2020 "Būvkultūra"

Total Page:16

File Type:pdf, Size:1020Kb

2020 BŪVKULTŪRA BAUKULTUR 2020 3 LV ENG 4 SATURA THE LIST RĀDĪTĀJS OF CONTENTS BŪVKULTŪRA 5 6 BAUKULTUR KURZEME KURZEME RŪMENES MUIŽA 11 12 THE RŪMENE MANOR MĀKSLINIEKU DARBNĪCU UN REZIDENČU ARTIST RESIDENCY CENTRS “SERDE” AIZPUTĒ 15 16 AND WORKSHOP CENTRE SERDE KULDĪGA 19 20 KULDĪGA PĀVILOSTAS PILSĒTBŪVNIECISKAIS RISINĀJUMS 23 24 THE URBAN CONSTRUCTION SOLUTION OF PĀVILOSTA APRIĶU EVANĢĒLISKI LUTERISKĀ BAZNĪCA 27 28 THE APRIĶI LUTHERAN CHURCH 8 MELNIE PIE VENTAS 31 32 8 BLACKS AT THE RIVER VENTA “KALDERU” MĀJA JŪRKALNĒ 35 36 THE KALDERI HOMESTEAD IN JŪRKALNE SALDUS MŪZIKAS UN MĀKSLAS SKOLA 39 40 THE SALDUS SCHOOL OF MUSIC AND ART LIEPĀJAS VALSTS 1. ĢIMNĀZIJA 43 44 THE LIEPĀJA STATE GYMNASIUM NO 1 OSTAS IELAS PROMENĀDE VENTSPILĪ 47 48 THE OSTAS STREET PROMENADE IN VENTSPILS LATGALE LATGALE DAUGAVPILS CIETOKSNIS 53 54 THE DAUGAVPILS FORTRESS RĒZEKNES ZAĻĀ SINAGOGA 57 58 THE RĒZEKNE GREEN SYNAGOGUE DAUGAVPILS VIENĪBAS NAMS 61 62 THE UNITY HOUSE RĪGA RIGA HANZAS PERONS 67 68 THE HANSA PLATFORM KALNCIEMA IELAS ANSAMBLIS 71 72 ARCHITECTURAL ENSEMBLE OF KALNCIEMA STREET ĶĪPSALAS KOKA ĒKU KOLEKCIJA 75 76 COLLECTION OF WOODEN BUILDINGS IN ĶĪPSALA ĒKA VECRĪGĀ SKĀŖNU IELĀ 11 79 80 THE BUILDING ON SKĀRŅU STREET 11 BERGA BAZĀRS 83 84 THE BERGS BAZAAR TORŅAKALNA LUTERA BAZNĪCAS DRAUDZES NAMS 87 88 THE TORŅAKALNS CHURCH DAILES TEĀTRIS 91 92 THE DAILES THEATRE “TRĪS BRĀĻI” 95 96 THE THREE BROTHERS RĪGAS DIZAINA UN MĀKSLAS VIDUSSKOLA 99 100 THE RIGA SCHOOL OF DESIGN AND ART VIDZEME VIDZEME CĒSIS 105 106 CĒSIS LĪGATNES PAPĪRFABRIKAS CIEMATS 109 110 THE LĪGATNE PAPERMILL VILLAGE ĒRMAŅU MUIŽA 113 114 THE ĒRMAŅI MANOR OLERU MUIŽA 117 118 THE OLERI MANOR SALACGRĪVAS TOP! VEIKALS 121 122 TOP! STORE IN SALACGRĪVA ĶURMJI 125 126 ĶURMJI ZEMGALE ZEMGALE DOBELES MŪZIKAS SKOLA 131 132 THE DOBELE SCHOOL OF MUSIC BRUKNA 135 136 THE BRUKNA MANOR JELGAVAS VALSTS ĢIMNĀZIJA 139 140 THE JELGAVA STATE GYMNASIUM 5 LV ENG 6 BŪVKULTŪRA BAUKULTUR DR. ARCH JURIS DAMBIS DR. ARCH JURIS DAMBIS NACIONĀLĀS KULTŪRAS MANTOJUMA PĀRVALDES VADĪTĀJS DIRECTOR OF THE NATIONAL HERITAGE BOARD Eiropa ir īpaša vieta pasaulē, kur visaugstākajā koncentrācijas pakāpē sastopams Europe is a special place in the world where an outstanding built heritage can be izcils būvētais mantojums. To pierāda UNESCO pasaules mantojuma saraksta found at the highest level of concentration. This is proven by the UNESCO World objektu atspoguļojums kartē un tūrisma galamērķi, uz kuriem dodas miljoniem Heritage sites on the map, as well as by tourist destinations visited by millions cilvēku, meklējot sajūtas, kultūras mantojuma īpašās vērtības un noskaņas of people who seek emotions, special values of cultural heritage, and radiant starojumu. Eiropa pārsteidz visu pasauli ar apbrīnojamiem pilsētbūvniecības atmosphere. Europe is striking the entire world with amazing masterpieces of šedevriem, baznīcām, muižām, pilīm, dārziem, parkiem, teātriem, senām indus- urban construction, churches, manors, castles, gardens, parks, theatres and triālām būvēm. Eiropā ir meklējami profesionālās arhitektūras pirmsākumi, kas ancient industrial structures. The origins of professional architecture emerged gadsimtiem ilgi noteikuši arhitektūras tendences. Tomēr mūsu pragmatiskajā in Europe dictating architectural trends for many centuries. In our pragmatic laikmetā arvien vairāk vērojamas būtiskas pārmaiņas Eiropas būvētajā vidē, era, however, we are increasingly experiencing fundamental changes in the built atpaliekot no iepriekš sasniegtās kvalitātes. environment of Europe, lagging behind the quality that was achieved in the past. Vide, kurā mēs dzīvojam, strauji mainās. Ainava pārvēršas, iegūstot jaunus vaib- The environment we live in is rapidly changing. Landscapes are being transformed stus, tiek noārdītas vecās apbūves teritorijas un veidotas jaunas. Būvēto manto- with new elements. The old buildings are being torn down, and new ones are jumu apdraud pati būvniecība. Vēsturiskai apbūvei arvien vairāk piekļaujas jaunā being erected instead. The built heritage is threatened by the construction itself. apbūve, kas ar pārspīlētu mērogu un tieksmi izrādīties neļauj elpot vēsturiskajiem Historical buildings are increasingly subjected to new ones, which have exaggerated šedevriem. Dažkārt liekas, ka jaunā apbūve grib atņemt un baudīt arhitektūras proportions and a tendency to show off suffocating the historical masterpieces. mantojuma vairāku gadsimtu laikā nopelnīto uzmanību. Jaunās apbūves teri- Sometimes it seems that the new buildings want to steal and enjoy the attention torijas tik bieži tiek radītas bez estētiskajām kvalitātēm – bez dvēseles. Vārds that has been earned by the architectural heritage over the course of the past “skaistums” ir zaudēts. Mūsdienu būvindustrija diktē telpiskās vides attīstības few centuries. The territories of new construction are very often created without spēles noteikumus, un sociālekonomisko risinājumu pamatojumos dažkārt vēro- aesthetic qualities and soul. The word ‘beauty’ has lost its meaning. The construction jama liela aizraušanās ar teorētisku un populāru frāžu mētāšanos. Sistēma, kas industry today dictates the rules of the game when it comes to the development visaptveroši varētu stāties pretī telpiskās vides kvalitātes noplicināšanai, ir vāja. of the spatial environment, and socioeconomic solutions sometimes are justified Kurp mēs esam aizgājuši? with random theoretical and popular phrases. The system that could stand against the degradation of the quality of the spatial environment is weak. Where have we Ir tikai viena iespēja – atgriezties pie kultūras. Kultūra var sekmēt un veicināt gone wrong? ekonomisko, sociālo un vides ilgtspēju daudz efektīvāk nekā ekonomika un būvindustrija pat ar visveiksmīgāko teorijas un procesa vadību. Kultūra var kļūt There is just one opportunity here – to return to culture. Culture can facilitate and par būvniecības attīstības politikas stūrakmeni. Te īpaši izceļams būvkultūras encourage economic, social and environmental sustainability far more effectively koncepts, kas pieņemts 2018. gadā Davosas deklarācijā. Būvkultūra aptver than economy and the construction industry, even with the most successful ikvie nu cilvēka darbību, kas pārveido būvēto vidi. Tā attiecas uz esošām ēkām, kā theories and process management. Culture can become a cornerstone of a arī jaunu ēku, infrastruktūras, publisko un privāto teritoriju un ainavu projektēšanu construction development policy. The concept of construction culture adopted un izbūvi. Ir pieteikta jauna pieeja būvētās vides veidošanai, kas balstās kultūrā, in the 2018 Davos Declaration must be particularly emphasised. Baukultur vairo sociālo saliedētību, nodrošina vides ilgtspēju un sniedz ieguldījumu visas refers to every human activity that transforms the built environment. It refers sabiedrības labklājībā. Būvētās vides ērts lietojums, estētika, saikne ar dabisko to existing buildings, as well as the design and construction of new buildings, vidi, telpiskā saskaņotība, mērogs, materiālu izvēle būtiski ietekmē cilvēka dzīves infrastructure, public and private areas, and landscapes. A new approach to kvalitāti. Vietas izjūta, iespēja cilvēkam identificēties ar savu dzīves telpu sekmē building a culture-based environment has been announced; it facilitates social iekļaujošu un saliedētu sabiedrību ar stiprinātu pilsonisku apziņu. Būvkultūras consolidation and environmental sustainability, and contributes to the wellbeing koncepts ir cieši saistīts ar ilgtspējīgas attīstības jēdzienu, kas definēts ANO of society. Comfortable use of the built environment, its aesthetics, connection 7 LV ENG 8 Pasaules Vides un attīstības komisijas ziņojumā “Mūsu kopējā nākotne” 1987. with the natural environment, spatial harmony, scale and material selection have gadā un kopš 1992. gada tiek aktīvi lietots. Ilgtspējīga attīstība nodrošina šodie- a significant impact on the quality of human life. A sense of place, an opportunity nas vajadzību apmierināšanu, neradot draudus nākamo paaudžu vajadzībām. for a person to identify with his or her living space encourages an inclusive and To raksturo trīs savstarpēji saistītas dimensijas – vides, ekonomiskā un sociālā. consolidated society with a strengthened civil consciousness. The concept of Būvkultūras koncepts atbildībā pret nākotni ievieš savstarpēju un laikmetus vieno- Baukultur is closely linked to the concept of sustainable development as defined jošu kultūras dimensiju, uzsverot kvalitāti nevis kvantitāti. Kvadrātmetru un kubik- in the 1987 report of the United Nations World Commission on Environment metru domāšana jānomaina ar vietas kvalitātes un identitātes domāšanu. Mums and Development entitled Our Common Future. It has been actively used since arvien vairāk jādomā par to, ko, kur, kā un kad būvēt. Aktuālāks kļūs atbildīgs 1992. Sustainable development ensures that today’s needs are met without zemes lietojums, būves vajadzība, kalpošanas mūžs, ieguldījumi, lietošanas creating a threat to the needs of future generations. It is characterised by izmaksas, pēc iespējas cenšoties izmantot jau uzbūvēto. Tomēr dažkārt vide three mutually linked dimensions – environmental, economic and social. The ir jāattīra no nepiemērotas apbūves, jāļauj tai elpot. Teorijām jābūt izsvērtām, concept of Baukultur, in its responsibility for the future, introduces a cultural konkrētos apstākļos adaptētām. Katra vieta vispirms ir paredzēta cilvēkiem, kas dimension that builds a bridge from one era to another, emphasising quality rather tur dzīvo. Zaļa vide – tas var būt tikai sauklis. Mobilitāte
Recommended publications
  • EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL of CULTURE Juriskalniņš / Fotocentrs
    ENG EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL OF CULTURE Juris Kalniņš / Fotocentrs. Bird’s-eye view of Rīga Experience the Force Majeure of Culture! Rīga takes its visitors by surprise with its will introduce you to the most extensive and most Umeå 2014 external beauty as well as its rich world of interiors. significant activities of the European Capital of If you have never been to Rīga before, now is the Culture programme – and remember, whichever of time to experience the pleasure of discovering the them you choose to attend, be open-minded and diversity of Latvia’s capital city. Ancient and at the prepared to experience the unexpected! same time youthful, European and multicultural, today’s Rīga is the place to recharge your cultural Diāna Čivle, batteries. Head of the Rīga 2014 Foundation Rīga 2014 After you get to know the medieval streets of the Old Town, the Art Nouveau heritage and the shabby chic of the creative quarters, let us surprise you Kosice 2013 once more – this time with the saturated content Welcome to Maribor 2012 of Rīga’s cultural events calendar for the whole of Marseille 2013 2014. EsplanādE 2014! It is the surprising, the unexpected and even the Guimarães 2012 provocative that underpin the Force Majeure cultural The end of June will see a new building rise in programme of the European Capital of Culture. It the very heart of Rīga, between the Nativity of is the creative power that cannot be foreseen or Christ Orthodox Cathedral and the monument to planned beforehand. The miracle happens and the poet Rainis in the Esplanāde Park.
    [Show full text]
  • Riga's Style in the Banking Busine
    AIZKRAUKLES BANKA OFFERS YOU A NEW MEANS OF COMMUNICATION 003717 775555 AB.LV 7-77-55-55 ANNUAL REPORT 2005 25 FACTS AND NUMBERS A TRUE BANKER TO BE THE BEST MY RIGA RIGA GUIDE THE ISSUE OF THE HOME The Central Theme RIGA’S STYLE IN THE BANKING BUSINESS contents MY RIGA 02 Marija Naumova, Agnese Zeltiña, Mårtiña Rîtiñß, and Alvis Hermanis on Riga, its singularity, and their feelings on it. LETTER FROM THE EDITOR 03 The question of choice and new searches in the bank’s activi- ties. NEW IN 2005 04 Behind these events – Aizkraukles Banka and people, a brief review of our accomplishments. RIGA’S STYLE IN THE BANKING BUSINESS 06 AB.LV’s chairman of the board Ernests Bernis’ reflections on the bank’s current and future values. TO BE THE BEST 10 They have achieved the title, The Best. Coincidence of circum- stances, a great honour or a feeling of great responsibility? P.S. 13 AB.LV co-owner O¬egs Fi¬s knows the formula of success for a modern company. GUIDE 14 Our necklace – from the “pearls” of Riga tourism. Try it on for yourself! THE ISSUE OF THE HOME We will help you build a house and make it modern, striking 16 and homely. AB.LV’s portfolio of credit products and the advice of experts and designers are at your disposal. SUPPORT 20 Social responsibility – an integral part of any serious business’s reputation. About significant projects supported by the bank in 2005. FACTS AND FIGURES * 22 And once again about our accomplishments – laconically and graphically! For lovers of statistics, and not only WHAT DOES IT MEAN TO BE A TRUE BANKER? 24 AB.LV’s best employees paint a written portrait of the modern * Stability.
    [Show full text]
  • Specifically Latvian Vol. 2
    Specifically Latvian Vol. 2 Mārupīte, director Valters Sīlis A publication of Latvian Theatre Since the first Latvian Theatre Showcase held in 2003, things The nature of theatre as a whole also transforms as it finds Showcase 2013 here have notably changed. Most visibly, a new generation ways of breaking out of its frames of politeness, traditional of artists – directors, set designers, dramaturgs, and aesthetics and conservative taste. Younger directors no choreographers – have entered the scene, which, in terms longer evade harsh and potentially provocative themes, of the artistic energy introduced, matches their counterparts historically complicated situations or political issues, but, of the faraway 1990s (Viesturs Kairišs, Gatis Šmits, as opposed their predecessors who entered the stage in Dž. Dž. Džilindžers, and Regnārs Vaivars). In between, the 1990s, they are less audacious and scandalous. This the development in theatre was decent, but without tendency can be observed not only in Riga, but has also groundbreaking events, drastic changes in course or artistic reached theatres in other cities. In this year’s Showcase endeavors, which would resonate with the farthest reaches programme we present theatres from Valmiera and Liepāja of society (with the exception of Alvis Hermanis and his with their powerful productions and the remarkable work ensemble at the New Riga Theatre). The present generation of young actors. of young artists, each a strong personality of their own, It is wonderful to witness these changes and partake have not formed a particular artistic group, yet through in them, and yet all the indicated tendencies are still very collective spirit and mutual support they come across as fragile and uncertain.
    [Show full text]
  • She Survived to Tell Us. So We Would Not Forget. a Film by Viesturs Kairišs, Based on the Book by Melānija Vanaga Veļupes Krastā
    FILM STUDIO SIA MISTRUS MEDIA She survived to tell us. So we would not forget. A film by Viesturs Kairišs, based on the book by Melānija Vanaga Veļupes krastā. Trailer: https://vimeo.com/185318040 IMDB: http://www.imdb.com/title/tt5541426/ www.chroniclesofmelanie.com ABOUT THE FILM The film by the Latvian director Viesturs Kairišs “The Chronicles of Melanie” is the story of writer Melānija Vanaga’s (1905–1997) deportation to Siberia. It is based on Vanaga’s book Veļupes krastā. On 14 June 1941, the Soviet regime deported to Siberia their own. [..] The road to the “happy tomorrow” was paved the elite of Latvian society as well as 7168 women and over with people’s suffering and lives. In the name of some idea, I 2000 children. Melānija Vanaga, her husband and son also was made one of 13 million victims and deprived of the best fell into the dangerous social category and were deported. years of my life, my child had his health and his father his life Vanaga’s autobiographical novel Veļupes krastā is the most taken away from them,” Melānija Vanaga wrote. striking description of these events in Latvian literature. At some point Vanaga estimated that her journey from the “In war people knew what they were fighting for and what Cēsis station to Tiukhtet in Siberia covered 5169 kilometres. they defended. And if they had to give up their lives, they Her journey took almost three weeks. Seventy-five years lat- died with the understanding that their deaths would help er, in June 2016, a unique video of 72 hours documented the others to survive.
    [Show full text]
  • Films from Latvia 2016/2019
    FILMS FROM LATVIA 2017 / 2019 CONTENT 2 FICTIONS 13 FICTIONS COMING SOON FILMS 35 SHORT FICTIONS 50 DOCUMENTARIES 75 DOCUMENTARIES COMING SOON 112 ANIMATION FROM 123 ANIMATION COMING SOON INDEXES 136 English Titles 138 Original Titles LATVIA 140 Directors 142 Production Companies 144 ADDRESSES OF PRODUCTION 2017 / COMPANIES USEFUL ADDRESSES 149 Main Distributors in Latvia 149 Main Film Institutions 150 International Film Festivals and 2019 Events in Latvia FICTIONS THE CHRONICLES OF MELANIE MELĀNIJAS HRONIKA Director Viestur Kairish 120’, Latvia National Premiere 01.11.2016, Riga, Splendid Palace International Premiere 21.11.2016, Tallin Black Nights FF (Estonia) Scriptwriter Viestur Kairish Cinematographer Gints Bērziņš Production Designer Ieva Jurjāne Costume Designers Ieva Jurjāne, Gita Kalvāne Makeup Designer Mari Vaalasranta Original Music Arturs Maskats, Aleksandrs Vaicahovskis, Kārlis Auzāns Sound Directors Aleksandrs Vaicahovskis, Robert Slezák Editor Jussi Rautaniemi The 14th of June 1941, Soviet-occupied Latvia: Without warning, the authorities break into Main Cast Sabine Timoteo, Edvīns Mekšs, the house of Melanie and her husband Aleksandrs and force them to leave everything Ivars Krasts, Guna Zariņa, Maija Doveika, behind. Together with more than 15 000 Latvians, Melanie and her son get deported to Viktor Nemets Siberia. In her fight against cold, famine and cruelty, she only gains new strength through Producers Inese Boka-Grūbe, Gints Grūbe the letters she writes to Aleksandrs, full of hope for a free Latvia and a better tomorrow.
    [Show full text]
  • Yearbook 2014.Pdf
    UDK 061.23:001(474.3)(058) La 801 LATVIAN ACADEMY OF SCIENCES Akadçmijas laukums 1 Tel.: (371) 67225361 Fax: (371) 67821153 Rîga, LV 1050 E-mail: [email protected] Latvia http://www.lza.lv The 2014 Latvian Academy of Sciences (LAS) Yearbook is a follow-up edi- tion — already the fourteenth one under this title. The previous issues reflected the sit- uation in 1991, 1992, 1994, 1995, 1996, 1997, 1998/1999, 2000/2001, 2002/2003, 2004/2005, 2006/2007, 2008/2009, and 2010/2011. The Yearbook 2014 contains basic information on the Academy, including the membership directory, and its workings from the second half-year 2011 through 15 March 2014. This Yearbook also contains overview of scientific research in Latvia, written by the chairpersons of the LAS scientific divisions, information on the major scientific events in Latvia plus brief information on research policy issues in Latvia. The contents of the Yearbook are also available on the Website of the LAS (http://www.lza.lv). See section About Academy/Annual Reports. ISSN 1407-0383 ISBN 978-9984-879-63-5 Ó Latvian Academy of Sciences, 2014 CONTENTS TOPICAL ISSUES FOR YEAR 2014 ......................4 OVERVIEW OF SCIENTIFIC RESEARCH IN LATVIA ..............9 Physical and Technical Sciences in Latvia .................9 Chemical, Biological and Medical Sciences in Latvia ............15 Agriculture and Forestry Sciences in Latvia ................22 Humanities and Social Sciences in Latvia .................32 Top scientific achievements in Latvia, 2011, 2012, 2013 ...........48 Major scientific events
    [Show full text]
  • LATVIA Latvia 171 © Lonelyplanetpublications Expecting Littleandleaveexpecting Overwhelmed, They’Ve Uncovered Certain Long-Buriedtreasure
    © Lonely Planet Publications 171 www.lonelyplanet.com LATVIA •• Highlights 172 HIGHLIGHTS HOW MUCH ? Rīga ( p187 ) Wander cobbled medieval streets, slide past Art-Nouveau flourishes Cup of coffee from 0.50Ls and watch the sun rise over a skyline of Latvia Taxi fare per kilometre 45Ls to 65Ls spires and turrets. Gauja Valley ( p227 ) Get your adrena- Public transport ticket 0.2Ls line rushing by bungee jumping, bob- Bicycle hire (daily) 4.50Ls sleighing or skiing amid this exquisite If you’re yearning to hit Europe’s untrodden jackpot, cash in your chips in Latvia (Latvija). landscape. Sauna per hour 10Ls Still undiscovered by the tourism masses, this sizzling Baltic sexpot is poised to become the Jūrmala ( p220 ) Soak up sun and Baltic Sea continent’s next A-list star. A country in transition, hellbent on shedding its stalwart old- vistas in this boisterous resort area. LONELY PLANET INDEX Liepāja (p261 ) Discover the heart and soul Soviet image, the Latvia of today is vibrant, enigmatic and altogether mesmerising. Refresh- Litre of petrol 0.54Ls of Latvia’s rock ’n’ roll scene in this pro- LATVIA ingly unpretentious, Latvia manages to tantalise even the most jaded traveller. Many arrive gressive city poised to become a major Litre of bottled water 0.50Ls expecting little and leave overwhelmed, certain they’ve uncovered long-buried treasure. Baltic hot spot. 50cl bottle of beer 0.40Ls LATVIA Cape Kolka ( p253 ) Feast on fresh fish, Bustling Rīga, with its pumping nightlife, cobbled streets and marvellous Art-Nouveau gulp mouthfuls of crisp air and savour Souvenir T-shirt 5Ls architecture is one of Eastern Europe’s most fun cities.
    [Show full text]
  • Lietuvos Muzikologija 21.Indd
    Lietuvos muzikologija, t. 21, 2020 Jānis KUDIŅŠ The Rock OperaLāčplēsis (Bearslayer, 1988): Symbolic Meaning in the Historical Change Process and the Cultural Memory of Latvia* Roko opera „Lačplėsis“ („Lāčplēsis“; „Lokiažudys“, 1988): simbolinė reikšmė istorinių įvykių procese ir Latvijos kultūrinėje atmintyje Jāzeps Vītols Latvian Academy of Music, K. Barona Street 1, Riga, Latvia [email protected] Abstract The focus of this article is the rock opera Lāčplēsis (Bearslayer, 1988, text by Māra Zālīte, music by Zigmars Liepiņš), which at the end of the 1980s in Latvia gained both significant artistic as well as political resonance; such significance is still reflected in the cultural memory of society. The article offers the opportunity to gain a deeper familiarity withLāčplēsis as a symbolic hero in Latvian culture prior to the premiere of the rock opera in 1988 and provides an analysis of Lāčplēsis’s creation, the characteristics of the text and music stylistics, its socio-political resonance, and its place in the historical renewal of state independence and democracy. The article also highlights the reception ofLāčplēsis as an historically significant event in Latvian society’s cultural memory of the last 30 years. This study uses multiple research methods: the clarification of past events through primary sources, periodicals and witness testimony, and comparison and overall generalization of facts and interpretations. Keywords: Lāčplēsis (Bearslayer), Latvian history of culture, rock opera, Zigmars Liepiņš, Māra Zālīte, 1988, historical change, cultural memory. Anotacija Straipsnio tema _ roko opera „Lačplėsis“ („Lāčplēsis“ / „Lokiažudys“, 1988, Māros Zālītės tekstas, Zigmaro Liepiņio muzika), kuri devintojo dešimtmečio pabaigoje Latvijoje įgavo reikšmingą ne tik meninį, bet ir politinį rezonansą, vis dar saugomą kultūrinėje visuomenės atmintyje.
    [Show full text]
  • Inese Zandere 1
    Inese Zandere 1. Biographical information on the candidate Inese Zandere Born in Dobele, Latvia, on 15 September 1958. Address: Baldones 4-4, Riga LV-1007 Latvia Phone: +371 29131706 E-mail: [email protected] Education 1976—1981 University of Latvia, Department of Philosophy Work Experience 1981—1987 Editor at the Avots Publishing House 1987—1990 Editor at the Pionieris (later — LaBA) Newspaper for children 1990—1993 Editor at the Diena Newspaper 1993—2011 Editor and Editor-In-Chief at the Rīgas Laiks Magazine From 2004 to date Editor-in-Chief of the liels un mazs publishing house Has worked as a compiler, editor and scriptwriter for the Dienas Grāmata, Neputns, Mansards publishing houses, AtomArt, SKUBA Films studios, etc. Taught the creative writing classes organized by the Rīgas Laiks Magazine (2012). Has compiled the ‘Garā pupa’ (The Tall Beanstalk) yearbook of children’s poems (2014, 2015, 2016). Writer’s Work Has published 5 collections of poems for grownups, over 30 books of poems and prose for children, documentary prose, articles, interviews ans essays in a number of collections. Has written the scripts for the ‘Shammies’ animation series (director Edmunds Jansons, AtomArt Studio), librettos for several musical-dramatic works, created stage versions of literary works and lyrics for song cycles. Public Organization Membership Inese Zandere is a member of a number of public organizations: the Latvian Writers’ Union; the Latvian PEN Club; the Board of IBBY Latvia; AKKA/LAA (Latvian Authors’ Society), etc. Formerly — member of the Board of Latvian Authors’ Society; Board of the Latvian Writers’ Union; Board and Scholarship Board of the Latvian Cultural Foundation; Artistic Board of the XXIV Latvian Song Celebration and XIV Latvian Dance Celebration; Consulting Board for Publishing at the Ministry of Culture of the Republic of Latvia; Extraordinary Advisor to the Minister of Culture for literature.
    [Show full text]
  • Emotional Latvian Bodycitypedia
    EMOTIONAL LATVIAN BODYCITYPEDIA by The Association of the Professional Dance Choreographers of Latvia This project has been funded with support from the European Commission. This publication [communication] reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. 1 | P a g e TABLE OF CONTENTS 1. About EMOTIONAL LATVIAN BODYCITYPEDIA……………………………………….4 2. An introduction………………………………………………………………………………..5 3. The organizations……………………………………………………………………………...6 4. The Association of the Professional Dance Choreographers of Latvia……………………...10 5. Ilze Zīriņa…………………………..………………………………………………………...10 6. Daiga Rutka………………………….…………………………….………………...………10 7. Project partner countries and their symbolic relationship……………………………………11 8. Number of trips taken………………………………………………………………………..12 9. BODY, CITY and PEDIA facts about Latvia……………………………………….……….13 10. E-motional people answer the LATVIAN EMOTIONAL BODYCITYPEDIA questions.....16 11. Emotional analysis of the project E-MOTIONAL bodies & cities official summary…….…21 12. Timetable of Latvian E-motional…………………………………………………………….27 13. Bilateral relationship statistics – facts, numbers and faces………………………………..…30 14. E-Motional Bodies & Cities events in Riga, Latvia (in order of appeareance)……………...34 14.1. Romanian artists in Riga - Madalina Dan and Mihaele Dancs..………………...35 14.2. E- motional – Bodies & Cities open house in Riga……………………………...37 14.3. TIME TO DANCE / E – Motional Bodies & Cities, (ANTI) AGING IN RIGA..38 14.4. TIME TO DANCE / E – Motional Bodies & Cities, guest performances, fellows and mobility grant recievers from United Kingdom, Ireland and Romania...…...……..40 14.5. Liadain Herriott (Ireland) at residency in Riga…………………………….…….45 14.6. Lynnette Moran and Emma O`Kane (Ireland) at resiedncy in Riga…………..…47 14.7. Illusions of Riga, Artistic Research Group 2 in Riga………………………….…49 14.8.
    [Show full text]
  • Riga City Center – Vecāķi DAY 24
    DAY 24 Riga City Center – Vecāķi Riga Old Town – a UNESCO World Heritage site Initially, the itinerary takes you on a small stroll around Riga City Center, Riga Old Town, leads along the City Canal through Kronvalds Park, via Alberta iela (Art Nouveau buildings) and further on via Miera iela through the Lielie kapi Cemetery, via Kokneses and Ostas prospekts through Mežaparks and then it reaches Jaunmīlgrāvis and crosses Mīlgrāvis . Then it meanders along Vecāķu prospekts up to Ziemeļblāzma and the banks of the Old Daugava River (Vecdaugava) separated by only a couple of kilometers from Vecāķi. After a two-day hike through Riga, the Baltic Coastal Hiking Route leads you out to the beach again. 12 11 USEFUL INFORMATION 24 km (separated lanes) throughout Alternatives: Bicycle rental is the entire length. Asphalt, in available in the Riga City Center. some places, cobblestones. You can go from Riga City Cent- 8–10 h er (Skanstes iela) to Vecāķi via Medium a bicycle lane (~ 18 km). Buses Riga Town Hall Square next to and the train runs between Riga the Riga tourism information None. City Center and Vecāķi (stations: center. Zemitāni, Brasa, Sarkandau- gava, Mangaļi, Ziemeļblāzma, Vecāķi beach opposite When on a road for pedes- Vecdaugava, Vecāķi), you can go Pludmales iela trians and cyclists, you have to the Mežaparks neighborhood to stay in the lane meant for by tram (No. 11). Transport Riga Old Town – Miera iela – pedestrians. Be careful when timetables: Mežaparks – Ziemeļblāzma – crossing bicycle lanes, railway Vecdaugava – Vecāķi and tram lines and streets. Good to know! When travelling There are pedestrian in the city, road traffic regula- sidewalks and lanes for tions must be observed.
    [Show full text]
  • The City on the Move 2013
    2013 www.ventspils.lv · www.visitventspils.com VENTSPILS THE CITY ON THE MOVE CONTENTS Useful: 20 15 Events in Ventspils in 2013 Nature Tourism in Ventspils 21 Organizing Conferences 16, 17 and Seminars in Active Recreation Ventspils 22, 23 4–7 18, 19 Tourism Service in Living History Capital of Flowers Ventspils and Fountains 8–13 24, 25 Entertainment and Ventspils County Recreation for Adults and Kids 26–28 14 How to get to Ventspils Recreation by the Baltic Sea for the Whole Family Family and Recreation 3 Friendly City Welcome to Ventspils – the hospitable seaside city, where harbour and Blue Flag beach live in perfect harmony; the city which is proud of its language of Vents, its own flag and even its own currency – vents; the city which always welcomes its guests with an open heart. The festive and joyful atmosphere is always present in Ventspils – this year the Port of Ventspils will celebrate its 750th anniversary, the city itself will turn 723, but in the end of July Ventspils will gather participants of the International Regatta. There is a certain charm in the already traditional values – the cow sculptures, which have grown in number after already two Cow Parades, the Livonian Order Castle, which welcomes the locals and city guests with light, beautiful rooms and a new exposition after the renovation of its 2nd floor, as well as many flower sculptures, now joined by the Flower Cow, Ladybird Family in Pārventa, Basketball and the fourth rabbit in the Rabbit Family. The ancient narrow-gauge train Mazbānītis, which is a full-scale participant of Ventspils transport and in summers takes travellers Facts about Ventspils from the Seaside Park to the Adventure Park; the lively world of games and playing – Children’s Town and Children’s Park Fantasy; City rights since 1378 fountains greeting visitors with water splashes; the white sand Area: 55.4 km2 (including 38% forests, parks, and water) beach living up to the standards of a Blue Flag beach and many Population: ~38,000 other wonderful things and places should also be remembered.
    [Show full text]