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Michigan Model in Ad Campaign That Queers '70S Beauty Standards
Cold As Hell Winter Pride Brings Back Kink Pushing Forward: Roland Leggett Talks Long-Term Goals Black Queer Kids: Latrice Royale Has Something to Tell You Vintage With a Twist BTL Photo: AndrewMichigan Potter Model in Ad Campaign That Queers ’70s Beauty Standards PRIDESOURCE.COM FEBRUARY 18, 2021 | VOL. 2908 | FREE 18 14 2 BTL | January 14, 2021 www.PrideSource.com NEWS VOL. 2908 • February 18, 2021 4 A New Campaign Redefines ‘70s Beauty Standards With LGBTQ Themes ISSUE 1168 6 Michigan’s Poppin: A Closer Look at Prim-n-Poppin Model Jesi Taylor Cruz PRIDE SOURCE MEDIA GROUP 8 Cold As Hell Winter Pride Brings Back Kink in 2021 Phone 734-263-1476 PUBLISHERS 9 Pushing Forward: Roland Leggett Reelected MDP LGBT&A Caucus Chair, Talks Benjamin Jenkins Term Goals [email protected] Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Analysis: How Michigan’s Surrogacy Law Harms Prospective Parents, Gay and DIRECTOR OF OPERATIONS Straight Alike Tom Wesley 18 [email protected] OPINION EDITORIAL Entertainment Editor Chris Azzopardi 10 Parting Glances [email protected] 10 Viewpoint: By Rhiannon Chester-Bey News & Feature Editor Eve Kucharski 11 One Million Moms [email protected] News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, PETS Drew Howard, Jonathan Thurston 14 Gay-Owned Bingo Institue of CREATIVE Columnists Grooming Outgrows Old Location, Charles Alexander, Michelle E. Brown, 8 Moves Mikey Rox, D’Anne Witkowski, Gwendolyn Ann Smith, Dana Rudolph 16 Lesbian-Owned Detroit Vet Clinic Oldest in US -
Moving Forward at the Detroit Historical Society!
1 WINTER 2018 Moving Forward at the Detroit Historical Society! At the Detroit Historical Society, 2017 has been a time of transformation. Three years of work on Detroit 67: Looking Back to Move Forward came to fruition this year, and the efforts that went into it led us to adopt a new model for engaging the public in creating programming and exhibitions in our museums. Our work is stronger for it, as evidenced by positive reviews, awards and steady increases in visitor numbers driven by the Detroit 67: Perspectives exhibition. Most importantly, however, our organization changed from the inside out. Our model for engagement, Engage, Refect, Act (ERA), incorporates a three-step process for commencing work on new programs and exhibitions at our museums: engage the community, refect on what we learn and inspire visitors to action based on the relevance of history to today. We are committed to applying this model internally and externally as we work to tell Detroit’s stories and why they matter. That means that we are engaging the talents of our staff across departments to strengthen and streamline our work in the same way that we are engaging the public and other cultural institutions to inform upcoming programs and exhibits. In October, the Detroit Historical Society and our partners at the Detroit Institute of Arts and the Charles H. Wright Museum of African American History were honored with the Michigan Museum Association’s 2017 Peninsulas Prize in recognition of our unique collaboration on the Detroit 67 project. This was wonderful evidence of the transformational power of the ERA model. -
Preview Packet
Preview Packet Just a few more days until the Academy of the Sacred Heart’s Family Fun Night and the start of the ONLINE AUCTION! FAMILY FUN NIGHT FRIDAY, NOVEMBER 30 ~ 5:30 – 8:30 P.M. Auction items will be available for incremental bidding and at Buy-It-Now prices. All items not sold on November 30 at a Buy-It-Now price will be available in the online auction, with the highest bid registered on November 30 entered as the starting bid. ONLINE BIDDING BEGINS: noon EST Monday, December 3 ENDS: 1 p.m. EST Monday, December 10 ITEM PICK -UP FOR WINNING BIDDERS Tuesday, December 11 – Friday, December 14 8 a.m. – 3:30 p.m. in the ASH Development Office (Buy-It-Now Winners on 11/30 may pick up their item(s) on 12/4/2012) • This packet includes descriptions of auction items that were received on or before Friday, November 9. Additional items will be added to the auction after that date. • Packages may change from what is listed below - please check the online auction on December 3 for final descriptions. • Items are only available for viewing at the Family Fun Night on November 30. • If you would like assistance with bidding, the Development Office staff would be happy to assist Monday – Friday from 7:30 a.m. to 3:00 p.m. Join the Online Auction fun . it’s fast, easy and secure! No credit card information is required or requested in order to view items or place bids. Payment is handled at the conclusion of the auction for those with winning bids. -
2016 30/50-Year+ Party
Official Publication of the Detroit Federation of Musicians – Local 5, AFM, AFL-CIO Volume 79 Number 3 Keynote Q3, 2016 2016 30/50-Year+ Party Photos pages 12–16 Home of the Pros Semi-annual Membership Meeting Special Features in This Issue • Keep up to date on union events • Tips for musician travel from AFM, • Ask questions; share suggestions other authorities, page 6 • Meet musicians you don’t know • Retired DSO violinist Ann Strubler premieres adoption documentary and Accompanied by usual refreshments symphonic composition, page 11 MONdaY, OCTOBER 17, 7 pm • Photos of 30/50-Year+ Party sponsors LOCAL 5 HospitalitY ROOM and attendees, pages 12–16 Keynote 3rd Quarter 2016 LIVE Links to What’s in This Issue The Music Stand . 1 Local 5 Support Line . 21 WindWords . 3 DFM Referral Gigs . .21 AFM Travel Tips . 6 Comedy Corner . 21 About eBilling Notification . 6 Member Directory Info . 22 Classified Advertising . 6 TEMPO Contributions . 23 Detroit Musicians Fund . 8 Labor Day Parade Info . 23 AmazonSmile . 8 Executive Board Minutes . 24–26 MusiCares Dental Clinic for Musicians . 9 Membership Survey . 28 Member Newsline . 10–11 UAW Chaplaincy Conference . 28 30/50-Year+ Party Coverage . 12–16 Closing Chord . 29 Welcome, New Members . 18–20 Missing eKeynote? . 29 Calendar of Local 5 Events Our Advertisers Local 5 Office Closings • Monday, Sept. 5, Labor Day (see you at the These fine folks helped bring you this issue parade; details on page 23) of Keynote . Your support will assure their • Monday, Oct. 10: Columbus Day continued advertising . • Tuesday, Nov. 8: Election Day Bugs Beddow . -
DETROIT BOARD of EDUCATION with Members of the Community Title VI Complaint Against Governor Rick Snyder
ABRIDGED VERSION DETROIT BOARD OF EDUCATION with Members of the Community Title VI Complaint Against Governor Rick Snyder July 27, 2015 1 2 3 4 Public education in America made this country great, but the racist tidal wave dissolving "Urban" schools in Michigan lead by Governor Snyder is the New Trail of Tears. Under this governor, urban schools have deteriorated into community eyesores and crime havens which are destroying the fabric of minority neighborhoods, and being replaced by experimental private models which have been proven ill equipped to provide quality learning environments. These institutions deny students with learning disabilities and other challenges an equal opportunity to an education, creating truly separate and unequal systems between white and black once again. Earl Rickman Past President, National Association of School Boards 5 TIMELINE The State of Michigan has been in authority over the Detroit Public Schools for approximately 13 of the last 16 years and is a recipient of Federal funds. Detroit Public Schools is a majority-minority district with the highest concentration of minorities of any city of 100,000 residents according to the 2010 US Census. 1994 In 1994, residents approved a $1.5 billion dollar capital bond program for Detroit Public Schools, which they will be paying for until at least 2033. The original bond was to be used to repair and renovate school buildings to service a then stable student enrollment of 167,000 students. The control of the spending of the bond dollars was a hotly contested issue, where various parties tried to take planning and spending authority from the school board. -
Rui(N)Ation: Narratives of Art and Urban Revitalization in Detroit
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2019 10:45 AM Rui(N)ation: Narratives of Art and Urban Revitalization in Detroit Jessica KS Cappuccitti The University of Western Ontario Supervisor Bassnett, Sarah The University of Western Ontario Graduate Program in Art and Visual Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Jessica KS Cappuccitti 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the African American Studies Commons, American Art and Architecture Commons, Art Practice Commons, Contemporary Art Commons, Interactive Arts Commons, Interdisciplinary Arts and Media Commons, Modern Art and Architecture Commons, Museum Studies Commons, Other American Studies Commons, and the Photography Commons Recommended Citation Cappuccitti, Jessica KS, "Rui(N)ation: Narratives of Art and Urban Revitalization in Detroit" (2019). Electronic Thesis and Dissertation Repository. 6511. https://ir.lib.uwo.ca/etd/6511 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This dissertation considers the City of Detroit as a case study for analyzing the complex role that artists and art institutions are playing in the potential re-growth and revitalization of the city. I specifically look at artists and arts organizations who are working against the popular narrative of Detroit as “ruin city.” Their efforts create counter narratives that emphasize stories of survival and showcase vibrant communities. -
PAUL BRADY Paul Brady, Singer, Songwriter and Multi-Instrumentalist Is One of Ireland’S Most Enduringly Popular Artists
PAUL BRADY Paul Brady, singer, songwriter and multi-instrumentalist is one of Ireland’s most enduringly popular artists. Born and raised in Strabane, Northern Ireland, on the border with the Irish Republic, he was into a wide variety of music from an early age. A Fifties child, his first sounds the Swing, Jazz, Show tunes of his parents generation. Then 50′s Rock ‘n Roll, 60′s pop and Motown, Blues, R’nB and Country and Western. Through all this ran the potent flavour of Irish traditional music and song. Learning to play the piano pretty much by ear, trial and error, his early heroes were Jerry Lee Lewis, Winifred Atwell and Fats Domino. By the age of eleven he had begun to play guitar, spending hours of his school holidays learning every tune the Shadows and The Ventures recorded, every lick Chuck Berry played. Mid-teens saw him take summer jobs playing piano and guitar in Bundoran, a seaside resort in nearby County Donegal. But it was around 1965 in Dublin, at college, that he began to develop as a singer and performer joining a succession of R’n B / Soul bands including The Inmates, The Kult and Rootzgroop , covering the songs of Ray Charles, James Brown, Junior Walker and blues legends like Muddy Waters, Howlin’ Wolf and Chuck Berry. The 60′s in Dublin saw the renewal of interest in Irish traditional music and gave birth to the first wave of Irish ballad groups like The Clancy Brothers, The Dubliners, Sweeney’s Men and The Johnstons. Soon Paul became swept up in this current and joined the latter band with whom he recorded seven albums. -
Meeting Minutes of Each Meeting of the National Council on the Arts (NEA), 2015-2019
Description of document: Meeting Minutes of each meeting of the National Council on the Arts (NEA), 2015-2019 Requested date: 27-October-2019 Release date: 25-November-2019 Posted date: 23-December-2019 Source of document: FOIA Requests Office of General Counsel National Endowment for the Arts 400 7th Street, SW Washington, DC 20506 Fax: 202/682-5572 Email: [email protected] The governmentattic.org web site (“the site”) is a First Amendment free speech web site, and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. From: FOIA <[email protected]> Sent: Mon, Nov 25, 2019 4:07 pm Subject: RESPONSE : New FOIA request received for National Endowment for the Arts This e-mail responds to your request for records under the Freedom of Information Act (FOIA), 5 U.S.C. -
“Where the Mix Is Perfect”: Voices
“WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE by Carleton S. Gholz B.A., Macalester College, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Carleton S. Gholz It was defended on April 11, 2011 and approved by Professor Brent Malin, Department of Communication Professor Andrew Weintraub, Department of Music Professor William Fusfield, Department of Communication Professor Shanara Reid-Brinkley, Department of Communication Dissertation Advisor: Professor Ronald J. Zboray, Department of Communication ii Copyright © by Carleton S. Gholz 2011 iii “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE Carleton S. Gholz, PhD University of Pittsburgh, 2011 In recent years, the city of Detroit’s economic struggles, including its cultural expressions, have become focal points for discussing the health of the American dream. However, this discussion has rarely strayed from the use of hackneyed factory metaphors, worn-out success-and-failure stories, and an ever-narrowing cast of characters. The result is that the common sense understanding of Detroit’s musical and cultural legacy tends to end in 1972 with the departure of Motown Records from the city to Los Angeles, if not even earlier in the aftermath of the riot / uprising of 1967. In “‘Where The Mix Is Perfect’: Voices From The Post-Motown Soundscape,” I provide an oral history of Detroit’s post-Motown aural history and in the process make available a new urban imaginary for judging the city’s wellbeing. -
Becoming a Public Square Detroit Institute of Arts
CASE STUDY Becoming a Public Square Detroit Institute of Arts September 20, 2018 Liam Sweeney Katherine Daniel The Andrew W. Mellon Foundation Copyright 2018 The Andrew W. Mellon Foundation.. This endeavors to strengthen, promote, and, work is licensed under a Creative Commons Attribution- NonCommercial 4.0 International License. To view a where necessary, defend the copy of the license, please see http://creative- contributions of the humanities and the commons.org/licenses/by-nc/4.0/. arts to human flourishing and to the The Mellon Foundation encourages distribution of the report. For questions, please write to [email protected]. wellbeing of diverse and democratic societies. Ithaka S+R provides research and strategic guidance to help the academic and cultural communities serve the public good and navigate economic, demographic, and technological change. Ithaka S+R is part of ITHAKA, a not- for-profit organization that works to advance and preserve knowledge and to improve teaching and learning through the use of digital technologies. Artstor, JSTOR, and Portico are also part of ITHAKA. BECOMING A PUBLIC SQUARE: DETROIT INSTITUTE OF ARTS 1 Detroit Institute of Arts Facade, Courtesy of the Detroit Institute of Arts Located in midtown Detroit’s cultural center, the Detroit Institute of Arts (DIA) is one of the largest encyclopedic museums in the country, housing nearly 66,000 works of art. From the outside, described by many of its staff as looking like a castle on a hill, one would not guess at the museum’s turbulent history, stemming from a complex relationship with the city of Detroit. Today, DIA finds itself uniquely placed among American museums as having one of the highest rates of racial and ethnic diversity among its employees. -
August 7, 2008
Local author pens The Big Event on Motor City University says Rock V Roll thanks in a big way American Profile 75 cents WINNERS OF STATE AND NATIONAL AWARDS OF EXCELLENCE www.hometownlife.com BY D AftRELL CLEM work while city employees are before city employees return-on City Hall's basement. He said plained years ago of possible came from working at City Hall. OBSERVER STAFF WRITER away Friday evening through Monday. what is commonly referred to environmental problems at City Wild has indicated that he Sunday to remove mold that Another firm, I.A.Q. as the more threatening "black Hall, partly due to repeated moved to address the mold The Company hired to remove Mayor William Wild said was Management Services Inc, an mold" was found in two isolated water leaks in the basement. problem after environmental mold from Westland City found in July, when Belfor was indoor environmental test- spots but was not airborne. They said they didn't believe workers told him of the situa- Hall's basement will broaden called in due to widespread ing company, was expected to Some other molds, typically their concerns were adequately tion in July. However, he has its efforts by bringing in envi- basement flooding. begin testing air quality on the considered less dangerous than addressed. conceded that city officials will ronmental workers to examine Belfor representative David upper floors as early as today the Stachybotrys black mold, Workers said they have had need to seek a long-term solu- the building's first and second Weaver said a team of environ- (Thursday). -
DETROIT BUSINESS MAIN 09-01-08 a 1 CDB.Qxd
DETROIT BUSINESS MAIN 09-01-08 A 1 CDB 8/29/2008 6:33 PM Page 1 ® www.crainsdetroit.com Vol. 24, No. 35 SEPTEMBER 1 – 7, 2008 $2 a copy; $59 a year ©Entire contents copyright 2008 by Crain Communications Inc. All rights reserved THIS JUST IN Golf resort Defense industry meeting Merit raises beat in Troy Sept. 15-17 builders The National Defense In- dustries Association, Michi- gan chapter, is holding a pony up conference Sept. 15-17 for defense contractors, sub- bosses’ predictions contractor firms, local gov- ernment officials and other own funds businesses interested in the defense industry. Survey finds optimism for ’09 LOOKING AHEAD The association hopes BY DANIEL DUGGAN up to 300 people will attend CRAIN’S DETROIT BUSINESS A study by the American Society of BY SHERRI BEGIN around the state, 266 respondents Employers shows that Michigan the fall business event, Developers are most comfort- CRAIN’S DETROIT BUSINESS projected their merit increase companies are projecting the which will include speak- able when they’re working on a budgets would following average merit increases ers, panel discussions and sure-shot development, using oth- Michigan employers were grow 3.19 per- for the coming year: Detroit networking at the er people’s money. more generous with merit pay in- cent for nonex- Marriott Troy. A four-person investment group creases in 2008 than they predict- empt employ- About 225 people attend- ed they would be last January, 3.3 percent from Shelby Township, building a ees, or those for nonexempt workers, or those ed last year’s inaugural $52 million residential community according to a new study from workers eligi- Constance Blair workers eligible for overtime.