XI-X'+Ibb. Sa I9I7-I957 Rr. 11Oz Peaaxgmek X Co Bctynxtejibhox Ctatevi B.11

Total Page:16

File Type:pdf, Size:1020Kb

XI-X'+Ibb. Sa I9I7-I957 Rr. 11Oz Peaaxgmek X Co Bctynxtejibhox Ctatevi B.11 DROBISCH (MORITZ WILHELM). --- Empirische Psychologie nach naturwissenschaftlicher Methode. Leipzig, 1842. EE. 12.32. DROBLENKOVA (NADEZHDA FEOKTISTOVNA). --- comp. Bx6jixorpag1)xH CoBeTCXXX pyccxux pa6OT 1-10 JgXTepaType XI-X'+iBB. Sa I9I7-I957 rr. 11oz peAaxgmek x co BCTynXTejiBHox CTaTevi B.11. AApxaH0B0ii- F1epeTu. [Axaz. ?layx C. C. C. P. T,11HCT I'yCC. JiMT. ] A MOCHBa, I96I. Ref. .891709 ; Dro. DROBNIG (ULRICH). --- ed. American-German private international law. 2nd ed. See DOMKE (MARTIN). [American-German private law relations cases 1945-1955•1 DROEGE (GEORG). --- Deutsche Wirtschafts- and Sozialgeschichte. [Deut. Gesch. 13, Ereignisse u. Probleme; Ullstein Buch, Nr. 3855•1 Frankfurt [1972.] .33(43)09 Dro. DROGE (HEINZ). --- MUNCH (FRITZ) and VON PUTTKAMER (ELLINOR). --- Die Bundesrepublik Deutschland and die Vereinten Nationen. Kit einer EinfUhrung von U. Scheuner.[Schr. d. Forschungsinst. d. Deut. Gesell. f. Auswartige Politik, Bd. 23. Munchen, 1966. C.E.G.S. --- The Federal Republic of Germany and the United Nations. Ed. by the Deutsch;Gesellschaft fair Auswartige Politik, with an introd. by U. Scheuner. [Carnegie Endowment for Int. Peace. Nat. Stud. on Int. Organization.] New York, 1967. Law Lib. DROGEMULLER (HANS PETER). --- Syrakus; zur Topographie and Geschichte einer griechischen Stadt. Nit einem Anhang zu Thukydides ... and Livius ... [Gymnasium, Beihft. Hft. 6.1 Heidelberg, 1969• .9(378) Dro. (1""111"1 \U DROBISCH (MORITZ WILHELM). --- Neue Darstellung der Logik nach ihren einfachsten Verhaltnissen, mit Rucksicht auf Mathematik and Naturwissenschaft. Ste Aufl. Hamburg, 1887. .164 Dro. DROBLENKOVA (NADEZHDA FEOKTISTOVNA). --- See LIKHACHEV (DMITRIY SERGEEVICH) and D. (N.F.) DROSCHFR (VITUS B.). --- The magic of the senses; new discoveries in animal perception. Tr. from the German by U. Lehrburger and 0. Coburn. New York, 1969. Zool. Lib. DROGART (G.P.). -- Dissertation sur le typhus. Paris, 1814. qP. 875/4• DROHAN (N.T.). --- and DAY (J.H.). --- Australian economic framework. Melbourne, 19 64• •33(94) Dro. DROIT (Le) des societes au service de l t evolution de l t entreprise. See CONGRES DES NOTAIRES DE FRANCE. 64th, Royan, 1966. Le droit des societes ... DROIT (Le) Maritime Frangais. Supplement a la Revue de Droit Maritime Compare ... See REVUE DE DROIT MARITIME COMPARE. DROIT Penal europeen ... European criminal law. Congres organise les 7, 8 et 9 novembre 1968 par 1 t Institut d l Etudes ?Euro eennes ... [Brussels Univ. Libre, Inst. d'Etud. Europ. Colloques Europeens. Bruxelles, 1970. Law Lib. DROIT SOCIAL. 1968, no. 1. Paris. .3684(44)026 Dro. 1968 9, 1. Numero special. La reforme de la securite sociale. Prepare sous la direction de J.-J. Dupeyroux, avec la collaboration de J.-M. Jeanneney. I i DROIT institutionnel des Co mmunaute' s europeennes; recueil de textes. Par J. Ridea%, [and others]. Paris, 1971. C.E.G.S. DROIT SOCIAL. Ann. 28- 1966- Paris. G.E.G.S. Imperfect. Lacks 1967, no. 1. DROITS (LES) DE L'HOMME. Human rights; Revue de droit international et compare: journal of international and comparative law. [Fr. or Eng.] Vol. 1- Paris, 1968- C.E.G.S. DROITS (Les) du travailleur; essai sur les devoirs des maitres envers leurs subordonnes. Tr. de l t anglais ... par L. Boyeldieu d'Auvigny. Paris, 1845. Zo.10.117/2. DROITWICH DEVELOPMENT COMMITTEE. --- Droitwich Spa town expansion; town centre report. Droetwich Spa, 1967. Architect. Lib. DROLET (ANTONIO). --- comp. Bibliographie du roman canadien-franqais, 1900-1950. Quebec, 1955• Ref. .84899(71) Dro. DROLSUM (A.C.). --- Universitets-Bibliotheket, 1811-1911. See OSLO. UNIVERSITY. Det Kgl. Frederiks Universitet. Universitets-Bibliotheket ... DROMGOLE (THOMAS). --- Diss. ... inaug. de rheumatismo. Edin., 1800. Att.81.7.14/15. --- Another copy. Att.81.7.15/15. DRON (ROBERT W.). --- The coal-fields of Scotland. Lond., 1902. *L.13.42. DRONAMRAJU (K.R.). --- ed. Haldane and modern biology. Baltimore [1968.] Animal Genetics Lib. --- Another copy. Mol. Biol. Lib. r ADDITIONS DROIXHE (DANIEL). --- joint-ed. Livres et lumieres au pays de Liege, 1730-1830. See LIVRES ... DROMEY (R.G.). -- How to solve it by computer. [Prentice-Hall Int. Ser. in Computer Sci.] Englewood Cliffs [1982.] JCM Lib. DRONKE (ERNST FRIEDRICH JOHANN). --- and LASSAULX (JOHANN CLAUDIUS VON). --- Die MatthiasT Kapelle auf der oberen Burg bei Kobern an der Mosel ... Koblenz, 1837. LL.116.2.15. DRONKE (ERNST PETER MICHAEL). --- Abelard and Heloise in medieval testimonies. The twenty-sixth W.P. Ker Memorial Lecture delivered in the University of Glasgow 29th October, 1976. [Glasgow] 1976. P .1894 Aba. Dro. --- Fabula; explorations into the uses of myth in medieval Platonism. [Mittellat. Stud. u. Texte, Bd. 9.] Leiden, 1974. .189 Dro. --- Medieval Latin and the rise of European love-lyric. 2 vols. Oxford. .879:.80814 Dro. 1. Problems and interpretations. 1965. 2. Medieval Latin love-poetry. Texts newly ed. from the manuscripts and for the most part previously unpublish"66. --- 2nd ed. 2 vols. Oxford, 1968. Classical Lib. --- The medieval lyric. [Hutchinson Univ. Lib. Mod. Lang. and Lit.] Lond., 1968. .80814 Dro. --- Another ed. [Hutchinson Univ. Lib. Mod. Lang. 116.1 Lond., 1968. Reid Music Lib. --- Poetic individuality in the Middle Ages; new departures in poetry, 1000-1150. Oxford, 1970. .879109 Dro. --- Another copy. English Lib. --- ed. See BERNARDUS, Silvestris. Cosmographia. ADDITIONS DRONKE (ERNST PETER MICHAEL. -- The medieval lyric. 2nd ed. [Hutchinson Univ. Lib. Mod. Lang. and Lit.] Lond., 1978. Classical Lib. --- Women writers of the Middle Ages; a critical study of texts from Perpetua, -rj o-3" to Marguerite Poreterr"i3iU- Cambridge, 1984- .809A-B Dro. DRONKE (GUSTAV). --- Die religiosen and sittlichen Vorstellungen des Aeschylos and Sophokles. Leipzig, 1861. W* 14.60. DRONKE (PETER). See DRONKE (ERNST PETER MICHAEL). DRONKERS (J.J.). --- Tidal computations in rivers and coastal waters. Amsterdam, 1 96 4- Engin. Lib. \ i ADDITIONS DRONKE (URSULA). --- ed. The poetic Edda. See EDDA. ICELANDIC AND ENGLISH. --- joint-ed. Speculum norroenum; Norse studies in memory of Gabriel Turville-Petre. See SPECULUM norroenum. --- The role of sexual themes in Njals saga. The Dorothea Coke Memorial Lecture in Northern Studies delivered at University College London, 27 May 1980. Lond. [1981. ] P .8396 Nja. Dro. --- Another copy. Scott. Stud. Lib. DRONKERT (K. ). --- De Molochdienst in het Oude Testament. With a summary in English. Leiden, 1953. New Coll. Lib. Dronsart (C.). An phlegmasiee albae dolontis 1 certa seder ? (specialis euratio ? Th. 1827. 4° Parisiis, 18 26. Q P. 878/9. -- Suntne rationes quibus home et yueedam animalia turn wstui externo resistunt, tum frigori ? An a rupta subito temlmrie niwcantur morbi ? Th. 4' Parisiis, 1827.. QP. 878/27. Dronsart (Mine. Marie). Le Prince do Bismarck, sa vie et s^1 11 eVuvre. 12° Paris, 1890. *M. 14. 28. - William F.wart Gladstone. 8° Paris, 1893. *1i. 13. 67. DROOGMANS (H.). See COMITE SPECIAL DU KATANGA. Atlas du Katanga ... Commence ... par H. D. Droomans ( Joannes Baptista). Dies.... inaug. de angina int3ammatoria. 4" Lugd. Bat., 1777. QP. 1111/4. Droop ( Hem•y Richmond). On methods of electing repre- "entatives. S° Lund., 1868. (i1'. 1196/11. Droop ( Joannes Daniel). Disa. inaug. mod. sistens veram in medicamentorum vires inquirendi rationem. 4 Gottingae, ( 1793.) QP. 1065/8. DROOP (JOHN PERCIVAL). Bleep— (j.P.). Archaeological oxcavation. [Comb. Arch. aed Eth. Ser.] 8' Cambridge, 1916. L* 16/2. 110. --- Another copy. L.A.B. .913 Dro. 401°1` Lord Abercromby Bequest. --- The University Press of Liverpool A record of progress, 1899-1946, with a catalogue of all publications. 1 Liverpool, 1947. 6554 (4272) Dro. ADDITIONS DRONNIKOV (N.E.). -- CTaTMCTzxa Poccx I, I907—IK7, X3 3anzCHO KHI4Y,KM. Bh-n. I-2. flapxx [1983.] P -31(47) Dro. DROOGLEVER (P.J.). --- and SCHOIITEN (M.J.B.). --- eds. Officiele bescheiden betreffende de Nederlands- Indonesische betrekkingen, 1945-50. See NETHERLANDS. DROP (HENDRIK). --- De Onderwijsraad gehoord. [With an English summary. ] [Th. Leiden. ] 's-Gravenhage, 1964. .37(492) Dro. DROP of honey from the rock Christ. Braon meala on charraig Criosd. [Gaelic.] [R.T.S. No. 26.] Lond. [1840?] Mackinnon Coll.P.41/19. * Mackinnon Collection. DROPLAUGARSONA SAGA. --- Sagan of Helga ok Grimi Droplaugarsonum. [Icel.] Bes^rget og ledsaget med en Analyse og Ordsamling of K. Gislason. Udgivet of det nordiske Literatur-Samfund. [Nordiske Oldskrifter, 2.] Kjobenhavn, 1847. LL.101.3.2/1. NNN Blondal Collection. --- Droplaugarsona Saga. Tr. by M. Schlauch. See GUNNLAUGSSAGA. Three Icelandic sagas ... DROPLAUGARSONA SAGA HIN LENGRI. See FLJOTSDAELA SAGA. DROPSIE COLLEGE FOR HEBREW AND COGNATE LEARNING, Philadelphia. --- Studies and essays in honor of Abraham A. NeWan, President of D ropsie College ... Ed. by M. Ben-Horin, B.D. Weinryb [and] S. Zeitlin. Leiden, 1962. New Coll. Lib. DROR (YEHEZKEL ) . --- Design for policy sciences. [Pol. Sci. Bk. Ser.] New York [1971.] Politics Lib. --- Ventures in olicy sciences; concepts and applications. [Pol. Sci. Bk. Ser.^ New York [1971.] .3501 Dro. DROSDOW (O.A.). --- See ALISSOW (BORIS PAVLOVICH ) , D. (O.A.) and RUBINSTEIN (E.S.) DROSINES (GEORGIOS). ---'AµapuXXt. r- . I1EµInvn N6. [EUxxoyoc npoc OLa60(jLv 'QyEXLµwv B L RX., IlEp L o6 0C, AEUtiCpa, 17.1 'A0T)vaL, 1965. .8891 Dro. [Continued overleaf.] ADDITIONS DROR (Y=ZKEL). -- Design for policy sciences. [Pol. Sci. Bk. Ser.] p'p l New York [1971.] .350 1 Dro. F R --- Public policymaking rejexamined. Repr. [Chandler Publ. in Pol. Sci.] [Lond. ] 1971. Politics Lib. --- Another copy. .3501 Dro. -- Ventures in policy sciences; concepts and applications. [Pol. Sci. Bk. Ser.] New York [1971.] Politics Lib. DROSDOWSKI (GfiNTHER) . -- ed. Das Grosse Worterbuch der deutschen Sprache. See DTJDFIV (KOYRAn) . DROSINES (GEORGIOS) [continued]. --- I'Ewpy L o C, Lpoa L vr) (. E l aaywyrj xa L hL Xoyr) xELµEVwv 1D .E. Aoyo-&Etir). [EuXXoyoc rzpoC LL a bo(YLV '9YEA L µwv BLPX., HEp L0 60C LEUTEpa, 9. 1 'A,9r) va L , 1960. .8891 Dro. --- rEwpy L o c, Na^o r, xa L TO '96E L ov 'A,9 r vwv. 'ER L µEXE L q r. Apo6t,vr). 'AB T) va L 1938. •78072(49512) Nas. Dro.
Recommended publications
  • John Dryden and the Late 17Th Century Dramatic Experience Lecture 16 (C) by Asher Ashkar Gohar 1 Credit Hr
    JOHN DRYDEN AND THE LATE 17TH CENTURY DRAMATIC EXPERIENCE LECTURE 16 (C) BY ASHER ASHKAR GOHAR 1 CREDIT HR. JOHN DRYDEN (1631 – 1700) HIS LIFE: John Dryden was an English poet, literary critic, translator, and playwright who was made England's first Poet Laureate in 1668. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the “Age of Dryden”. The son of a country gentleman, Dryden grew up in the country. When he was 11 years old the Civil War broke out. Both his father’s and mother’s families sided with Parliament against the king, but Dryden’s own sympathies in his youth are unknown. About 1644 Dryden was admitted to Westminster School, where he received a predominantly classical education under the celebrated Richard Busby. His easy and lifelong familiarity with classical literature begun at Westminster later resulted in idiomatic English translations. In 1650 he entered Trinity College, Cambridge, where he took his B.A. degree in 1654. What Dryden did between leaving the university in 1654 and the Restoration of Charles II in 1660 is not known with certainty. In 1659 his contribution to a memorial volume for Oliver Cromwell marked him as a poet worth watching. His “heroic stanzas” were mature, considered, sonorous, and sprinkled with those classical and scientific allusions that characterized his later verse. This kind of public poetry was always one of the things Dryden did best. On December 1, 1663, he married Elizabeth Howard, the youngest daughter of Thomas Howard, 1st earl of Berkshire.
    [Show full text]
  • PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Radboud Repository PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/105248 Please be advised that this information was generated on 2017-12-06 and may be subject to change. Voorplaat van Graun's Montezuma Typisch zeventiende-/achttiende-eeuwse toneelvoorstellling van een Italiaans vorst Peter Rietbergen MONTEZUMA GEMEMOREERD De barokke opera als ‘machine’ voor de overdracht van cultuur en ideeënt Inleiding In 1983 wees ik op de opvallende hoeveelheid opera's die in de achttiende eeuw werd gecomponeerd rond de climacterische ontmoeting tussen de Aztekenlceizer Montezuma en de leider van de Spaanse conquistadores, Cortés. Mijn idee was dat dit fenomeen niet alleen getuigde van een groei­ ende behoefte aan exotische ensceneringen, maar ook liet zien hoezeer zelfs in de opera de 'edele wilde' was doorgedrongen, die men nu ging con­ trasteren met een Europese cultuur welke niet meer vanzelfsprekend als absoluut superieur werd gezien.1 Juist in het kader van de vraagstelling van de onderhavige bundel leek het zinvol deze stelling eens nader te bear­ gumenteren, temeer omdat nu, in tegenstelling tot het begin van de jaren '80, voor het eerst ook uitvoeringen van althans enkele van die opera's beschikbaar zijn gekomen. Veelal denken mensen, ook cultuurhistorici, bij de zogenaamde 'barolc- opera' vooral aan virtuoze aria's gezongen door castraten, waarbij men op de koop toe neemt dat de intriges gemeten naar de maatstaven van het hedendaagse levenstempo toch altijd 'traag' en dus 'zwak' heten, en zich urenlang afspelen in ensceneringen die door moderne regisseurs dikwijls als ouderwets worden verafschuwd: zij achten dit genre eigenlijk alleen nog acceptabel indien het geactualiseerd wordt.
    [Show full text]
  • The Justification of English National Imperialism in John Dryden's Poems
    The Justification of English National Imperialism in John Dryden’s Poems Lee, Chung eun Contents Ⅰ. English Imperialism in Terms of Virgil’s Aeneid and “Songs from King Arthur” Ⅱ. Eulogizing Charles II’s Legitimacy Ⅲ. The Poems in Terms of Imperial Propaganda Ⅳ. Conclusion John Dryden justified imperialism as a means of strengthening the Stuart’s monarchy in his poems. In conjunction with the historical legacy of imperialism, he reawakened the imperial origin from the source of Virgil’s Aeneid and the myth of King Arthur. These initial perceptions of mythical epics substantiated the poetic history of imperialism. Such inclination toward the dominant ideology drove Dryden to contemplate the imperial legitimacy in England from the past time. Since Dryden served as a public poet who celebrated and praised the imperial movement, his poems mostly dealt with political agendas. In a sense, his conservative propagandas for the Stuart Monarchy entailed the national unification in England. Particularly, the heroic King, Charles II, was not only glorified, but also remembered as the most powerful entity in Dryden’s poems because of his imperial policies. Dryden’s political purpose was to preserve the Stuart monarchy as a central point of the powerful imperialism. Without doubt, the rhetoric of unification was symbolically harmonized for the purpose of 210 영미연구 제34집 national stability under the Stuart monarchy. Thus, by writing poems, John Dryden acted as the political prophet for the culmination of English imperialism in which the Stuart monarchy reigns. I. English Imperialism in Terms of Virgil’s Aeneid and “Songs from King Arthur” It is indisputable that Dryden traces the beginnings of the imperialism in the light of Virgil’s Aeneid.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses Studies in the heroic drama of John Dryden Blyth, Michael Graham How to cite: Blyth, Michael Graham (1978) Studies in the heroic drama of John Dryden, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/8000/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Studies in the Heroic Drama of John Dryden Thesis submitted to the University of Durham for the degree of Ph.D. by Michael Graham Blyth The copyright of this thesis rests with the author No quotation from it should be published without his prior written consent and information derived from it should be acknowledged 2rsity of Durham Tiber 1978 Acknowledgements My sincere thanks go to the following for their invaluable assistance: Dr. Ray Selden, Durham University English Department, who has given a great deal of his time and critical energy to supervising my work in all stages of its development; Mr.
    [Show full text]
  • View A&M University
    INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete.
    [Show full text]
  • Human Sacrifice and Seventeenth- Century Economics: Otway's Venice
    id3316428 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com HUMAN SACRIFICE AND SEVENTEENTH- CENTURY ECONOMICS: OTWAY’S VENICE PRESERV’D Derek Hughes University of Warwick Whereas human sacrifice in Virgil in inseparable from Aeneas’ mission, Tasso and his imitators repeatedly oppose Christian imperialism to the practice of human sacrifice, and see such imperialism as culminating in the abolition of cannibalistic sacrifice in the New World. The contrary view?? That European civilization itself embodied forms of sacrificial barbarity appears not only in the well-known condemnations of conquistador atrocities but, in England, in critical accounts of the growing culture of measurement, enumeration, and monetary exchange. Answering the contention that the East Indies trade did not justify the sacrifice of lives that it entailed, Dudley Digges responded by citing Neptune’s justification in the Aeneid of the sacrifice of Palinurusto the cause of empire: “unum pro multis [dabitur caput].” Not all authors were, however, so complacent. Particularly in the late seventeenth-century, authors such as Dryden, Otway, and Aphra Behn came to see the burgeoning trading economy as embodying systems of exchange which, in reducing the individual to an economic cipher, recreated the primal exchanges of human sacrifice. In Venice Preserv’d (1682), for example, Otway depicts an advanced, seventeenth-century trading empire, initially regulated by clocks, calendars, documents, and coinage. As the play proceeds, these are increasingly revealed to be elaborations of more primitive forms of exchange. A perpetually imminent regression to pre-social anarchy is staved off by what Otway portrays as the originary forms of economic transaction: the submissive offering of weapons to potential foes (daggers change hands far more often than coins) or the offering of the body in the act of human sacrifice.
    [Show full text]
  • Age of Dryden Summary
    AGE OF DRYDEN SUMMARY John Dryden, (born August 9 [August 19, New Style], 1631, Aldwinkle, Northamptonshire, England—died May 1 [May 12], 1700, London), English poet, dramatist, and literary critic who so dominated the literary scene of his day that it came to be known as the Age of Dryden. The son of a country gentleman, Dryden grew up in the country. When he was 11 years old the Civil War broke out. Both his father’s and mother’s families sided with Parliament against the king, but Dryden’s own sympathies in his youth are unknown. About 1644 Dryden was admitted to Westminster School, where he received a predominantly classical education under the celebrated Richard Busby. His easy and lifelong familiarity with classical literature begun at Westminster later resulted in idiomatic English translations. In 1650 he entered Trinity College, Cambridge, where he took his B.A. degree in 1654. What Dryden did between leaving the university in 1654 and the Restoration of Charles II in 1660 is not known with certainty. In 1659 his contribution to a memorial volume for Oliver Cromwell marked him as a poet worth watching. His “heroic stanzas” were mature, considered, sonorous, and sprinkled with those classical and scientific allusions that characterized his later verse. This kind of public poetry was always one of the things Dryden did best. When in May 1660 Charles II was restored to the throne, Dryden joined the poets of the day in welcoming him, publishing in June Astraea Redux, a poem of more than 300 lines in rhymed couplets.
    [Show full text]
  • Keywords of Identity, Race, and Human Mobility in Early Modern
    CONNECTED HISTORIES IN THE EARLY MODERN WORLD Das, Melo, SmithDas, & Working Melo, in Early Modern England Modern Early in Mobility Human and Race, Identity, of Keywords Nandini Das, João Vicente Melo, Haig Z. Smith, and Lauren Working Keywords of Identity, Race, and Human Mobility in Early Modern England Keywords of Identity, Race, and Human Mobility in Early Modern England Connected Histories in the Early Modern World Connected Histories in the Early Modern World contributes to our growing understanding of the connectedness of the world during a period in history when an unprecedented number of people—Africans, Asians, Americans, and Europeans—made transoceanic or other long distance journeys. Inspired by Sanjay Subrahmanyam’s innovative approach to early modern historical scholarship, it explores topics that highlight the cultural impact of the movement of people, animals, and objects at a global scale. The series editors welcome proposals for monographs and collections of essays in English from literary critics, art historians, and cultural historians that address the changes and cross-fertilizations of cultural practices of specific societies. General topics may concern, among other possibilities: cultural confluences, objects in motion, appropriations of material cultures, cross-cultural exoticization, transcultural identities, religious practices, translations and mistranslations, cultural impacts of trade, discourses of dislocation, globalism in literary/visual arts, and cultural histories of lesser studied regions (such as the
    [Show full text]
  • William Congreve University Archives
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange The John C. Hodges Collection of William Congreve University Archives Spring 1970 The John C. Hodges Collection of William Congreve Follow this and additional works at: https://trace.tennessee.edu/utk_libarccong Part of the English Language and Literature Commons Recommended Citation "The John C. Hodges Collection of William Congreve" (1970). The John C. Hodges Collection of William Congreve. https://trace.tennessee.edu/utk_libarccong/1 This Book is brought to you for free and open access by the University Archives at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in The John C. Hodges Collection of William Congreve by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. THE UNIVERSITY OF TENNESSEE LIBRARIES Occasional Publication NU:MBER 1 • SPRING 1970 The Occasional Publication of The University of Tennessee Libraries is intended to be very flexible in its content and in its frequency of publication. As a medium for descriptive works re­ lated to various facets of library collections as well as for contributions of merit on a variety of topics, it will not be limited in format or subject matter, nor will it be issued at prescribed intervals' JOHN DOBSON, EDITOR JOHN C. HODGES 1892-1967 THE JOHN C. HODGES COLLECTION OF William Congreve In The University of Tennessee Library: A Bibliographical Catalog. Compiled by ALBERT M. LYLES and JOHN DOBSON KNOXVILLE· THE UNIVERSITY OF TENNESSEE LIBRARIES· 1970 Library of Congress Catalog Card Number 73-631247 Copyright © 1970 by The University of Tennessee Libraries, Knoxville, Tennessee.
    [Show full text]
  • English Language and Literature Major
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Khazar University Institutional Repository KHAZAR UNIVERSITY Faculty: School of Humanities and Social Sciences Department: English Language and Literature Major: English Language and Literature MA THESIS Theme: “An influence of Geoffrey Chaucer‟s works on John Dryden‟s literary activity” Master Student: GunayValiyeva Supervisor: Ph.D. Eldar Shahgaldiyev Baku 2014 1 KHAZAR UNIVERSITY SCHOOL OF HUMANITIES AND SOCIAL SCIENCES ENGLISH LANGUAGE AND LITERATURE DEPARTMENT ABSTRACT OF DISSERTATION FOR THE MASTER DEGREE OF PHILOLOGY THEME “An influence of Geoffrey Chaucer‟s works on John Dryden‟s literary activity” Master Student: GunayValiyeva Supervisor: Ph.D. EldarShahgaldiyev 2 Abstract The object of the thesis is investigating the influence of Geoffrey Chaucer‟s works on John Dryden‟s literary activity. The work consists of introduction, three main chapters, concluding remarks and references. The purpose of the thesis is investigating characteristic features of Geoffrey Chaucer and John Dryden’s period, literary trends of the period, analyzing the major facts of influences of Geoffrey Chaucer’s works on John Dryden’s literary style and activity. The aims of the thesis are as follows: 1. To give the detailed description of 14th and the 15th century in which Chaucer lived and created masterpieces; 2. To identify writers, poets and genres of this period 3. To analyze Geoffrey Chaucer‟s works and his philosophy 4. To analyze “Canterbury tales” 5. To give the detailed description of 17th and the 18th century literary styles in which John Dryden lived. 6. To identify writers, poets and genres of this period 7.
    [Show full text]
  • D. M. Rosenberg MILTON, DRYDEN, and the IDEOLOGY of GENRE
    D. M. Rosenberg MILTON, DRYDEN, AND THE IDEOLOGY OF GENRE Samson Agonistes was Milton's creative response to the political and social forces that shaped the values of the Restoration theatre. These forces included the domination of Crown and Court, the ideological predilections and beliefs of the courtier playwrights and their coterie audience, and prevalent literary taste and stage practices. The rhymed heroic play, especially as it was developed by John Dryden, poet laureate and royal historiographer, most clearly exemplifies the varied social and theatrical elements that constitute the ethos and ideology of early Restoration drama. •*- Samson Agonistes as a poetic drama resembles the Restoration heroic play, particularly with regard to heroic themes and neoclassical canons of style. More significantly, however, Milton uses the heroic play as a genre to dissent from its conventions and shared norms. Samson Agonistes, in other words, relates to the heroic play by antagonism and reformation.^ This study will compare the characteristic qualities of two kinds of poetic drama, analysing their common and distinctive modes in order to under­ stand better Milton1s work in his dissenting, antagonistic relation to the ideology of the Restoration theatre. This comparison affords a perspective on the serious drama of the early Restoration. Further, by setting these plays together, one can define their meaning more closely than is possible in isola­ tion. Finally, comparison is a method that clarifies the ways in which Samson Agonistes was unique in its own time. In his preface to Samson Agonistes, published eleven years after the return of Charles II and the re-opening of the London theatres, Milton declared that his play "never was intended for the stage." This in itself is a significant part of the meaning of Samson Agonistes in the context of Restoration culture.
    [Show full text]
  • Select Bibliography
    Select Bibliography The place of publication is London unless stated otherwise. Dryden's Works The Poems of John Dryden, edited by James Kinsley, 4 vols (Oxford, 1958). Unless otherwise stated, quotations from Dryden's poems and their prefaces are taken from this edition, with references by line numbers. The Works of John Dryden, edited by H. T. Swedenberg et al., 20 vols (Berkeley, 1956- ), in progress. Quotations from Dryden's plays and prose works are taken from this edition where available; references are by volume and page number. OJ Dramatic Poesy and other critical essays, edited by George Watson, 2 vols (1962). The Letters of John Dryden, edited by Charles E. Ward (Durham, NC, 1942). Bibliographical Works Hugh Macdonald, John Dryden: A Bibliography of Early Editions and of Drydeniana (Oxford, 1939). This was corrected and supplemented by James M. Osborn in Modern Philology 39 (1941) 69-98, 197-212. Peter Beal, Index of English Literary Manuscripts, vol. 2, part 1 (1987) pp. 383-428. Lists manuscript copies of Dryden's works. David J. Latt and Samuel Holt Monk, John Dryden: A Survey and Bibliography of Critical Studies, 1895-1974 (Minneapolis, 1976). Subsequent studies are listed in various periodicals, including Restoration, The Scriblerian and The Year's Work in English Studies. Biographical Works Samuel Johnson, Lives of the English Poets, edited by George Birkbeck Hill, vol. 1 (Oxford, 1905) pp. 331-487. Hugh Macdonald, 'The Attacks on Dryden', Essays and Studies 21 (1936) 41-74. James M. Osborn, John Dryden: Some Biographical Facts and Problems, revised edition (Gainesville, 1965). James Anderson Winn, John Dryden and his World (New Haven, 1987).
    [Show full text]