2019 Annual Report
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On the Leadership
2018 Annual Report RISEON THE LEADERSHIP NATIONAL BOARD OF TRUSTEES James A. Miller Thomas Schumacher Matt Conover, Chair Bartlett Wealth Management, Principal and Disney Theatrical Group, President Chairman Disney Parks Live Entertainment, Cincinnati, OH Vice President of Disneyland Entertainment Deborah Voigt Award-winning opera soprano Anaheim, CA Megan Tulac Phillips Hunter Bell, Vice Chair McKinsey & Company, Head of Marketing and ADVISORY BOARD Communications, Enterprise Agility Tony-nominated playwright, EdTA Board of San Francisco, CA Sarah Jane Arnegger Directors iHeart Radio Broadway, Director New York, NY John Prignano New York, NY Debbie Hill, Secretary Music Theatre International, COO and Director of Education and Development Aretta Baumgartner Community Arts Initiatives, Founder and New York, NY Center for Puppetry Arts, Education Director Executive Director Atlanta, GA Cincinnati, OH Kim Rogers Dori Berinstein Alex Birsh Concord Theatricals, Vice President, Amateur Licensing Dramatic Forces, Producer Playbill, Vice President and Chief Digital Officer New York, NY New York, NY New York, NY J. Jason Daunter Mark Drum David Redman Scott Disney Theatrical Group, Director of Theatrical Production Stage Manager Actor, Arts Advocate, EdTA Volunteer Licensing New York, NY New York, NY New York, NY Debby Gibbs Nancy Aborn Duffy ETF Legacy Circle Committee, Chair Educator, Former Broadway Licensing Abbie Van Nostrand Concord Theatricals, Vice President, Client Tupelo, MS Company Owner Relations & Community Engagement New York, NY -
Motion Picture
Moving Images Prepared by Bobby Bothmann RDA Moving Images by Robert L. Bothmann is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. Created 2 February 2013 Modified 11 November 2014 https://link.mnsu.edu/rda-video Scope Step-through view of the movie Hairspray from 2007 Generally in RDA rule order Uses MARC 21 examples Describing Manifestations & Items Follows RDA Chapters 2, 3, 4 Describing Works and Expressions Follows RDA Chapters 6, 7 Recording Attributes of Person & Corporate Body Uses RDA Chapters 9, 11, 18 Covers relator terms only Recording Relationships Follows RDA Chapters 24, 25, 26 2 Resources Olson, Nancy B., Robert L. Bothmann, and Jessica J. Schomberg. Cataloging of Audiovisual Materials and Other Special Materials: A Manual Based on AACR2 and MARC 21. Westport, Conn: Libraries Unlimited, 2008. [Short citation: CAVM] Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. Streaming Media Best Practices Task Force. Best Practices for Cataloging Streaming Media. No place : OLAC CAPC, 2009. http://olacinc.org/drupal/capc_files/streamingmedia.pdf Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. DVD Cataloging Guide Update Task Force. Guide to Cataloging DVD and Blu-ray Discs Using AACR2r and MARC 21. 2008 Update. No place: OLAC CAPC, 2008. http://olacinc.org/drupal/capc_files/DVD_guide_final.pdf Pan-Canadian Working Group on Cataloguing with RDA. “Workflow: Video recording (DVD) RDA.” In RDA Toolkit | Tools| Workflows |Global Workflows. 3 Preferred Source 4 5 Title Proper 2.3.2.1 RDA CORE the chief name of a resource (i.e., the title normally used when citing the resource). 245 10 $a Hairspray Capitalization is institutional and cataloger’s choice Describing Manifestations 6 Note on the Title Proper 2.17.2.3 RDA Make a note on the source from which the title proper is taken if it is a source other than: a) the title page, .. -
A VIRTUAL CABARET EVENT in Support Of
A VIRTUAL CABARET BENEFITING THE NATIONAL BREAST CANCER COALITION FUND FROM THE HOSTS OF AND THE NEWGala YORK Sunday, December 6, 2020 5 p.m. PT / 8 p.m. ET A LETTER FROM FRAN Dear Friends, Welcome to our first-everVirtual Cabaret Event and an evening of talented performances and tantalizing fun, all for a great cause. This year marks the 20th Anniversary of our Les Girls Cabaret and the 25th Anniversary of our NY Gala, and these two special events have sustained the National Breast Cancer Coalition (NBCC), year after year. When the pandemic hit, I began to wonder if either event would happen. But we found a way. Thanks to the extraordinary efforts of our Event Committee, the encouragement of our sponsors, the personal commitment of our hosts and performers, and the imagination of our production team, we are able to combine both events and once again offer a one-of-a-kind, fantastic evening. We are forever grateful to all of them. Since 1991, NBCC has been at the vanguard of the breast cancer movement, elevating breast cancer to an issue of national significance. NBCC brought about a federal research program that has awarded over $3.75 billion in research grants. We empower women and men, through education and training, to become a unified voice to save lives. And through our Artemis Project®, we lead a collaboration of exceptional scientists and dedicated advocates who focus on research to prevent women and men from getting breast cancer in the first place and stop it from metastasizing and taking lives. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
• September 29, 2003 Q1
www.ExpressGayNews.com • September 29, 2003 Q1 Q_COVERstory All in the Gay Family ‘It’s All Relative’ Breaks the Next TV Barrier—Gays as Parents By Christopher Lisotta explains. “We wanted the characters to be writing sitcoms you have to stick to basic they are just the unknown,” Harris says of Special to The Express more real.” themes in order to get your story across. her character’s reaction to Philip and Simon For the past few years, Will Truman and Zadan and Meron kept meeting potential “We really think there’s an upside to that, and their long-term relationship. “It’s so not Jack McFarland have been the cutting edge writers before sitting down with Chuck and we can use it to our advantage,” Ranberg a part of her world. She’s got a great life, when it comes to gay sensibility on Ranberg and Anne Flett-Giordano, writing says of the fabulous gay male stereotype. loves her family and just never thought about television. No longer psycho killers or tragic partners who spent several seasons on “Particularly in a comedy, it helps you to start it.” victims, Will & Grace proved that gay Frasier and other well-received sitcoms. out at least with characters who are clearly Harris, who won a Tony for Thoroughly characters could be the central figures on a Although Zadan is quick to point out It’s All recognized archetypes.” Modern Millie and is known to TV audiences well-regarded and, more importantly for the Relative is its own show, the sensibility Christopher Sieber, who plays Simon, as Frasier’s hardcore agent Bebe, sees a networks, profitable situation comedy Ranberg and Flett-Giordano showed on notes that there is plenty to delineate this gay difference between the gaggle of gay-themed without bringing about widespread criticism Frasier struck them as the perfect fit for couple in terms of character. -
Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances. -
'Greenleaf' with Post-Finale Special
FOR IMMEDIATE RELEASE August 10, 2020 OWN SAYS FAREWELL TO HIT MEGACHURCH DRAMA ‘GREENLEAF’ WITH POST-FINALE SPECIAL Cast Reunites One Last Time for a Memorable Look Back at the Groundbreaking Drama Series about Faith and Family Tuesday, August 11 at 10:00 p.m. ET/PT “Greenleaf” Is the Most Watched Show by African American Viewers on All of Television LOS ANGELES – The stars of OWN’s hit megachurch drama “Greenleaf,” the critically- acclaimed series from Lionsgate, award-winning writer/executive producer Craig Wright (“Lost,” “Six Feet Under”), and executive producers Clement Virgo (“Empire”), Kriss Turner Towner (“Black Monday”) and Oprah Winfrey, will take a look back at the beloved show in a one-hour special airing Tuesday, August 11 at 10:00 p.m. ET/PT, immediately following the series finale. The special will feature “Greenleaf” cast including Merle Dandridge, Keith David, Lynn Whitfield, Lamman Rucker, and Deborah Joy Winans sharing favorite moments from the past five seasons and answering questions from the devoted fans. The penultimate (8/4/20) episode of “Greenleaf” garnered a season-high 2,117,000 viewers and continued to be Tuesday night’s #1 cable telecast among Women 25-54 and W18-49. During its current season, “Greenleaf” is the #1 original series across broadcast and cable for African American women, households and total viewers. Clip from final episode of “Greenleaf” airing Tuesday, August 11 at 9p.m. ET/PT: https://youtu.be/mkUbGgNzSLU About Greenleaf “Greenleaf” has garnered ten NAACP Image Award nominations, including wins for Outstanding Drama Series in 2020, and Outstanding Supporting Actress in a Drama Series in 2019 and 2020 (Lynn Whitfield). -
The 2017 Broadway Revival of Once on This Island
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie “A Play That Provides:” the 2017 Broadway revival of Once on this Island Anouk Bottero Electronic version URL: http://journals.openedition.org/miranda/13878 DOI: 10.4000/miranda.13878 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Anouk Bottero, ““A Play That Provides:” the 2017 Broadway revival of Once on this Island”, Miranda [Online], 17 | 2018, Online since 01 October 2018, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/13878 ; DOI: https://doi.org/10.4000/miranda.13878 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. “A Play That Provides:” the 2017 Broadway revival of Once on this Island 1 “A Play That Provides:” the 2017 Broadway revival of Once on this Island Anouk Bottero Factual information about the show 1 Play: Once on this Island (1990) - 1h30 (no intermission). 2 Venue: Circle in the Square Theatre 235 W 50th St, New York, NY 10019. 3 Opening: Circle in the Square Theatre, December 3rd, 2017. 4 Book & Lyrics: Lynn Ahrens 5 Music: Stephen Flaherty 6 Director: Michael Arden 7 Choreography: Camille A. Brown 8 Cast: Hailey Kilgore (Ti Moune), Lea Salonga (Erzulie), Aurelia Williams (Asaka), Quentin Earl Darrington (Agwe), Tamyra Gray (Papa Ge), Isaac Powell (Daniel), Kenita R. Miller (Mama Euralie), Phillip Boykin (Tonton Julian), Alysha Deslorieux (Andrea/ Storyteller), Darlesia Cearcy (“Beauxhommes” Narrator/Storyteller), Rodrick Covington (“Beauxhommes” Narrator/Storyteller), Tyler Hardwick (Storyteller), Cassondra James (Storyteller), David Jennings (Armand/Storyteller), Grasan Kingsberry (Beauxhomme/Storyteller), Loren Lott (Storytller), T. -
Download Show Archive
1959 - 1960 6O NOTEWORTHY PERFORMANCE NO. OF PRODUCTION PERFORMERS DATES PERFORMANCES VENUE SEASON SPONSOR Business Professional Women’s Club ODD MAN IN Ann Sheridan, Scott McKay 10/26/59 1 HHS THE DARK AT THE Joan Blondell 1 HHS TOP OF THE STAIRS TWO FOR THE SEESAW Hal March 2 HHS LOOK HOMEWARD, Miriam Hopkins 1 HHS ANGEL 1960 - 1961 6O SEASON SPONSOR Business Professional Women’s Club THE PLEASURE OF Joan Bennett, Donald Cook 10/ 7/1960 1 HHS HIS COMPANY ONCE UPON A MATTRESS Edward Everette Horton, 12/1/1960 1 HHS Imogene Coca, King Donovan J. B. John Carradine 3/16/1961 1 HHS ANDERSONVILLE TRIAL Brian Donlevy 4/10/1961 1 HHS 1961 - 1962 5O SEASON SPONSOR Business Professional Women’s Club A THURBER CARNIVAL Arthur Treacher, Imogene Coca, 1 HHS King Donovan THE MIRACLE WORKER Eileen Brennan 1 HHS THE BEST MAN Don Porter, Scott Brady 1 HHS CRITICS CHOICE Jeffrey Lynn, Wanda Hendrix 1 HHS 1962 - 1963 6O NOTEWORTHY PERFORMANCE NO. OF PRODUCTION PERFORMERS DATES PERFORMANCES VENUE SEASON SPONSOR Business Professional Women’s Club A SHOT IN THE DARK Annie Farge 10/ 20/1962 1 HHS CARNIVAL Elaine Malbin 12/1/1962 1 HHS MARY, MARY Jeffrey Lynn 2/2/1963 1 HHS THE PREMISE Theodore Flicker 1 HHS (New York cast flew in for performance) 1963 - 1964 6O SEASON SPONSOR Business Professional Women’s Club A THOUSAND CLOWNS John Ireland 1 HHS A MAN FOR ALL Robert Harris, Jeff Morrow 1 HHS SEASONS THE BOYS FROM Chet Summers, Eddie Roll, 1 HHS SYRACUSE Ralph McWilliams CAMELOT Jeannie Carson, Biff McGuire, 3/11/1964 1 HHS Melville Cooper 1964 - 1965 6O SEASON SPONSOR Business Professional Women’s Club LUTHER Alan Bergmann 1 HHS SPOON RIVER Original Cast - Barbara Gilbert, Carl 1 HHS Esser, Linda Seff, William Severs OLIVER! Jules Munchin, Joan Eastman, 1 HHS Christopher Spooner NEVER TOO LATE Lyle Talbot, Penny Singleton 1 HHS 1965 - 1966 6O NOTEWORTHY PERFORMANCE NO. -
ROBYN OWEN, CSA Casting Director Agents
ROBYN OWEN, CSA Casting Director Agents: Geneva Bray & Gwenn Pepper/GVA Talent Agent contact: (310) 278-1310 Direct: (424) 266-0047 Email: [email protected] Mobile: (626) 644-0047 __________________________________________________________________________________________ Casting Experience Film “Selma” 2014 Plan B/Pathe’/ Paramount Associate Casting Director Director: Ava Duvernay Executive Producers: Oprah Winfrey, Brad Pitt, Jeremy Kleiner, DeeDee Gardner, Nan Morales Casting Director: Aisha Coley “Epilogue” 2014 (In development) Aperture Films/Panorama Casting Director/Co-Producer Direct: Kiel Adrian Scott Executive Producers: Justin Bursch, Rob Williams, Richard Jastrow, Kerry McCluggage “Ethyrea: Code of the Brethren” 2014 (In pre-production) Reliance/Panthera Films Casting Director/Co-Producer Directors: Andy & Vic Armstrong Executive Producers: Danica Fontaine, Billy Badalato “Off The Rim” 2014 (In development) Craftsman Films/Content Media Casting Director/Co-Producer Director: Rashidi Harper Executive Producers: Justin Bursch, Rob Williams “Step Up 5” 2013 Summit/Lionsgate Associate Casting Director Director: Trish Sie Executive Producers: Adam Shankman, Jennifer Gibgot, Matt Smith Casting Director: Rich Mento “Love is a Hurtin’ Thing” 2013 (Lou Rawls Biopic-development) Lou Rawls Prods., LLC Casting Director/Co-Producer Director: Forrest Whitaker (in negioations) Executive Producers: Lou Rawls, Jr., Karen & Howard Baldwin “Safe Haven” 2012 Relativity/Temple Hill Ent. Co-Casting Director/Associate Director: Lasse Hallstrom Executive Producers: Marty Bowen, Robbie Brenner, Shannon Gaulding Casting Director: Rich Mento “Ironclad” 2011 (Independent) Content Films/VIP Mediafond Films Casting Director/Associate Producer Director: Jonathan English Executive Producers: Rick Benattar, Andrew Curtis, Chrisitan Buell “Burning Andolini” 2010 (Independent) Midday Sun Productions, LLC Casting Director Director: James Allen Executive Producers: James Allen, Nicolas Charles 1 ROBYN K. -
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BODIES OF WORK: THE PRODUCTION OF WORK, CLASS AND GENDER IN FILM MUSICALS A thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Masters of Arts in English By Kathryn D. Jett, B.A. Washington, DC April 25, 2008 The influence of community is always inextricable from class identity. I would like to thank the communities of strong women who have influenced my thinking and my work from my hometown in Guymon, Oklahoma to my academic home here at Georgetown University. Special thanks belong to Dr. Pamela Fox for her guidance and inspiration. By introducing me to working-class studies, she has given me the critical tools I have been seeking all along. A large part of this work however, is drawn from the ultimate community of women in my life—my mother, grandmothers, sisters, aunts and cousins. Their ceaseless work, their love of music, and their subtle feminism are all woven into my thoughts and my words. To my mother and my Grammy Dee, thank you for showing me that a woman’s work can be as beautiful as her music. Kathryn Jett ii Table of Contents Introduction ………………………………………………………………………….. 1 Working Titles ……………………………………………………………………… 20 Hand-Made Expressions ………………………………………………………...…. 24 Mechanized Bodies …………………………………………………………………. 33 Commodified Bodies ……………………………………………………………….. 45 Resistant Bodies …………………………………………………………………….. 55 Contradictions and Conclusions ….…………………………………………………. 64 Bibliography ………………………………………………………………………… 70 iii Introduction The stage musical is widely acknowledged as a purely American art form. Taking its roots from black minstrelsy, ethnically diverse Vaudeville, and New York’s Tin Pan Alley1, musical theatre has always been rich with the class, race, and gender related themes that reflect a complex and often fractured American culture. -
Stephanie's Resume
STEPHANIE GORIN CASTING DIRECTOR CSA/C.D.C 2014 EMMY WINNER, BEST CASTING for a MINI-SERIES 2014 ARTIOS WINNER, BEST CASTING for a MINI-SERIES 3 EMMY NOMINATIONS 3 GEMINI NOMINATIONS 4 ARTIOS AWARD NOMINATIONS 62 Ellerbeck St., Toronto ON Canada M4K 2V1 PH: 416-778-6916 Email: [email protected] FEATURE FILMS, MOVIES OF THE WEEK, EPISODICS (selected) ROCKY HORROR PICTURE SHOW T.V. Feature 2016 Director: Kenny Ortega Executive Producers: Lou Adler, Gail Berman, Kenny Ortega / FOX 21 TELEVISION STUDIOS RACE – Co-Casting Feature 2015 Director: Stephen Hopkins Producers: Jean-Charles Levy, Luc Seguin, Karsten Brunig, Nicolas Manuel / Focus Features/Forecast Pictures FARGO (Seasons 1-2) Mini-Series 2014-2015 Director: Various Executive Producers: Joel & Ethan Coen, Noah Hawley, Warren Littlefield & John Cameron, Geyer Kosinski / MGM / FX *Emmy winner for casting – 2014 *Artios winner – 2014 HEROES REBORN T.V. Series 2015 Directors: Various Executive Producers: Tim Kring, Peter Elkoff, James Middleton / NBC OPERATION INSANITY Feature 2015 Director: Erik Canuel Executive Producer: Arnie Zipursky, CCI Entertainment SHADOWHUNTERS T.V. Series 2015 Director: Various Executive Producers: McG, Marjorie David, Ed Decter, Michael Reisz, Don Carmody / ABC Family-FREEFORM PRIVATE EYES T.V. Series 2015 Director: Kelly Makin, Anne Wheeler Executive Producers: John Morayniss, Tecca Crosby, Rachel Fulford, Shawn Piller, Lloyd Segan, Jason Priestley Tassie Cameron, Shelley Eriksen, Alan McCullough THE PATRIOT Pilot 2015 Director: Steve Conrad Executive Producers: Charlie Gogolak, Glenn Ficarra, Dominic Garcia, Gil Bellows / AMAZON SLASHER Mini-Series 2015 Director: Craig David Wallace Executive Producers: Christina Jennings, Aaron Martin, Adam Haight / Chiller / SUPERCHANNEL CHEERLEADER DEATH SQUAD Pilot 2015 Director: Mark Waters Executive Producers: Marc Cherry, Neal Baer, Daniel Truly, Frank Siracusa, John Weber / CW / CBS SHOOT THE MESSENGER Series 2015 Directors: Sudz Sutherland, T.W.