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East Hartford Club Guest of Rotarians Here Will Plan
4 ft**? '*"!' «#<, *-r**i,T'' *•»> * > ..,... '" T'^ :'H • . '*£! Sj-L , V-.J" «•*• #4,? ,&S C?,# x •••••••' ;:-. '" *' \¥" "i^S>J? • : • 7,v#sBffi THE ONLY NEWSPAPER PUBLISHED IN THE TOWN OF ENFIELD, CONN. Fifty-Third Year—No. 24. THOMPSONVILjaErCONN., THURSDAY, SEPT. 29, 1932 Subscription $2.00 Per Year—Single Copy 5c. EAST HARTFORD Things to Remember Before Voting ENDORSED FOR Town Tickets As They Will Be DEMOCRATS TO CLUB GUEST OF At the Town Election Next Monday REGIONAL LOAN HOLD RALLY AT ROTARIANS HERE Voted At Election Next Monday The polls in all three of the voting districts will open at 6 A. M. BANK DIRECTOR THE HIGH SCHOOL and close at 4 P. M. DEMOCRATIC REPUBLICAN First Inter-City Meeting Avoid confusion by checking up in which district or precinct you Assessor are registered before balloting. Walter P. Schwabe Be Michael A. Mitchell Henry J. Bridge Local Candidates And Proves Unusually Suc _ Jn Thompsonville, if you live south of the Asnuntuck Brook, the ing Urged For Direc jrona or Freshwater Brook you are in Precinct 1, and you vote at the Board of Relief Out of Town Speakers cessful— Rev. Charles Town Court Room. torship of New Eng Michael J. Liberty Jeremiah H. Provencher Will Be Heard Tomor Noble of Hartford Ad If you live on the north side of the above named bodies of water Selectmen you are in Precinct 2, and your voting place is the Higgins School land Branch,of Federal Patrick T. Malley Orrin W. Beehler row Night—No Repub dresses Gathering. Auditorium. Francis T. Carey Robert J. -
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
RAF Wings Over Florida: Memories of World War II British Air Cadets
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 9-15-2000 RAF Wings Over Florida: Memories of World War II British Air Cadets Willard Largent Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the European History Commons, and the Military History Commons Recommended Citation Largent, Willard, "RAF Wings Over Florida: Memories of World War II British Air Cadets" (2000). Purdue University Press Books. 9. https://docs.lib.purdue.edu/purduepress_ebooks/9 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. RAF Wings over Florida RAF Wings over Florida Memories of World War II British Air Cadets DE Will Largent Edited by Tod Roberts Purdue University Press West Lafayette, Indiana Copyright q 2000 by Purdue University. First printing in paperback, 2020. All rights reserved. Printed in the United States of America Paperback ISBN: 978-1-55753-992-2 Epub ISBN: 978-1-55753-993-9 Epdf ISBN: 978-1-61249-138-7 The Library of Congress has cataloged the earlier hardcover edition as follows: Largent, Willard. RAF wings over Florida : memories of World War II British air cadets / Will Largent. p. cm. Includes bibliographical references and index. ISBN 1-55753-203-6 (cloth : alk. paper) 1. Largent, Willard. 2. World War, 1939±1945ÐAerial operations, British. 3. World War, 1939±1945ÐAerial operations, American. 4. Riddle Field (Fla.) 5. Carlstrom Field (Fla.) 6. World War, 1939±1945ÐPersonal narratives, British. 7. Great Britain. Royal Air ForceÐBiography. I. -
Final Appendices
Bibliography ADORNO, THEODOR W (1941). ‘On Popular Music’. On Record: Rock, Pop and the Written Word (ed. S Frith & A Goodwin, 1990): 301-314. London: Routledge (1publ. in Philosophy of Social Sci- ence, 9. 1941, New York: Institute of Social Research: 17-48). —— (1970). Om musikens fetischkaraktär och lyssnandets regression. Göteborg: Musikvetenskapliga in- stitutionen [On the fetish character of music and the regression of listening]. —— (1971). Sociologie de la musique. Musique en jeu, 02: 5-13. —— (1976a). Introduction to the Sociology of Music. New York: Seabury. —— (1976b) Musiksociologi – 12 teoretiska föreläsningar (tr. H Apitzsch). Kristianstad: Cavefors [The Sociology of Music – 12 theoretical lectures]. —— (1977). Letters to Walter Benjamin: ‘Reconciliation under Duress’ and ‘Commitment’. Aesthetics and Politics (ed. E Bloch et al.): 110-133. London: New Left Books. ADVIS, LUIS; GONZÁLEZ, JUAN PABLO (eds., 1994). Clásicos de la Música Popular Chilena 1900-1960. Santiago: Sociedad Chilena del Derecho de Autor. ADVIS, LUIS; CÁCERES, EDUARDO; GARCÍA, FERNANDO; GONZÁLEZ, JUAN PABLO (eds., 1997). Clásicos de la música popular chilena, volumen II, 1960-1973: raíz folclórica - segunda edición. Santia- go: Ediciones Universidad Católica de Chile. AHARONIÁN, CORIúN (1969a). Boom-Tac, Boom-Tac. Marcha, 1969-05-30. —— (1969b) Mesomúsica y educación musical. Educación artística para niños y adolescentes (ed. Tomeo). 1969, Montevideo: Tauro (pp. 81-89). —— (1985) ‘A Latin-American Approach in a Pioneering Essay’. Popular Music Perspectives (ed. D Horn). Göteborg & Exeter: IASPM (pp. 52-65). —— (1992a) ‘Music, Revolution and Dependency in Latin America’. 1789-1989. Musique, Histoire, Dé- mocratie. Colloque international organisé par Vibrations et l’IASPM, Paris 17-20 juillet (ed. A Hennion. -
Hugh^ Set No Records on Globe Girdling Flight
HANCHraTER EVBNINO R E ^^D . MANCRUTEB, CONN« THURSDAY,. JULY 14.1988 MANCHESTER BVENINQ HERALD, MANCBB8TER. THURSDAY, JULY %4 ,1988 market at the tlma the Boland bid stated that, la hUi opinlea, the ohiy town money. Ra isn’t doing th tff waa accepted, ta tt Bay for the town to give out I nor is this sealedIsd bid p r o ^ t tlig (he kandaUam this afternoon. f General Mlahp. Its builiiees wae by eealed bid, pAr- DEMOCRAn MAY ALTER tlonald Stewart, 28, of 620 Wash- Winner In Kemp’s Contest DRIYING TEST CAR BID MUDDLE doing It. He now proposes only ington avenue; Chariea Petei The entire gasoline tnirchasa prob- tlelpatton In which would be open loWes his price to meat competition. ’ POSITION Pretzel Twisting Case lem has been in a miaiip of mis- only to local taxpayers. 20, of f0S Amsterdam avenue, SEADLUND EI£CTR0CUTED understanding and turmoil' 'since We am i’t getting any bargain. It’a DAtE OF CONVENTION Jlaymopd Coi^, 27, of lOO ' ROCKVILLE HERE NEXT IHUIDAY After discussing the qnSkttoa, Just a 'ehift of dealers.’’ Martin last week when three local oil deal- the Board memfaera agreed that alt street, former employ^ of th* Has Referee Twisted Ut SOLVED BY SELECTMEN ers, acting on a request to submit was backed, in hla view by fliflaet- Telegram who partidpatad i t a IPOGHT IN DANGER local taxpayers >houId be given an Favor Roldiiig State Parley , -}r • ^ s ,etna Safety Special” To Be offers for the supplying of the men L. T. Wood and Harold Reed, walkout at the plant aeVeral weSks FOR THE ROSS KIDNAPING equal chance to bid for the comJiig who were not in sympathy with the Week O f^ept. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School College of Arts and Architecture UNSETTLED MASSES: PUBLIC TRANSPORTATION IN THE ART OF NEW YORK CITY, 1929–1941 A Dissertation in Art History by Emily A. Schiller © 2016 Emily A. Schiller Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2016 The dissertation of Emily A. Schiller was reviewed and approved* by the following: Nancy Locke Associate Professor of Art History Dissertation Co-Adviser Co-Chair of Committee Leo G. Mazow Louise B. and J. Harwood Cochrane Curator Head of the Department of American Art Virginia Museum of Fine Arts Dissertation Co-Adviser Co-Chair of Committee Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Craig Zabel Associate Professor of Art History Head of the Department of Art History Anne Rose Distinguished Professor of History and Religious Studies *Signatures are on file in the Graduate School. ii ABSTRACT During the Great Depression and World War II, public transportation thrived as an alternative to costly travel by railroads or private cars. This dissertation uses depictions of mass transit as points of departure into contextual examinations of three artists who repeatedly used passengers as subjects: Reginald Marsh (1898–1954), Donald Freeman (1908–1978), and Walker Evans (1903–1975). I argue that travel imagery attests to mobility as a common experience—an aspect of American life that viewers would recognize. Through a close examination of representations of mobility, it becomes clear that the motif appealed to these artists because it was simultaneously common and complicated—implicitly moving but explicitly stationary. -
Thomas E. Dewey and Earl Warren: the Rise of the Twentieth Century Urban Prosecutor
California Western Law Review Volume 28 Number 1 Article 2 1991 Thomas E. Dewey and Earl Warren: The Rise of the Twentieth Century Urban Prosecutor Lawrence Fleischer Follow this and additional works at: https://scholarlycommons.law.cwsl.edu/cwlr Recommended Citation Fleischer, Lawrence (1991) "Thomas E. Dewey and Earl Warren: The Rise of the Twentieth Century Urban Prosecutor," California Western Law Review: Vol. 28 : No. 1 , Article 2. Available at: https://scholarlycommons.law.cwsl.edu/cwlr/vol28/iss1/2 This Article is brought to you for free and open access by CWSL Scholarly Commons. It has been accepted for inclusion in California Western Law Review by an authorized editor of CWSL Scholarly Commons. For more information, please contact [email protected]. CALIFORNIA WESTERN Fleischer: Thomas E. Dewey and Earl Warren: The Rise of the Twentieth Centur LAW REVIEW VOLUME 28 1991-1992 NUMBER 1 THOMAS E. DEWEY AND EARL WARREN: THm RISE OF THE TWENTIETH CENTURY URBAN PROSECUTOR LAWRENCE FLEISCHER* INTRODUCTION The study of the American urban prosecutor, a key political-legal officer who carries the immense power of "prosecutorial discretion," has yet to attract serious historical research. A review of the published literature suggests the first crucial period of development occurred during the Jacksonian period when the office broke free of its traditional administrative role as the adjunct of the court. During this period the local urban prosecutor became an elected official.1 This unmoored the office from the anchor of the judiciary and set it sailing into the realm of politics. Essential- ly, this set the standard throughout the nineteenth and the early part of the twentieth centuries of an office beholden to the electorate in the most intimate political sense, and established the office as the keystone of the criminal justice system. -
Judge Jean Hortense Norris, New York City - 1912-1955
University of the District of Columbia School of Law Digital Commons @ UDC Law Journal Articles Publications 2019 Fallen Woman (Re) Frame: Judge Jean Hortense Norris, New York City - 1912-1955 Mae C. Quinn University of the District of Columbia David A Clarke School of Law Follow this and additional works at: https://digitalcommons.law.udc.edu/fac_journal_articles Part of the Courts Commons, Judges Commons, and the Legal History Commons Recommended Citation Mae C. Quinn, Fallen Woman (Re) Frame: Judge Jean Hortense Norris, New York City - 1912-1955, 67 (macro my.short_title 451 (2019). Available at: https://digitalcommons.law.udc.edu/fac_journal_articles/25 This Article is brought to you for free and open access by the Publications at Digital Commons @ UDC Law. It has been accepted for inclusion in Journal Articles by an authorized administrator of Digital Commons @ UDC Law. For more information, please contact [email protected]. Fallen Woman (Re)framed: Judge Jean Hortense Norris, New York City – 1912-1955 Mae C. Quinn∗ INTRODUCTION In 1932, William and John Northrop, brothers and members of the New York State Bar, published their book, THE INSOLENCE OF OFFICE: THE STORY OF THE SEABURY INVESTIGATIONS. It purported to provide the “factual narrative” underlying the wide-ranging New York City investigation that occurred under the auspices of their brethren-in-law, Samuel Seabury.1 Seabury, a luminary in New York legal circles, was appointed as one of the nation’s first “special counsel” by state officials to uncover, among other things, -
•97-S® Those 55,000
MONDAY, AUOU8T i, If 40 TWELVm Jbmrlirstre Soniftio S m iOI ■ ' f Average Dally Circulation For ttM Month a t J u ly ,194# The Weather Foraman Raymond Oolaman o€ year for earrytng a conoealad wea wrongdoing at first, but after In anything but the length of a rorecMri at O. H. Wamttmt emraaa Onmpany No. 1 Of the Msnchoatar Roy Sentenced pon, aontenee for taking ears with eonstant questioning said he Jail sentence. The sixty day penal About Town ftre department haa called a drill out pennlasion of the owner and might be able to find the rings ty then was Imposed. 6 ,3 6 7 of the company for tonight. Mem other offenses. and tha money". Police, searehlhg Aftor-Invoitory Qearance attarmaam and tonigM; Weffaeoday bers wUl meet at the flrehouae at Stolen From Boom Roy and hia car, then uncovered Monbor of tto Audit ^..VrA BiMtlnr of the Tall Cedars To Sixty Days According to the teatlmony of the money and the Jewelry tmder fair; ooolor. T lMn be held toniiht at 8 o’clock 6:80. There will be no meeting Bmeee a t Clrenlatloas tonight. Prosecutor Herman Tules, the ac a back seat In the auto. L'it tha Ifaaonlc Temple ■ to make cused took the articles from Mc- Manchester— City of Village Charm amnfements for "Joyland.” The accused maintained the The members of Hose Co. No. 3 Pleads Guilty to Stealing Caff ey'e room while - the robbed money was hla. He admitted tak A R. Wilkie of Summer Merchan&e man waa at work. -
Some Further Reflections on the Problem of Adequacy of Trial Counsel
Fordham Law Review Volume 49 Issue 1 Article 7 1980 Some Further Reflections on the Problem of Adequacy of Trial Counsel Warren E. Burger Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law Commons Recommended Citation Warren E. Burger, Some Further Reflections on the Problem of Adequacy of Trial Counsel , 49 Fordham L. Rev. 1 (1980). Available at: https://ir.lawnet.fordham.edu/flr/vol49/iss1/7 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Some Further Reflections on the Problem of Adequacy of Trial Counsel Cover Page Footnote Chief Justice of the United States. I am indebted to Carl Daniel Motsinger and Jeffrey B. Morris for undertaking to synthesize informal lectures, articles, and speeches made by me over nearly two decades, for researching recent developments, organizing extensive materials, and offering their own analyses. This article is available in Fordham Law Review: https://ir.lawnet.fordham.edu/flr/vol49/iss1/7 FORDHAM LAW REVIEW 1980-1981 VOLUME XLIX © 1980 and 1981 by Fordham Law Review EDITORIAL BOARD JOHN M. FIETKIEWICZ Editor-in-Chief BARBARA WRUBEL JOSEPH GUGLIELMELLI Writing & Research Editor Articles Editor IRENE A. STEINER ANNE T. VITALE KATHLEEN H. WILSON Articles Editor Managing Editor Articles Editor SUSAN M. COYNE ROBERT A. GAYNOR Commentary Editor Commentary Editor ROBERT L. -
Nero Wolfe's Gotham: New York City in the 30S And
Nero Wolfe’s Gotham: New York City in the 30s and 40s Jim Picinich, New-York Historical Society Docent 1930s Broadway in the 1930s Bofinger, E.M.. Times Square theaters by day, 46th and Broadway, south from 47th Street, New York City. January 1938. Photograph. NYC Municipal Archives. Girl Crazy . George Gershwin playing “I Got Rhythm” from Girl Crazy Judge Joseph Force Crater . April 1930 - became an Associate Justice of the New York Supreme Court for New York County at the age of 41 . Vanished the night of August 6, 1930 . Last seen leaving a restaurant on West 45th Street . Dinner companions, William Klein and Sally Lou Ritz, originally said they saw him get into a taxi cab . Later changed their story saying they entered a taxi outside the restaurant while Crater walked down “Crater Destroyed Papers As He Quit Office, Police Say.” The the street Brooklyn Daily Eagle 4 September 1930: 1- 2. Print. Judge Joseph Force Crater . Crater enjoyed New York City's nightlife . Involved with several showgirls . Was spending time at his summer home in Maine with his wife when he told her he must make a quick trip to NYC . Traveled to NYC on August 3rd . Promised to be back by her birthday August 9th . At first Stella was upset that he had missed her birthday but assumed he had been held up on political or legal business . His friends and colleagues thought he was in Maine . After a week, Stella began telephoning his friends in New York Grand Central Station New York Central System. Vaulted main room of Grand Central Terminal, New York City. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,