The Program As Given at the 2007 Yale Symposium
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Christodoulos Panayiotou Solo Shows 2019 2018 2017
CHRISTODOULOS PANAYIOTOU Born in 1979 in Limassol, Cyprus. Lives and works between Limassol and Paris. SOLO SHOWS 2019 LUX S. 1003 334., Musée d’Orsay, Paris, France « Dying on Stage”, lecture-performance, Musée d’Orsay, Paris, France Act II: The Island, Camden arts Center, London 2018 « Friday, 3rd of February 1525 », kamel mennour, Paris Sectile, 2016, Permanent installation of a work, Centre Georges Pompidou 2017 Dying on stage, lecture-performance, Centre Pompidou, Paris, France. “Mármol Rosa”, Estancia Femsa - Casa Luis Barragán, Mexico City, Mexico. “I write, erase, rewrite, erase again, and then a poppy blooms”, CCA Kitakyushu, Japan. 2016 “Pragmática contra o Luxo”, Lumiar Cité, Lisbon, Portugal. “False Form”, Rodeo Gallery, London, England. “Theories of harm”, kamel mennour, Paris, France. 2015 “Two Days After Forever”, curated by Omar Khoelif, Cyprus Pavilion, Venice Biennial, Venice, Italy. “Stories From The Lives of My Friends”, curated by Andre Zivanari, Point Center for Contemporary Art, Nicosia, Nicosia, Cyprus. (upcoming) “Theories Of Harm”, curated by Marie Muracciole, Beirut Arts Center, Beirut, Lebanon. (upcoming) 2014 “The Permeability Of Certain Matters”, (with Philip Wiegard), Spring, Hong Kong, China. “NGC 1277”, curated by Milovan Ferronato, Kaleidoscope Project Space, Milan, Italy. “35/22/35/36D”, Galerie Nordenhake, Stockholm, Sweden. 2013 “Days And Ages”, curated by Matilda Olof-Ors, Moderna Museet, Stockholm, Sweden. “And”, curated by Kevin Muhlen Casino Luxembourg, Luxembourg City, Luxembourg. “In The Light Of The Day The Fireflies Are Like Any Other Insect”, curated by Akiko Miyake, CCA Kitakyushu, Kitakyushu, Japan. “The Invention Of Antiquity”, curated by Reinhard Braun & Maren Lübbke-Tidow, Camera Austria, Graz, Austria. 2012 “Tenuto, Rodeo”, Istanbul, Turkey. -
The Gordian Knot: American and British Policy Concerning the Cyprus Issue: 1952-1974
THE GORDIAN KNOT: AMERICAN AND BRITISH POLICY CONCERNING THE CYPRUS ISSUE: 1952-1974 Michael M. Carver A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of The requirements for the degree of MASTER OF ARTS May 2006 Committee: Dr. Douglas J. Forsyth, Advisor Dr. Gary R. Hess ii ABSTRACT Douglas J. Forsyth, Advisor This study examines the role of both the United States and Great Britain during a series of crises that plagued Cyprus from the mid 1950s until the 1974 invasion by Turkey that led to the takeover of approximately one-third of the island and its partition. Initially an ancient Greek colony, Cyprus was conquered by the Ottoman Empire in the late 16th century, which allowed the native peoples to take part in the island’s governance. But the idea of Cyprus’ reunification with the Greek mainland, known as enosis, remained a significant tenet to most Greek-Cypriots. The movement to make enosis a reality gained strength following the island’s occupation in 1878 by Great Britain. Cyprus was integrated into the British imperialist agenda until the end of the Second World War when American and Soviet hegemony supplanted European colonialism. Beginning in 1955, Cyprus became a battleground between British officials and terrorists of the pro-enosis EOKA group until 1959 when the independence of Cyprus was negotiated between Britain and the governments of Greece and Turkey. The United States remained largely absent during this period, but during the 1960s and 1970s came to play an increasingly assertive role whenever intercommunal fighting between the Greek and Turkish-Cypriot populations threatened to spill over into Greece and Turkey, and endanger the southeastern flank of NATO. -
Flight of Ikaros: Travels in Greece During the Civil War Free
FREE FLIGHT OF IKAROS: TRAVELS IN GREECE DURING THE CIVIL WAR PDF Kevin Andrews | 262 pages | 19 Oct 2010 | Paul Dry Books, Inc | 9781589880641 | English | New Jersey, United States The Flight of Ikaros: Travels in Greece During a Civil War by Kevin Andrews Kevin Andrews — was an American philhellenewriter and archaeologist. Roy Kevin Andrews was born a U. His mother was Yvette Borup Andrewsbut there is controversy over the name of his father. This was to have a fundamental and shattering effect on Kevin who constantly and incessantly obsessed on his own identity. His mother's ancestors included George A. Kevin Andrews was schooled in England at Stowewhere he learned classical Greek. He served for three years as a private in the US Army seeing action in Italy. After graduating from Harvard in he entered for a travelling fellowship in Athensand his future life in Greece was decided by chance when he was successful; as he said "the award After a month spent on Paros helping Greek-American friends with the grape-harvest, Andrews arrived in the autumn of at the American School of Classical Studies at Athens. It was a time of civil warthe rate of inflation was high and the Greek people were suffering extreme hardship. He was unfortunate and suffered from an "obscure nervous disorder," which turned out to be epilepsy, and spent much of his first winter in a miserable draughty room. Travel on the mainland was severely restricted; a permit was needed to travel more than a few miles from Athens. It could also be dangerous, for a few days after the students had visited Mycenae Kenneth Matthewsan English journalist, was kidnapped there; some travellers were unlucky, and George Polka US reporter, was captured in the mountains and his body was washed up soon afterwards near Salonika. -
Press Release
PRESS RELEASE Nikos Alexiou THE END (once more) Athens-Venice 2007 Opening Thursday 8 November 2007, 8 pm Zoumboulakis Galleries, 20 Kolonaki Square Nikos Alexiou represents Greece in the 52nd Venice Biennale with the work “The End”, a modular installation inspired by the floor mosaic in the Catholicon of the Iviron Monastery on Mount Athos (10th-11th c. AD). Concurrently, on November 8 2007, he will exhibit under the same title at Zoumboulakis Galleries (20 Kolonaki Square) a series of large-scale prints (on archival paper) of the digitally manipulated representation of the floor mosaic. The valuable material (photographs, drawings, etc.) from the creative evolution of the work THE END, Athens-Venice 2007, will be included in a special limited edition book, created and signed by the artist. The book will be available from Zoumboulakis Galleries and selected bookstores. Yorgos Tzirtzilakis, commissioner / curator of the Hellenic participation in the 52nd Venice Biennale, comments in the exhibition catalogue: «Alexiou belongs to that generation of artists who, during the 1980s, expanded the object of art into the realm of installation… He turned from the outset to a fragile and ephemeral world which he introduced into the artistic language, setting the obsessive use of non figurative grids, patterns, decorations and repetitive structures as a kind of existential metaphor». Exhibition Duration: 8 November - 8 December 2007 Zoumboulakis Galleries, 20 Kolonaki Square Opening Times: Tu. - Fri. 11 am – 2 pm and 6–9 pm, Sat. 11 am – 2 pm Sunday & Monday closed Curriculum Vitae: Nikos Alexiou was born in Rethymnon in 1960. He studied in the Vienna Academy of Fine Arts and the Athens School of Fine Arts. -
DANIEL KELLER 1986 Born in Detriot, Michigan Lives and Works in Berlin
DANIEL KELLER 1986 Born in Detriot, Michigan Lives and works in Berlin Solo Exhibtions 2016 Sound Corner, Auditorium Parco Della Musica, Rome, IT 2015 Kai Dalston Bushwick, Kraupa-Tuskany Zeidler, Berlin, DE 2014 eVita, Casa Maauad, Mexico City, MX Spirito Scala, 63rd-77th steps, Bari, IT 2013 Lazy Ocean Drift, New Galerie, Paris, FR 2012 Absolute Vitality Inc., NAK Neuer Aachener Kunstverein (with Absolute Vitality, Inc.), Aachen, DE Avoid, Control, Accept, Transfer, Kraupa-Tuskany Zeidler (with Aids-3D), Berlin, DE 2011 Kaczynski/Keller/Kosmas, 032c Workshop (with Aids-3D), Berlin, DE New Innovations, NIMK-Nederlands Instituut voor Mediakunst (with Aids-3D), Amsterdam, NL Exotic Options, T293 (with Aids-3D), Napoli, IT 2010 Ideal Work (Creative Solutions), Autocenter (with Aids-3D), Berlin, DE World Community Grid Water Features, Gentili Apri (with Aids-3D), Berlin, DE And The Seasons, 0047 (with Aids-3D), Oslo, NO World Community Grid Water Features, Niklas Belenius Gallery (with Aids-3D), Stockholm, SE 2009 Speculations on Cosmic Culture, Montgomery (with Aids-3D), Berlin, DE Ford/Aten, Galeria Stereo (with Aids-3D), Poznan, PL Aids-3D @ 3's Company, 3's Company (with Aids-3D), New York, US Aids-3D, Preteen Gallery (with Aids-3D), Hermosillo, MX Magnitude, YAMA (with Aids-3D), Istanbul, TK 2008 Digital Awakening, K44 (with Aids-3D), Athens GR Selected Group Exhibitions 2016 Grey, Brand New Gallery, Milan, IT Aujourd’hui je dis oui, Galeria da Boavista, Lisbon, PT Emotional Supply Chains, Zabludowicz Collection, London, UK Dissent as -
Paolo Colombo: the Acclaimed Italian Artist Who K… 0 COMMENTS ! " # $
NOW READING Paolo Colombo: The Acclaimed Italian Artist Who K… 0 COMMENTS ! " # $ GOURMET MIXOLOGY HOSPITALITY BEAUTY FITNESS SHOPPING CULTURE FOLLOW ) CULTURE Must Read Stories Paolo Colombo: The Acclaimed Italian Finest Dining on a Winter Trip to Athens SEPTEMBER 15, 2020 Artist Who Knows Art Inside Out Explains · 7 MINS READ Why He Splits His Time Between Athens Private Dining Options Around Athens NOVEMBER 22, 2020 and the Rest of the World · 5 MINS READ APRIL 4, 2021 Portrait of the artist at work - photo by Federica Tondato aolo Colombo holds a special position within the art world as both a ! fascinating artist and an accomplished curator, a global career that started in the 1970s. Born in 1949 in Turin, Italy, he was the first European to " P exhibit at the today-known-as MoMA PS1, New York, in 1977, and until 1981, he was # active as a young artist in Athens, Greece. In the mid-80s, while creating his own family, he shifted to art curation, initially as a research assistant at the Museum of $ Contemporary Art in Chicago, and soon after, working for the Tyler School of Art in Philadelphia. Important positions in the field followed, with him being the Director % of the Centre d’Art Contemporain in Geneva from 1989 to 2000 and curating the 6th International Istanbul Biennial in 1998-99. Between 2001 and 2007, Colombo was & the curator of the Museo Nazionale Delle Arti del XXI Secolo (MAXXI) in Rome, built by Zaha Hadid. He was hired when it opened as the first museum in Rome solely ' dedicated to contemporary art. -
“THE END” to These Characteristics, Representing the Emergence of Alterity and the Innovative Relationships Between Minor and Major
PRESS RELEASE Nikos Alexiou will present the installation, The End, in the Greek Pavilion at the 52nd Biennale of Art in Venice (Giardini, 7/6 – 21/11/07). 52nd International Art Exhibition In this time of expanded understanding and re-orientation of La Biennale di Venezia contemporary art, the Greek participation in the 52nd Biennale of Venice focuses on the possibilities of diversity, the critical re-negotiation of the Greek Participation concepts of identity, the repetition of the same as different, the new condition of handicraft, the sensory materiality and the multiplicity of artistic practices. Nikos Alexiou (born 1960) is the artist who adds tension “THE END” to these characteristics, representing the emergence of alterity and the innovative relationships between minor and major. In terms of cultural Artist: Nikos Alexiou politics, this kind of attitude seems to embody the ambiguities and the www.nikosalexiou.com [email protected] dormant potential of the minor “local scene” for participation in the international cultural discourse. Commissioner / Curator: Yorgos Tzirtzilakis Alexiou will present in Venice a modular installation inspired by the [email protected] floor mosaic in the Catholicon of the Iviron Monastery on Mount Athos Assistant Curator: th th (10 -11 c. AD). The artist has made frequent visits to Mount Athos and has Nadja Argyropoulou been hosted at Iviron Monastery at various times from 1995 to date, where [email protected] he got to know the spirituality, the quickening of the soul and the strange Organisation: Hellenic Ministry of interpersonal experiences of coexisting in monastic communal life. Culture - Directorate of Visual Arts, During this time, after much “copying” and redesigning of the mosaic Department for the Promotion of Contemporary Art he attempted to understand the mysteries it contains as he sought its semantic structure as well as its vortex. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 UNNEGOTIATED TRANSITION . SUCCESSFUL OUTCOME: THE PROCESSES OF DEMOCRATIC CONSOLIDATION IN GREECE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Neovi M, Karakatsanis, B.A., M.A. -
A Collaboration Between the Hellenic Parliament and ΝΕΟΝ
A collaboration between the Hellenic Parliament and ΝΕΟΝ Cultural Programme of Contemporary Art 2021 Portals | an exhibition of contemporary art Curated by Elina Kountouri, Director, NEON & Madeleine Grynsztejn, Pritzker Director, Museum of Contemporary Art Chicago former Public Tobacco Factory – Hellenic Parliament Library and Printing House, Athens 11 June – 31 December 2021 Participating Artists 1. Nikos Alexiou (Rethymno, Greece, 1960 - Athens, Greece 2011). 2. El Anatsui (b. 1944, Ghana) lives and works in Nigeria. 3. Dimitrios Antonitsis (b. 1966, Athens, Greece) lives and works on the island of Hydra and in Athens. 4. Kutluğ Ataman (b. 1961, Istanbul, Turkey) lives and works in London. 5. Kostas Bassanos (b. 1961, Kamena Vourla, Greece) lives and works in Athens. 6. Vlassis Caniaris (1928 - 2011, Athens, Greece) lived and worked in Europe and Greece. 7. Joana Choumali (b. 1974, Abidjan, Côte d'Ivoire) lives and works in Abidjan. 8. Anastasia Douka (b. 1979, Athens, Greece) lives and works in Athens. New Commission 9. Eirene Efstathiou (b. 1980, Athens, Greece) lives and works in Athens. 10. Brendan Fernandes (b. 1979, Nairobi, Kenya) currently based in Chicago. New Commission 11. Apostolos Georgiou (b. 1952, Thessaloniki, Greece) lives and works in Athens. 12. Jeffrey Gibson (b. 1972, Colorado Springs, CO, USA) lives and works in Hudson, New York. 13. Robert Gober (b. 1954, Wallingford, CT, USA) lives and works in New York. 14. Vangelis Gokas (b. 1969, Corinth, Greece) lives and works in Ioannina. 15. Sonia Gomes (b. 1948, Caetanópolis, Brazil) lives and works in São Paulo, Brazil. 16. Felix Gonzalez-Torres Guáimaro, Cuba, 1957 - Miami, FL, 1996) lived and worked in America. -
Nikos Alexiou a Version
Press Release Nikos Alexiou A Version Opening Thursday June 13, 2019, 8 pm Exhibition duration: June 13 – July 20, 2019 Zoumboulakis Galleries are delighted to announce the exhibition “Nikos Alexiou - A Version”, an installation based on a version of the work presented in 2005-2006 at the Hellenic Foundation for Culture in Alexandria, in parallel with the 23rd Alexandria Biennale for Mediterranean Countries. The exhibition is curated by the artist’s sister, Poppy Alexiou. The exhibition essay, published in book form, is written by art historian Christopher Marinos. «The installation at Zoumboulakis Galleries, as the one shown in Alexandria, consists of a cluster of pendulous works. Made of cut papers, glue, string, thread, bookbinding thread and reeds, the works form abstract geometrical patterns. It is noteworthy that the naming of these untitled handcrafts originates from their basic morphological features. More specifically, the installation includes two “mosaics on paper” inspired 20 Kolonaki Sq., 10673, Athens –Tel. 2103608278 - [email protected] www.zoumboulakis.gr by the artist’s frequent visits to the Holy Monastery of Iviron, a red and a black “curtain”, four “circles”, two “stripes”, two “strings”, a colorful “rain” made of paper and several lace “grids”, one on a large-scale and seven of a smaller size. Even though they are self-contained and autonomous, the perforated works are intertwined harmoniously with each other, giving the impression of a cohesive whole and consequently acquiring an installation’s features. Additionally, these ethereal works compose a continuously variable and animated image. This results mostly from the potential kinesis, even indiscernible, provoked by the visitors’ presence in the space and by the illusory movement of the geometrical patterns. -
Pressrelease 2016 Hommage to NIKOS ALEXIOU EN
Hommage to NIKOS ALEXIOU group exhibition Participating Artists: Nikos Alexiou, Lefteris Alexiou, Maria Ikonomopoulou, Lefteris Tapas, Dimitris Tataris, Stratis Tavlaridis Show Duration: 16.09.16 - 15.10.16 Nikos Alexiou was born in Rethymnon in 1960. He died in 2011 at the early age of 51 leaving behind an important body of work. After some brief studies at the Academy of Fine Arts in Vienna in 1984 he returned to Greece where he enrolled at the Athens School of Fine Arts. A year later he held his first solo show in the historic art gallery DESMOS. Already from that early period he focused working with humble materials such as stone, wood, mud, reeds and water. A pioneer in Greece, in 1987 he became the first artist to create "Prisms", a series of immaterial works- installations that analyze the spectrum of white light in space, on rain, water etc. That was followed by "Solar Houses", a series of simple architectural constructions made of reeds that resembled immaterial structures of buildings. Most of all, however, he became known with his characteristic lace-like cut out patterned paper works, his paper "curtains", his "skeleton” plexuses made of reed and with his obsession with handicraft, never wasting anything, always transforming every little piece of material left out into something new. In 1995 he found himself for the first time on Mount Athos and since then he began to visit regularly at various different moments throughout his life. In Athos he discovered spirituality, ecstasy and mystery, asceticism and the notion of metaphysics that would profoundly affect his work from that point onwards. -
Lives and Works in Limassol, Cyprus Represented
Lefteris Tapas Group Exhibitions (b. 1974, Famagusta, Cyprus) Lives and works in Limassol, Cyprus 2018 Represented by CAN Christina Androulidaki gallery, Athens, GR The Sea Within, Curated by Catherine Louis Nikita & Sylia Panayiotidou, Limassol Municipal Arts Centre, Limassol, Cyprus Education Labyrinthe, Galerie Martine Ehmer, Brussels, Belgium Don’t judge a cover by its artist, Taf art foundation, Athens, Greece 1998–1999 MA Fine Art, University of Kent, UK 2017 1996–1998 BA(Hons) Fine Art, Kent Institute of Art & Design, UK Landscape Revisited, Elika gallery, Athens, Greece Vassilis Michaelides, Limassol Public Gallery, Limassol, Cyprus Livres d’Artistes, Zampellas Art Museum, Nicosia, Cyprus Solo Exhibitions Labyrinth, 2nd Small Biennale Contemporary Art, Tinos, Greece Planetes, Curated by Elena Parpa, European Cultural Capital Pafos 2017, 2019 Old Powerhouse, Paphos, Cyprus Archipelago, CAN Christina Androulidaki gallery, Athens, Greece 2016 2013 Hommage to Nikos Alexiou, CAN Christina Androulidaki gallery, Athens, Garden, CAN Christina Androulidaki gallery, Athens, Greece Greece 2011 2015 Kaleidoscope, Omikron gallery, Nicosia, Cyprus Kenophobia, CAN Christina Androulidaki gallery, Athens, Greece At Kolossi and at the Castles | Contemporary Visual Narratives, curated by 2004 Nadia Anaxagora, Kolossi Castle, Cyprus Neverland, Archimede Staffolini gallery, Nicosia, Cyprus Unbound, The Collection Gallery, Nicosia, Cyprus Multiplicities, Art Seen, Nicosia, Cyprus 2001 Recto-Verso, curated by Nadia Anaxagora, Evagoras Lanitis center,