solo 107-1-32713 Die Mainacht Brahms Treble Voice Solo 107-1-32714 Susses Begrabnis Loewe Treble Voice Solo 107-1-32715 Standchen Schubert Treble Voice Solo 107-1-32716 Notre Amour Faure Treble Voice Solo 107-1-32717 Lamento Duparc Treble Voice Solo 107-1-32718 OuVre ton Coeur Bizet Treble Voice Solo 107-1-32719 Chanson d'AVril Bizet Treble Voice Solo 107-1-32721 Ho Sparse Tante Lagrime Morlacchi Treble Voice Solo 107-1-32723 Oh, Vieni al Mare Donizetti Treble Voice Solo 107-1-32725 Non t'accostare all'urnA Ferrari Treble Voice Solo 107-1-32727 L'addio Vaccai Treble Voice Solo 107-1-32728 In Uomini in soldati from Cosi fan tutte Mozart Treble Voice Solo 107-1-32729 Una Donna a Quindici anni from Cosi fan Tutte Mozart Treble Voice Solo 107-1-32730 Batti -
A B C a B C D a B C D A
24 go symphonyorchestra chica symphony centerpresent BALL SYMPHONY anne-sophie mutter muti riccardo orchestra symphony chicago 22 september friday, highlight season tchaikovsky mozart 7:00 6:00 Mozart’s fiery undisputed queen ofviolin-playing” ( and Tchaikovsky’s in beloved masterpieces, including Rossini’s followed by Riccardo Muti leading the Chicago SymphonyOrchestra season. Enjoy afestive opento the preconcert 2017/18 reception, proudly presents aprestigious gala evening ofmusic and celebration The Board Women’s ofthe Chicago Symphony Orchestra Association Gala package guests will enjoy postconcert dinner and dancing. rossini Suite from Suite 5 No. Concerto Violin to Overture C P s oncert reconcert Reception Turkish The Sleeping Beauty Concerto. The SleepingBeauty William Tell conducto The Times . Anne-Sophie Mutter, “the (Turkish) William Tell , London), performs London), , media sponsor: r violin Overture 10 Concerts 10 Concerts A B C A B 5 Concerts 5 Concerts D E F G H I 8 Concerts 5 Concerts E F G H 5 Concerts 6 Conc. 5 Concerts THU FRI FRI SAT SAT SUN TUE 8:00 1:30 8:00 2017/18 8:00 8:00 3:00 7:30 ABCABCD ABCDAAB Riccardo Muti conductor penderecki The Awakening of Jacob 9/23 9/26 Anne-Sophie Mutter violin tchaikovsky Violin Concerto schumann Symphony No. 2 C A 9/28 9/29 Riccardo Muti conductor rossini Overture to William Tell 10/1 ogonek New Work world premiere, cso commission A • F A bruckner Symphony No. 4 (Romantic) A Alain Altinoglu conductor prokoFIEV Suite from The Love for Three Oranges Sandrine Piau soprano poulenc Gloria Michael Schade tenor gounod Saint Cecilia Mass 10/5 10/6 Andrew Foster-Williams 10/7 C • E B bass-baritone B • G Chicago Symphony Chorus Duain Wolfe chorus director 10/26 10/27 James Gaffigan conductor bernstein Symphonic Suite from On the Waterfront James Ehnes violin barber Violin Concerto B • I A rachmaninov Symphonic Dances Sir András Schiff conductor mozart Serenade for Winds in C Minor 11/2 11/3 and piano bartók Divertimento for String Orchestra 11/4 11/5 A • G C bach Keyboard Concerto No. -
Alexander String Quartet Zakarias Grafilo | Violin Frederick Lifsitz | Violin Paul Yarbrough | Viola Sandy Wilson | Cello
presents… Alexander String Quartet Zakarias Grafilo | Violin Frederick Lifsitz | Violin Paul Yarbrough | Viola Sandy Wilson | Cello Eli Eban | Clarinet Recorded at St. Stephen’s Episcopal Church, Belvedere, CA, June 10–14, 2019 BRAHMS Andantino—Presto non assai, ma con sentimento from Quintet in B minor for Clarinet and Strings, Op. 115 Track from the upcoming Foghorn Classics release: Brahms & Mozart Clarinet Quintets Produced, engineered and mastered by Matt Carr Instruments: Clarinet: Handmade by Luis Rossi, Chile Quartet: Ellen M. Quartet, all by Francis Kuttner, 1987 Bows by Arcus ABOUT THE ARTISTS Having celebrated its 35th Anniversary in 2016, the Alex- where they are members of the string faculty in the School ander String Quartet has performed in the major music of Music and instructional faculty at the Morrison Cham- capitals of five continents, securing its standing among ber Music Center. the world’s premier ensembles. Widely admired for its in- Among the fine musicians with whom ASQ has col- terpretations of Beethoven, Mozart, Shostakovich, and laborated are pianists Roger Woodward, Anne-Marie Mc- Brahms, the quartet’s recordings of the Beethoven cycle Dermott, Menachem Pressler, Marc-André Hamelin, and (twice), Bartók and Shostakovich cycles have won interna- Jeremy Menuhin; clarinetists Eli Eban, Joan Enric Lluna, tional critical acclaim. The quartet has also established it- David Shifrin, and Richard Stoltzman; soprano Elly Amel- self as an important advocate of new music through more ing; mezzo-soprano Joyce DiDonato; violinist Midori; cel- than 30 commissions from such composers as Jake Heggie, lists Lynn Harrell, Sadao Harada, and David Requiro; vio- Cindy Cox, Augusta Read Thomas, Robert Greenberg, Mar- list Toby Appel; and jazz greats Branford Marsalis, David tin Bresnick, Cesar Cano, and Pulitzer Prize–winner Wayne Sanchez, and Andrew Speight. -
Solo List and Reccomended List for 02-03-04 Ver 3
Please read this before using this recommended guide! The following pages are being uploaded to the OSSAA webpage STRICTLY AS A GUIDE TO SOLO AND ENSEMBLE LITERATURE. In 1999 there was a desire to have a required list of solo and ensemble literature, similar to the PML that large groups are required to perform. Many hours were spent creating the following document to provide “graded lists” of literature for every instrument and voice part. The theory was a student who made a superior rating on a solo would be required to move up the list the next year, to a more challenging solo. After 2 years of debating the issue, the music advisory committee voted NOT to continue with the solo/ensemble required list because there was simply too much music written to confine a person to perform from such a limited list. In 2001 the music advisor committee voted NOT to proceed with the required list, but rather use it as “Recommended Literature” for each instrument or voice part. Any reference to “required lists” or “no exceptions” in this document need to be ignored, as it has not been updated since 2001. If you have any questions as to the rules and regulations governing solo and ensemble events, please refer back to the OSSAA Rules and Regulation Manual for the current year, or contact the music administrator at the OSSAA. 105 SOLO ENSEMBLE REGULATIONS 1. Pianos - It is recommended that you use digital pianos when accoustic pianos are not available or if it is most cost effective to use a digital piano. -
Download the Clarinet Saxophone Classics Catalogue
CATALOGUE 2017 www.samekmusic.com Founded in 1992 by acclaimed clarinetist Victoria Soames Samek, Clarinet & Saxophone Classics celebrates the single reed in all its richness and diversity. It’s a unique specialist label devoted to releasing top quality recordings by the finest artists of today on modern and period instruments, as well as sympathetically restored historical recordings of great figures from the past supported by informative notes. Having created her own brand, Samek Music, Victoria is committed to excellence through recordings, publications, learning resources and live performances. Samek Music is dedicated to the clarinet and saxophone, giving a focus for the wonderful world of the single reed. www.samek music.com For further details contact Victoria Soames Samek, Managing Director and Artistic Director Tel: + 44 (0) 20 8472 2057 • Mobile + 44 (0) 7730 987103 • [email protected] • www.samekmusic.com Central Clarinet Repertoire 1 CC0001 COPLAND: SONATA FOR CLARINET Clarinet Music by Les Six PREMIERE RECORDING Featuring the World Premiere recording of Copland’s own reworking of his Violin Sonata, this exciting disc also has the complete music for clarinet and piano of the French group known as ‘Les Six’. Aaron Copland Sonata (premiere recording); Francis Poulenc Sonata; Germaine Tailleferre Arabesque, Sonata; Arthur Honegger Sonatine; Darius Milhaud Duo Concertant, Sonatine Victoria Soames Samek clarinet, Julius Drake piano ‘Most sheerly seductive record of the year.’ THE SUNDAY TIMES CC0011 SOLOS DE CONCOURS Brought together for the first time on CD – a fascinating collection of pieces written for the final year students studying at the paris conservatoire for the Premier Prix, by some of the most prominent French composers.