Minor Greek Gods

Total Page:16

File Type:pdf, Size:1020Kb

Minor Greek Gods Name: _____________________________________________________ Date: _______ MINOR GREEK GODS 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Across 15. was the mortal lover of the 6. was a son of Hippotes who is 1. was a hero and god of medicine in goddess Aphrodite in Greek mythology mentioned in Odyssey and the Aeneid ancient Greek religion and mythology 16. was the primal Greek god as the Keeper of the Winds 2. one of the sons of Hypnos personifying the sky and one of the 7. is an early sea-god or god of rivers (Somnus), the god of sleep Greek primordial deities and oceanic bodies of water, one of 19. is the primeval state of existence several deities whom Homer calls the 3. is the deep abyss that is used as a "Old Man of the Sea dungeon of torment and suffering for from which the first gods appeared the wicked and as the prison for the 20. representing the personification 10. was a river god Titans. of darkness 12. the god of fertility and ruler of 8. is one of the primordial deities, Down the underworld the first-born elementals 4. is the goddess of the moon. She is 14. GODDESS OF STRIFE AND DISCORD 9. was the Greek god of attraction the daughter of the Titans Hyperion 17. is the Greek goddess (or 11. was a hero and god of medicine in and Theia, and sister of the sun-god personification) of the night ancient Greek religion and mythology Helios, and Eos, goddess of the dawn 18. the god of the wild, shepherds 13. was the goddess who enacted 5. the immortal goddess of harmony and flocks, nature of mountain wilds, retribution against those who succumb and concord rustic music and impromptus, and to hubris (arrogance before the gods) companion of the nymphs..
Recommended publications
  • Arsu and ‘Azizu a Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk by Finn Ove Hvidberg-Hansen
    ’Arsu and ‘Azizu A Study of the West Semitic "Dioscuri" and the Cods of Dawn and Dusk By Finn Ove Hvidberg-Hansen Historiske-filosofiske Meddelelser 97 Det Kongelige Danske Videnskabernes Selskab The Royal Danish Academy of Sciences and Letters DET KONGELIGE DANSKE VIDENSKABERNES SELSKAB udgiver følgende publikationsrækker: THE ROYAL DANISH ACADEMY OF SCIENCES AND LETTERS issues the following series of publications: Authorized Abbreviations Historisk-filosofiske Meddelelser, 8° Hist.Fil.Medd.Dan.Vid.Selsk. (printed area 1 75 x 104 mm, 2700 units) Historisk-filosofiske Skrifter, 4° Hist.Filos.Skr.Dan.Vid.Selsk. (History, Philosophy, Philology, (printed area 2 columns, Archaeology, Art History) each 199 x 77 mm, 2100 units) Matematisk-fysiske Meddelelser, 8° Mat.Fys.Medd.Dan.Vid.Selsk. (Mathematics, Physics, (printed area 180 x 126 mm, 3360 units) Chemistry, Astronomy, Geology) Biologiske Skrifter, 4° Biol.Skr. Dan. Vid.Selsk. (Botany, Zoology, Palaeontology, (printed area 2 columns, General Biology) each 199 x 77 mm, 2100 units) Oversigt, Annual Report, 8° Overs. Dan.Vid.Selsk. General guidelines The Academy invites original papers that contribute significantly to research carried on in Denmark. Foreign contributions are accepted from temporary residents in Den­ mark, participants in a joint project involving Danish researchers, or those in discussion with Danish contributors. Instructions to authors Manuscripts from contributors who are not members of the Academy will be refereed by two members of the Academy. Authors of papers accepted for publication will re­ ceive galley proofs and page proofs; these should be returned promptly to the editor. Corrections other than of printer's errors will be charged to the author(s) insofar as the costs exceed 15% of the cost of typesetting.
    [Show full text]
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]
  • Greek Myths Student Sample
    CONTENTS Why Study Greek Mythology? ......................................................................................................................................5 How to Use This Guide ...................................................................................................................................................6 Lesson 1: Olden Times, Gaea, The Titans, Cronus (pp. 9-15) ....................................................................................8 Lesson 2: Zeus and his Family (pp. 16-21) .................................................................................................................10 Lesson 3: Twelve Golden Thrones (pp. 22-23) ...........................................................................................................12 Lesson 4: Hera, Hephaestus (pp. 24-29) .....................................................................................................................14 Lesson 5: Aphrodite, Ares, Athena (pp. 30-37) ..........................................................................................................16 Review Lesson: Lessons 1-5 ........................................................................................................................................18 Lesson 6: Poseidon, Apollo (pp. 38-43) .......................................................................................................................26 Lesson 7: Artemis, Hermes (pp. 44-55) .......................................................................................................................28
    [Show full text]
  • Greek Gods and Myths – Overview Gaia and Uranus to Reign of the Olympians
    GREEK GODS AND MYTHS – OVERVIEW GAIA AND URANUS TO REIGN OF THE OLYMPIANS ERA SUMMARY – GREEK GODS AND MYTHS The myths and legends of Ancient Greece are such an essential part of Greek culture that the first three units of the Ancient Greece Classical Curriculum are dedicated entirely to myth and folklore. Greek mythology is important, not only because it reflects the pagan religion of the Ancient world, but also because it gives great insight into Greek thought and expression. References to Greek Gods and folklore are present throughout the recorded history of the ancient world, in religious symbols and ceremonies, in literature, in poetry, in art, in archeological artifacts, and in day to day life. The Greeks worshiped Pagan gods but did not credit them with the same qualities of omniscience and goodness that Christians associate with their God. Greeks Gods shared many human foibles so the legends that arose concerning them were almost invariably dramas involving jealousy, indulgence, revenge, debauchery, and misunderstandings. Greek myths were often quite humorous and frequently involved morals applicable to human relations. The myths, heroes and legends of Ancient Greece are too numerous to list, but a few general categories of the types of heroes and stories can be given. The first category of Greek myths involves the Gods, or immortals, who have a human form, and decidedly human personality traits, but possess enormous powers over the earth. The twelve Olympians are the most ATHENE CHANGES ARACHNE INTO A SPIDER important, and they include Zeus, Poseidon, and Hades who rule over the heaven, Sea, and Underworld respectively.
    [Show full text]
  • Mythology, Greek, Roman Allusions
    Advanced Placement Tool Box Mythological Allusions –Classical (Greek), Roman, Norse – a short reference • Achilles –the greatest warrior on the Greek side in the Trojan war whose mother tried to make immortal when as an infant she bathed him in magical river, but the heel by which she held him remained vulnerable. • Adonis –an extremely beautiful boy who was loved by Aphrodite, the goddess of love. By extension, an “Adonis” is any handsome young man. • Aeneas –a famous warrior, a leader in the Trojan War on the Trojan side; hero of the Aeneid by Virgil. Because he carried his elderly father out of the ruined city of Troy on his back, Aeneas represents filial devotion and duty. The doomed love of Aeneas and Dido has been a source for artistic creation since ancient times. • Aeolus –god of the winds, ruler of a floating island, who extends hospitality to Odysseus on his long trip home • Agamemnon –The king who led the Greeks against Troy. To gain favorable wind for the Greek sailing fleet to Troy, he sacrificed his daughter Iphigenia to the goddess Artemis, and so came under a curse. After he returned home victorious, he was murdered by his wife Clytemnestra, and her lover, Aegisthus. • Ajax –a Greek warrior in the Trojan War who is described as being of colossal stature, second only to Achilles in courage and strength. He was however slow witted and excessively proud. • Amazons –a nation of warrior women. The Amazons burned off their right breasts so that they could use a bow and arrow more efficiently in war.
    [Show full text]
  • Lucifer Or Satan Play Any Role in the Teachings Or Rituals of Freemasonry
    Neither the attributes nor personification of Lucifer or Satan play any role in the teachings or rituals of Freemasonry. The topic is only of interest insofar as anti-masonic attacks have accused Freemasonry of worshiping Lucifer. The ​ confusion stems from such 19th century masonic authors as Albert Pike and Albert ​ ​ ​ G. Mackey who have used the term "luciferian" in its classical or literary sense to ​ refer to a search for knowledge. John Robinson notes "The emphasis here should be ​ ​ on intent. When Albert Pike and other Masonic scholars spoke over a century ago about the "Luciferian path," or the "energies of Lucifer," they were referring to the morning star, the light bearer, the search for light; the very antithesis of dark, satanic evil." LUCIFER, also called ​ Lucifer Calaritanus (d. c.370), bishop of ​ Cagliari, Sardinia, was a fierce opponent of the heresy of Arianism (first proposed early in the 4th century by the Alexandrian presbyter Arius, who taught that Christ is not truly divine but a created being). To further his rigorously orthodox views, Lucifer Calaritanus founded the Luciferians, a sect that survived in scattered remnants into the early 5th century. 9 ​ It was attacked by St. Jerome in his polemic Altercatio Luciferiani et orthodoxi ("The Dispute ​ of the Luciferian and the Orthodox"). References to these Luciferians, without further explanation, has perhaps lead subsequent writers such asNesta H. Webster to ​ ​ erroneously assume that they were satanic. "Lucifer" is the Latin term originally used by the Romans to refer to the planet Venus when that planet was west of the sun and hence rose before the sun in the ​ morning, thereby being the morning star.
    [Show full text]
  • Phosphorus (Morning Star) - Wikipedia, the Free Encyclopedia
    פוספורוס فوسفوروس http://www.wordsense.eu/%D9%81%D9%88%D8%B3%D9%81%D9%88%D8%B1%D9%88%D8% B3/ فوسفوروس Phosphorus (morning star) - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Phosphorus_(morning_star) Phosphorus (morning star) From Wikipedia, the free encyclopedia Phosphorus (Greek Φωσφόρος Ph ōsphoros ), a name meaning "Light- Bringer", is the Morning Star , the planet Venus in its morning appearance. Φαοσφόρος (Phaosphoros) and Φαεσφόρος (Phaesphoros) are forms of the same name in some Greek dialects. Another Greek name for the Morning Star is Heosphoros (Greek Ἑωσφόρος He ōsphoros ), which means "Dawn-Bringer". The form Eosphorus is sometimes met in English, as if from Ἠωσφόρος (Ēō sphoros), which is not actually found in Greek literature, [1] but would be the form that Ἑωσφόρος would have in some dialects. As an adjective, the Greek word φωσφόρος is applied in the sense of "light- A 2nd-century sculpture of the bringing" to, for instance, the dawn, the god Dionysos, pine torches, the Moon-goddess Selene accompanied day; and in the sense of "torch-bearing" as an epithet of several god and by perhaps Phosphorus and Hesperus: goddesses, especially Hecate but also of Artemis/Diana and the corresponding Latin names are Hephaestus.[2] Luna , Lucifer and Vesper . The Latin word lucifer , corresponding to Greek φωσφόρος , was used as a name for the morning star and thus appeared in the Vulgate translation of the helel ) — meaning Venus as the brilliant, bright or shining ) הֵילֵל Hebrew word one — in Isaiah 14:12 (http://tools.wmflabs.org/bibleversefinder/?book=Isaiah& verse=14:12&src=!), where the Septuagint Greek version uses, not φωσφόρος , but ἑωσφόρος .
    [Show full text]
  • {Dоwnlоаd/Rеаd PDF Bооk} Memnon Ebook Free Download
    MEMNON PDF, EPUB, EBOOK Scott Oden | 688 pages | 01 Aug 2007 | Transworld Publishers Ltd | 9780553818956 | English | London, United Kingdom Memnon - Greek Mythology Link And they may also feel that if the army was dispersed it would be better just to say so instead of making up capricious tales, which are most implausible. But, whatever they may feel, the Achaeans and Trojans were most amazed when they watched the Ethiopian army fly away. For current things amaze nobody, but extraordinary and impossible things do. And that was a great marvel, unlikely to happen in our time, as no one has ever since claimed to have witnessed anything of the sort. Eos begs Zeus for her son Anyway, the death of this magnificent king caused great grief to his mother, and because of her pain the colours of the morning skies grew dull, and the heavens were overcast with clouds. And Eos came to Zeus and asked him to grant Memnon special honours as consolation for his death. Accordingly, the smoke of Memnon's funeral pyre turn into birds, some of which killed each other over the flames. These birds, which are called Memnonides, used to return on stated days every year to Memnon's grave, in a hill above the outlet of the Aesepus River, which flows from the mountains of Ida in the Troad, and sprinkle it with the water of the river from their wet wings. But others say that Memnon was buried in Paltus, which is on the coast of Syria in front of the island of Cyprus.
    [Show full text]
  • Tithonus, Eos and the Cicada in the Homeric Hymn to Aphrodite And
    RichardJanko Tithonus, Eosand the cicada in the Homeric Hymn to Aphrodite and Sappho fr.58 When Sappho’spoem on old age(fr.58Voigt) was published in 2004,itwas not universallywelcomed; thus GermaineGreer declared, on the basis of M. L.West’s translation, that the new ode was unworthyofthe poetess.¹ Perhaps she was re- pelled by what appears to be its totallypessimisticconclusion: there can be no remedyfor oldage,since not even the handsome Tithonus,whom the dawn god- dess Eos loved, could escape the horrors of senescence. However,Ishall argue that her poem is far moreelegant in expression and subtle in thought than mayatfirst appear.Ishall discuss,firstly, the text of the ode; secondly, its struc- ture; and finally the myth of Tithonus in relation to the version of the story in the Homeric Hymn to Aphrodite,inwhich Ishall develop my argument,first ad- vanced in 2005,² that the legend that Tithonus was turned into acicada and thereforeabletocontinue to sing was alreadyknown in the north-east Aegean by Sappho’stime and was therefore available to both her and her audience, if onlythey chose to recall it.Wecan in this respect go beyond the usual scepti- cism³ or agnosticism,⁴ just as we can be confident thatSappho knew the Hymn to Aphrodite.⁵ Ishall arguethatthe poem fullymeasures up to what we Stothard(2005). Janko(2005). So Zellner (2008); Edmunds (2009) 65 n. 41,67n.43; Carrara (2011) esp. 103–9. So Geissler (2005) 107n.12; Rawles(2006) 7. So Meyerhoff (1984) 187–98;DiBenedetto(1985); Rösler (1985) 161; Nünlist (1998) 54–6; Geissler (2005) 106–7; West (2005) 6n.8;Bettarini (2007) 1; Carrara (2011) 85 – 6with n.
    [Show full text]
  • [PDF]The Myths and Legends of Ancient Greece and Rome
    The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia
    [Show full text]
  • Collections P.O
    College of the Holy Cross Archives and Special Collections P.O. Box 3A, Worcester, MA 01610-2395 College of the Holy Cross Archives and Special Collections Collection Inventory Accession Number: SC 2000-18 Collection Name (Title): Richard J. Green Space Exploration Collection Dates of Materials: 1960s, 1970s Size of Collection: 4 Series comprised of 17 Boxes; 6 Oversize Boxes; 8 Loose Items Arrangement: The collection is arranged into the following series: Series 1: Publicity Series 2: Reports, Documents, Charts, and Books Series 3: Photographs and Slides Series 4: Memorabilia Restrictions: none Related Material: Preferred Citation: Richard J. Green Space Exploration Collection Processed on: Dec. 2011 Biography/History: Richard J. Green, a native of Newark, New Jersey, enjoyed a long career in the science field. He graduated from Holy Cross in 1949, received a master’s degree in physics from Fordham University, and attended the Advanced Management Program at the Harvard Business School. He has worked at the National Aeronautics and Space Administration (NASA) during the Apollo program, 1962-1970; the Federal Emergency Management Agency (FEMA), 1979-1981; and the National Science Foundation, 1992-1995. In 1996, he started Green Associates, a private consulting firm. Scope and Content Note: This collection documents the career of Richard Green especially his involvement with the early space missions and the race to the Moon. Contents: Magazines, newspapers, books, photographs, slides, maps, and special objects http://holycross.edu/archives-and-special-collections
    [Show full text]
  • Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
    1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS
    [Show full text]