Academy, the 97–98 Allen, Ethan 3, 21, 74 Anacreon 46 Anderson, CR

Total Page:16

File Type:pdf, Size:1020Kb

Academy, the 97–98 Allen, Ethan 3, 21, 74 Anacreon 46 Anderson, CR Cambridge University Press 978-0-521-85480-1 - The Cambridge Introduction to Herman Melville Kevin J. Hayes Index More information Index Academy, The 97–98 Bell, Robert 7 Allen, Ethan 3, 21, 74 “Benito Cereno,” 20, 21, 22, 26, 74, 75, Anacreon 46 76, 77–81, 119, 121 Anderson, C. R. Benjamin, Walter 17, 35 Melville in the South Seas 120 Bennett, Arnold 118, 120 Aristotle Bentley, Richard 7, 8, 48, 113, 116, 117 Poetics 63 Bentley’s Miscellany 7 “Armies of the Wilderness, The,” 89 Berington, Simon Arvin, Newton 42, 95 Memoirs of Sigr Gaudentio di Lucca Ashbery, John 122 29 “At the Hostelry,” 99 Berkeley, George 41 Atlantic 88 Berryman, John 93 Augustine 46 Dream Songs 93, 96 Bezanson, Walter 49, 94, 97 Bacchus 46 Bierstadt, Albert 102 Bacon, Francis 46 Billy Budd 11, 13, 17, 20, 25, 26, 101, Bajazet 46 105–111, 121 Balzac, Honorede´ Billy Budd and Other Prose Pieces 117 Colonel Chabert 86 “Billy in the Darbies,” 105 S´eraphita 107 Blair, Hugh Barrymore, John 117 Lectures on Rhetoric 43–44 Barthes, Roland 71 Blake, William 97 “Bartleby, the Scrivener,” 15, 20, 26, Borges, Jorge Luis 117 76, 81, 85–86 Boswell, James 8 Battle-Pieces 11, 22, 25, 26, 87–92, 99, Brown, John 87–88 114 Browne, Thomas 41 Baudelaire, Charles 115 Works 8 Beaumont, Francis Browning, Robert 99–100, 105 Fifty Comedies and Tragedies 8 Burchfield, Charles 21 Beckett, Samuel 122 BurgundyClubsketches 11,26,100–105 Beckford, William Burton, Robert 41 Vathek 8 Anatomy of Melancholy 41 Beethoven, Ludwig van 60 Butler, Samuel Fifth Symphony 60 Hudibras 36 Sixth Symphony 60 Byron, George Gordon 80 135 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-85480-1 - The Cambridge Introduction to Herman Melville Kevin J. Hayes Index More information 136 Index Caesar 13 Cultivator (Albany) 113 Camoes,˜ Lu´ıs de Curtis, G. W. 80 Lusiad, The 31 Canute I, king of England 46 Dana, Richard Henry, Jr 73 Carax, Leos´ “Daniel Orme,” 104, 108 Pola X 62 Davenant, William 8 Carlyle, Thomas 35 Works 8 Carne, John De Kay, Charles 102 “Letters from the East,” 2 Delano, Amasa Carter, Angela 60 Narrative of Voyages and Travels 74 Cassady, Neal 121 Deleuze, Gilles 122 Cato 13 Dellenbaugh, Frederick Cellini, Benvenuto 90 Canyon Voyage 52 Chapman, George 114 Delon, Alain 48, 59 Chase, Richard 93, 121 Democritus 46 “Chattanooga,” 88 Deneuve, Catherine 62 Chaucer, Geoffrey Dent, J. M. 116 “Prioress’s Tale, The,” 98 De Peyster, Watts 88 Child, Lydia Maria De Quincey, Thomas “Hindoo Anchorite, The,” 5–6 Confessions of an Opium Eater 8 Chopin, Kate “Revolt of the Tartars,” 2 Awakening, The 38 Disraeli, Isaac 104 Chorley, Henry Fothergill 54, 113–114 Literary Character, The 39, 103 Cioran, E. M. “Donelson,” 91 Temptation to Exist, The 13 Dostoyevsky, Fyodor Clarel 10, 13, 25, 26, 92–99, 100, 114, Brothers Karamazov, The 118 117, 118, 123 Douglass, Frederick 29 “Cock-A-Doodle-Doo!” 76 Dreiser, Theodore 115 Cohen, Hennig 91 Sister Carrie 66 Coleridge, Samuel Taylor 109 Duyckinck, Evert 5, 6, 9, 33, 60, 68–72 Rime of the Ancient Mariner, The 79 Colum, Padraic 97 Eisenstein, Sergei 36 Confidence-Man, The 9–10, 17, Battleship Potemkin 22 26, 27, 81, 83–85, 110, 114, Ivan the Terrible 60 120–122 Eliot, T. S. Conrad, Joseph Waste Land, The 93 Nostromo 78 Ellis, William Cooper, James Fenimore 76 Polynesian Researches 38–39 Red Rover 72 Emerson, Ralph Waldo 68 Sea Lions 72 “Encantadas, The,” 18, 99 Craighead, Robert 47 Evelev, John 40 Cramer, William 102 Crane, Hart 56 “Fiddler, The,” 76 Crane, Stephen 15 Flaubert, Gustave 70 Maggie 15 Fletcher, John Monster, The 38 Fifty Comedies and Tragedies 8 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-85480-1 - The Cambridge Introduction to Herman Melville Kevin J. Hayes Index More information Index 137 Fly, Eli James Murdock 71 Hawthorne, Nathaniel 5, 8, 32, 61, 69, Forster, E. M. 116 72–74, 77, 101, 106 “Fragments from a Writing Desk,” 2 House of Seven Gables, The 72 Franklin, Benjamin 21, 52, 74, Mosses from an Old Manse 72 76–77 “My Kinsman, Major Molineux,” 66 Freeman, John 26, 61, 99 “Hawthorne and His Mosses,” 20, 73 Herman Melville 119 Hazlitt, William Freud, Sigmund 19, 30 Table Talk 21 Frost, Robert 117 Henry, Patrick 13 Fuller, Margaret 5 Heraud, J. A. 35 Fuller, Roy 121 Hervey,T.K.6 Australia 6 Gama, Vasco da 31 Hobbes, Thomas 36 Ganesvoort, Peter 1, 14 Holden, William 117 Garner, Stanton 91 Holden’s Dollar Magazine 71 Garnett, Edward 118 Homer 46, 114 Genet, Jean 122 Iliad 31 George III, king of Great Britain 74 Odyssey 93 Ghedini, Giorgio Federico “House of the tragic poet,” 99, 100, 101 Concerto dell’ albatro 53 Howells, William Dean 88 Giono, Jean 119 Hazard of New Fortunes, A 104 Pour saluer Melville 119 “Hugh of Lincoln,” 98 Godard, Jean-Luc 122 Hughs, Mary Grand escroc, Le 122 May Morning 6 Godwin, Parke 5 Hugo, Victor 115 Godwin, William Humane Review 115 Caleb Williams 8 Humphreys, A. R. 78, 109 Goldsmith, Oliver Herman Melville 122 History of the Earth 29 Huston, John 75 Goncharov, Ivan Oblomov 86 “I and My Chimney,” 103 Grand escroc, Le, 771; see also The Ionesco, Eugene 122 Confidence-Man Irving, Washington 4, 40 Grant, Ulysses S. 88, 89 “Rip Van Winkle,” 38 Greene, Richard Tobias 3, 6, 27 Isle of the Cross, The 9 Greenwood, Grace 32 Israel Potter 8, 9, 14, 21, 26, 74–75, Gregg, Josiah 76–77, 113–114 Commerce of the Prairies 55 James, C. L. R. 21, 86 Hafiz 46, 97 James, Henry 9, 19, 107 Hall, A. Oakey 40, 59 Jefferson, Thomas 52 Hall, Basil Jesus, of Nazareth 62 “Schloss Hainfield,” 2 “Jimmy Rose,” 16 “Happy Failure, The,” 76 “John Marr,” 103–104, 105 Harper’s Family Classical Library 14 John Marr and Other Sailors 11, 103, Harris, Townsend 102 105 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-85480-1 - The Cambridge Introduction to Herman Melville Kevin J. Hayes Index More information 138 Index Johnson, Samuel 7, 8, 80 Macpherson, James, 486; see also Johnstone, Christian 5 Ossian Jones, John Paul 21, 74, 77 “Carthon,” 89 Jones, Samuel Arthur 114 Fingal 88–89 Jones, William 57 Mann, Thomas Jonson, Ben 8 Magic Mountain, The 95 Joyce, James 42 Mardi 4, 6–7, 8, 19, 26, 39–46, 68, 73, Julian the Apostate 46 112–113, 123 “Marquis de Grandvin, The,” 104–105 Kafka, Franz 121 Mather, Frank Jewett, Jr. 115, 118 Kames, Henry Home 39 Maturin, Charles Robert 54 Kant, Immanuel 109 Mayoux, Jean-Jacques 9, 70 Keats, John 114 Melville 122 Kennedy, John Pendleton Melvill, Allan 1 Swallow Barn 77 Melvill, Thomas 14 Kerouac, Jack 120, 121 Melville, Elizabeth Shaw 6, 99 Melville, Ganesvoort 1, 2, 4–5 Lansing, Abraham 102 Melville, Helen Maria 6 Lathers, Richard 102 Melville, Malcolm 7 Laughlin, James 121 Melville, Maria Ganesvoort 1, 69 Lavater, Johann Caspar 17 Meredith, George 114, 121 Essays on Physiognomy 17 Milford, Humphrey 116 Lawrence, T. E. 118, 120 Mills, Abraham 43 Lear, Edward 39 Milton, John 31, 32, 46, 104 Leavis, Q. D. 83 Paradise Lost 27, 31, 32, 93, 97, 100 Lee, Robert E. 89, 91 “Mr. Parkman’s Tour,” 105, 107 “Lee in the Capitol,” 91–92 Moby-Dick, 77, 85, 87, 97, 110, 196, Lefebvre, Henri 15 322, 363, 365, 367, 375, 377, 399, Lehmann, John 121 409, 411, 415, 418, 419, 433, 449, Lemay,J.A.Leo84 464, 535, 539, 547, 563, 597, 622, Letters 1–2, 26, 67–74 638, 654, 659, 666, 689, 702, 714, Lewis, Monk 54 718, 721, 726, 742, 777; see also Life and Remarkable Adventures of The Whale Israel R. Potter 74 Montaigne, Michel de 46 “Lightning-Rod Man, The,” 26, Morning Express (Buffalo) 27 81–83, 119 Morris, William 114 Literary World 70–71, 72, 73 Mosby, John 89 Longfellow, Henry Wadsworth Moses 94 “Haunted Houses,” 94 Mumford, Lewis 25, 121 Losey, Joseph 48 Herman Melville 120 Monsieur Klein 48, 58, 59 Murray, John 4–5, 6, 33, 112–113 “Lyon,” 88 Murry, John Middleton 109, 117 MacMechan, Archibald 56, 115, 119 “Naples in the Time of Bomba,” 99 “Best Sea Story Ever Written, The,” Narrative of a Four Months’ Residence, 115 30; see also Typee © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-85480-1 - The Cambridge Introduction to Herman Melville Kevin J. Hayes Index More information Index 139 Nelson, Horatio 101 Pound, Ezra New Era 116 Cantos 26, 97 New York Times 102 Preston, John Nietzsche, Friedrich Every Man His Own Teacher 1 Thus Spake Zarathustra 118 Prior, Matthew 46 “Norfolk Isle and the Chola Widow,” Proclus 46 18 Putnam, George P. 4 Putnam’s Magazine 74, 80 Oates, Titus 104 Pyrrho 46 O’Brien, Edward 75 Olson, Charles 20, 35 Queen’s Quarterly 115 Call Me Ishmael 122 Omoo 3, 6, 7, 15, 22, 25–26, 33–39, Rabelais, Franc¸ois 41 112, 114, 116, 117 Redburn 7, 14, 15, 22, 26, 27, 40–46, Ossian 10, 46, 82, 88–89, 92, 104 62, 63, 73, 113 Reverdy, Pierre 98 Pancoast, Seth Rhys, Ernest 116 Ladies Medical Guide 6 Rimbaud, Arthur “Paradise of Bachelors and the Season in Hell 9, 10 Tartarus of Maids, The,” 22–23 “River, The,” 3 Park, Mungo 46 Robbe-Grillet, Alain 122 Parker, Jonathan Rohmer, Eric 18 Bartleby 86 Romances of Herman Melville Parkman, Francis 120 California and Oregon Trail 72, Rosset, Barney 122 105 Russell, W.
Recommended publications
  • Character and the Space of Clarel
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online Character and the Space of Clarel MICHAEL JONIK Cornell University Needs be my soul, Purged by the desert’s subtle air From bookish vapors, now is heir To nature’s influx of control; (NN Clarel 1.1.67–70) Character and the Impersonal rom Ahab to Bartleby, and Isabel to Billy Budd, Melville’s characters seem unmoored from personhood, cast into the “whelming sea” of the Fimpersonal or the inhuman (NN Clarel 4.35.33).1 In Clarel: A Poem and Pilgrimage in the Holy Land, they are not so much characters in the traditional literary sense—that is, individual “persons” who move through settings and perform a set of characteristics—as they are a series of intertwined “personae” whose characteristics blur with the space of the poem. As in his other works, Melville’s characterization in Clarel is a process not of developing distinct persons but of opening a transactive space in which human characteristics can become unbound and thus permeable to the extra-personal. Yet in Clarel, given the symbolically charged landscape of the Holy Land, Melville’s emptying out of character also involves a forceful deromanticization of the landscape. Melville postulates a world in which traditional guarantees of human value are removed, and wherein the traditional barriers that divide self and nature and the human and inhuman are rendered inconsequential. Melville gestures past Romantic conceptions of landscape and self into an uncertain post- Darwinian territory in which the sublime education is no longer an ecstatic self-abandonment but one of suspension and doubt.
    [Show full text]
  • Visionary of the Word: Melville and Religion
    BOOK REVIEWS 625 and positively of very few things, except of Matters of fact.” As a reference work, focused on “matters of fact,” Guthery’s book shines, but the fragmented nature of the text clouds the results of his research. Amy Fisher is assistant professor of the history of science and technol- ogy in the Science, Technology, and Society Program at the University of Puget Sound. Visionary of the Word: Melville and Religion. Edited by Jonathan A. Cook and Brian Yothers. (Evanston, IL: Northwestern University Press, 2017. Pp. 296. $99.95 cloth; $34.95 paper.) Jonathan A. Cook and Brian Yothers begin their volume of ten es- says by calling religion “an often neglected subject in contemporary” Melville studies (3). This is odd since the second part of their use- ful introduction (the first part deals concisely with Melville’s life and reading in religion) traces a critical concern with the subject begin- ning with Raymond Weaver’s biography of 1921 and accelerating in the last forty years or so, with increasing attention to Melville’s late poetry. Religion is currently a hot subject; the difference between older and more recent discussions is that the latter tend to be more cul- tural than intellectual—a mixed blessing with Melville whose engage- ment with religion, while grounded in an intimate possession of the Bible, belongs more to the European and especially Anglophone in- tellectual context than to the native social and denominational one. In this respect the essays in Visionary of the Word are a mix of the tra- ditional and the new.
    [Show full text]
  • Beyond the Walls - Potentiality Aborted
    Beyond the Walls - Potentiality Aborted. The Politics of Intersubjective Universalism in Herman Melville’s Clarel Laura López Peña ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tdx.cat) i a través del Dipòsit Digital de la UB (diposit.ub.edu) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX ni al Dipòsit Digital de la UB. No s’autoritza la presentació del seu contingut en una finestra o marc aliè a TDX o al Dipòsit Digital de la UB (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tdx.cat) y a través del Repositorio Digital de la UB (diposit.ub.edu) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR o al Repositorio Digital de la UB.
    [Show full text]
  • Dissertation Rough Draft Final
    UNIVERSITY OF CALIFORNIA RIVERSIDE Melville on the Beach: Transnational Visions of America A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ikuno Saiki December 2018 Dissertation Committee: Dr. Jennifer Doyle, Chairperson Dr. Steven Gould Axelrod Dr. Traise Yamamoto Copyright by Ikuno Saiki 2018 The Dissertation of Ikuno Saiki is approved: Committee Chairperson University of California, Riverside Acknowledgments This project would not have been finalized without the invaluable assistance of many people. First of all, I would like to express my sincere gratitude to my exam advisor and former dissertation chairperson, Professor Emory Elliott. Throughout the irregular and tedious process of completing my degree, he constantly encouraged me and supported me by frequent e- mail messages, writing from his office in early morning, or from a hotel in China at midnight, until a month before his sudden demise. I learned, and am still learning, from his enthusiastic and humanitarian approach to literature and from his pure devotion to help his students. Professor Jennifer Doyle was on my exam committee, and kindly succeeded Professor Elliott as chair. She made it possible for me to finish the dissertation within a limited amount of time, and her advice gave me a framework within which to integrate all my ideas. Professor Steven Gould Axelrod and Professor Traise Yamamoto supported me in the first difficult quarter at UC Riverside in 2001. I learned scholarship and the art of research from Professor Axelrod’s meticulous and warm suggestions on my seminar papers. Professor Yamamoto, who provides energetic guidance and affectionate care for her students, is one of my unattainable role models.
    [Show full text]
  • Character and the Space of Clarel
    Character and the space of Clarel Article (Unspecified) Jonik, Michael (2011) Character and the space of Clarel. Leviathan: A Journal of Melville Studies, 13 (3). pp. 67-84. ISSN 1525-6995 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/42605/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk Character and the Space of Clarel MICHAEL JONIK Cornell University Needs be my soul, Purged by the desert’s subtle air From bookish vapors, now
    [Show full text]
  • University Microfilms International 300 N
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in "sectioning" the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy.
    [Show full text]
  • Representation of the Orient in the Literary Imagination of Melville,” Porte Sur Les Contextes Historiques, Idéologiques, Et Politiques De L’Orientalisme Américaine
    /7, 33t/ Université de Montréal Nation and its Configuration: the (Mis)representation of the Orient in the Literary Imagination of Melville Par Wadii Rabhi Département d’études anglaises Faculté des arts et des sciences Mémoire présenté a la Faculté des études supérieures En vue de l’obtention du grade de Maîtrise en arts (M.A.) Aout, 2005 © Wadii Rabhi Université de Montréal o Université de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduite et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable tetain copyright ownership and moral rights in this document.
    [Show full text]
  • Melville and Nietzsche: Living the Death of God
    0HOYLOOHDQG1LHW]VFKH/LYLQJWKH'HDWKRI*RG 0DUN$QGHUVRQ 3KLORVRSK\DQG/LWHUDWXUH9ROXPH1XPEHU$SULOSS $UWLFOH 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV '2,SKO )RUDGGLWLRQDOLQIRUPDWLRQDERXWWKLVDUWLFOH KWWSVPXVHMKXHGXDUWLFOH Access provided by Belmont University (23 Aug 2016 00:08 GMT) Mark Anderson MELVILLE AND NIETZSCHE: LIVING THE DEATH OF GOD Abstract. Herman Melville was so estranged from the religious beliefs of his time and place that his faith was doubted during his own lifetime. In the middle of the twentieth century some scholars even associated him with nihilism. To date, however, no one has offered a detailed account of Melville in relation to Nietzsche, who first made nihilism a topic of serious concern to the Western philosophical tradition. In this essay, I discuss some of the hitherto unexplored similarities between Melville’s ideas and Nietzsche’s reflections on and reactions to the death of God and the advent of nihilism in the West. cholars long ago exposed the black vein of nihilism that runs Sthrough Herman Melville’s life and thought. But the majority of those who have endeavored to track its course have lacked the philo- sophical background prerequisite to a thorough exploration, and their works are now many years old.1 The most notable exception is All Things Shining, the recent effort of two professors of philosophy.2 Unfortunately, however, as I have previously argued in these pages, the authors of this book are less interested in the reality of Melville than in constructing of him an image to turn to their own particular purposes.3 In this essay I propose to lay out in some detail the surprising similarities between Melville’s ideas and Friedrich Nietzsche’s account of the death of God and the nihilism that threatens as a consequence of His passing.
    [Show full text]
  • University Microfilms, a XEROX Company, Ann Arbor, Michigan the UNIVERSITY of TULSA
    71-13,531 LESTER, James D., 1935- MELVILLE'S THE PIAZZA TALES: THE QUEST FOR COMMUNICATIONS. The University of Oklahoma, Ph.D., 1970 Language and Literature, general University Microfilms, A XEROX Company, Ann Arbor, Michigan THE UNIVERSITY OF TULSA THE GRADUATE SCHOOL MELVILLE'S ^ PIAZZA TALES; THE QUEST FOR COMMUNICATIONS James D. Lester A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English The Graduate School The University of Tulsa 1970 T H E UNIVERSITY OF TULSA THE GRADUATE SCHOOL MELVILLE'S g PIAZZA TALES; THE QUEST FOR COMMUNICATIONS A DISSERTATION APPROVED FOR THE DEPARTMENT OF ENGLISH By Dissertation Committee % ■ P. Chairman y 7 f il ABSTRACT Lester, James D. (Ph.D.) Melville's Piazza Tales : The Quest for Communications Directed by Professor E, Paul Alworth This study explores an incompletely examined area in Melville scholarship: focusing on The Piazza Tales it examines Melville's quest for a more perfect communication. The six stories convey a Melvillian view of communication breakdowns among men, especially as misuse of language isolates the non- communicative soul. Although his tales are more than communi­ cations tragedies, an awareness of articulation breakdowns intensifies each story. In summary, his theory demonstrates these concepts: every man desires communication to overcome both his own imperfections and the external barriers preventing communication; some men successfully communicate, others merely articulate with hollow substance, and a few tragic ones reject communications entirely. The personalities seek communicative contact to find identity of self, to fill aesthetic needs, or to achieve therapeutic or psychological release, Melville evidences concern with three barriers: social norms that dis­ tort the receiver's attention to truth, the closed mind of the self-centered man, and the misreading of signs and symbols.
    [Show full text]
  • To View the Full
    GALLERY GATEWAY American Voyager: Herman Melville at 200 DONATE NOW! Please support The Rosenbach! Major support for American Voyager is provided by The Gladys Krieble Delmas Foundation The McCausland Foundation Susan Tane Clarence Wolf The Rosenbach extends special thanks to American Voyager lenders: acknowledgements Delaware Historical Society (Wilmington, Delaware) Independence Seaport Museum (Philadelphia) New York Society Library (New York City) Anonymous Private Collectors (2) Title graphic rights courtesy of Plattsburgh State Art Museum, State University of New York, USA, Rockwell Kent Collection, Bequest of Sally Kent Gorton. All rights reserved. Selected design elements presented throughout the Gallery Gateway are adapted from lithographic prints in Benton Spruance and Lawrance Thompson, Moby Dick, the Passion of Ahab (Barre, Massachusetts: Barre Publishers, 1968), courtesy of the Benton Spruance Estate. Exhibit and graphic design by Olivetree Design (olivetreedesign.com) Graphics printed by Color Reflections / 2 Acknowledgements ............................................................................................................................................................ 2 Table of Contents ................................................................................................................................................................ 3 Welcome to the Gallery Gateway ..................................................................................................................................4 Key
    [Show full text]
  • Herman Melville René Galand Wellesley College
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wellesley College Wellesley College Wellesley College Digital Scholarship and Archive French Faculty Scholarship French 2000 An American Forerunner of the Absurd: Herman Melville René Galand Wellesley College Follow this and additional works at: http://repository.wellesley.edu/frenchfaculty Translation of Reun ar C’halan [René Galand], “Un diaraoger amerikan d’an Diveiz: Herman Melville (1819-1891)”, Al Liamm, niv. 350 (Mezeven 2000), pp. 37-53 Recommended Citation Galand, René, "An American Forerunner of the Absurd: Herman Melville" (2000). French Faculty Scholarship. Paper 11. http://repository.wellesley.edu/frenchfaculty/11 This Article is brought to you for free and open access by the French at Wellesley College Digital Scholarship and Archive. It has been accepted for inclusion in French Faculty Scholarship by an authorized administrator of Wellesley College Digital Scholarship and Archive. For more information, please contact [email protected]. René Galand, An American forerunner of the Absurd: , Herman Melville Herman Melville is without a doubt one of the most important American writers. His work, no less remarkable for its depth than for its volume, is characterized by his tragic vision of man’s fate, by the power of its symbolism, and by the virtuosity of its style. Melville was only twelve when his father, a New York merchant, died a bankrupt. To make a living, Melville tried his hand at different jobs: bank clerk, farm hand, crew member aboard a trading ship which sailed from New York to Liverpool, elementary school teacher, before he eventually, in 1841, signed on as a seaman aboard the whaling ship Acushnet .
    [Show full text]
  • Download PDF 67.01 KB
    René Galand, An American forerunner of the Absurd: , Herman Melville Herman Melville is without a doubt one of the most important American writers. His work, no less remarkable for its depth than for its volume, is characterized by his tragic vision of man’s fate, by the power of its symbolism, and by the virtuosity of its style. Melville was only twelve when his father, a New York merchant, died a bankrupt. To make a living, Melville tried his hand at different jobs: bank clerk, farm hand, crew member aboard a trading ship which sailed from New York to Liverpool, elementary school teacher, before he eventually, in 1841, signed on as a seaman aboard the whaling ship Acushnet . In 1842, he deserted his ship in the Marquesa Islands, found passage for Tahiti and Hawaï, where, the following year, he enlisted in the navy and returned to America aboard the frigate United Sates . In October 1844, he was discharged from the navy in Boston. His first two books, Typee (1846) and Omoo (1847), based on his adventures in the South Pacific, made him immediately famous. A more ambitious work, the allegorical novel Mardi (1849), was a failure. In order to regain his popularity, Melville published two other novels based on his sea adventures, Redburn (1849), inspired by his 1839 crossing to Liverpool, and White-Jacket (1850), by his service aboard a U.S. Navy frigate. Melville had married in 1847. After a trip to Europe (1849-1850), he returned to New York where he began to work on a major novel, Moby-Dick , in which he made use of his experience aboard the whaling vessel Acushnet .
    [Show full text]