Marguerite Porete, Source of Meister Eckhart's Teaching
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The Beguine, the Angel, and the Inquisitor: the Trials of Marguerite
Field-00FM_Layout 1 2/21/12 7:41 PM Page iii The BEGUINE, The ANGEL, and the INQUISITOR The Trials of Marguerite Porete and Guiard of Cressonessart SEAN L. FIELD University of Notre Dame Press Notre Dame, Indiana © 2012 University of Notre Dame Field-00intro_Layout 1 2/3/12 1:27 PM Page 1 Introduction Modern and Medieval Contexts On 31 May 1310, at the Place de Grève in Paris, the Dominican inquisi- tor William of Paris read out a sentence that declared Marguerite “called Porete” to be a relapsed heretic, released her to secular authority for punishment, and ordered that all copies of a book she had written be confiscated. William next consigned Marguerite’s would-be supporter, Guiard of Cressonessart, to perpetual imprisonment. Guiard was not an author, but rather what might be termed an apocalyptic activist, charged in his own mind with an angelic mission to defend the true adherents of the Lord—including Marguerite—as the time of Anti - christ grew near. The inquisitor’s sentences also sketched the bare out- lines of Marguerite’s and Guiard’s stories. Marguerite had earlier been detained by a bishop of Cambrai, her book had been burned at that time, and she had been released with a warning never again to write or speak about the ideas contained there. She chose to ignore this order, however, and communicated her book to others, including a neighbor- ing bishop. This audacity landed her before an inquisitor and the next bishop of Cambrai, and eventually led to her incarceration under Wil - liam of Paris’s jurisdiction by fall 1308. -
Andrea-Bianka Znorovszky
10.14754/CEU.2016.06 Doctoral Dissertation Between Mary and Christ: Depicting Cross-Dressed Saints in the Middle Ages (c. 1200-1600) By: Andrea-Bianka Znorovszky Supervisor(s): Gerhard Jaritz Marianne Sághy Submitted to the Medieval Studies Department, and the Doctoral School of History (HUNG doctoral degree) Central European University, Budapest of in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, and for the degree of Doctor of Philosophy in History(HUNG doctoral degree) CEU eTD Collection Budapest, Hungary 2016 10.14754/CEU.2016.06 I, the undersigned, Andrea-Bianka Znorovszky, candidate for the PhD degree in Medieval Studies, declare herewith that the present dissertation is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. I declare that no unidentified and illegitimate use was made of the work of others, and no part of the thesis infringes on any person’s or institution’s copyright. I also declare that no part of the thesis has been submitted in this form to any other institution of higher education for an academic degree. Budapest, 07 June 2016. __________________________ Signature CEU eTD Collection i 10.14754/CEU.2016.06 ACKNOWLEDGEMENTS In the dawn, after a long, perilous journey, when, finally, the pilgrim got out from the maze and reached the Holy Land, s(he) is still wondering on the miraculous surviving from beasts, dragons, and other creatures of the desert who tried to stop its travel. Looking back, I realize that during this entire journey I was not alone, but others decided to join me and, thus, their wisdom enriched my foolishness. -
The Gospel According to Margaret . . . Winfried Corduan
JETS 35/4 (December 1992) 515-530 THE GOSPEL ACCORDING TO MARGARET WINFRIED CORDUAN* In 1310, before an emotional crowd in Paris, Margaret Porette was burned at the stake. She had been charged with and convicted of being a relapsed heretic. Specifically she had authored a book that, according to high ecclesiastical authorities, had been determined to be full of errors and false teaching. Even though the book was burned she disseminated it further. Her execution drew many spectators, possibly including Meister Eckhart, who had yet to reach the peak of his popularity. There is good reason to believe that the book in question was The Mirror of Simple Souls.1 The point of this article is to call attention to the contribution made by Margaret Porette. Of necessity this task involves primarily addressing the question of the orthodoxy of the Mirror. I am going to make the following case: Margaret's views were such that by the standards of the day it is not surprising that the inquisition would find her guilty. But beyond those strictures Margaret made a lasting contribution to Christian spirituality that eventually may have been one factor in the coming of the Reforma- tion. To that extent, calling attention to her thought is also to commend her thought to Christendom at large. I. ESSENTIAL BACKGROUND When it comes to identifying her biographical facts, Margaret fares no better than most medieval figures. In addition to the various spellings of * Winfried Corduan is professor of philosophy and religion at Taylor University, Upland, IN 46989. 1 Margaret Porette [note numerous spelling variations, e.g. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Tauler Reception in Religious Lyric the (Pseudo)-Tauler Cantilenae
ALMUT SUERBAUM Tauler reception in religious lyric The (pseudo)-Tauler cantilenae Views on authorship differ with each historical period: modern editions collect works under the name of an author, yet for medieval collections of sermons, authorship is often not an important category.1 Even where medieval manus- cripts transmit groups of sermons under the name of an author, these texts rarely contain self-referential statements, and Tauler, unlike Eckhart, never refers to himself in his sermons by name.2 For modern editions, one of the principal tasks is therefore to separate authentic Tauler from texts travelling under his name, and decisions of modern editors and scholars about what is authentic differ considerably from those of earlier periods. Every century, or so it seems, has had its own Tauler. For modern readers, Tauler is the author of sermons whose thoughts influenced a wide range of people from different social spheres, both within convents and amongst lay people. For earlier peri- ods, his oeuvre also comprised other literary genres; the early Tauler print of Petrus Canisius (Cologne 1543), for example, includes not just sermons, but also letters, tracts, legends, and songs.3 The latter group of texts is of particular interest for this paper, which will address the so-called Tauler cantilenae. These consist of a group of religious songs, often containing elements of mystical theology. Where they have been studied at all, the only question asked is usu- ally whether they are genuine Tauler texts; and since there are good reasons for doubting that,4 they have usually been dismissed as both inauthentic and 1 On genre conventions of medieval sermon collections, see Regina D. -
Directions in Contemporary Literature CONTENTS to the Reader Ix PHILO M
Directions in Contemporary Literature CONTENTS To The Reader ix PHILO M. JR. BUCK 1. Introduction Fear 3 2. The Sacrifice for Beauty George Santayana 15 Professor of Comparative Literature, University of Wisconsin 3. A Return to Nature Gerhart Hauptmann 37 4. The Eternal Adolescent André Gide 59 OXFORD UNIVERSITY PRESS · New York 5. Futility in Masquerade Luigi Pirandello 79 6. The Waters Under the Earth Marcel Proust 101 (iii) 7. The New Tragedy Eugene O'Neill 125 8. The Conscience of India Rabindranath Tagore (vii) 149 COPYRIGHT 1942 BY OXFORD UNIVERSITY PRESS, 9. Sight to the Blind Aldous Huxley 169 NEW YORK, INC. 10. Go to the Ant Jules Romains 193 PRINTED IN THE UNITED STATES OF AMERICA 11. The Idol of the Tribe Mein Kampf 219 12. The Marxian Formula Mikhail Sholokhov 239 (iv) 13. Faith of Our Fathers T. S. Eliot 261 14. The Promise and Blessing Thomas Mann 291 ACKNOWLEDGMENTS A WORD must be said of appreciation to those who have aided me in this study. I would name 15. Till Hope Creates Conclusion 315 them, but they are too numerous. There are those who are associated with me in my academic A Suggested Bibliography 337 interests, and those who in one place or another have watched the genesis of the ideas that have Index (viii) 349 gone into these chapters. I must also acknowledge the aid I have received from the current translations of some of the authors, especially Mann and Proust and Sholokhov. In most of the other places the translations are my own. A word about the titles of foreign books: when the English titles are well known I have used them without giving the originals. -
Marguerite Porete and the Annihilation of an Identity in Medieval and Modern Representations – a Reassessment
CORE Metadata, citation and similar papers at core.ac.uk Provided by Sydney eScholarship “The World on the End of a Reed”: Marguerite Porete and the annihilation of an identity in medieval and modern representations – a reassessment. Francesca Caroline Bussey A thesis submitted in total fulfilment of the requirements of Doctor of Philosophy December 2007 School of Philosophical and Historical Inquiry Department of History University of Sydney Abstract This thesis presents a new assessment of the identity and historical significance of Marguerite Porete, burned for heresy in Paris in 1310, and reconnects her to a vigorous, lay, discourse community that threatened the authority of the later medieval church. The thesis argues that a bilateral annihilation of Porete as an historical subject has been brought about by medieval and modern representations, and that this has served to obscure the presence of a subaltern religious discourse in the period. The historiography of Porete has followed distinctive stages of development that reflect, and are affected by, concurrent advances in the study of medieval female religious participation. This interplay has led to the development of a particularly influential hermeneutics that serves to exclude Porete from her contemporaries. Analysis of documentation issuing from Porete‟s condemnation has similarly been influenced by hermeneutic issues that manipulate the ways in which Porete is perceived as an identity. This thesis challenges dominant representations of Porete in the scholarship and argues that Porete‟s identity and discourse reflect a particularly vigorous, fluid and cross-discoursed lay engagement with religiosity that has roots in the precocious socio-religious environment of the Southern Low Countries. -
Marguerite Porete in the Context of Female Religiosity and the Heresy of the Free Spirit
Marguerite Porete in the Context of Female Religiosity and the Heresy of the Free Spirit Jan Jorritsma History 196Y: Saints and Holiness Cynthia Polecritti 1 On April 11, 1310, twenty-one theologians from the University of Paris met to condemn the work of a solitary beguine, known in the trial record known only as Marguerite Porete.1 Such a gathering of scholars was unprecedented for an inquisitorial proceeding at that time especially for proceedings against a laywoman. The trial gathered the attention of several chroniclers who “ recorded Marguerite’s death… as among the most noteworthy events of 1310.”2 The beguine was accused of a litany of heresies of which only three survive including the accusations antinomianism and self-deification.3 Still more surprising, it was revealed in the trial that three clerical authorities had already verified Marguerite Porete’s questionable work, The Mirror of Simple Souls, as orthodox.4 Among them was Godfrey of Fountains, described by Robert E. Lerner, in his book The Heresy of the Free Spirit as “one of the most important scholastic philosophers at the University of Paris from 1285-1306.”5Nonetheless, after the confusion of the trial, Mirror of Simple Souls was declared “heretical and erroneous and containing heresy and errors.”6 By May 1310 Marguerite Porete had been sentenced to be burned at the stake.7 Still, The Mirror of Simple Souls managed to survive the condemnation, and continued to be copied and preserved throughout the Middle Ages, with four copies surviving into the modern period.8 Marguerite Porete herself also managed to escape anonymity: since her authorship of The Mirror of Simple Souls was established in the 1940’s there has been considerable scholarly work about her life, and the context of her 1 Sean L. -
Proverbs Lesson 1
PROVERBS LESSON 1 The book of proverbs has been known as the book of wisdom from the very beginning. Most of the writing of Proverbs has been credited to the pen of Solomon. God has given Solomon the wisdom to rule his people fairly. Proverbs is actually a book of instructions on how to live a life pleasing to God and how to be more peaceful with all of mankind. It is a wonderful book for people of all ages to study how to live moral, peaceful lives. The purpose of the book is for moral instructions on everyday living. The main topic is the fear of the Lord. In fact the "Fear of the Lord" is mentioned fourteen times. Solomon's instructions were very good. He would have been better off if he had heeded his own instructions. Solomon, in his later life strayed from his own teaching. A "proverb" is a wise saying. It is similar to a parable in fact it bears a hidden message. Proverbs 1:1 "The proverbs of Solomon the son of David, king of Israel;" We see that these wise sayings are of Solomon, who is the second son of David and Bathsheba. David and Solomon were each king of Israel for forty years. Proverbs 1:2 "To know wisdom and instruction; to perceive the words of understanding;" Proverbs 1:3 "To receive the instruction of wisdom, justice, and judgment, and equity;" Proverbs 1:4 "To give subtilty to the simple, to the young man knowledge and discretion." "Wisdom" is the ultimate goal, so we see it mentioned here. -
Lumen Gloriae and Visio Dei in the Works of Dante Alighieri and Marguerite Dicta Porete
Pablo GARCÍA ACOSTA, Follow the Light: Lumen gloriae and visio Dei in the works of Dante Alighieri and Marguerite dicta Porete Follow the Light: Lumen Gloriae and Visio Dei in the Works of Dante Alighieri and Marguerite dicta Porete Sigue la luz: Lumen gloriae y visio Dei en las obras de Dante Alighieri y Marguerite dicta Porete1 Pablo GARCÍA ACOSTA Universitat Autònoma de Barcelona [email protected] Recibido: 10/10/2014 Aprobado: 12/11/2014 Abstract: In this article we compare the language of light used by Dante Alighieri with the one used by his “heretical” contemporary Marguerite dicta Porete (†1310) to express the final contact- vision of God. We will analyze both authors’ use of the images of light, of the gradual ascent and of the knot, placing their books in the context of the theological doctrines concerning the visio Dei in the 14th century. This will allow us to posit the authors’ shared eschatological background based on the conception of God as a visible being who radiates his love and knowledge through the created universe. In conclusion, we will discuss the visual and narrative strategies these authors employed in order to express a relationship with the divine, focusing on the historical heterodox implications of the Commedia and the Mirouer. Key Words: Dante Alighieri, Divina Commedia, Marguerite Porete, Mirouer des simples ames, medieval eschatology, lumen gloriae. Resumen: En este artículo comparamos el lenguaje de la luz utlizado por Dante Alighieri con aquel de su contemporánea Marguerite dicta Porete (†1310) para expresar la visión final de Dios. Para ello, analizaremos el uso que ambos hacen del imaginario lumínico, del ascenso graduado y del nudo, poniendo sus obras en el contexto de las discusiones teológicas sobre la visio Dei en el siglo XIV. -
The Unforgiving Margin in the Fiction of Christopher Isherwood
The Unforgiving Margin in the Fiction of Christopher Isherwood Paul Michael McNeil Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 Copyright 2011 Paul Michael McNeil All rights reserved ABSTRACT The Unforgiving Margin in the Fiction of Christopher Isherwood Paul Michael McNeil Rebellion and repudiation of the mainstream recur as motifs throughout Christopher Isherwood‟s novels and life, dating back to his early experience of the death of his father and continuing through to the end of his own life with his vituperative rant against the heterosexual majority. Threatened by the accepted, by the traditional, by the past, Isherwood and his characters escape to the margin, hoping to find there people who share alternative values and ways of living that might ultimately prove more meaningful and enlightened than those they leave behind in the mainstream. In so doing, they both discover that the margin is a complicated place that is more often menacing than redemptive. Consistently, Isherwood‟s fiction looks at margins and the impulse to flee from the mainstream in search of a marginal alternative. On the one hand, these alternative spaces are thought to be redemptive, thought to liberate and nourish. Isherwood reveals that they do neither. To explore this theme, the dissertation focuses on three novels, The Berlin Stories (The Last of Mr. Norris and Goodbye to Berlin), A Meeting by the River, and A Single Man, because ach of these novels corresponds to marginal journeys of Isherwood— namely, his sexual and creative exile in Berlin from 1929 to 1933, his embrace of Hindu philosophy, and his life as a homosexual. -
HOW SOUND CINEMA ARRIVED in ECUADOR: Case Study of Quito in the Late 1920S and Early 1930S
HOW SOUND CINEMA ARRIVED IN ECUADOR: Case Study of Quito in the Late 1920s and Early 1930s Bolivia Erazo TURUN YLIOPISTON JULKAISUJA – ANNALES UNIVERSITATIS TURKUENSIS SARJA - SER. B OSA - TOM. 468 | HUMANIORA | TURKU 2018 HOW SOUND CINEMA ARRIVED IN ECUADOR: Case Study of Quito in the Late 1920s and Early 1930s Bolivia Erazo TURUN YLIOPISTON JULKAISUJA – ANNALES UNIVERSITATIS TURKUENSIS SARJA - SER. B OSA - TOM. 468 | HUMANIORA | TURKU 2018 30971293_Thesis_book_Bolivia_Erazo_Humanistinen_tdk_sisus_20_12_2018_2.indd 1 20.12.2018 12.37 ,University of Turku Faculty of Humanities School of History, Culture and Arts Studies Cultural History Janus Hall January 12, 2019 12:00 Supervised by Hannu Salmi, Ph.D. Marjo Kaartinen, Ph.D. Academy Professor Professor of Cultural History Professor of Cultural History Head of the School of History, University of Turku, Finland Culture and Arts Studies University of Turku, Finland Reviewed by Kimmo Laine, Ph.D. Jukka Kortti, Ph.D. Docent Docent Cinema Studies Department of Political and University of Oulu, Finland Economic Studies University of Helsinki, Finland Opponent Kimmo Laine, Ph.D. Docent Cinema Studies University of Oulu, Finland The originality of this publication has been checked in accordance with the University of Turku quality assurance system using the Turnitin Originali- tyCheck service. ISBN 978-951-29-7536-5 (PRINT) ISBN 978-951-29-7537-2 (PDF) ISSN 0082-6987 (Print) ISSN 2343-3191 (Online) Grano Oy - Turku, Finland 2018 30971293_Thesis_book_Bolivia_Erazo_Humanistinen_tdk_sisus_20_12_2018_2.indd 2 20.12.2018 12.37 To Seppo, Eliel and Rodrigo (+) 30971293_Thesis_book_Bolivia_Erazo_Humanistinen_tdk_sisus_20_12_2018_2.indd 3 20.12.2018 12.37 4 Acknowledgements There are many people I would like to thank but there is not enough space to do it in just one page, that is why I would like to send a warm general thanks to everyone who has contributed time to my research.