Glossary of Architectural Terms
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Entablature Refers to the System of Moldings and Bands Which Lie Horizontally Above Columns, Resting on Their Capitals
An entablature refers to the system of moldings and bands which lie horizontally above columns, resting on their capitals. Considered to be major elements of classical architecture, entablatures are commonly divided into three parts: the architrave, frieze, and cornice. E ntablature by stromberg ARCHITRAVE The architrave is the supporting element, and the lowest of the three main parts of an entablature: the undecorated lintel resting on the columns. FRIEZE The frieze is the plain or decorated horizontal unmolded strip located between the cornice and the architrave. Clay Academy, Dallas, TX Stromberg offers you the freedom to choose. Whether your project requires authentic classical entablature, or a modern look, we will design your entablature to perfectly match your building’s unique style . We have extensive knowledge of all the major classical orders, including Ionic, Doric, and Corinthian, and we can craft columns and entablatures that comply with each order’s specifications. DORIC a continuous sculpted frieze and a The oldest and simplest of these three cornice. CORNICE orders of classical Greek architecture, Its delicate beauty and rich ornamentation typified by heavy, fluted columns with contrast with the stark unembellished The cornice is the upper plain capitals and no base. features of the Doric order. part of an entablature; a decorative molded IONIC CORINTHIAN projection at the top of a This order, considered to be a feminine The most ornate of the three classical wall or window. style, is distinguished by tall slim orders, characterized by a slender fluted columns with flutes resting on molded column having an ornate, bell-shaped bases and crowned by capitals in the capital decorated with acanthus leaves. -
Use of Wood Residue in Making Reconstituted Board Products
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1959 Use of wood residue in making reconstituted board products Suthi Harnsongkram The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Harnsongkram, Suthi, "Use of wood residue in making reconstituted board products" (1959). Graduate Student Theses, Dissertations, & Professional Papers. 3981. https://scholarworks.umt.edu/etd/3981 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE USE OF WOOD RESIDUE IN MAKING RECONSTITUTED BOMD HiODUCTS SUTHI HARNSOMJKRAM B.S.F., Unlveinsity of the Philippines, 1952 Presented in partial fulfillment of the requirements for the degree of Master of Forestry MONTANA STATE UNIVERSITY 1959 Approved Dean, Graduate School I 3 I960 Date UMI Number: EP34193 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT " DlM«litionP«ibWfca ^ UMI EP34193 Copyright 2012 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. -
The Gibbs Range of Classical Porches • the Gibbs Range of Classical Porches •
THE GIBBS RANGE OF CLASSICAL PORCHES • THE GIBBS RANGE OF CLASSICAL PORCHES • Andrew Smith – Senior Buyer C G Fry & Son Ltd. HADDONSTONE is a well-known reputable company and C G Fry & Son, award- winning house builder, has used their cast stone architectural detailing at a number of our South West developments over the last ten years. We erected the GIBBS Classical Porch at Tregunnel Hill in Newquay and use HADDONSTONE because of the consistency, product, price and service. Calder Loth, Senior Architectural Historian, Virginia Department of Historic Resources, USA As an advocate of architectural literacy, it is gratifying to have Haddonstone’s informative brochure defining the basic components of literate classical porches. Hugh Petter’s cogent illustrations and analysis of the porches’ proportional systems make a complex subject easily grasped. A porch celebrates an entrance; it should be well mannered. James Gibbs’s versions of the classical orders are the appropriate choice. They are subtlety beautiful, quintessentially English, and fitting for America. Jeremy Musson, English author, editor and presenter Haddonstone’s new Gibbs range is the result of an imaginative collaboration with architect Hugh Petter and draws on the elegant models provided by James Gibbs, one of the most enterprising design heroes of the Georgian age. The result is a series of Doric and Ionic porches with a subtle variety of treatments which can be carefully adapted to bring elegance and dignity to houses old and new. www.haddonstone.com www.adamarchitecture.com 2 • THE GIBBS RANGE OF CLASSICAL PORCHES • Introduction The GIBBS Range of Classical Porches is designed The GIBBS Range is conceived around the two by Hugh Petter, Director of ADAM Architecture oldest and most widely used Orders - the Doric and and inspired by the Georgian architect James Ionic. -
The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna. -
Read Book Finish Carpentry
FINISH CARPENTRY PDF, EPUB, EBOOK Ted Cushman,Clayton DeKorne | 160 pages | 06 Nov 2003 | Taunton Press Inc | 9781561585366 | English | Connecticut, United States Finish Carpentry PDF Book They must be able to place items evenly and accurately, because they will be visible in the future. SteveAllenOcala December 3, Crown Molding Baseboards Painting. Finish carpenters use a wide variety of tools. Login: Forgot password? Eventually, they are allowed to work on minor finish projects, and as they develop competence, they are assigned to more challenging and complex tasks. Central Florida's Crown Moulding Specialists. For example, the green movement is driving designers and homeowners to bamboo , eucalyptus, and other fast-growth woods for a range of finish carpentry work. We offer complete installation and painting of a variety of interior decorative trim mouldings. This last tool is one of the most important for a finish carpenter to make the angled cuts the job requires. Hand tools are mostly used to cut and fit molding; however, some carpenters use power tools to save time and effort. At Steve Allen construction, we are the experts in finish carpentry. When things don't quite match in rough carpentry, it's acceptable, as long as they are solid. Try This Affordable Option. Finish carpenters typically:. Another large portion of finish carpentry work includes putting up the trim surrounding doors and windows, as well as installing each unit so it is level and operates correctly. Finish carpentry is a physically demanding job, but a rewarding one that offers obvious, fast, and pleasing results. A homeowner can also work with finish carpenters on finishing a new home or remodeling and existing house. -
Decorative Trim Options, Products and Trim, Your Home Will Never Be Without a Ideas Make It Easy
DECOR ATIVE TRIM Vinyl Carpentry® CertainTeed products are designed to work together and complement each other in color and style to give your home a beautiful finished look. POLYMER SHAKES & SHINGLES ROOFING AND VENTILATION FENCE INSULATED SIDING PVC EXTERIOR TRIM & BEADBOARD DECKING AND RAILING VINYL SIDING VINYL CARPENTRY® TRIM HOUSEWRAP Professional: facebook.com/CertainTeedFreedomofChoice youtube.com/CertainTeedCorp Consumer: facebook.com/CertainTeedLivingSpaces youtube.com/CTLivingSpaces ASK ABOUT ALL OF OUR OTHER CERTAINTEED® PRODUCTS AND SYSTEMS: ROOFING • SIDING • TRIM • DECKING • RAILING • FENCE GYPSUM • CEILINGS • INSULATION CertainTeed Corporation Professional: 800-233-8990 Consumer: 800-782-8777 20 Moores Road Malvern, PA 19355 © 01/17 CertainTeed Corporation, Printed in the USA Code No. CTS160 www.certainteed.com … to Stunning! Certa-Snap® Wrap 3-1/2" Cornerpost J-Channel J-Channel with Panorama® Restoration Millwork® Cedar Impressions® Vinyl Carpentry® Vinyl Carpentry Vinyl Carpentry Post Wrap System Aluminum Rake composite railing, Classic Column Wraps Perfection Mitered Cornice Molding and Lineals with Traditional white with steel Cornerpost Restoration Millwork Crown Molding SuperCorner straight balusters, Rake Profile antique bronze Add good taste to your home’s exterior with unbelievable, simple to stunning, drab to finishing touches that create eye-popping, distinctive, basic to incredibly beautiful, From Simple… stop-and-stare curb appeal. CertainTeed CertainTeed assures that with the endless Vinyl Carpentry and Restoration Millwork style and color possibilities of decorative Decorative Trim options, products and trim, your home will never be without a ideas make it easy. From unadorned to personality and style all its own. 2 3 CertainTeed has the most complete siding Accents Cedar Impressions® and Board & Batten accessory line in the industry. -
Cairo Supper Club Building 4015-4017 N
Exhibit A LANDMARK DESIGNATION REPORT Cairo Supper Club Building 4015-4017 N. Sheridan Rd. Final Landmark Recommendation adopted by the Commission on Chicago Landmarks, August 7, 2014 CITY OF CHICAGO Rahm Emanuel, Mayor Department of Planning and Development Andrew J. Mooney, Commissioner The Commission on Chicago Landmarks, whose nine members are appointed by the Mayor and City Council, was established in 1968 by city ordinance. The Commission is re- sponsible for recommending to the City Council which individual buildings, sites, objects, or districts should be designated as Chicago Landmarks, which protects them by law. The landmark designation process begins with a staff study and a preliminary summary of information related to the potential designation criteria. The next step is a preliminary vote by the landmarks commission as to whether the proposed landmark is worthy of consideration. This vote not only initiates the formal designation process, but it places the review of city per- mits for the property under the jurisdiction of the Commission until a final landmark recom- mendation is acted on by the City Council. This Landmark Designation Report is subject to possible revision and amendment dur- ing the designation process. Only language contained within a designation ordinance adopted by the City Council should be regarded as final. 2 CAIRO SUPPER CLUB BUILDING (ORIGINALLY WINSTON BUILDING) 4015-4017 N. SHERIDAN RD. BUILT: 1920 ARCHITECT: PAUL GERHARDT, SR. Located in the Uptown community area, the Cairo Supper Club Building is an unusual building de- signed in the Egyptian Revival architectural style, rarely used for Chicago buildings. This one-story commercial building is clad with multi-colored terra cotta, created by the Northwestern Terra Cotta Company and ornamented with a variety of ancient Egyptian motifs, including lotus-decorated col- umns and a concave “cavetto” cornice with a winged-scarab medallion. -
The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
Moulding Catalog 50 Years of PASSION & QUALITY
’ , . Moulding Catalog 50 years of PASSION & QUALITY A passion for quality and almost 50 years of custom woodworking drives Roy’s Wood Products, RWP, to manufacture some of the best wood products in the industry. Our grandfather Roy Brazell, Sr., after serving in WWII, started building cabinets and other products for local craftsmen and contractors. His son, Roy Brazell, Jr. continued to grow the business by focusing on what the customer needed and working hard for timely delivery. As a result of hard work, attention to quality, and the blessings of our Lord and Savior Jesus Christ, RWP has grown into what it is today. We are looking forward to providing you with the custom cabinet doors, custom mouldings, hardwood flooring or any other products you might find in the pages of this catalog. Thank you for your business. Table of Contents Crown Moulding...........................................................................................................................................................5-17 Cove Crown...................................................................................................................................................................19-28 Doors & Windows .............................................................................................................................................................31 Casings..........................................................................................................................................................................33-43 -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Operator's Manual
OPERATOR’S MANUAL 10 in. Compound Miter Saw TS1345L - Double Insulated 31.6 22.5 22.5 31.6 Your miter saw has been engineered and manufactured to our high standard for dependability, ease of operation, and operator safety. When properly cared for, it will give you years of rugged, trouble-free performance. WARNING: To reduce the risk of injury, the user must read and understand the operator’s manual before using this product. Thank you for your purchase. SAVE THIS MANUAL FOR FUTURE REFERENCE TABLE OF CONTENTS Introduction ..................................................................................................................................................................... 2 Warranty .......................................................................................................................................................................... 2 General Safety Rules ....................................................................................................................................................3-4 Specific Safety Rules ....................................................................................................................................................4-5 Symbols ........................................................................................................................................................................... 6 Electrical ......................................................................................................................................................................... -
Restoration of a Vintage Limestone Portico with Architectural Precast Concrete
PROJECT CASE STUDY Restoration of a Vintage Limestone Portico with Architectural Precast Concrete Presents a case study on the use of architectural precast concrete as a cost-effective approach to restore an historic park facility in Chicago, Illinois. The main entrance portico of the facility was originally constructed with an elaborate limestone beam or entablature, carried by massive limestone columns. The carved limestone architrave (soffit), frieze, and cornice (upper projection) pieces of the entablature were attached to backup brickwork and concealed steel lintel beams with metal anchors. After significant stone damage and movements occurred due to long-term corrosion of embedded steel components, several David B. Tigue, P.E., S.E. limestone soffit pieces were removed from the building for safety. Associate, Senior Project Engineer The restoration design utilized architectural precast concrete with a Raths, Raths & Johnson, Inc. Willowbrook, Illinois formed soffit having the identical proportions, texture and color as the damaged architrave stone pieces, and had structural capacity to replace the existing steel lintel beams. The design provided a unique, cost-effective approach for replacing deteriorated and damaged components, while retaining the original, intricate limestone carvings. he Douglas Park Field House stone pillars supporting an elaborate is one of many vintage facili- limestone beam, or entablature, and a Tties managed by the Chicago roof structure over the entry portico Park District in Chicago, Illinois. Con- (see Fig. 1). The limestone entablature structed in the early 1900s, it is cur- construction consisted of traditional rently listed in the National Registry carved limestone architrave (soffit), Kurt R. Hoigard, P.E. of Historic Buildings.