EGYPTIAN RELIGIOUS POETRY Egyptian Religious Poetry
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Visiting the Pyramids with Bennu
EDITORIAL WEEBLE Visiting the Pyramids with Bennu SUSO MONFORTE ILLUSTRATIONS VICO CÓCERES http://editorialweeble.com Visiting the pyramids with Bennu 2015 Editorial Weeble Author: Suso Monforte Illustrations: Vico Cóceres Translation: Irene Guzmán Licence: Creative Commons Attribution- http://editorialweeble.com NonCommercial-Share Alike 3.0 https://creativecommons.org/licenses/by-nc-sa/3.0/ Madrid, Spain, March 2015 the author suso monforte Suso Monforte is the father of two children aged 6 and 10 years old. He is a member of the Parents’ Association at Herrero Infant and Primary School, a state school in Castellón de la Plana. Suso is an advocate of free, high-quality, state education, where parents can voice their opinions, make decisions and collaborate. Suso actively participates in order to achieve an education where the knowledge acquired goes beyond that received in the classroom. The street, museums, markets and nature are also educational spaces. This is the first book he has written for our publishing house. It brings together the history of Ancient Egypt and the country’s modern day situation, all in the company of two children, Miguel and Bennu. Email: [email protected] the illustrator vico cóceres Vico Cóceres is a young Argentinian illustrator, aged 24, who has a well-defined, carefree style which suits that of our project perfectly. Her work has been published in several newspapers and magazines in Latin America. This is the first book that Vico has illustrated for our publishing house. She has produced illustrations which are full of life, very modern and refreshing. We are sure that we will continue to collaborate with her in the future. -
Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
(101955) Bennu from OSIRIS-Rex Imaging and Thermal Analysis
ARTICLES https://doi.org/10.1038/s41550-019-0731-1 Properties of rubble-pile asteroid (101955) Bennu from OSIRIS-REx imaging and thermal analysis D. N. DellaGiustina 1,26*, J. P. Emery 2,26*, D. R. Golish1, B. Rozitis3, C. A. Bennett1, K. N. Burke 1, R.-L. Ballouz 1, K. J. Becker 1, P. R. Christensen4, C. Y. Drouet d’Aubigny1, V. E. Hamilton 5, D. C. Reuter6, B. Rizk 1, A. A. Simon6, E. Asphaug1, J. L. Bandfield 7, O. S. Barnouin 8, M. A. Barucci 9, E. B. Bierhaus10, R. P. Binzel11, W. F. Bottke5, N. E. Bowles12, H. Campins13, B. C. Clark7, B. E. Clark14, H. C. Connolly Jr. 15, M. G. Daly 16, J. de Leon 17, M. Delbo’18, J. D. P. Deshapriya9, C. M. Elder19, S. Fornasier9, C. W. Hergenrother1, E. S. Howell1, E. R. Jawin20, H. H. Kaplan5, T. R. Kareta 1, L. Le Corre 21, J.-Y. Li21, J. Licandro17, L. F. Lim6, P. Michel 18, J. Molaro21, M. C. Nolan 1, M. Pajola 22, M. Popescu 17, J. L. Rizos Garcia 17, A. Ryan18, S. R. Schwartz 1, N. Shultz1, M. A. Siegler21, P. H. Smith1, E. Tatsumi23, C. A. Thomas24, K. J. Walsh 5, C. W. V. Wolner1, X.-D. Zou21, D. S. Lauretta 1 and The OSIRIS-REx Team25 Establishing the abundance and physical properties of regolith and boulders on asteroids is crucial for understanding the for- mation and degradation mechanisms at work on their surfaces. Using images and thermal data from NASA’s Origins, Spectral Interpretation, Resource Identification, and Security-Regolith Explorer (OSIRIS-REx) spacecraft, we show that asteroid (101955) Bennu’s surface is globally rough, dense with boulders, and low in albedo. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
Egyptian Literature
The Project Gutenberg EBook of Egyptian Literature This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Egyptian Literature Release Date: March 8, 2009 [Ebook 28282] Language: English ***START OF THE PROJECT GUTENBERG EBOOK EGYPTIAN LITERATURE*** Egyptian Literature Comprising Egyptian Tales, Hymns, Litanies, Invocations, The Book Of The Dead, And Cuneiform Writings Edited And With A Special Introduction By Epiphanius Wilson, A.M. New York And London The Co-Operative Publication Society Copyright, 1901 The Colonial Press Contents Special Introduction. 2 The Book Of The Dead . 7 A Hymn To The Setting Sun . 7 Hymn And Litany To Osiris . 8 Litany . 9 Hymn To R ....................... 11 Hymn To The Setting Sun . 15 Hymn To The Setting Sun . 19 The Chapter Of The Chaplet Of Victory . 20 The Chapter Of The Victory Over Enemies. 22 The Chapter Of Giving A Mouth To The Overseer . 24 The Chapter Of Giving A Mouth To Osiris Ani . 24 Opening The Mouth Of Osiris . 25 The Chapter Of Bringing Charms To Osiris . 26 The Chapter Of Memory . 26 The Chapter Of Giving A Heart To Osiris . 27 The Chapter Of Preserving The Heart . 28 The Chapter Of Preserving The Heart . 29 The Chapter Of Preserving The Heart . 30 The Chapter Of Preserving The Heart . 30 The Heart Of Carnelian . 31 Preserving The Heart . 31 Preserving The Heart . -
Studies in Plains Indian Folklore
STUDIES IN PLAINS INDIAN FOLKLORE BY ROBERT H. LOWIE UNIVERSITY OF CALIFORNIA PUBLICATIONS IN AMERICAN ARCHAEOLOGY AND ETHNOLOGY Volume 40, No. 1, pp. 1-28 UNIYERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES 1942 UNIVERSITY OF CALIFORNIA PUBLICATIONS IN AmERICAN ARCHAEOLOGY AND ETHNOLOGY EDIToRtS: A. L. KROEBER, R. H. LowI, T. D. MOCOWN, R. L. OLSON Volume 40, No. 1, pp. 1-28 Submitted by editors September 4, 1940 Issued April 23, 1942 Price, 35 cents UNIVERSITY OF CALIFORNIA PRESS BERKELEY, CALIFORNI CAMBRIDGE UNIVERSITY PRESS LONDON, ENGLAND PRINTED IN THE UNITED STATES OF AMERICA STUDIES IN PLAINS INDIAN FOLKLORE BY ROBERT H. LOWIE INTRODUCTION IN THE SUMMER Of 1910 and 1911 I visited the Hidatsa and Mandan at Fort Berthold Reservation in North Dakota, my primary object being the study of their age societies for the American Museum of Natural History. During one of these sojourns I obtained from Wolf-chief the following version of the Grandson myth, Englished by Good-bird, which presents several points of theoretical interest. About twenty years later Professor Beckwith visited the same tribes, procuring a very full version of the story from Bear's-arm and some fragmentary data from Arthur Mandan.' In addition there are six pub- lished Crow versions,2 as well as two unpublished ones in my possession; the fullest of my variants has appeared in English and is now available in the original. The present purpose is not to present a complete comparative study, which would inevitably merge in a consideration of the Lodge Boy and Spring Boy cycle, and thence of the Twin myths of the New World, but rather to concen- trate on immediately relevant comparative material and, through it, gain light on the processes of differentiation. -
Scholarly Program Notes on the Graduate Vocal Recital of Madalyn Mentor Madalyn W
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-12-2013 Scholarly Program Notes on the Graduate Vocal Recital of Madalyn Mentor Madalyn W. Mentor Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Mentor, Madalyn W., "Scholarly Program Notes on the Graduate Vocal Recital of Madalyn Mentor" (2013). Research Papers. Paper 393. http://opensiuc.lib.siu.edu/gs_rp/393 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOCAL RECITAL OF MADALYN MENTOR by Madalyn Mentor B.A., Berea College, 2011 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music School of Music Southern Illinois University Carbondale May 2013 RESEARCH PAPER APPROVAL SCHOLARLY PROGRAM NOTES ON THE GRADUATE VOCAL RECITAL OF MADALYN MENTOR By Madalyn Mentor A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Vocal Performance Approved by: Dr. Jeanine Wagner, Chair Dr. Susan Davenport Dr. Paul Transue Graduate School Southern Illinois University Carbondale April 12, 2013 AN ABSTRACT OF THE RESEARCH PAPER OF MADALYN MENTOR, for the Master of Music degree in VOCAL PERFORMANCE, presented on April 12, 2013, at Southern Illinois University Carbondale. TITLE: SCHOLARLY PROGRAM NOTES FOR THE GRADUATE VOCAL RECITAL OF MADALYN MENTOR MAJOR PROFESSOR: Dr. -
Afroasiatic, 17N, 41N, 46, 65, 72-75 Akkadian,5,6,9, 14N, 16, 17N, 18N, 19, 28,33,40,43,44,45,47,55,56, 68N,80,81 'Anat (Canaani
Index Afroasiatic, 17n, 41n, 46, 65, 72-75 Canaanite shift (of ii too), 46, 49-50, 56, Akkadian,5,6,9, 14n, 16, 17n, 18n, 19, 78 28,33,40,43,44,45,47,55,56, Carthage, 21-22 68n,80,81 commerce: between Egypt and the Levant, 'Anat (Canaanite goddess), 13n, 47 10-14, 78 aleph, triple (333): miswritten by copyists, 7-8, 77,83-84 dating alphabet, 82 of sound changes, 41, 62, 63n, 66, 72 Amarna letters, 36, 38n, 45, 49n, 57 of texts, 1-3, 21n, 80-82 dama-usum(-gal-an-na) (Sumerian divine Dep, 11 name) 31-32, 80 dirt: as food of snakes, 25, 38 Arabic, 22, 28, 29, 30, 32, 33, 36, 38n, 40, dissimilation, 41n, 61n, 64n 42,43,44,46,47,49,55,56,68n, divine identifications, 50 69, 71, 73-75 Djer (Egyptian king) , IO Aramaic, 6, 9, 15, 17n, 21n, 28, 29, 30, 32, Dumuzi (Sumerian god), 31 33,36,38n,42,43,44,45,46,48, 50,53,55,56n,57,58,68n, 71-72, Eblaite, 10, 17, 19-20, 33n, 46, 55-56, 74n, 77-78. See also Aramaic text 80-81 in Demotic script. Egypto-Semitic, 63n, 72, 73, 74, 75 Aramaic text in Demotic script (Papyrus ejective(s), 12, 54, 68, 71 Amherst 63), 9n, 15n, 35, 42, 49n, Elamite, 9 50n,63n, 72 Epigraphic South Arabian, 55. See also assimilation, 30, 54-55, 56n, 77 Minaic, Qatabanian, and Sabaic augmentation, 18n, 43-44, 50n Eshmun (Phoenician god), 8-9 <ayin, Egyptian and Semitic, 63-72, 75-76 Eve,21n,29-30 Execration Texts, 48, 63, 64 Ba'alat (Byblian goddess), 13, 14, 78 backformation(s), 43-44 fallacy of overspecification, 74 Balaam, 35 foreign elements: in magic, 8-10, 79-80 Bible,snakesin, 5,6,26,38,41 foreign land: as epithet of foreign snake, Book ofAm-Duat, 18, 27n 24,26,51,80 Byblian (dialect), 35, 36, 42, 45, 46n, 54, foreigners: in Egypt during Old Kingdom, 56 62 Byblites (snakes), 14, 24, 38, 52-53, 80 Byblos, 10-14, 24, 25, 27, 33, 36, 38, 45, Geb (Egyptian earth-god, father of all 46,51,52,53,54,57, 78,80,82n snakes), 25, 27, 38, 39, 40 100 Index 101 genitalia, reptilian, 25, 39, 40, 44, 45 lion: as epithet for snake, 28, 33-34, 53 Genizah, Cairo, 19n London Medical Papyrus, 8-9, 29 glottal stop(s), 34, 42, 48, 62 glottalic. -
Ancient Egyptian Medicine the Papyrus Ebers
ANCIENT EGYPTIAN MEDICINE THE PAPYRUS EBERS Translated from the German Version .By CYRIL P. BRYAN M.B., B.CH., B.A.O. Demonstrator in Anatomy, University College, London With an Introduction by PROFESSOR G. ELLIOT SMITH M.D., D.SC., LITT.D., F.R.C.P., F.R.S. Professor ofAnatomy. University College, London ARES PUBLISHERS INC. MCMLXXIV Those about to study Medicine, and the younger Physicians, should light their torches at the fires of the Ancients. ROKITANSKY Unchanged Reprint of the Edition: London, 1930. ARES PUBLISHERS INC. Printed in the United States of America International Standard Book Number: 0-89005-004-X Library of Congress Catalog Card Nunfter: K 74-77905 DISEASES OF THE EYES 95 Pinguecula Pterygium Staphyloma Trichiasis CHAPTER XVI DISEASES OF THE EYES To improve the sight a 'lotion' prepared by warming Chips-of-a-new-hennu-pot in Fresh Milk NINE pages of the original papyrus are devoted to eye- was recommended. Another lotion could be prepared conditions, a fact which need occasion no surprise to by combining Cream with the Milk-of-a-Woman- anyone acquainted with that country even after the who-has-borne-a-Son. Apply to the eyes frequently, is thousands of years that separate us from that far- added. A number of salves are also given in each of distant period. In a separate volume published in which Collyrium figures. Thus in one the Collyrium 1889 Ebers gave a detailed translation of this inter- is simply combined with Honey; in another with esting chapter, differentiating the following conditions: Honey and Sap-from-Fresh-Onions; in another with the Marrow-of-an-Ox; in another with Goose-grease Blepharitis and Water; in another with Incense and Real Lapis Blindness lazuli; in another with Antimony, Copper-vitriol, Carcinoma Writing-fluid, and Onions; and in still another with Cataract Writing-fluid, Myrrh, Opal-resin, Arabian-wood- Chalazion powder, and Saltpetre-from-Upper-Egypt. -
Egyptian Gardens
Studia Antiqua Volume 6 Number 1 Article 5 June 2008 Egyptian Gardens Alison Daines Follow this and additional works at: https://scholarsarchive.byu.edu/studiaantiqua Part of the History Commons BYU ScholarsArchive Citation Daines, Alison. "Egyptian Gardens." Studia Antiqua 6, no. 1 (2008). https://scholarsarchive.byu.edu/ studiaantiqua/vol6/iss1/5 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Studia Antiqua by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Egyptian Gardens Alison Daines he gardens of ancient Egypt were an integral component of their religion Tand surroundings. The gardens cannot be excavated like buildings and tombs can be, but archeological relics remain that have helped determine their construction, function, and symbolism. Along with these excavation reports, representations of gardens and plants in painting and text are available (fig. 1).1 These portrayals were frequently located on tomb and temple walls. Assuming these representations were based on reality, the gardens must have truly been spectacular. Since the evidence of gardens on excavation sites often matches wall paintings, scholars are able to learn a lot about their purpose.2 Unfortunately, despite these resources, it is still difficult to wholly understand the arrangement and significance of the gardens. In 1947, Marie-Louise Buhl published important research on the symbol- ism of local vegetation. She drew conclusions about tree cults and the specific deity that each plant or tree represented. In 1994 Alix Wilkinson published an article on the symbolism and forma- tion of the gardens, and in 1998 published a book on the same subject. -
Glossary Ancient Egyptian Art and Culture
Ancient Egyptian Art and Culture Glossary Africa Africa is the world's second-largest and second most-populous continent, after Asia. At about 12 million square miles it covers 20% of the Earth's total land area. Egypt is located on the Northeast corner of the African continent. Amphora A large pottery or stone vessel, usually with one or more handles and used as storage or transport container for liquids or solids. Amulet A small token, such as a hieroglyphic symbol or figurine of a god, believed to provide magical protection or other benefits to its wearer. Ankh The ankh is a hieroglyphic symbol meaning “life” and “to live.” lt was worn by many ancient Egyptians as an amulet, and is frequently depicted in art being extended by the gods. Apis Bull The Apis bull was a sacred oracle housed in the temple of Ptah at Memphis. The bulls were well treated throughout their lifetimes, given divine status as the embodiment of the god Ptah, and were mummified upon death. The Apis bulls, and later the mothers of the Apis bulls (sacred to Isis) were buried at Saqqara. Artistic perspective Egyptians used variations in size to indicate importance in their art. Viewpoints also changed within images to show the strongest characteristics of objects and people. Faces were always shown in profile, eyes were large, and legs were often shown in exaggerated poses. Artifact An artifact is something that was made by a person in the distant past. Clothing, pottery, furniture, tools, and art are all artifacts. Atef The atef is a crown with an ostrich plume on each side and horizontal ram’s horns underneath. -
Statuette of a Snake-Legged Anubis in the National Museum, Warsaw 214 ALEKSANDRA MAJEWSKA
INSTITUT DES CULTURES MÉDITERRANÉENNES ET ORIENTALES DE L’ACADÉMIE POLONAISE DES SCIENCES ÉTUDES et TRAVAUX XXV 2012 ALEKSANDRA MAJEWSKA Statuette of a Snake-legged Anubis in the National Museum, Warsaw 214 ALEKSANDRA MAJEWSKA Among the images of Egyptian gods on display in the gallery of Ancient Egyptian Art at the National Museum in Warsaw there is an exceptional fi gurine of bronze with a jackal’s head, torso of a man and serpentine coils instead of legs. It is undoubtedly a representa- tion of Anubis, but suffi ciently unique to merit a broader commentary than the brief notes published on its subject so far.1 The iconographic and stylistic distinctness with regard to canonical representations of Anubis in Egyptian art indicate a background in the artistic production of an age in which a native tradition coexisted with Graeco-Roman culture. The Anubis statuette from the Warsaw National Museum is of composite form.2 It is made up of three independent elements: jackal’s head, male upper body and serpentine coils (Figs 1–4). The relatively small head features a long narrow snout. Set in deep sockets, the large slanting eyes with marked pupils look attentively to the front. Curly wisps of fur encircle the snout and neck, joining the tripartite wig to form a hairdo that skillfully softens the animality of the head. Preserved between the fl eshy ears of natural shape is the base of the broken crown. The harmoniously built male torso is characterized by ample pectoral muscles passing into a narrowed waist and softly modeled, slightly rounded abdominal muscles with a distinctly sunk navel.