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UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Laurent Cantet, by Martin O’Shaughnessy Author(s) Lee, Ally Editor(s) Hurley, Marian Publication date 2016 Original citation Lee, A. (2016) Laurent Cantet, by Martin O’Shaughnessy. Alphaville: Journal of Film and Screen Media, 11, pp. 127–131. doi: 10.33178/alpha.11.11 Type of publication Review Link to publisher's http://www.alphavillejournal.com/Issue11/ReviewLee.pdf version http://dx.doi.org/10.33178/alpha.11.11 Access to the full text of the published version may require a subscription. Rights © 2016, The Author(s) https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/6006 from Downloaded on 2021-10-01T23:10:34Z Laurent Cantet. Martin O’Shaughnessy. Manchester: Manchester University Press, 2015 (194 pages). ISBN: 9780719091506. A Review by Ally Lee, University of Warwick Martin O’Shaughnessy’s Laurent Cantet is the latest edition of—and the author’s second contribution to—the Manchester University Press French Film Directors series after the publication in 2000 of his study on the films of Jean Renoir. The series currently features an impressive forty volumes and this assessment of one of France’s most important active filmmakers is a welcome addition. Despite Cantet’s prominence, he has so far been the subject of relatively little scholarly investigation. Previously, only one monograph-length exploration of the director’s oeuvre, Yannick Lebtahi and Isabelle Rousel-Gillet’s stimulating and insightful Pour une méthode d’investigation du cinéma de Laurent Cantet, had been published. -
Into the Forest
LES FILMS DE FRANÇOISE, GÖTAFILM and FILM VÄST present INTO THE FOREST A film by Gilles Marchand Written by Gilles Marchand and Dominik Moll Jérémie ELKAÏM, Timothé VOM DORP, Théo VAN DE VOORDE, Sophie QUINTON, Mireille PERRIER 103 min – France/Sweden - 2016 - DCP - Colour INTERNATIONAL SALES INTERNATIONAL PR WILD BUNCH Press Office Festival del film VINCENT MARAVAL & NOEMIE Locarno DEVIDE Stefanie Kuchler, [email protected] [email protected] CAROLE BARATON & OLIVIER +41 79 565 05 13 BARBIER [email protected] Giulia Fazioli, EMILIE SERRES [email protected] [email protected] +41 79 617 00 31 SILVIA SIMONUTTI [email protected] SWITZERLAND Jean-Yves Gloor [email protected] +41 79 210 98 21 +41 21 92 360 00 SYNOPSIS Tom and his older brother Benjamin haven’t seen their father in a long time. They travel to Sweden where he lives, to spend the summer holidays with him. Tom is anxious about meeting this strange, solitary man again. The father, meanwhile, is convinced that Tom has the gift of seeing things that others can’t... INTERVIEW WITH GILLES MARCHAND Where did the idea of making this film come from? The starting point is closely linked to trips my brother and I used to take as children to see my father who lived abroad. It was impressive to go see him in a faraway country, to discover a way of life we knew nothing about. We were uneasy but also curious and extremely attentive. I relied on my memories, but mostly on sensations. I wanted to convey things through the eyes of a child. -
THE CLASS Directed by Laurent Cantet A
THE CLASS Directed by Laurent Cantet A Sony Pictures Classics Release 2008 Cannes Film Festival : Winner of the Palme D’Or US Release date(s): December 12, 2008 (NY), December 25, 2008 (LA) East Coast Publicity West Coast Publicity Distributor Donna Daniels PR. Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone Amy Johnson Judy Chang Leila Guenancia 20 West 22nd St., #1410 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10010 Los Angeles, CA 90036 New York, NY 10022 347-254-7054, ext 102 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax Synopsis François and his fellow teachers prepare for a new year at a high school in a tough neighborhood. Armed with the best intentions, they brace themselves to not let discouragement stop them from trying to give the best education to their students. Cultures and attitudes often clash in the classroom, a microcosm of contemporary France. As amusing and inspiring as the teenaged students can be, their difficult behavior can still jeapordize any teacher's enthusiasm for the low-paying job. François insists on an atmosphere of respect and diligence. Neither stuffy nor severe, his extravagant frankness often takes the students by surprise. But his classroom ethics are put to the test when his students begin to challenge his methods... South’s release, I met François who was presenting his new book, Entre les murs (Between the Walls) at that time. His discourse was a counterattack to the indictment on today's schools : for once, a professor was not writing in order to get back at adolescents presented as savages or idiots. -
Cronologia Delle Attività Dal 1976
CCB - Cronologia delle attività dal 1976 CCB Circolo del cinema di Bellinzona c/o Michele Dell'Ambrogio Via San Gottardo 105A CH-6517 ARBEDO www.cicibi.ch [email protected] Cronologia delle attività dal 1976 pag 1/213 CCB - Cronologia delle attività dal 1976 Sommario 1976.....................................................................................................................................4 1977.....................................................................................................................................6 1978.....................................................................................................................................8 1979...................................................................................................................................11 1980 - 1981........................................................................................................................14 1982...................................................................................................................................15 1983...................................................................................................................................18 1984...................................................................................................................................21 1985...................................................................................................................................24 1986...................................................................................................................................28 -
A Film Bylaurent Cantet
FULL HOUSE In coproduction with ORANGE STUDIO, HAUT & COURT DISTRIBUTION, FUNNY BALLOONS, PANACHE PRODUCTIONS & LA COMPAGNIE CINEMATOGRAPHIQUE in association with BACKUP MEDIA PRESENT RETURN TO ITHACA A FILM BY LAURENT CANTET FULL HOUSE In coproduction with ORANGE STUDIO, HAUT & COURT DISTRIBUTION, FUNNY BALLOONS, PANACHE PRODUCTIONS & LA COMPAGNIE CINEMATOGRAPHIQUE in association with BACKUP MEDIA PRESENT SYNOPSIS A terrace overlooking Havana, the sunset. Five friends gather to celebrate the return of Amadeo after 16 years of exile. RETURN TO ITHACA From dusk to dawn, they reminisce about their youth, the group they used to form, A FILM BY LAURENT CANTET the faith they had in the future... but also their disillusionment. The drama brought about by exile and its personal and collective consequences, by INTRODUTION BY LEONARDO PADURA the struggle for economic survival, by camouflage as a way of life, by ethical loss or clinging to national and cultural loyalties, the spiritual defeat and struggle against all fears… these are a few of the ingredients which flavor the recent bends in the road for this generation, one that dreamed of a better future for all and sacrificed itself for A GENERATION IN THE that dream. Through Amadeo, Rafa, Tania, Aldo an Eddy’s experiences, through the circumstances which went into forming their friendship from a tender age and the ways HURRICANE OF HISTORY they preserved it over the years, the film attempts to find the blood, sweat and tears of a collective experience through those of a few individuals who are unique to their time As a single night unfolds on a Havana rooftop terrace, Amadeo, Aldo, Tania, Rafa and and place. -
BFI Annual Review 2008/2009
The following TiTles were screened as parT of various seasons and reTrospecTives aT The Bfi souThBank - april 2008 | PoP Goes the Revolution: FRench cinema and may ‘68 | alPhaville (1965) | the BRide WoRe Black / la maRiée était en noiR (1967) | la collectionneuse (1966) | un homme et une Femme (1966) | les idoles (1968) | masculin Féminin (1966) | mR FReedom (1968) | la Piscine (1968) | la Révolution n’est qu’un déBut. - continuons le comBat (1969) | sloGan (1969) | tRans-euRoP exPRess (1968) | Weekend (1967) | Who aRe you, Polly maGGoo? / qui êtes-vous, Polly maGGoo? (1966) RoBeRt donat | the 39 stePs (1935) | the adventuRes oF taRtu (1943) | the citadel (1938) | the count oF monte cRisto (1934) | the cuRe FoR love (1950) | the Ghost Goes West (1935) | GoodBye, mR. chiPs (1939) | the inn oF the sixth haPPiness (1958) | kniGht Without aRmouR (1937) | lease oF liFe (1954) | the maGic Box (1951) | PeRFect stRanGeRs (1945) | the PRivate liFe oF henRy viii (1933) | the WinsloW Boy (1948) | Rakhshan Bani-etemad | the Blue-veiled / RusaRi aBi (1994) | canaRy yelloW / ZaRd-e qaBaRu (1986) | centRalisation / tamaRkoZ (1987) | FoReiGn cuRRency / Pul-e khaReji (1989) | Gilaneh (2005) | the last meetinG With iRan daFtaRi / akhaRin didaR Ba iRan-e daFtaRi (1995) | mainline / khunBaZi (2006) | the may lady / Banu-ye oRdiBehest (1998) | naRGess (1992) | oFF-limits / khaRej as mahdudeh (1986) | ouR times / RuZeGaR-e ma (2002) | to Whom Will you shoW these Films anyWay? / in Filmha Ro Be ki neshun midin? (1993) | undeR the city’s skin / ZiR-e Pust-e -
French Films
Language Laboratory Film Collection Wagner College, Campus Hall 202 Belgium/Canadian/French/Swiss Films (updated April 2011): The 4 Musketeers (1974) Richard Lester The Four Musketeers defend the queen and her dressmaker from Cardinal Richelieu and Milady de Winter. 35 shots of Rhum (2008) Claire Denis. France Displaying poetic realism, “35 shots of Rhum” is an enchanting film by Claire Denis, one of the most underestimated filmmakers in the US. Set among a small circle of friends and neighbors in a Parisian suburb, the tale centers around the relationship between a father and daughter and the arrival of a handsome young man. Sumptuously filmed, this delicate, understated film deals with the issue of the difficulties involved in letting go of family ties, even when they are dictated by the natural progress of time. The 400 Blows/ Les 400 coups (1959) François Truffaut. France A young Parisian boy, Antoine Doinel, neglected by his derelict parents, skips school, sneaks into movies, runs away from home, steals things, and tries (disastrously) to return them. Like most kids, he gets into more trouble for things he thinks are right than for his actual trespasses. He inhabits a Paris of dingy flats, seedy arcades, abandoned factories, and workaday streets, a city that seems big and full of possibilities only to a child's eye. One of the main films of the nouvelle vague. The Adversary/ L' Adversaire (2002) Nicole Garcia. France Based on the 2000 book of the same name by Emmanuelle Carrère, this film is inspired by the real-life story of Jean Claude Romand who lived a lie for almost 20 years as he pursued an imaginary career as a doctor of medicine . -
Premiers Plans / Festival D'angers 20
© SANDRINE JOUSSEAUME Premiers Plans / Festival d’Angers Plans/Festival Premiers 20 -29janvier2006 1 166 > INFOS PRATIQUES 159 > REMERCIEMENTS 156 > INDEX 113 > MANIFESTATIONS 73 > PANORAMA, HOMMAGES 19 > SÉLECTION OFFICIELLE 3 > LE FESTIVAL ET RÉTROSPECTIVES LE FESTIVAL Sommaire > > SOMMAIRE 3 ➥ LE FESTIVAL 2006 - 18E EDITION SÉLECTION OFFICIELLE SÉLECTION 4 4 Les Ateliers d’Angers > 5 5 Les partenaires 19 6 6 Avant-propos 11 11 Soirée d’inauguration 13 13 Soirée de palmarès 15 15 Avant-première 17 17 Projections spéciales COMPÉTITION - SÉLECTION OFFICIELLE 19 20 Les jurys 25 25 Les prix PANORAMA, HOMMAGES PANORAMA, 27 27 Longs métrages européens ET RÉTROSPECTIVES 37 37 Courts métrages européens > 43 43 Courts métrages européeens 73 49 49 Films d’écoles 68 68 Figures libres 72 72 Plans suivants ! PANORAMA, HOMMAGES, RÉTROSPECTIVES 73 74 Vers la Turquie 89 89 Hommage à Louis Malle par Jeanne Moreau MANIFESTATIONS 95 95 Les premiers plans d’Alain Tanner > 99 99 Alex van Warmerdam 113 103 103 Rétrospective “Une journée particulière” MANIFESTATIONS ET RENCONTRES 113 INDEX 115 115 Lectures de scénarios > 121 121 Leçons de cinéma 156 123 123 Colloque 125 125 Le jeune public au premier plan 131 131 Forumdoc’ 06 138 138 Carte Blanche au GNCR 139 139 Panorama fémis Comité de Parrainage 141 141 Europe en courts 10 REMERCIEMENTS Président Claude CHABROL 142 142 Nouvelles Images en Région > 143 143 Films d’Ici Fanny ARDANT 159 145 145 Envie d’agir / Défi jeunes Hélène VINCENT 147 147 Dominique BESNEHARD Ateliers professionnels Pierre BOUTEILLER 150 150 Séances spéciales Jean-Claude BRIALY 153 153 Manifestations spéciales Patrice CHEREAU Jérôme CLEMENT 156 156 Index des films et des réalisateurs Gérard DEPARDIEU 159 159 Remerciements PRATIQUES INFOS > Christophe GIRARD 163 163 Générique Alain ROCCA 166 158 166 Infos Pratiques 3 > ATELIERS D’ANGERS 2E SESSION LE FESTIVAL Atelier ND > 3 ANGERS WORKSHOPS 2 EDITION DIRECTION ARTISTIQUE : JEANNE MOREAU DATES : 30 juin - 9 juillet 2006 ONNET ©T. -
Contenido Estrenos Mexicanos
competencia..........................................................................................................51 El Premio....................................................................................................................51 Sección Michoacana......................................................................................52 Sección de Cortometraje Mexicano...............................................61 Sección de Documental Mexicano.................................................96 Sección de Largometraje Mexicano........................................... 106 Contenido estrenos mexicanos.............................................................................. 113 Hecho en Michoacán.......................................................................................116 Cine Sin Fronteras..............................................................................................126 De México a Hollywood y los Oscar®.............................................129 introducción............................................................................................................4 Retrospectiva: Cinematográfica Marte........................................139 Presentación................................................................................................................. 5 Programa de Diversidad Sexual.......................................................... 150 ¡Bienvenidos a Morelia!.....................................................................................6 .................................................... -
Laurent Cantet. Martin O'shaughnessy. Manchester
Laurent Cantet. Martin O’Shaughnessy. Manchester: Manchester University Press, 2015 (194 pages). ISBN: 9780719091506. A Review by Ally Lee, University of Warwick Martin O’Shaughnessy’s Laurent Cantet is the latest edition of—and the author’s second contribution to—the Manchester University Press French Film Directors series after the publication in 2000 of his study on the films of Jean Renoir. The series currently features an impressive forty volumes and this assessment of one of France’s most important active filmmakers is a welcome addition. Despite Cantet’s prominence, he has so far been the subject of relatively little scholarly investigation. Previously, only one monograph-length exploration of the director’s oeuvre, Yannick Lebtahi and Isabelle Rousel-Gillet’s stimulating and insightful Pour une méthode d’investigation du cinéma de Laurent Cantet, had been published. Besides this, James S. Williams’s Space and Being in Contemporary French Cinema contains a superb chapter on the filmmaker’s work, while O’Shaughnessy himself has written about Cantet in previous articles and book sections, primarily in the broader contexts of both the Young French Cinema and 1990s New Realism (“Post-1995”; The New Face). This latest study supplements and builds on this existing literature. As the first sustained English-language appraisal of the output of a filmmaker who has elicited global interest, the book provides an original, thoroughgoing consideration of Cantet’s working method, incorporating visual analysis and valuable insights into how his films are conceived. The author covers Cantet’s entire directorial output to date. Interestingly, he addresses the filmmaker’s lesser-known early shorts—Tous à la manif (1994), Jeux de plage (1995) and Les sanguinaires (1998)—before turning his attention to the filmmaker’s more renowned works, from Human Resources (Ressources humaines, 2000) to Foxfire: Confessions of a Girl Gang (Foxfire: confessions d’un gang de filles, 2012). -
Filmfest DC 1999 Staff
Filmfest DC 1999 The 13th Annual Washington, DC International Film Festival April 21 to May 2 For Information Call 202-628-FILM A World of Movies 3 Festival Introduction OFFICE OF THE MAYOR Welcome to Filmfest DC, Washington’s celebration of the WASHINGTON, D.C. best in world cinema. Festivals are a focal point for film- making excellence. It has become more difficult than ever for the unusual, unconventional, or even WASHINGTON, D.C. INTERNATIONAL the thoughtful film to find its way FILM FESTIVAL DAYS onto our screens. Commercial APRIL 21–MAY 2, 1999 considerations are driven by the blockbuster release with its broad- WHEREAS, the Washington, D.C. International Film Festival is cele- based appeal. Film festivals, on brating its thirteenth anniversary of presenting innovative, exciting the other hand, provide films that and quality films to the citizens of the District of Columbia, through stimulate as well as entertain. its annual event known as Filmfest D.C.; and Their programming is often WHEREAS, Filmfest D.C. is working to serve the varied interests of beyond genre classifications and, the District’s diverse community that earned it the honor of win- by showing such a great variety ning the 1994 Mayor’s Arts Award for Excellence in Service to the Arts; and of films, the international film fes- WHEREAS, Filmfest D.C. presents the quintessential 20th century art form—film, which Tony Gittens, Festival Director, and tival makes an indispensable con- embodies many other artistic disciplines such as the written word, music, theater and Shirin Ghareeb, Assistant Director tribution to our appreciation of visual arts, with the power to inform, educate and entertain; and this art form. -
The 17Th Marrakech International Film Festival (MIFF) Reveals Its Jury Members
17th Marrakech International Film Festival November 30 - December 8, 2018 The 17th Marrakech International Film Festival (MIFF) reveals its jury members Eight unique talents of world cinema will join American filmmaker and president of the jury James Gray as jury members at the 17th Marrakech International Film Festival. Hailing from eight different countries, these emblematic figures of auteur cinema, daring filmmakers, multi-talented artists and brilliant actresses represent diverse artistic sensibilities. The jury this year is composed of american actress Dakota Johnson (50 shades of Grey, Suspiria), Indian actress Ileana D’Cruz (Barfi!), Lebanese filmmaker and visual artist Joana Hadjithomas (I want to see), British director Lynne Ramsay (We need to talk about Kevin, A Beautiful Day), Moroccan director Tala Hadid (House in the Fields), French director Laurent Cantet (The Class– Palme d’Or 2008), German Actor Daniel Brühl and Mexican director Michel Franco (April’s Daughter). From November 30th to December 8th, these nine celebrities will select the recipient of L’Étoile d’Or 2018 among the 14 first and second feature films in competition. BIOGRAPHIES JAMES GRAY DIRECTOR / USA JAMES GRAY made his directorial debut in 1994 at the age of 25 with LITTLE ODESSA, a widely acclaimed film which received the Silver Lion at the Venice Film Festival. That same year, he received nominations from the Independent Spirit Awards for Best First Feature and Best First Screenplay. His past films also include THE YARDS, WE OWN THE NIGHT, TWO LOVERS and THE IMMIGRANT, all of which premiered In Competition at the Cannes Film Festival. Gray’s film THE LOST CITY OF Z had its world premiere as the closing night selection of the 2016 New York Film Festival and was released in theaters by Amazon Studios in April 2017.