Playmates Star Trek Toys Checklist
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Department of English and American Studies Another
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature & Teaching English Language and Literature for Secondary Schools Bc. Ondřej Harnušek Another Frontier: The Religion of Star Trek Master‘s Diploma Thesis Supervisor: Jeffrey Alan Smith, M.A., Ph. D. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‘s signature Acknowledgements There are many people, who would deserve my thanks for this work being completed, but I am bound to omit someone unintentionally, for which I deeply apologise in advance. My thanks naturally goes to my family, with whom I used to watch Star Trek every day, for their eternal support and understanding; to my friends, namely and especially to Vítězslav Mareš for proofreading and immense help with the historical background, Miroslav Pilař for proofreading, Viktor Dvořák for suggestions, all the classmates and friends for support and/or suggestions, especially Lenka Pokorná, Kristina Alešová, Petra Grünwaldová, Melanie King, Tereza Pavlíková and Blanka Šustrová for enthusiasm and cheering. I want to thank to all the creators of ―Memory Alpha‖, a wiki-based web-page, which contains truly encyclopaedic information about Star Trek and from which I drew almost all the quantifiable data like numbers of the episodes and their air dates. I also want to thank to Christina M. Luckings for her page of ST transcripts, which was a great help. A huge, sincere thank you goes to Jeff A. Smith, my supervisor, and an endless source of useful materials, suggestions and ideas, which shaped this thesis, and were the primary cause that it was written at all. -
Star Trek: VOYAGER® on DVD
Star Trek: VOYAGER® on DVD Prod. Season/ Box/ Prod. Season/ Box/ Title Title # Year Disc # Year Disc 11:59 217 5/1999 5/6 Elogium 118 2/1995 2/1 37's, The 120 2/1995 2/1 Emanations 109 1/1995 1/3 Alice 226 6/1999 6/2 Endgame, Part I 271 7/2001 828 7/7 Alliances 131 2/1996 2/4 Endgame, Part II 272 7/2001 Alter Ego 155 3/1997 3/4 Equinox, Part I 220 5/1999 5/7 Ashes to Ashes 238 6/2000 6/5 Equinox, Part II 221 6/1999 6/1 Author, Author 266 7/2001 7/5 Ex Post Facto 108 1/1995 1/2 Barge of the Dead 223 6/1999 6/1 Extreme Risk 197 5/1998 5/1 Basics, Part I 142 2/1996 2/7 Eye of the Needle 107 1/1995 1/2 Basics, Part II 146 3/1996 3/1 Faces 114 1/1995 1/4 Before and After 163 3/1997 3/6 Fair Haven 231 6/2000 6/3 Blink of an Eye 233 6/2000 6/3 Fair Trade 156 3/1997 3/4 Bliss 209 5/1999 5/4 False Profits 144 3/1996 3/2 Blood Fever 157 3/1997 3/4 Favorite Son 162 3/1997 3/5 Body and Soul 255 7/2000 7/2 Fight, The 208 5/1999 5/5 Bride of Chaotica! 207 5/1999 5/3 Flashback 145 3/1996 3/1 Caretaker, Part I 101 1/1995 Flesh and Blood, Part I 253 7/2000 721 1/1 827 7/3 Caretaker, Part II 102 1/1995 Flesh and Blood, Part II 254 7/2000 Cathexis 113 1/1995 1/4 Friendship One 267 7/2001 7/6 Child's Play 239 6/2000 6/5 Fury 241 6/2000 6/6 Chute, The 147 3/1996 3/1 Future's End, Part I 150 3/1996 3/2 Cloud, The 106 1/1995 1/2 Future's End, Part II 151 3/1996 3/3 Coda 158 3/1997 3/4 Gift, The 170 4/1997 4/1 Cold Fire 126 2/1995 2/3 Good Shepherd 240 6/2000 6/5 Collective 235 6/2000 6/4 Gravity 205 5/1999 5/4 Concerning Flight 179 4/1997 4/3 Haunting of Deck -
Defining Humanity Through an Examination of Asimovian Robots By
A Robot By Any Other Name Could Be A Human: defining humanity through an examination of Asimovian robots by Abigail Bernasconi A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Public Health (Honors Associate) Honors Baccalaureate of Arts in German (Honors Associate) Presented May 27, 2021 Commencement June 2021 AN ABSTRACT OF THE THESIS OF Abigail Bernasconi for the degree of Honors Baccalaureate of Science in Public Health and Honors Baccalaureate of Arts in German presented on May 27, 2021. Title: A Robot By Any Other Name Could Be A Human: defining humanity through an examination of Asimovian robots. Abstract approved:_____________________________________________________ Diana Rohlman Being human is often portrayed as desirable in fiction. Many fictional beings, particularly robots and androids, seek out being human as a goal. Although current robotics is not advanced enough for robots and androids to be deemed sentient, the world of fiction is quickly becoming reality. With the integration of robots into society, we are confronted not only with how society views robots, but how, through the eyes of fictional robots, society and humanity are defined. This thesis seeks to explore the definition of humanity and what it means to be human. The fictional works of the Star Trek universe and those of Isaac Asimov suggest that relationships, those of friendship and antagonism, and mortality, may also define humanity. Understanding what makes us human better prepares us for the eventual integration of intelligent robots into humanity as well as to imagine what their place in our society will look like. -
Next Generation
GREGG LONDON’S STAR TREK TRIVIA – STAR TREK NEXT GENERATION http://www.glondon.com/puzzles.html 1. Where did the U.S.S. Enterprise-D dock for repairs after the defeat of the Borg ship in 2367? 2. What was Will Riker's first assignment after graduating from Starfleet Academy? 3. Who helped Keiko O'Brien give birth to Molly? 4. What was the original designation of the Borg known as Hugh? 5. What was Keiko O'Brien's name before she married Miles? 6. In "The Dauphin", Salia appeared as a lovely young human female who attracted the interests of Wesley Crusher; what was she really? 7. Who was the only freshman to win the Starfleet academy marathon? 8. What race invented the alcohol substitute synthehol? 9. Lwaxana Troi is Deanna Troi's mother; what was the name of Deanna's father? 10. Where was the U.S.S. Enterprise built? 11. Geordi's VISOR is an acronym; what does it stand for? 12. In "Birthright", Worf falls in love with a woman who is half-Klingon; what is her other half? 13. Who commanded the U.S.S. Enterprise-C? 14. In "QPid", Jean-Luc Picard was cast as Robin Hood by Q; who was cast as Friar Tuck? 15. What does the term "Imzadi" mean? 16. Sela, a Romulan operative, ran covert operations against the Klingon government. Sela's father was a Romulan general; who was Sela's mother? 17. Lt. Reginald Barclay is an extremely talented engineer, but for years had a strong phobia that could have jeopardized his Starfleet career; what was Barclay afraid of? 18. -
Episode 139: O Captain, My Captain (Janeway) SUE: Hi and Welcome to Women at Warp: a Roddenberry Star Trek Podcast. Join Us As A
Episode 139: O Captain, My Captain (Janeway) SUE: Hi and welcome to Women at Warp: A Roddenberry Star Trek podcast. Join us as a crew of four women Star Trek fans boldly go on our biweekly mission to explore our favorite franchise. My name is Sue and thanks for tuning in. With me today are crew members Jarrah. JARRAH: Hello! SUE: and Grace. GRACE: Ayyy! SUE: And our guest Char. CHAR: Hello! SUE: Char is back with us, I think, for the first time since we talked about Year Of Hell. Right? CHAR: It's been a long time and it's very good to be back. So thanks for having me. SUE: Absolutely. You are one of our go-to’s when it comes to Voyager and Janeway. CHAR: I am always down to talk Voyager and Janeway. SUE: Do you want to give a short introduction of yourself? CHAR: Sure I can do that. Well, speaking of Voyager if you know who I am it's probably because I hosted a podcast about Voyager for four years called To The Journey- CREW: To the journey! CHAR: Nice. My co-host Tristan Riddell and I, we did one hundred ninety episodes and four years of that show and when we started feeling like we were broken records we decided to wrap it up and go on to other things but I still love Voyager. I'm still down to talk about it all the time. Lot of love for that show. It's the one that I watched from start to finish from beginning to end as it aired. -
Abstracts and Backgrounds
Abstracts and Backgrounds NAVY Con TABLE OF CONTENTS DESTINATION UNKNOWN ................................................................................. 3 WAR AND SOCIETY ............................................................................................. 5 MATT BUCHER – POTEMKIN PARADISE: THE UNITED FEDERATION IN THE 24TH CENTURY ............ 5 ELSA B. KANIA – BEYOND LOYALTY, DUTY, HONOR: COMPETING PARADIGMS OF PROFESSIONALISM IN THE CIVIL-MILITARY RELATIONS OF BABYLON 5 ............................................ 6 S.H. HARRISON – STAR CULTURE WARS: THE NEGATIVE IMPACT OF POLITICS AND IMPERIALISM ON IMPERIAL NAVAL CAPABILITY IN STAR WARS ................................................................................ 6 MATTHEW ADER – THE ARISTOCRATS STRIKE BACK: RE-ECALUATING THE POLITICAL COMPOSITION OF THE ALLIANCE TO RESTORE THE REPUBLIC ......................................................... 7 LT COL BREE FRAM, USSF – LEADERSHIP IN TRANSITION: LESSONS FROM TRILL .......................... 7 PAST AND FUTURE COMPETITION ................................................................ 8 WILLIAM J. PROM – THE ONCE AND FUTURE KING OF BATTLE: ARTILLERY (AND ITS ABSENCE) IN SCIENCE FICTION .......................................................................................................................... 8 TOM SHUGART – ALL ABOUT EVE: WHAT VIRTUAL FOREVER WARS CAN TEACH US ABOUT THE FUTURE OF COMBAT ................................................................................................................... 10 -
The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................ -
___... -.:: GEOCITIES.Ws
__ __ _____ _____ _____ _____ ____ _ __ / / / / /_ _/ / ___/ /_ _/ / __ ) / _ \ | | / / / /__/ / / / ( ( / / / / / / / /_) / | |/ / / ___ / / / \ \ / / / / / / / _ _/ |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ersion 1.21 By K. Bradley Washburn "The Historian" ______________ | __ | | \| /\ / | | |/_/ / | | |\ \/\ / | | |_\/ \/ | |______________| K. Bradley Washburn HISTORY OF THE FUTURE Page 2 of 2 FOREWARD Relevant Notes WARNING: THIS FILE IS HAZARDOUS TO YOUR PRINTER'S INK SUPPLY!!! [*Story(Time Before:Time Transpired:Time After)] KEY TO ABBREVIATIONS AS--The Amazing Stories AST--Animated Star Trek B5--Babylon 5 BT--The Best of Trek DS9--Deep Space Nine EL--Enterprise Logs ENT--Enterprise LD--The Lives of Dax NE--New Earth NF--New Frontier RPG--Role-Playing Games S.C.E.--Starfleet Corps of Engineers SA--Starfleet Academy SNW--Strange New Worlds sQ--seaQuest ST--Star Trek TNG--The Next Generation TNV--The New Voyages V--Voyager WLB—Gateways: What Lay Beyond Blue italics - Completely canonical. Animated and live-action movies, episodes, and their novelizations. Green italics - Officially canonical. Novels, comics, and graphic novels. Red italics – Marginally canonical. Role-playing material, source books, internet sources. For more notes, see the AFTERWORD K. Bradley Washburn HISTORY OF THE FUTURE Page 3 of 3 TIMELINE circa 13.5 billion years ago * The Big Bang. -
Voy-O-Ween *Spooky Music* JARRAH
Women at Warp Episode 18: Voy-o-ween *spooky music* JARRAH: Hi and welcome to Women At Warp. Join us as our crew of four women Star Trek fans boldly go on our biweekly mission to explore our favorite franchise. My name's Jarrah and thanks for tuning in. Today we have crew members Grace. GRACE: Hi. JARRAH: And Sue SUE: Hey there. JARRAH: And before we get started we have a little bit of housekeeping. I'm gonna start off by getting Grace to talk a little bit about Geek Girl Con and. GRACE: Yes Geek Girl Con. JARRAH: Yes, and about some other news. So go ahead Grace. GRACE: Well first off, we had a great turnout at Geek Girl con this weekend this past weekend. It was amazing, and I want to thank so many people for coming out and supporting the event, and supporting all of these great guests we had, and some of the wonderful topics that we got to explore together this weekend. Now in sadder news Star Trek original series actor Bruce Hyde has recently passed from throat cancer. For those of you who don't remember him he was and he was, I want to say Ensign, Kevin Riley. And I wanted to bring him up because I love the fact that he's just an incidental feminist in one of the few drunken throwaway lines he gets. He walks into a room sees all the girls at the control panels and goes “Yeah, this is what I like to see! Women getting to work too!” *Sue laughs* And then he gets drunk and hijacks the com system and starts singing Take Me Home Again Kathleen. -
USS ENTERPRISE from STAR TREK (TOS)
U.S.S. ENTERPRISE from STAR TREK (TOS) If printed 17 inches tall (from black-outlined edge to black-outlined edge) the scale of these drawings is 1/350. LAYOUT: DECKS 2 and 3 PAGE 2 of 18 0 5 10 15 20 COPYRIGHT 2020 - PARAMOUNT DRAWN BY: Jim Botaitis METERS STELLAR ION ION CARTOGRAPHY Recessed floor of STUDY STUDY center of Bridge SCIENCE Recessed floor of SCIENCE EQUIPMENT center of Bridge EQUIPMENT AND SENSORS AND SENSORS TL EMERGENCY EMERGENCY HATCH HATCH DN 59 DN UP UP 1 - 10 UP PWT 1 - 10 UP PWT DN E DN E DN DN Recessed floor Recessed floor of entire Bridge EL Maximum of entire Bridge Maximum Headroom Headroom HIGH HIGH ENERGY BIOLOGY ENERGY DECK 2: SCIENCE LABORATORIES DECK 2: V.I.P. QUARTERS GEOLOGY BOTANY (REC ROOM 6) COMMUNICATIONS WATER STORAGE EL 70 UP TL UP 2 - 3 1 - 10 DN DN E ONLY ES PWT C UP EL OFFICERS' LOUNGE PHYSICS CHEMISTRY DECK 3: SCIENCE LABORATORIES / LOUNGE NOTES DECK 2 DECK 3 I adjusted the spacing of the top 4 decks for a better fit, but the Bridge (and the recess in the center of Stairs for the emergency exit on Deck 2 start on Deck 4 and continue up from there past this level. the Bridge) still affects Deck 2 too much. Yes, stairs were never mentioned or seen. Does that mean they do not exist? TMoST says this deck has Science Labs. This may be what was located here initially. However. An Officers' Lounge was never mentioned or seen. -
Portrayals of Stuttering in Film, Television, and Comic Books
The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books JEFFREY K. JOHNSON HERE IS A WELL-ESTABLISHED TRADITION WITHIN THE ENTERTAINMENT and publishing industries of depicting mentally and physically challenged characters. While many of the early renderings were sideshowesque amusements or one-dimensional melodramas, numerous contemporary works have utilized characters with disabilities in well- rounded and nonstereotypical ways. Although it would appear that many in society have begun to demand more realistic portrayals of characters with physical and mental challenges, one impediment that is still often typified by coarse caricatures is that of stuttering. The speech impediment labeled stuttering is often used as a crude formulaic storytelling device that adheres to basic misconceptions about the condition. Stuttering is frequently used as visual shorthand to communicate humor, nervousness, weakness, or unheroic/villainous characters. Because almost all the monographs written about the por- trayals of disabilities in film and television fail to mention stuttering, the purpose of this article is to examine the basic categorical formulas used in depicting stuttering in the mainstream popular culture areas of film, television, and comic books.' Though the subject may seem minor or unimportant, it does in fact provide an outlet to observe the relationship between a physical condition and the popular conception of the mental and personality traits that accompany it. One widely accepted definition of stuttering is, "the interruption of the flow of speech by hesitations, prolongation of sounds and blockages sufficient to cause anxiety and impair verbal communication" (Carlisle 4). The Journal of Popular Culture, Vol. 41, No. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory ....................................................................................................................