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The Real Estate Extract
Characters THE RESIDENTS NATALIE WHITEMAN, chair of the tenants’ association, forty-nine TOMMY WHITEMAN, Natalie’s son, seventeen FRANK, tenants’ association member, seventy DUNCAN, tenants’ association member, twenty-three ESTHER, tenants’ association member, thirty-five DANIELLE WHITEMAN, Natalie’s daughter, twenty-three RUBY, Danielle’s best friend, runs a dance class, twenty-three MARIA, a former resident, twenty-three WARREN, a resident, thirty-two VISITORS TO THE ESTATE ROBERTA, local councillor, thirty-two TAMARA, news presenter, twenty-six JOHN, news crew cameraman, twenty-eight CARL, journalist, twenty-five ON THE PRODUCTION ED, actor playing the journalist killed by Ingrid, twenty-five FLORENCE, the actor playing Ingrid, twenty-three ELIZABETH, a hugely celebrated actor playing DCI Lane, fifty SIOBHAN, the actor playing Annie, twenty-three JACK, the actor playing Leonard, twenty-three JUDE, the actor playing Frank, twenty-three CHARLOTTE, first assistant director, twenty-one JEREMY, the director, thirty-eight SOPHIA, the producer, thirty-three REBECCA, screenwriter, thirty DAVE, the sound guy, thirty SHEILA, director of photography, thirty SUZIE, clapper loader, twenty-two TYRONE, security, twenty-five TIM, runner, twenty KERRY, hair and make-up, twenty-three CHARACTERS IN THE FILM GIANT KILLER ALISON, the architect of Hawksmoor House, twenty-seven LEONARD WHITEMAN, new resident and Natalie’s father, twenty-three ANNIE WHITEMAN, new resident and Natalie’s mother, twenty-three YOUNG FRANK, new resident, twenty-three VIOLET, Ingrid’s neighbour, twenty-three INGRID, Annie’s best friend, the film’s protagonist, twenty-three 2 MR COOPER, Ingrid’s landlord, thirty DSU MCCAIN, detective superintendent, fifty-three DCI PARKER, detective, twenty-five DCI LANE, detective, fifty Various production crew and residents Note on Play ( / ) denotes an interruption. -
East Hartford Club Guest of Rotarians Here Will Plan
4 ft**? '*"!' «#<, *-r**i,T'' *•»> * > ..,... '" T'^ :'H • . '*£! Sj-L , V-.J" «•*• #4,? ,&S C?,# x •••••••' ;:-. '" *' \¥" "i^S>J? • : • 7,v#sBffi THE ONLY NEWSPAPER PUBLISHED IN THE TOWN OF ENFIELD, CONN. Fifty-Third Year—No. 24. THOMPSONVILjaErCONN., THURSDAY, SEPT. 29, 1932 Subscription $2.00 Per Year—Single Copy 5c. EAST HARTFORD Things to Remember Before Voting ENDORSED FOR Town Tickets As They Will Be DEMOCRATS TO CLUB GUEST OF At the Town Election Next Monday REGIONAL LOAN HOLD RALLY AT ROTARIANS HERE Voted At Election Next Monday The polls in all three of the voting districts will open at 6 A. M. BANK DIRECTOR THE HIGH SCHOOL and close at 4 P. M. DEMOCRATIC REPUBLICAN First Inter-City Meeting Avoid confusion by checking up in which district or precinct you Assessor are registered before balloting. Walter P. Schwabe Be Michael A. Mitchell Henry J. Bridge Local Candidates And Proves Unusually Suc _ Jn Thompsonville, if you live south of the Asnuntuck Brook, the ing Urged For Direc jrona or Freshwater Brook you are in Precinct 1, and you vote at the Board of Relief Out of Town Speakers cessful— Rev. Charles Town Court Room. torship of New Eng Michael J. Liberty Jeremiah H. Provencher Will Be Heard Tomor Noble of Hartford Ad If you live on the north side of the above named bodies of water Selectmen you are in Precinct 2, and your voting place is the Higgins School land Branch,of Federal Patrick T. Malley Orrin W. Beehler row Night—No Repub dresses Gathering. Auditorium. Francis T. Carey Robert J. -
(Washington, DC). 1946-02-04
Last-minute ehaneu (m ftNt> tuose of radio tome- ( «Λεν naturally/ βατ NOBODY WILL TALK program» ο GREAT SCOTT.' MP TIDNÛB OU, TlbNAB > MIS I times reacn The Star too late correction that TUAT SvJORE IKI TUE TOGGLES about wuari happened! Radio Program for day. R £VKI INTERNATIONAL BANbIT ? FOOLEb LOTS AS DEPUTIES.' TWEV KNEW NOT ft WORb OF ANY OF A.M. 630k. 980k. Wl k. « STILL CAM WARbLY BELIEVE OF SMART / WERE WMAL, WRC, WOL, 1,260k. NX, 1,340 WWDC, 1,450k. WTOP, 1,500k. ALL SET TO TOO TO FLOOR SERVICE Ρ (T ! THIS ANYONE ! TUE ÛTOM :00 Breneman's Breakfast Fred Wiring {Cecil Brown. News Hr 'Blessed Eventer : Amanda BUT YOU'RE FEDERAL MEN- PEOPLE- I ^URbER TUE INews—Symphony OI.D AND NEW FLOORS I TOGGLES.' much! BOMB IS STILL ft 15 in ind ι του must know- SECRET/ Hollywood Company Eisa Maxwell Symphony Hour Prize Show Second Husband SANDED AND FINISHED Η — ! IS "n-4ftT CLEftfc? U::30 Ruth Crane: "The Barry Cameron Take II Easy Τuffy A Woman's Life CLEANING WAXING " Topics Α :45 Modern Woman" 1 David Harum IVictor H. lindlahr ! Prize Show Aunt Jenny BRUCE FINISHES Ν r.n- Contractors. I no. News—Evans News: William 'assword Please Kale Flooring Improvisions Lan;, News News I Smith 1812 Wis. Ave. N.W. NO. 2215 I 2 4-4$ Ted Malone Look to This Day Morton Downey Movie Snaps; Music ; Big Sister Α Glamour Manor Matinee Today Richard Maxwell Glenn Miller Or. lews; Hiss. Persons Helen Trent " Ν I Cliff Arquetle 1 Musical Show I Finders Keepers Musicale; Hit ίOur Gal Sunday Ν >Baukage Talking Nancy Osgood News. -
RADIO and TELEVISION MIRROR, Published Monthly by MACFADDEN PUBLICATIONS, INC., Washington and South Avenues, Dunellen, New Jersey
k MACUODIN runic ATION MAY M/RRORMID TELEVISION l-CRET ROMANCE -The Radio Star in ALICE FAYE'S Life F ,s LIFE CAN BE BEAUTIFUL ^a,g IkeLe smoke ol Olower-JJurningOlower-iji LameLCamels gives you EXTRA MILDNESS, EXTRA COOLNESS, EXTRA FLAVOR am LESS NICOTINE than the average of the four other largest-selling cigarettes tested — less than any of them — according to in- dependent scientific tests of the smoke itself. THE SMOKE'S THE THING! A LL that you get from a cigarette — you ./jLget in the smoke itself. And here's what you get when you smoke slower-burn- ing Camels. More mildness where you want mildness. ..in the smoke. More flavor where you want flavor . .in the smoke. More coolness, too! In the same slow smoke of a Camel cig- arette, you get less nicotine. Yes, 28% less nicotine than the average of the four other largest-selling brands tested... less nicotine than from any of them. Dealers feature Camels by the carton. For convenience — for economy — get your Camels by the carton. K. J. Reynolds Tobacco Company, Winston-Salem, North Carolina 'Camels taste like the cigarette they are ... a finer BY BURNING 25% cigarette of real mildness, wonderful flavor!" SLOWER than the average of the 4 other MRS. EDWARD M. McILVAIN, Jr., of New York largest-selling brands • A lover of home life, Mrs. Mcllvain furniture and silver. She also likes tested . slower than enjoys running a household. ..enter- candid photography. movies . .con- any of them . Camels also give you a smoking taining small groups of friends. -
March 2007 One Dollar a Current Review City Island Experiences “Doubt” by RACHEL LANICCI
Second Class Permit Paid at Bronx, N.Y. USPS 114-590 Volume 36 Number 2 March 2007 One Dollar A Current Review City Island Experiences “Doubt” By RACHEL LANICCI Photo by RICK DeWITT Councilmember James Vacca (at right) presented Nick Sala and Carol McCabe of the City Island Theater Group with a check for $5,000 at a performance of “Doubt” on Saturday, Feb. 17, 2007. Sister Aloysius Beauvier with Father Brendan Flynn, played by Dana Laite, and Sister tion based on moral judgment. heighten the confl ict between conviction and James. All four actors in “Doubt” clearly had an doubt. intimate understanding of their characters, and Even though the cast was small, there No doubt about it; the City Island Theater they brought a real sense of life and humanity were half a dozen people who served as the Group’s February production of the Pulitzer to this simple but powerful play. backstage crew and clearly put a lot of effort Prize-winning play “Doubt” was a real class Portrayed by Catherine Roskam, who is an into organizing this wonderful performance. act. Esteemed screen writer and playwright Episcopal bishop as well as an accomplished On hand to keep things running smoothly were John Patrick Shanley, a native of the Bronx, actor, Sister Aloysius is a widow-turned-nun stage managers Julie White and Justine Costan- granted permission for this production to the who comes across as rigid, judgmental and za, assisted by George Paturas as stage crew. City Island Theater Group, the fi rst communi- seemingly devoid of emotion. -
(Butte, Mont.), 1949-02-10
February 10, 1949 MONTANA LABOR NEWS F-ge Two tic Party is far from friendly toward the s>. a Democra u HIGHLIGHTS IN STATE LEGISLATURE THE MONTANA LABOR NEWS working people. j kxlf program schedule Revenue Committee Asks More Time leral funds dullarfor-dollar. in build- It was pointed out that immediately after the | With Sunday, Feb. 6 as the deadline, mjhe°highways PL'ULISHED EVKHY THURSDAY at U’.T ‘LLM'.’J’t SwwwvCTmmsggannWrmHHMBBWtMHHWroOOBWWBBHBWHPHWBMtnnnnBB committee has three BY THE SILVER BOW TRAPES & LABOR Cot Nc votes were counted, certain of the newspaper , for introducing bills, the majority floor! |JC,-ore th'e House. They would 10; 00—Blondle Show ,MOUNTAIN standard TTU1) leader urged members to get busy n „asoline taxes, deisel fuel A Frnrlr«« ( hai nplon of 11 nn IllBbfB Hex otrd to thf columnists who have never missed an oppor* ■ 10; 15—Bloadle Show In trrrsti md 1 dlrlnu ihr I )»• id* **f the Sunday 10 30—10 30 Club I they were proposing new legislation. , amcnd the gas tax refund I rede Union Moi r icnt tunin to lie about the Unions, commenced cook- ■.al Radio Pulpit 10 45—10 30 Club I The Revenue & Taxation committee j taxes 8:00—Na* 11 00—Rocky Mountain News 8 30—S an ,i Melody Time further time in ;u 1 m • up reasons why the Taft-Hartley Bill should 1 11 15—Legislative Highlights asked the « I 9 ; 00—Ix.tt .allouai Favorites House for and Music 11 30— NBC Orchestra the legalized gam- 40"4.Py®} wn out of the window They are still ' 9; 10—Won 12 00—Sign Off j which to report on Six Per Cent Bill Approved SK. -
Hugh^ Set No Records on Globe Girdling Flight
HANCHraTER EVBNINO R E ^^D . MANCRUTEB, CONN« THURSDAY,. JULY 14.1988 MANCHESTER BVENINQ HERALD, MANCBB8TER. THURSDAY, JULY %4 ,1988 market at the tlma the Boland bid stated that, la hUi opinlea, the ohiy town money. Ra isn’t doing th tff waa accepted, ta tt Bay for the town to give out I nor is this sealedIsd bid p r o ^ t tlig (he kandaUam this afternoon. f General Mlahp. Its builiiees wae by eealed bid, pAr- DEMOCRAn MAY ALTER tlonald Stewart, 28, of 620 Wash- Winner In Kemp’s Contest DRIYING TEST CAR BID MUDDLE doing It. He now proposes only ington avenue; Chariea Petei The entire gasoline tnirchasa prob- tlelpatton In which would be open loWes his price to meat competition. ’ POSITION Pretzel Twisting Case lem has been in a miaiip of mis- only to local taxpayers. 20, of f0S Amsterdam avenue, SEADLUND EI£CTR0CUTED understanding and turmoil' 'since We am i’t getting any bargain. It’a DAtE OF CONVENTION Jlaymopd Coi^, 27, of lOO ' ROCKVILLE HERE NEXT IHUIDAY After discussing the qnSkttoa, Just a 'ehift of dealers.’’ Martin last week when three local oil deal- the Board memfaera agreed that alt street, former employ^ of th* Has Referee Twisted Ut SOLVED BY SELECTMEN ers, acting on a request to submit was backed, in hla view by fliflaet- Telegram who partidpatad i t a IPOGHT IN DANGER local taxpayers >houId be given an Favor Roldiiig State Parley , -}r • ^ s ,etna Safety Special” To Be offers for the supplying of the men L. T. Wood and Harold Reed, walkout at the plant aeVeral weSks FOR THE ROSS KIDNAPING equal chance to bid for the comJiig who were not in sympathy with the Week O f^ept. -
Baseline Assessment of Public Housing Desegregation Cases: Case Studies - Volume 2 1-2
Baseline Assessment of Public Housing Desegregation Cases: Case Studies - Volume 2 1-2 Baseline Assessment of Public Housing Desegregation Cases: Case Studies Volume 2 February 2000 Prepared By: 1-3 The Urban Institute Metropolitan Housing and Communities Washington, DC 20037 Submitted To: U.S. Department of Housing and Urban Development Washington, DC 20410-3000 Contract No. C-OPC-5929, Task Order 14 UI No. 06542-014-00 1-4 The nonpartisan Urban Institute publishes studies, reports, and books on timely topics worthy of public consideration. The views expressed are those of the authors and should not be attributed to the Urban Institute, its trustees, or its funders. 1-5 Preface Purpose of the Research The overall purpose of these Baseline Case Studies of Public Housing Desegregation Cases is to produce an assessment of the impact of using desegregation settlements to address problems of segregation and concentration in public and assisted housing. This study is to serve as a baseline for a planned long-term assessment effort and had three major objectives: · To document baseline (pre-settlement) conditions; the early desegregation program designs; implementation challenges and successes; and any adjustments in the desegregation mandates or policies since the decrees took effect. · To assess early implementation progress, and the impact of the consent decrees on the plaintiff class and then to draw implementation lessons. · To advise HUD on the best methods for conducting a long-term impact evaluation in these eight sites, including identifying requisite historical and future data and procedures for data collection and tracking. To prepare these case studies, the Urban Institute conducted site visits to each of the eight study sites between August and October of 1998. -
The Maine Broadcaster Local History Collections
Portland Public Library Portland Public Library Digital Commons The Maine Broadcaster Local History Collections 10-1947 The Maine Broadcaster : October 1947 (Vol. 3, No. 10) Maine Broadcasting System (WCSH Portland, ME) Follow this and additional works at: https://digitalcommons.portlandlibrary.com/mainebroadcaster TBE BROADCASTING~!·~~ MAINE BROADCASTER: SYSTEM\. AJllliat e PUBLISHED AS AN AID TO BETTER RADIO LISTENING Vol. III , N o. 10 P ortln.ncl, Maine, October, 1947 Price, F ive Cents HOUR-LONG PLAYS ON NBC's FORD THEATRE MeBs To Offer No Crime Or Mystery Programs Howard Lindsay Frill Foothall ;; Before 9.30 P.M. On NBC Coverage Emcee-Narrator The · :iona l~ .Broadcasting Com be broadcast over the NBC network The Maine Broadcasting System and pany convention, meeting in Atlantic before 9:30 p. m .. ." Of New Series ~BC will offer a full schedule of the City, N. )., this past month, unani It is important co reiterate now, The hou.r-long Ford Theater starts nution's top football games this fall mously"'<ndoprcd a propos:il that, ef for the information of the general Sundny, Oct. 5, 011 WSCH, vVRDO with Saturday afternoon play-by-play fective ·1an. 1, 1948, "no series of public, some of the policies of NBC: and \.VLBZ with the noted playwdght broadcasts. The fi.rst important game detective, crime or mystery cype 1. No program will be broadcast prnducer-actor, H oward Lindsay, w; of the season-the Minnesota-Wash programs" will be broadcast over which glorifies or justifies crime, master of ceremonies and narrator. It ington conrest-al.ready has been aired NBC before 9: 30 p. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School College of Arts and Architecture UNSETTLED MASSES: PUBLIC TRANSPORTATION IN THE ART OF NEW YORK CITY, 1929–1941 A Dissertation in Art History by Emily A. Schiller © 2016 Emily A. Schiller Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2016 The dissertation of Emily A. Schiller was reviewed and approved* by the following: Nancy Locke Associate Professor of Art History Dissertation Co-Adviser Co-Chair of Committee Leo G. Mazow Louise B. and J. Harwood Cochrane Curator Head of the Department of American Art Virginia Museum of Fine Arts Dissertation Co-Adviser Co-Chair of Committee Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Craig Zabel Associate Professor of Art History Head of the Department of Art History Anne Rose Distinguished Professor of History and Religious Studies *Signatures are on file in the Graduate School. ii ABSTRACT During the Great Depression and World War II, public transportation thrived as an alternative to costly travel by railroads or private cars. This dissertation uses depictions of mass transit as points of departure into contextual examinations of three artists who repeatedly used passengers as subjects: Reginald Marsh (1898–1954), Donald Freeman (1908–1978), and Walker Evans (1903–1975). I argue that travel imagery attests to mobility as a common experience—an aspect of American life that viewers would recognize. Through a close examination of representations of mobility, it becomes clear that the motif appealed to these artists because it was simultaneously common and complicated—implicitly moving but explicitly stationary. -
The Maine Broadcaster Local History Collections
Portland Public Library Portland Public Library Digital Commons The Maine Broadcaster Local History Collections 4-1947 The Maine Broadcaster : April 1947 (Vol. 3, No. 4) Maine Broadcasting System (WCSH Portland, ME) Follow this and additional works at: https://digitalcommons.portlandlibrary.com/mainebroadcaster ~~-~~ BROADCASTING MAINE BROADCASTER. SYSTEM \ A.allak PUBLISHED AS AN AID TO BETTER RADIO LISTENING Vol. III, N o. 4 Portland, Maine, April, 1947 Price, Five Centa 3 NEW ·NBC PROGRAMS ANNOUNCED Fr~ese's Bangor Store Presents Songstress Reveals New Talent Hit Parade, Wife Saver Thrice Wee lcly Bob Ripley WCSH Offers New Hollywood Show On Schedule Her11ltling the advent of the new St'ltson, in rndio as in climatic change, nnd 1111 eur-lo-µ:roun<I o.ttilude for audience rco.ctiou on the port of NBC network plnnncrs, is t•he serie.s of an uouncemcuts recently nu1dc conccnung ncw programs to be inougurntetl with in the next two months. Of the three programs 11lr1•ady nnnounced, one is a former NBC production destined t0c return lo this network after several yeo rs of nbsen<·e, o nd t:\vo are new shows. First of this trio to take tl,e air will be The Big Slory - a new series. dramatizing the authentic experienc-es. of newspapermen on their most ·ex citinf( feature assignments. It will be heard Wednc.sdnys tit 10.00 p. m,, re J>lncing the fl' rank Morg-11n show. E&ch episode of The Dig Story will A llen Prescott relate the true story of a rcportc1· who, through his own efforts, performed a His firsl job wus i11 the movies, gent P•~bl.ic ~cn•icc • such n.s sohring a JJlaying opposite Glori1-1 Swanson, but nmrder Cl.LS<', proving the innocence of he wus tvo young ul the tin1c to rc 11 convicted person, uncovering 11 110lit nJcn,her much al.lout it now. -
Thomas E. Dewey and Earl Warren: the Rise of the Twentieth Century Urban Prosecutor
California Western Law Review Volume 28 Number 1 Article 2 1991 Thomas E. Dewey and Earl Warren: The Rise of the Twentieth Century Urban Prosecutor Lawrence Fleischer Follow this and additional works at: https://scholarlycommons.law.cwsl.edu/cwlr Recommended Citation Fleischer, Lawrence (1991) "Thomas E. Dewey and Earl Warren: The Rise of the Twentieth Century Urban Prosecutor," California Western Law Review: Vol. 28 : No. 1 , Article 2. Available at: https://scholarlycommons.law.cwsl.edu/cwlr/vol28/iss1/2 This Article is brought to you for free and open access by CWSL Scholarly Commons. It has been accepted for inclusion in California Western Law Review by an authorized editor of CWSL Scholarly Commons. For more information, please contact [email protected]. CALIFORNIA WESTERN Fleischer: Thomas E. Dewey and Earl Warren: The Rise of the Twentieth Centur LAW REVIEW VOLUME 28 1991-1992 NUMBER 1 THOMAS E. DEWEY AND EARL WARREN: THm RISE OF THE TWENTIETH CENTURY URBAN PROSECUTOR LAWRENCE FLEISCHER* INTRODUCTION The study of the American urban prosecutor, a key political-legal officer who carries the immense power of "prosecutorial discretion," has yet to attract serious historical research. A review of the published literature suggests the first crucial period of development occurred during the Jacksonian period when the office broke free of its traditional administrative role as the adjunct of the court. During this period the local urban prosecutor became an elected official.1 This unmoored the office from the anchor of the judiciary and set it sailing into the realm of politics. Essential- ly, this set the standard throughout the nineteenth and the early part of the twentieth centuries of an office beholden to the electorate in the most intimate political sense, and established the office as the keystone of the criminal justice system.