Detailed Audio Video System Description

1630 Capital One Tower Road www.capitalonehall.com McLean, Virginia 22512 804.592.3368

DETAILED AUDIO VIDEO SYSTEM DESCRIPTION

MAIN THEATER – PERFORMANCE SOUND SYSTEM 1. The Main Theater features a professional, concert-level Sound Reinforcement System to support various Live performance event types. The system design utilizes high performance components and integration methods to provide high-fidelity sound for Corporate Events, Musicals, Concerts, Film/Video, Broadcast and other special events. 2. Multichannel mixing and processing is provided via a large-format mixing console system to accommodate more involved productions and concerts. A Stage Monitor system is included that provides similar sonic performance to the main loudspeaker system. 3. High-resolution digital audio backbone and distribution paths are specified for connection versatility and mix flexibility. Stage input boxes with 96kHz/24bit conversion enable full-fidelity, low-noise broadcast grade audio for reinforcement, recording and distribution. Multiple audio, loudspeaker, video, data and fiber Tie-Lines are provided throughout the theater. 4. Broadcast-quality, multi-channel Audio Recording is also included to provide live mix recording and post-production elements required for corporate and concert productions, corporate event archival and IP distribution. 5. Digital Mixing Consoles, Microphone Splitter and I/O a. Various Sound, Video and communications signals are connected via a system of custom combination panels described above. The combination panels are located at the stage, orchestra pit, balconies, catwalks and grid. b. Dual digital mixing consoles are included for the main theater control booth and stage monitor positions. These consoles will be identical or similar for operational consistency and mixing redundancy. c. A custom-fabricated microphone splitter with high-fidelity transformers is specified to allow visiting mix consoles to be interfaced into the house system with ease. An industry-standard DANTE audio, redundant network backbone also allows external mixers and digital processing devices to be used directly on the audio network. The DANTE network will be minimally configured for 64 channels @ 96kHz. The DANTE network provides a convenient manner to route and record any audio channels or mix stems. d. All audio channels are kept in the digital domain once converted by the mixing system input hardware. e. Extra digital conversions are eliminated in the signal flow, with 96kHz AES mix outputs feeding all main theater amplifiers directly for the main loudspeaker and monitor mix drive lines. The design strives for maximum fidelity from the sound system audio paths, reducing the multiple A/D and D/A conversions found in typical installations. The mixing console digital I/O and conversion hardware is powered via balanced-power isolation units located in each I/O hardware location, further reducing noise and improving audio clarity. f. Custom-designed and fabricated I/O panels are provided to allow visiting mixing consoles to be interfaced into the house system with ease. Analog and Digital I/O paths are provided for main system drive and monitor mix drive lines from visiting mixing consoles. This allows for visiting road equipment to be connected with minimal disruption of the normal house system connection cabling. 6. Wireless Microphone Systems a. Professional, digital Wireless Microphones are specified using broadcast-quality systems and high-fidelity capsule elements. (24) channels of combination systems include dynamic handheld transmitters and bodypack receivers to be used in any combination. Additional condenser capsules for the handheld transmitters enable high-fidelity sound for vocal soloists. The belt-packs are supported by high fidelity sub-miniature lavaliere elements and head worn microphones. Mounting accessories are also included for the lavaliere elements.

Subject to revisions, updates, modifications and removal of items listed by Capital One in its sole discretion without notice. 1 b. Integral antennae combining eliminates the need for an external RF antennae coupler. Wideband, passive antennas, RF cabling and mounting hardware is supplied. A sophisticated battery charging system is included to charge multiple battery packs in rack-mounted charging stations. Integral battery electronics provide detailed battery monitoring. Redundant battery packs are supplied to allow one set of batteries to be charged while another set is installed and in use in the wireless microphone transmitters. 7. Wired Microphone Systems a. Multiple, industry-standard dynamic vocal and instrument microphones are supplied. A drum microphone kit and alternate kick drum microphone is included. High-fidelity small diaphragm condenser microphone pairs are supplied for instrumental use. Large diaphragm condenser microphones are also supplied for multiple uses. b. Sub-miniature instrument microphone kits allow customization for use on a variety of instruments such as strings, acoustic guitars, horns and acoustic bass. A high-fidelity Stereo Piano microphone kit is optimized for a house grand piano. Ribbon microphones are supplied for horns and guitar amps. c. Orchestral and Broadcast recording microphones are supplied, as well as a Decca Tree arrangement to record orchestras and theater broadcast program. A Stereo Microphone and dual-channel preamplifier is specified to be utilized as an installed House Live Mic for recording and distribution. Microphone and cable trunks are supplied to provide easy storage and deployment of the microphone assortment. 8. Microphone Stands, Direct Boxes & Portable Cables a. A wide assortment of professional microphone stands is specified to include straight stack-able stands w/quick-re- lease clutch, multi-section, tripod boom stands, tall boom stands, various short boom and straight stands, X/Y Bars and microphone holders. b. Direct boxes are included for keyboards, bass, guitars and playback interface. PC/iPad interfaces are also included to maximize fidelity with user-supplied playback devices. Industry-standard, Jensen transformer-equipped models insure the professional fidelity and isolation. c. A complete microphone and patch cable assortment is provided. The cables are constructed with quad microphone cable and high-quality connectors. Multiple stage sub-snakes are included as well as an assortment of house instrument cables. Portable cable reels are provided for easy deployment and storage of microphone, monitor and CAT cables. 9. Main Theater Loudspeaker Systems a. The Theater loudspeaker design is modeled via prediction software to simulate system performance in each audience area plane in the orchestra level, first and second balconies. The modeling enables fine adjustment of loudspeaker system parameters while performing multiple simulations. The software simulation model and CAD design provide detailed design parameters that verify exact loudspeaker positions, heights and angles. Each Array calculation can be simulated with the specific amplifier models and modified to achieve the desired performance criteria. b. Array simulations predict possible level and frequency response corrections over the modeled seating areas. The resultant model provides a loudspeaker system that is installed onsite to a precision within 1 degree of the final design model. c. The Main Theater Sound System features a high-fidelity, high-power loudspeaker system that will serve corporate events, concerts, musicals. Left, Right & Center main loudspeaker arrays are integrated into the theater to cover all seating areas with full-range sound. The main loudspeakers are digitally-processed and amplified by loudspeaker manufacturer dedicated electronics, designed for these specific loudspeaker models. A cardioid subwoofer module at the top of each array helps deliver time-aligned Low-frequency energy to the upper balcony. High-power ampli- fication is delivered to the main loudspeaker arrays with each array loudspeaker powered by a dedicated amplifier channel. With each loudspeaker module processed and amplified independently, special modeling and proprietary signal processing techniques provide similar levels and frequency response throughout the seating areas. The main loudspeaker arrays can be flown out of the room when not required via a motorized rigging system. The arrays can also be lowered to the stage for servicing.

Subject to revisions, updates, modifications and removal of items listed by Capital One in its sole discretion without notice. 2 10. Main Subwoofer System a. High-power, cardioid subwoofers are integrated in dedicated loudspeaker chambers under the stage wings. Addi- tional portable subwoofers are also provided for high-energy concert productions and film events. 11. Front-Fill & Box-Fill Loudspeakers a. Compact Front-Fill and In-Fill loudspeakers are provided for the front seating rows. The front fill loudspeakers can be used on the stage lip or the pit lip. A pair of portable coaxial full-range loudspeakers is included for In-Fill when required. Sub-compact installed loudspeakers are used for fill in the first balcony box seating if required. 12. Surround/Effects Loudspeakers a. Full-range Surround & Effects loudspeakers are concealed in the architecture on the orchestra level and first/second balconies. Surround/Effects loudspeakers are designed to match the timbre of the main loudspeaker system. The loudspeakers are normally fed discrete 96kHz AES drive lines from the house mix console digital outputs and processed/amplified by dedicated electronics. The loudspeakers can be used for Video/Film event surround channels or Effects channel play-out for musicals and other productions. The system design includes straightforward drive input patching for external film playback systems without rack re-wiring. b. The Surround/Effects loudspeakers are also used for hall reverberation generation via the Acoustic Enhancement system, discussed below. The Surround/Effects loudspeaker system can be driven via AES or analog signals when connected to external equipment. 13. Main Theater Stage Monitor Loudspeakers a. A full Stage Monitor loudspeaker system is supplied for the main theater. Stage Monitor mixes can originate from the Front-of-House mixing console for basic events. The dedicated monitor mixing console is used for larger concert events where multiple monitor mixes are required. b. A high-power, Stage Side-fill system with subwoofers is specified to provide stage front-line monitoring. Multiple individual monitor mixes are available using a variety of professional stage monitors to support high-output concerts and special events. A dedicated drum monitor and subwoofer is provided. Rolling carts are provided for the deployment and storage of stage monitors. An assortment of monitor sub-snakes and various monitor loudspeaker cables are specified. c. Stage Fold-back loudspeakers are installed in the stage-house as announce and PGM fold-back for musicals and dance. 14. Assistive Listening System a. A multi-channel, FM Assistive Listening System is included to meet ADA requirements for hearing assistance in the Main Theater and The Vault theater. The FM transmitters will be located in the control room racks and includes a wide area transmit antennae. Portable receivers are provided for patrons to include earbuds and hearing aid neck- loops. A dedicated battery charging system with charging strips and rechargeable batteries is included to eliminate the costs of disposable batteries. 15. See Appendix A attached hereto for additional information.

MAIN THEATER PRODUCTION INTERCOM 1. Production Intercom System a. A professional theatrical production intercom system is distributed throughout the facility. b. Production Intercom is distributed to the control room, catwalks, stage, orchestra pit, fly-rails and galleries. Intercom is also distributed to Back of House areas including production offices, various dressing rooms and green room. Proper cabling and connection methods will insure audio quality and low-noise performance. Multichannel wall stations are provided for many BOH areas and rooms. Intercom stations with portable enclosure boxes are also included. Several locations in the main lobbies and upper gallery are also connected into the main intercom system. An intercom link to The Vault theater control room is also provided.

Subject to revisions, updates, modifications and removal of items listed by Capital One in its sole discretion without notice. 3 c. A multi-channel Main Station with power supply is supported by Remote Stations for the control room, stage manager console and green room/production area. Goose-neck microphones at rack locations are provided. Multiple single and dual channel belt-packs are included as well as an assortment of standard and lightweight single and dual ear headset models. Multiple lengths of dedicated single-pair and dual-pair intercom cables are included. Motorola radio interfaces are also included to tie the intercom system to production radio systems.

SHOW PROGRAM & ARCHIVAL 1. House Program Audio & Live Microphone a. A stereo House Live-Mic and reference preamplifier provides show program audio for distribution and archival recording. The Live-Mic feeds a high-resolution audio recorder, HDSDI audio embedder, hearing assist system, public areas and back-of-house production areas, corridors and dressing rooms. 2. House Program Cameras, Router & UHD Archival Recorders a. Multiple, compact UHD/4K Pan Tilt Zoom Robotic Cameras are integrated into the theater for program video and archival. The cameras have nominal positions on the balcony lip, stage - but can be moved at will depending on production needs. The cameras also output hi-resolution video over IP, view-able from any browser on the AV network. The cameras can also be used as aux shots in a major broadcast production. A multi-camera PTZ controller is provided for network camera control along with browser control capability. Camera presets are stored in the PTZ controller for each camera. Portable IR bullet cameras provide conductor views and other low-light shots for production use. b. A compact production switcher is included for basic archival and projection events. 4K/UHD control room and rack monitoring is included. Two, Dual-channel 4K/UHD/HD archival SSD recorders for event archival and camera ISO recordings are also included in the control room rack. c. A large-format HDSDI router is also provided to easily route show program to any location. This equipment and system design allows for high-quality monitoring and archival and simple productions to occur without external portable equipment rentals and setup costs. 3. Stage Manager Console a. The Stage Manager Console includes integrated communications, paging and video monitoring equipment. The production intercom Main Station provides 4channels of intercom at the stage manager console. Rack mount UHD/ HD Video monitors allow monitoring of show program video via multiple SDI tie lines from the facility router. An integrated paging station is also included to enable crew & talent paging to all BOH and production areas. A Stage-Announce function is also available from the Stage Manager Console.

MAIN THEATER UHD/4K VIDEO & GRAPHICS PROJECTION 1. Projection System a. Multiple projection screens are provided for the Main Theater to include, large format projection screen for corporate events and a film-screen for film events. Screens can be flown from the fore-stage grid or within the stage-house. A portable screen is provided for upstage use. Multiple format inputs and layered outputs feed video projectors, confidence monitors and back-of-house program monitors. The Switcher/Scaler can be configured in a mobile rack for use in the Control Room and Green Room/Production areas. Custom Switcher/Scaler I/O harnesses are supplied to provide simplified connections in both locations. b. Various Combination I/O Panels throughout the theater allow projectors to be fed via multiple signal types to include 4K HDMI via HD Base T, 12G SDI and SM Fiber. A basic switcher installed in the Control Room drives the Projector for events that do not require sophisticated switching and layering. 4K-UHD monitors are provided for the Control Room and Green Room/Production areas. Additional 4K/UHD/HD archival SSD recorders for event archival and camera ISO recordings are included in the mobile racks. c. Dual projectors allow for redundancy and allow each projector to be optimized with lenses for front and rear projection.

Subject to revisions, updates, modifications and removal of items listed by Capital One in its sole discretion without notice. 4 2. Stage Confidence Monitoring a. LCD Confidence Monitors are supplied for portable use. The monitors can be fed with SDI from any SVC Combination panel and include an HDSDI-HDMI converter for lossless conversion and output to each display. Monitors can also be fed via HD BaseT over long distances with low latency 4K transmission of uncompressed video & graphics. UHD SDI and Data Tie-lines are available throughout the theater, enabling portable monitoring in many different locations. UHD/4K Monitors are installed in the stage wings to allow for program monitoring from either side of the stage. The monitors are fed via dedicated router outputs to enable the selection of any source to each stage wing. 3. See Appendix A attached hereto for additional information.

DISTRIBUTED PROGRAM SOUND & VIDEO DISTRIBUTION 1. Sound & Video Distribution a. Program Sound & Video from the Main Theater and The Vault theater is distributed throughout the facility, with full resolution 4K video and digital audio systems. b. The UHD PTZ House Cameras also include internal IP encoding to enable monitoring and control of each camera from external PCs anywhere on a standard network. The cameras include low-light and IR modes for typical theater use. Audio can be embedded via each camera’s line input, enabling in-sync audio program to be embedded and distributed with each IP camera feed. Cameras can be mounted on the balcony rails, tripods and other locations as desired. Some PTZ cameras can be reserved for portable use in the orchestra pit or on-stage for special productions. The system of SDI and CAT6 tie-lines and SDI router allows patching and distribution of 4K/2K video from multiple locations. 2. SDI Distribution a. Wideband UHD/4K SDI Tie-Lines are installed throughout the Main Theater for production use. Patch panels are specified and supported by a UHD/4K SDI router that can be controlled via the front panel or over the network. The SDI Router makes event setups easy with one to one or one to many connections for program cameras, conductor cameras, computers and other sources. 3. Distributed Program Sound Distribution a. Show Program audio can be sourced from the House Live-Mic, Mix Console, Aux Inputs or PGM mix. Audio is distributed throughout the facility via a high-resolution audio network and can be controlled via local remote controls and PC software. Column loudspeakers and dual-concentric recessed ceiling loudspeakers are installed throughout the facility to include the lobbies, rest rooms and back-of-house areas. Multiple loudspeaker zones are powered by multi-channel audio amplifiers, allowing lower-impedance loudspeaker settings for better performance. Low Z ceiling loudspeakers are specified in some areas to allow for transformer bypass, further improving fidelity. b. Back of House area program distribution is designed in multiple zones, to allow different source, levels and mutes to be applied to different rooms and acoustic areas. Remote controls are located in several areas. All dressing rooms and offices include individual volume controls.

DUAL CLASSROOM AV SYSTEMS 1. The Dual Classrooms at the entrance level are used for meetings and community events. The classrooms are configured with simple self-contained AV Systems. Large-format UHD TVs are integrated in each space, supported by a local wall plate input panel for various sources. Distributed sound is supplied by recessed ceiling loudspeakers in each classroom. Subcompact amplifiers drive the loudspeakers, driven from the internal UHD TV variable line outputs. 2. See Appendix A attached hereto for additional information.

Subject to revisions, updates, modifications and removal of items listed by Capital One in its sole discretion without notice. 5 THE VAULT THEATER 1. The Vault theater features integrated Sound Video & Communications systems with high-quality components. The sound system includes a permanent Control Room sound mix position with remote iPad mixing. The Vault theater contains a system of custom combination connection panels and cabling. Connectivity around the perimeter of the theater along with multiple connection panels in the grid allow for flexible sound and video production elements. 2. The Vault theater features a dedicated portable projection system, with different sizes of fast-fold type screens to accommodate various production use. The projector will be similar to the projectors available in the portable equipment package and be mounted via The Vault theater pipe grid. A dedicated production intercom system is also provided with the ability to link with the Main Theater for facility-wide events. 3. A dedicated microphone package with wired and wireless microphone systems is included, along with stands, cable and direct box interfaces. A portable loudspeaker assortment includes various system components and various rigging hardware for suspension. High-power point-source loudspeakers, subwoofers and fill/effects speakers provide hi-quality sound for all events. 4. The Vault theater SVC Isolated-ground Power is independent from the Main Theater and general building power. The Vault theater SVC power system includes a dedicated isolation transformer and AV sub-panel. 5. Using similar equipment to the Main Theater, integrated cameras and recorders enable event archival and high- resolution recording of Vault theater events. Sound & Video is distributed to The Vault theater lobby PGM monitor and ceiling loudspeakers. 6. See Appendix A attached hereto for additional information.

FRONT OF HOUSE AND BACK OF HOUSE See Appendix A attached hereto for additional information.

Subject to revisions, updates, modifications and removal of items listed by Capital One in its sole discretion without notice. 6