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Lectures and Community Engagement 2017–18 About the Metropolitan Opera Guild
Lectures and Community Engagement 2017 –18 About the Metropolitan Opera Guild The Metropolitan Opera Guild is the world’s premier arts educa- tion organization dedicated to enriching people’s lives through the magic and artistry of opera. Thanks to the support of individuals, government agencies, foundations, and corporate sponsors, the Guild brings opera to life both on and off the stage through its educational programs. For students, the Guild fosters personal expression, collaboration, literacy skills, and self-confidence with customized education programs integrated into the curricula of their schools. For adults, the Guild enhances the opera-going experience through intensive workshops, pre-performance talks, and community outreach programs. In addition to educational activities, the Guild publishes Opera News, the world’s leading opera magazine. With Opera News, the Guild reaches a global audience with the most insightful and up-to-date writing on opera available anywhere, helping to maintain opera as a thriving, contemporary art form. For more information about the Metropolitan Opera Guild and its programs, visit metguild.org. Additional information and archives of Opera News can be found online at operanews.com. How to Use This Booklet This brochure presents the 2017–18 season of Lectures and Community Programs grouped into thematic sections—programs that emphasize specific Met performances and productions; courses on opera and its history and culture; and editorial insights and interviews presented by our colleagues at Opera News. Courses of study are arranged chronologically, and learners of all levels are welcome. To place an order, please call the Guild’s ticketing line at 212.769.7028 (Mon–Fri 10AM–4PM). -
From the Violin Studio of Sergiu Schwartz
CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor -
Astearte Musikalak 2018
Día 15 Qvinta Essençia noviembre 2018 diciembre 2018 Primer libro de Madrigales marzo 2019 Elia Casanova, soprano Día 6 Barcelona Chamber Players Día 4 Enol Ensemble Hugo Bolivar, alto Día 5 Dúo Gamma Barcelona Chamber Players, 6 componentes Adolfo Rascón, violín Albert Riera, tenor Opus definitivo Cristina Gestido, viola Pablo Acosta, bajo Melani Mestre, piano y dirección Millán Abeledo Malheiro, violonchelo Obras de: Saint-Saëns, Negrutsa, Schumann y Teresa Valente, violonchelo Obras de: Moscaglia, Petrarca, Sannazaro, y Tasso Elisa Martín Bragado, piano selección de música de cine Mario Bernardo, piano Obras de: Schubert, Schumann, Debussy y López Jorge Obras de: Dvorak y Brahms Día 22 Enrike Solinís, laud Tendrement A History the Lute Día 12 Alumnos del Conservatorio de Música Astearte Día 11 Steven Lin, piano Obras de: Cantemir, Milan, Attaignant, Dowland, ‘Jesús Guridi’ Obras de: Beethoven, Schumann, Hertzberg, De Visée, Couperin, Marais, Bach y Handell Artistas y obras serán dados a conocer Gerswin y Listz oportunamente Musikalak Día 29 Trio Soir Païen Día 18 Singer Pur Vocal Ensemble El color del impresionismo y postimpresionismo Cantai, hor piango – Tengan Roberto Casado, flauta dunque ver me (Musica Nova) Dorota Grzeskowiak, soprano Claudía Reinhard, Francesca Croccolino, piano Rüdiger Ballhom Obras de: Ibert, Roussel, Emmanuel, Caplet, Hüe, 2018/19 Gaubert, Rodrigo y Santiago de Meras Markus Zapp 2018ko azaroak 6 / 2019ko martxoak 26 Día 13 Eliane Reyes, piano Manuel Warwitz Obras de: Scarlatti, Granados, Chopin, Ravel, Reiner -
Laurente Korcia Violinista -Francia Georges Pludermacher Pianista
Un instrumento, Un intérprete LAURENT KORCIA Violinista - Francia GEORGESPLUDERMACHER Pianista - Francia Miércoles 28 de abril de 1999 • 7:30 p.m. SALA DE CONCIERTOS BIBLIOTECA LUIS ÁNGELARANGO S A N T A F É D E B O G O T Á D. C. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. VIOLINISTA - FRANCIA padrinado desde su temprana infancia por Pierre Barbizet, Laurent Korcia ingresó al Conservatorio Nacional Superior de Música de París a los trece años; allí estudió con Michele Auclair y Genevieve Joy-Dutilleux. Luego de obtener dos primeros premios de violín y uno de música de cámara, a los 18 años ganó el Concurso Paganini; tan alto logro le permitió tocar el Guarneri del legendario violinista. Trabajó con grandes maestros del violín tales como Franco Gulli, Zino Francescatti, Henryk Szeryng, Josef Gingold y, en el Royal College of Music de Londres, con Félix Andrievsky. Esta última institución le otorgó en 1990 el Queen Elizabeth Award. Fue galardonado con el gran premio del Concurso Jacques Thibaud, el primer gran premio del concurso internacional Zino Francescatti y, en 1 1990, el del concurso Young Concert Artist de Londres. Desde entonces ha tocado como solista con las orquestas N acional de Francia, Filarmónica de Radio Francia, Filarmónica de Estrasburgo, Filarmónica Real, Sinfónica de Radio Bucarest, Sinfónica de Bournemouth y Orquesta Inglesa de Cámara, entre otras. En la presente temporada tiene compromisos con la Orquesta Nacional de Lille, el Conjunto Orquestal de París, la Orquesta Filarmónica de Radio Francia y la Orquesta Nacional de Burdeos, bajo la dirección de Yutaka Sado, James Judd, Pascal Rophé y 1. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Esteves3 13/02/06 11:15 Page 1
esteves3 13/02/06 11:15 Page 1 quatuor , , , , , , , , , , , , , , , , , , , , , ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, , ESTEVES, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,, , , , , , ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, , , , , , , , quar, , , , , , , , , , , , , , t, , , , e , , , , t , , ,, , , , , , ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, , , , ,, ,, ,, ,, ,, , ,, , ,, , ,, , ,, , ,, , ,, , ,, , ,, , ,, , ,, , ,violons, , ,,, ,, ,, , , ,Thomas , , ,Gautier , , ,& Guillaume, , , , Antonini, , , , , , , , , , , , , , , , , , , , , , , , ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,alto, ,, , , , , , , , , , Alphonse, , , , Dervieux, , , , , , , , , ,, ,, ,, ,, ,, , ,, , ,, , ,, , ,, , ,, , ,, , ,, , ,, , ,, , ,, , ,, , ,,, ,, ,, , , , , , , , , , , violoncelle, , , , , , , , , , , , , , , , , , , , , , , , , ,Americo , , , , , , Esteves, , , , , , , ,, , , , , , ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, ,, , , , , , , , , , , , , , , , , , esteves3 13/02/06 11:15 Page 2 Le quatuor Esteves est né de la passion commune pour le quatuor à The creation of the Esteves Quartet was no accident. A shared passion cordes, partagée par quatre anciens étudiants du Conservatoire National for string quartet playing brought together these four young musicians Supérieur de Musique et de Danse de Lyon (CNSMD) en juin 2004. Thomas in their last year of study at the Conservatoire National de Musique Gautier, Guillaume Antonini, Alphonse et Danse (CNSMD) in Lyon to form the Dervieux et Americo -
825646079278.Pdf
CAMILLE SAINT-SAËNS 1835–1921 1 Introduction & Rondo capriccioso, Op.28 9.21 ERNEST CHAUSSON 1855–1899 2 Poème, Op.25 16.38 CAMILLE SAINT-SAËNS 3 Havanaise, Op.83 10.16 MAURICE RAVEL 1875–1937 4 Tzigane (Rapsodie de concert) 9.54 46.10 ITZHAK PERLMAN violin Orchestre de Paris/Jean Martinon 2 Itzhak Perlman Photo: © Gérard Neuvecelle 3 SAINT-SAËNS · CHAUSSON · RAVEL Over the years, Itzhak Perlman has regularly enriched his recorded catalogue with works by French composers. As early as 1968, he set down his first versions of Lalo’s Symphonie espagnole and Ravel’s Tzigane (for RCA), as well as of Franck’s Sonata (for Decca). He later revisited the Symphonie espagnole , this time coupling it with Berlioz’s Rêverie et Caprice (DG, 1980). Next came Chausson’s Concert (1982, CBS), Saint-Saëns’s Third Concerto (DG, 1983) and, a few years later, Debussy’s Sonata and Ravel’s Trio (1994, Decca). In 1974, under the baton of Jean Martinon, he recorded four concertante works inspired by “exotic” music, but reclothed in westernised garb. Combining the concertante genre with the theme of foreign travel became very fashionable in France back in 1834, the year in which Berlioz’s Harold en Italie received its premiere. It appeared to be a recipe for success and other composers, such as Lalo, D’Indy, Chabrier, Saint-Saëns, Debussy and Ravel were to try their hand at it. Certain (non-French) musicologists have noted, slightly tongue-in- cheek, that French composers showed a particular talent for conjuring the musical atmosphere of places they had never actually visited… The works on this album would appear to back up that claim. -
The Inventory of the Deborah Voigt Collection #1700
The Inventory of the Deborah Voigt Collection #1700 Howard Gotlieb Archival Research Center Voigt, Deborah #1700 6/29/05 Preliminary Listing I. Subject Files. Box 1 A Chronological files; includes printed material, photographs, memorabilia, professional material, other items. 1. 1987-1988. [F. 1] a. Mar. 1987; newsletters of The Riverside Opera Association, Verdi=s AUn Ballo in Maschera@ (role of Amelia). b. Apr. 1987; program from Honolulu Symphony (DV on p. 23). c. Nov. 1987; program of recital at Thorne Hall. d. Jan. 1988; program of Schwabacher Debut Recitals and review clippings from the San Francisco Examiner and an unknown newspaper. e. Mar. 1988; programs re: DeMunt=s ALa Monnaie@ and R. Strauss=s AElektra@ (role of Fünfte Magd). f. Apr. 1988; magazine of The Minnesota Orchestra Showcase, program for R. Wagner=s ADas Rheingold@ (role of Wellgunde; DV on pp. 19, 21), and review clippings from the Star Tribune and the St. Paul Pioneer Press Dispatch. g. Sep. - Oct. 1988; programs re: Opera Company of Philadelphia and the International Voice Competition (finalist competition 3; DV on p. 18), and newspaper clippings. 2. 1989. [F. 2] a. DV=s itineraries. (i) For Jan. 4 - Feb. 9, TS. (ii) For the Johann Strauss Orchestra on Vienna, Jan. 5 - Jan. 30, TS, 7 p. b. Items re: California State, Fullerton recital. (i) Copy of Daily Star Progress clipping, 2/10/89. (ii) Compendium of California State, Fullerton, 2/13/89. (iii) Newspaper clipping, preview, n.d. (iv) Orange County Register preview, 2/25/89. (v) Recital flyer, 2/25/89. (vi) Recital program, program notes, 2/25/89. -
Verdi's Rigoletto
Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered. -
N E W S L E T T E R Fall 2018
Strengthening the importance of music in our life and culture since 1940 N E W S L E T T E R Fall 2018 National Music Council NMC Director Dr. David Sanders hosted Honors Jazz Legends the event, and praised the honorees for setting an extraordinary standard for Chick Corea and The ongoing contribution to American Manhattan Transfer at musical culture and heritage, and for serving as mentors and role models to 35th Annual American aspiring jazz artists. The evening Eagle Awards opened with a performance by the Nashville School of the Arts jazz ensemble Swing Thing under the direction of James Satterwhite, who reminded the audience of why access to music education for all students is so vital. Nashville Singer/Songwriter Dianne Davidson performed an emotional musical tribute to The Manhattan Transfer before presenting TMT members Janis Siegel, Alan Paul, and Cheryl Bentyne with the first award. Davidson was responsible for introducing late Manhattan Transfer The National Music Council honored founder Tim Hauser to Janis Siegel, jazz legends Chick Corea and The forming the iteration of the group that Manhattan Transfer at the organization’s created their great success and earned 35th annual American Eagle Awards on them ten Grammy Awards. Hauser died Thursday, June 28 at the Summer in 2014. NAMM Show in Nashville. The honors are presented each year in recognition Internationally renowned flutist Hubert of long-term contributions to American Laws presented Chick Corea’s award, musical culture and heritage, the citing Corea’s great contribution to the importance of music education and art of improvisation and an inspiration to inspiration for all children, and the need himself and musicians all over the world. -
Così Fan Tutte
Wolfgang Amadeus Mozart Così fan tutte CONDUCTOR Opera in two acts James Levine Libretto by Lorenzo Da Ponte PRODUCTION Lesley Koenig Saturday, April 26, 2014, 1:00–4:40 pm SET & COSTUME DESIGNER Michael Yeargan LIGHTING DESIGNER Duane Schuler STAGE DIRECTOR Robin Guarino This production of Così fan tutte was made possible by a generous gift from Alberto Vilar. Additional funding was provided by the Metropolitan Opera Club; the Denenberg Foundation, in honor of Dan Denenberg; The DuBose and Dorothy Heyward Memorial Fund; and the late Mr. and Mrs. Samuel L. Tedlow. The revival of this production is made possible GENERAL MANAGER Peter Gelb by a gift from DOLCE & GABBANA. MUSIC DIRECTOR James Levine PRINCIPAL CONDUCTOR Fabio Luisi 2013–14 Season The 184th Metropolitan Opera performance of Wolfgang Amadeus Mozart’s Così fan tutte This performance is being broadcast live over The Conductor Toll Brothers– James Levine Metropolitan Opera International IN ORDER OF VOCAL APPEARANCE Radio Network, sponsored by Ferrando Toll Brothers, Matthew Polenzani America’s luxury homebuilder®, with Guglielmo generous long-term Rodion Pogossov* support from Don Alfonso The Annenberg Maurizio Muraro Foundation, The Neubauer Family Fiordiligi Foundation, the Susanna Phillips Vincent A. Stabile Endowment for Dorabella Broadcast Media, Isabel Leonard and contributions from listeners Despina worldwide. Danielle de Niese* This performance is Cello Continuo also being broadcast David Heiss live on Metropolitan Opera Radio on Harpsichord Continuo SiriusXM channel 74. Howard Watkins* Saturday, April 26, 2014, 1:00–4:40 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.