David Gilmour Live 2015
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RW the WALL Extended.Indd
28 • TPi APRIL 2011 AT THE BEGINNING OF APRIL, MARK CUNNINGHAM SPENT FIVE DAYS IN MILAN WITH THE PRODUCTION TEAM ON ROGER WATERS’ THE WALL LIVE — A STUNNING, REIMAGINED TOURING VERSION OF THE PINK FLOYD CO-FOUNDER’S CLASSIC ‘ROCK OPERA’. (And he still hasn’t come back down to Earth yet...) Is it a rock concert, performance art or a cannot fail to be moved by the sheer dynamic Sean Evans, and Tyler Kisera of Tait Towers theatre show? The truth is, it straddles all of energy and unprecedented creative content in whose youthful energy and vision proved to be these genres but the end result is in a field of this new presentation. an inspiration for all. Sensible Events’ Andrew its own. Introduced by a soundtrack clip from Zweck leads as tour director and Chris Kansy Whereas the original Pink Floyd shows Spartacus, signifying the judgement of a (Van Morrison, Janet Jackson, Mary J. Blige) is in of 1980 preceded moving lights, line arrays, man who stood up to the Establishment, The the production management hot seat. hi-def video and sophisticated automation, Wall Live is separated into two Acts, each “There are plenty of artists touring with 25 this new live production of Roger Waters’ approximately 55 minutes long, with images trucks of equipment and doing their ‘froth and magnum opus, The Wall, harnesses all of of victims of conflict projected on to the bricks bubble’ shows, but nobody’s doing a production today’s advanced technologies to deliver an during the 20 minute intermission. with such intensity, depth and integrity,” said uncompromised assault on the senses. -
Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE. -
Great Physicists
Great Physicists Great Physicists The Life and Times of Leading Physicists from Galileo to Hawking William H. Cropper 1 2001 1 Oxford New York Athens Auckland Bangkok Bogota´ Buenos Aires Cape Town Chennai Dar es Salaam Delhi Florence HongKong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Sao Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright ᭧ 2001 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Cropper, William H. Great Physicists: the life and times of leadingphysicists from Galileo to Hawking/ William H. Cropper. p. cm Includes bibliographical references and index. ISBN 0–19–513748–5 1. Physicists—Biography. I. Title. QC15 .C76 2001 530'.092'2—dc21 [B] 2001021611 987654321 Printed in the United States of America on acid-free paper Contents Preface ix Acknowledgments xi I. Mechanics Historical Synopsis 3 1. How the Heavens Go 5 Galileo Galilei 2. A Man Obsessed 18 Isaac Newton II. Thermodynamics Historical Synopsis 41 3. A Tale of Two Revolutions 43 Sadi Carnot 4. On the Dark Side 51 Robert Mayer 5. A Holy Undertaking59 James Joule 6. Unities and a Unifier 71 Hermann Helmholtz 7. The Scientist as Virtuoso 78 William Thomson 8. -
Productionprofile
productionprofile COINCIDING WITH HIS ON AN ISLAND ALBUM DEBUTING AT NUMBER ONE WITHIN DAYS OF HIS 60TH BIRTHDAY, THE “VOICE AND GUITAR OF PINK FLOYD” HAS EMBARKED ON HIS FIRST FULL TOUR IN 12 YEARS. MARK CUNNINGHAM REPORTS FROM AMSTERDAM... david gilmour With the surprise and awe of last summer's Pink Floyd fortunate, for not only is this venue purpose-built for association as audio provider with Mike Lowe in office. reunion at Live 8 still a spine-tingling memory in many live music, with all facilities thoughtfully designed to The highly respected Searle maintains a happy ship quarters, David Gilmour's new solo album, On An cope with the practical requirements of incoming upon which an air of polite Englishness resides. As they Island, captures a man who is clearly very happy with productions, but on a personal note, Gilmour's show say, the vibe always comes from the top, and it's a cosy his lot. Released on his 60th birthday in March, the provided an intimate audio experience unrivalled by family affair with Mrs. G documenting the tour collection — his first complete studio project since pretty much anything to date. A bold statement, photographically, guitarist Phil Manzanera's wife Claire Floyd's The Division Bell in 1994 — is a beautifully perhaps, but from the heart. Singers looking after publicity, and Wright's son-in-law mellow showcase for his unmistakable guitar sound and Although Gilmour ventured out in a minor way Guy Pratt on bass. articulate vocal style. So tranquil, in fact, that one can during 2001 and 2002 with a handful of acoustic "I've known Phil Taylor for many years and almost feel the warmth of the Mediterranean sunset shows, it's been 12 years since he's needed a full-scale because he needs to focus on David's stage that inspired Gilmour and his lyricist wife, Polly Samson. -
ROGER WATERS.Qxd 19/7/06 15:17 Page 2
ROGER WATERS.qxd 19/7/06 15:17 Page 2 productionprofile White and Andy Fairweather-Low, drummer Graham Broad, with backing vocalists experiments progressed it became clear that this method could be hard to control in Katie Kissoon, P. P. Arnold and Carol Kenyon, while impressive newcomer guitarist inclement weather. Dave Kilminster now takes on most of Gilmour's parts. Also in the line-up, on As with all the best challenges, Hangman then received two key pieces of keyboards, are Waters' hirsute son Harry and Jon Carin, fresh from a break in information: a) that no one could recall the original sheep ever working more than Gilmour's touring itinerary... how very incestuous! once; and b) that what Waters really hoped to see was some kind of conveyor belt The tour, which began in Europe at Lisbon's Rock In Rio festival on June 2 and of sheep, as if in an abattoir. embarks on a North American leg throughout September and October, features the “In order to create the impression that the sheep are in some kind of macabre production accessories pioneered by Floyd such as giant inflatables (check the procession before they fall, we needed to find a way of flying them over and across astronaut!), creative video and surround sound. The scenic design also benefited the audience at the same time,” said Hangman co-founder, Chesters. from the input — at various intervals — from the band's associates Jonathan Park and Various concepts were explored, including a catenary that would slide a herd of Mark Fisher, while Hangman handled its actual delivery with medal-worthy sheep down over the audience and flying two separate sets of sheep on different diplomacy. -
Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017
Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017 Quelle: http://www.videodiskothek.com The Orb + David Gilmour - Metallic Spheres (audio only) Alan Parsons + David Gilmour - Return To Tunguska (audio only) Pink Floyd - The Dark Side Of The Moon (full album) Roger Waters - Wait For Her David Gilmour - Rattle That Lock Pink Floyd - Another Brick In The Wall Pink Floyd - Marooned Pink Floyd - On The Turning Away Pink Floyd - Wish You Were Here (live) Pink Floyd - The Gunners Dream Pink Floyd - The Final Cut Pink Floyd - Not Now John Pink Floyd - The Fletcher Memorial Home Pink Floyd - Set The Controls For The Heart Of The Sun Pink Floyd - High Hopes Pink Floyd - The Endless River (full album) [LASERSHOW] Pink Floyd - Cluster One Pink Floyd - What Do You Want From Me Pink Floyd - Astronomy Domine Pink Floyd - Childhood's End Pink Floyd - Goodbye Blue Sky Pink Floyd - One Slip Pink Floyd - Take It Back Pink Floyd - Welcome To The Machine Pink Floyd - Pigs On The Wing Roger Waters - Dogs (live) David Gilmour - Faces Of Stone Richard Wright + David Gilmour - Breakthrough (live) Pink Floyd - A Great Day For Freedom Pink Floyd - Arnold Lane Pink Floyd - Mother Pink Floyd - Anisina Pink Floyd - Keep Talking (live) Pink Floyd - Hey You Pink Floyd - Run Like Hell (live) Pink Floyd - One Of These Days Pink Floyd - Echoes (quad mix) [LASERSHOW] Pink Floyd - Shine On You Crazy Diamond Pink Floyd - Wish You Were Here Pink Floyd - Signs Of Life Pink Floyd - Learning To Fly David Gilmour - In Any Tongue Roger Waters - Perfect Sense (live) David Gilmour - Murder Roger Waters - The Last Refugee Pink Floyd - Coming Back To Life (live) Pink Floyd - See Emily Play Pink Floyd - Sorrow (live) Roger Waters - Amused To Death (live) Pink Floyd - Wearing The Inside Out Pink Floyd - Comfortably Numb. -
The Cauldron 2015
Mikaela Liotta, Cake Head Man, mixed media The Cauldron Senior Editors Grace Jaewon Yoo Muriel Leung Liam Nadire Staff Pann Boonbaichaiyapruck Phoebe Danaher Daniel Fung 2015 Sally Jee Prim Sirisuwannatash Angela Wong Melissa Yukseloglu Faculty Advisor Joseph McDonough 1 Poetry Emma Woodberry Remember 5 GyuHui Hwang Two Buttons Undone 6 Khanh Nyguen I Wait for You to Have Dinner 8 Angela Wong Euphoria 9 Sabi Benedicto The House was Supposed to be Tan 12 (But was Accidentally Painted Yellow) Canvas Li Haze 15 Adam Jolly Spruce and Hemlock Placed By 44 Gentle Hands Jordan Moller The Burning Cold 17 Grace Jaewon Yoo May 18 Silent Hills 40 Lindsay Wallace Forgotten 27 Joelle Troiano Flicker 30 Jack Bilbrough Untitled 31 Valentina Mathis A Hop Skip 32 Jessica Li The Passenger 36 Daddy’s Girl 43 Eugenia Rose stumps 38 Brandon Fong Ironing 47 Ryder Sammons Mixed Media, Ceramics New Year’s Cold 48 Mikaela Liotta Shayla Lamb Spine 7 Senior Year 50 Mermaid 46 Teddy Simson Elephant Skull 16 Prose Eye of the Tiger 53 Muriel Leung Katie I A Great River 20 Imagination 19 Zorte 52 Sabi Benedicto Geniophobia 32 2 Photography Rachel Choe More Please 8 Pann Boonbaichaiyapruck DEAD 2 Spin 12 Swimmingtotheschor 22 Bigfernfloating 41 Lydia Stenflo LA as seen from the 14 Griffith Observatory at Night in March Beach Warrior 58 Meimi Zhu Reflection 30 Jessica Li Juvenescence 37 The Last Door 42 Brandon Fong The End is Neigh 38 Sunday in Menemsha 53 Liam Nadire Hurricane Sandy #22 47 Pride 58 Painting, Drawing Katie I Risen 4 Oban Galbraith The Divide 9 Joni Leung -
Death, Difference, and Dialogue
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2009 April 4, 1968: Death, Difference, and Dialogue Kristine Marie Warrenburg University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Communication Commons Recommended Citation Warrenburg, Kristine Marie, "April 4, 1968: Death, Difference, and Dialogue" (2009). Electronic Theses and Dissertations. 950. https://digitalcommons.du.edu/etd/950 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. APRIL 4, 1968: DEATH, DIFFERENCE, AND DIALOGUE ROBERT F. KENNEDY ANNOUNCES THE ASSASSINATION OF MARTIN LUTHER KING, JR. __________ A Dissertation Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Kristine Warrenburg August 2009 Advisor: Darrin Hicks, Ph.D. ©Copyright by Kristine Warrenburg 2009 All Rights Reserved Author: Kristine Warrenburg Title: APRIL 4, 1968: DEATH, DIFFERENCE, AND DIALOGUE ROBERT F. KENNEDY ANNOUNCES THE ASSASSINATION OF MARTIN LUTHER KING, JR. Advisor: Darrin Hicks, Ph.D. Degree Date: August 2009 ABSTRACT Robert Kennedy’s announcement of the assassination of Martin Luther King, Jr., in an Indianapolis urban community that did not revolt in riots on April 4, 1968, provides one significant example in which feelings, energy, and bodily risk resonate alongside the articulated message. The relentless focus on Kennedy’s spoken words, in historical biographies and other critical research, presents a problem of isolated effect because the power really comes from elements outside the speech act. -
Gracias Roger Anna Victoria
10917693 03/17/2007 10:06 p.m. Page 5 5B |EL SIGLO DE DURANGO | DOMINGO 18 DE MARZO DE 2007 ¡PARTICIPA! Manda tus colaboraciones al correo electrónico: [email protected] Responsable: ANGÉLICA MARTÍNEZ MENA Diseño gráfico: ABIU SANTAELLA y JESÚS ESPINOZA [email protected] ANNA VICTORIA POR JESÚS MARÍN e dijeron que no existías. Que eras producto de románticos decantes. MDe soñadores nocturnos que gustan ir a los cementerios a la medianoche a leer largos y trágicos poemas donde la muerta siempre es la mujer amada. Me dijeron que el amor sólo existía en las novelas de Alejandro Dumas y que la única historia de amor válida es la de Ro- meo y Julieta. Me dijeron que dejara de buscarte. Que los ángeles no existen y las hadas son supers- ticiones celtas para hacer más dulce la tran- sición de la niñez. Me dijeron que caminar de madrugada y buscar tu rastro en la orilla del océano en me- dio de la tormenta no iba a hacer que surgie- ras del abismo donde te perdí desde el prin- cipio de los tiempos, donde fuimos separados por un Dios egoísta y ciego. Me dijeron que de nada servía dibujar la estrella de seis puntas con sal y regarla con mi sangre y pronunciar las palabras de los elegidos para que despiertes de donde yaces eternamente prisionera y vinieras con tu destrucción y vinieras con tu inocente per- versidad a liberarme. Al explicar la pintura “Starry-night” de Vincent van Gogh, Kathleen Powers Erickson en su obra “At eternity’s gate”, cuyo contenido es Creí que los poetas eran locos desdicha- una visión de la espiritualidad de Van Gogh, interpreta este cuadro como un éxtasis de la esencia del artista, que recupera al final de su dos cuya razón habían extraviado, por eso vida la misma fe profunda que había tenido en sus años de predicador. -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
Nick Mason's Saucerful of Secrets European Tour on Sale Now Full
Nick Mason’s Saucerful Of Secrets European Tour On Sale Now Nick Mason, Gary Kemp, Guy Pratt, Lee Harris and Dom Beken play Pink Floyd Full European Tour Including Six UK Dates Tickets on sale from 9am on Friday 25 May www.thesaucerfulofsecrets.com Nick Mason’s Saucerful Of Secrets reviews from 20 May 2018... “...this was the most extraordinary and joyous show, a reminder of what a peculiar and brilliant band Pink Floyd were... If you have the slightest interest in Pink Floyd, do not miss this group when they return to larger venues later this year. You won’t even need acid to blow your mind.” ✭✮✮✮✮ Michael Hann, Financial Times “The sound was immense, electrifying, galvanising, mesmerising and still deeply strange, bending the formats of primal rock into all kind of weird and wonderful shapes. From the warped garage rock opening of Interstellar Overdrive, Astronomy Domine and Lucifer Sam to the closing proto-shoe gaze blitz of One of These Days and bent musical hall wackiness of Point Me at the Sky, it was a set of such startling intensity it seemed to mock the very notion of nostalgia. It was enough to make you wonder whether rock has progressed very far at all since the Sixties. ✭✮✮✮ Neil McCormick, The Daily Telegraph T: @nickmasondrums / FB:www.facebook.com/NickMasonDrums T: @pinkfloyd / FB:www.facebook.com/pinkfloyd www.pinkfloyd.com For images please go to http://bit.ly/2JMteyE 25 May, 2018 - Following four intimate and acclaimed live shows at London’s Dingwalls (20 May) and The Half Moon in Putney (21, 23 and 24 May), Nick Mason’s Saucerful Of Secrets will be touring their unique live show of early Pink Floyd across Europe, including six shows in the UK. -
Book Proposal 3
Rock and Roll has Tender Moments too... ! Photographs by Chalkie Davies 1973-1988 ! For as long as I can remember people have suggested that I write a book, citing both my exploits in Rock and Roll from 1973-1988 and my story telling abilities. After all, with my position as staff photographer on the NME and later The Face and Arena, I collected pop stars like others collected stamps, I was not happy until I had photographed everyone who interested me. However, given that the access I had to my friends and clients was often unlimited and 24/7 I did not feel it was fair to them that I should write it all down. I refused all offers. Then in 2010 I was approached by the National Museum of Wales, they wanted to put on a retrospective of my work, this gave me a special opportunity. In 1988 I gave up Rock and Roll, I no longer enjoyed the music and, quite simply, too many of my friends had died, I feared I might be next. So I put all of my negatives into storage at a friends Studio and decided that maybe 25 years later the images you see here might be of some cultural significance, that they might be seen as more than just pictures of Rock Stars, Pop Bands and Punks. That they even might be worthy of a Museum. So when the Museum approached me three years ago with the idea of a large six month Retrospective in 2015 I agreed, and thought of doing the usual thing and making a Catalogue.