University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers in Communication Studies Communication Studies, Department of 8-2007 Mario Van Peebles’s Panther and Popular Memories of the Black Panther Party Kristen Hoerl Auburn University,
[email protected] Follow this and additional works at: http://digitalcommons.unl.edu/commstudiespapers Part of the Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Other Communication Commons Hoerl, Kristen, "Mario Van Peebles’s Panther and Popular Memories of the Black Panther Party" (2007). Papers in Communication Studies. 196. http://digitalcommons.unl.edu/commstudiespapers/196 This Article is brought to you for free and open access by the Communication Studies, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers in Communication Studies by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Critical Studies in Media Communication 24:3 (August 2007), pp. 206–227; doi: 10.1080/07393180701520900 Copyright © 2007 National Communication Association; published by Routledge/Taylor & Francis. Used by permission. Published online August 15, 2007. Mario Van Peebles’s Panther and Popular Memories of the Black Panther Party Kristen Hoerl Department of Communication and Journalism, Auburn University, Auburn, Alabama, USA Corresponding author – Kristen Hoerl, email
[email protected] Abstract The 1995 movie Panther depicted the Black Panther Party for Self-Defense as a vibrant but ultimately doomed social movement for racial and economic justice during the late 1960s. Panther’s narrative indicted the white-operated police for perpetuating violence against African Americans and for un- dermining movements for black empowerment.