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M Monitors Contents M Monitors Contents The d&b System reality .......................................................... 4 The Stage monitors .................................................................. 8 The MAX12 monitor .............................................................. 10 The MAX monitor ................................................................... 11 The M6 monitor ....................................................................... 12 The M4 monitor ....................................................................... 13 The M2 monitor ....................................................................... 14 The Stage monitor cases...................................................... 15 The MAX12/MAX mounting accessories ....................... 16 The MAX12/MAX mounting examples .......................... 17 The M6/M4/M2 mounting accessories ........................... 18 The M6/M4/M2 mounting examples .............................. 19 The d&b Remote network ................................................... 20 The D6, D12 and D80 amplifiers ...................................... 22 The operation with D6, D12 and D80 amplifiers ....... 24 The d&b amplifier output modes ..................................... 26 The Stage monitors configuration examples .............. 27 The Stage monitors product overview ........................... 30 2 d&b Stage monitors d&b Stage monitors 3 The d&b System reality As the name implies a d&b audiotechnik system is not just a than the combination of parts: an entirety where each fits all. amplifiers. Neutral sound characteristics leave the user all the is achieved consistently by every system anywhere, at any time. loudspeaker. Nor is it merely a sum of the components: Every element is tightly specified, precisely aligned and carefully freedom needed to realise whatever the brief. At the same time In reality: the d&b System reality. loudspeakers, amplifiers, accessories and software. Right from integrated to achieve maximum efficiency. For ease of use, all the d&b offers integrated finance, service and support, a the outset the d&b audiotechnik approach was to build user-definable parameters are integrated, allowing the possibility knowledgeable distribution network, education and training as integrated sound reinforcement systems that actually are more of adjustment, either via remote control surfaces or directly on the well as technical information, so the same optimal acoustic result 4 d&b Stage monitors d&b Stage monitors 5 d&b Stage monitors can seriously enhance the performance quality of sound between front of house and the stage. remarkable vocal presence and clarity and more than adequate and a neutral platform for the engineer and artist alike. of the artist and the success of a production. That’s why d&b has Consequently the d&b Stage monitors have not only a low profile power. With the well defined dispersion control the systems always maintained that there should be no difference in the cabinet design for use in visually senstitive situations, but also guarantee a high feedback stability realizing an efficient tool 6 d&b Stage monitors d&b Stage monitors 7 The Stage monitors MAX12 and MAX are 2-way loudspeakers with a coaxially d&b remote software creates a flexible workspace for the d&b mounted 12" or 15“ LF driver respectively and a 2" exit HF user. The R1 Remote control software provides all features, compression driver. The high frequency horn throat is coupled to functions and controls available on the front of d&b amplifiers, the low frequency diaphragm creating a 80° and 60° radial which can be remotely controlled and monitored. Service mid/high horn respectively. MAX12 and MAX are loudspeakers functions enable firmware updates of the amplifiers as and when with remarkable vocal presence and clarity, a neutral, balanced these are available, whilst monitoring tools such as System check sound, high feedback stability and sound pressure level verifies that the system performs within a predefined condition. R1 capability. The MAX12/MAX loudspeakers are passively crossed MAX12 monitor MAX monitor Remote control software incorporates the equalizer of each d&b over, are able to be driven by any appropriate linear power amplifier channel within the software, to make adjustments at any amplifier and may optionally be used in a d&b specific 2-Way position. Active mode setup to increase headroom particularly in the high frequency range. They can be configured with d&b subwoofers as a drumfill or with a high stand adapter for small PA applications. The M6 and M4 are low profile 2-way high performance stage monitors employing an integrated 12”/1.3” and 15“/1.3“ exit coaxial driver respectively, with a CD horn and passive crossover network. The M6 and M4 distinguish themselves through a remarkable midrange presence, the M4 additionally through a dry and deep low end. Combined with excellent feedback stability, high sensitivity and discreet designs they line up perfectly with the d&b M2 state of the art monitor. M6 monitor M4 monitor The d&b D6 and D12 dual channel as well as the D80 four channel amplifiers realize the complete system and incorporate The M2 is the d&b definitive actively crossed over reference d&b loudspeaker specific configuration information. They provide stage monitor system. The bass-reflex enclosure is optimized for three different power ranges and have analog and digital signal minimal air compression and houses two 12" LF drivers. The 1.4" inputs and links. These devices are specially designed and exit HF compression driver operates into a very low distortion manufactured by d&b utilizing Digital Signal Processing and D6 amplifier horn with a waveguide oriented design. This remarkable cabinet include switchable functions for precisely tailoring system achieves a constant directivity of 45° x 60° (h x v) above the response for a wide variety of applications. Delay capabilities unusually low frequency of 600 Hz, resulting in substantial and equalization on each channel of every amplifier reduce the feedback stability and a very direct voice reproduction. Finally, need for external processing devices, with user definable 4-band its peak sound pressure level of 143 dB at 1m will satisfy even M2 monitor parametric EQ for the D6 and D12 compared to the two the unhealthiest of SPL requests. 16-band equalizers incorporated into the D80. D12 amplifier D80 amplifier 8 d&b Stage monitors d&b Stage monitors 9 The MAX12 monitor The MAX monitor MAX12 monitor 90 MAX monitor 60 80 50 MAX12 is a 2-way passively crossed over loudspeaker with a 70 MAX is a 2-way passively crossed over loudspeaker with a 15" 40 60 30 12" LF driver and a coaxially mounted 2" exit HF compression 50 LF driver and a coaxially mounted 2" exit HF compression driver. 20 40 10 driver. Although the HF and LF drivers have separate magnet 30 Although the HF and LF drivers have separate magnet structures, 0 20 –10 structures, the d&b design to couple the high frequency horn 10 the d&b design to couple the high frequency horn throat to the –20 0 –30 throat to the low frequency diaphragm creates a 80° radial –10 low frequency diaphragm creates a 60° radial mid/high horn. –40 –20 –50 mid/high horn. This exhibits a slightly increased directivity at –30 This exhibits a slightly increased directivity at higher frequencies, –60 higher frequencies, but has a remarkably similar dispersion –40 but has a remarkably similar dispersion performance to that of a 125 250 500 1k 2k 4k 8k 16k –50 MAX dispersion characteristics2 performance to that of a constant directivity horn. The inherent –60 constant directivity horn. The inherent time alignment of this –70 time alignment of this topology is a close approximation to the –80 topology is a close approximation to the ideal acoustic point –90 ideal acoustic point source. MAX12 may also be used in its 125250 50021k k 4k 8k 16k source. MAX may also be used in its 2-Way Active mode to 2-Way Active mode to increase the headroom, particularly in the MAX12 dispersion characteristics2 increase the headroom, particularly in the high frequency range. high frequency range. The MAX cabinet is constructed from marine plywood, which ] ] The MAX12 cabinet is constructed from marine plywood, which incorporates the handles, has an impact resistant paint finish and incorporates the handles, has an impact resistant paint finish, M10 threaded inserts. The front of the loudspeaker cabinet is 536 [21.12 ] M10 threaded inserts and a socket to accept loudspeaker protected by a rigid metal grill, covered with a replaceable 392 [15.42 stands. The front of the loudspeaker cabinet is protected by a ] acoustically transparent foam. A socket to accept loudspeaker rigid metal grill, covered with a replaceable acoustically stands, ratchet strap kelping bar and an optional version with 580 [22.83] 507 [19.96] 458 [18.03 Front view Side view transparent foam. 324 [12.76 MAN CF4 stud plates complete the multiple application choices. System data 486 [19.13] 425 [16.73] System data Frequency response (–5 dB, MAX set up) ............ 65 Hz - 18 kHz Front view Side view Frequency response (–5 dB, MAX set up) ............ 55 Hz - 18 kHz Max. sound pressure (1 m, free field)1 ............................................ Max. sound pressure (1 m, free field)1 ............................................ with D6 (passive mode) .......................................................130 dB with D6 (passive mode) .......................................................131 dB Rear view with D12 (passive
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