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SWR2 PROGRAMM - Seite 1 - KW 44 / 31.10. - 06.11.2016 Antonio Vivaldi: FIFA-Baustellen werden überwacht. Montag, 31. Oktober Konzert C-Dur RV 558 Doch Arbeitgeber behalten Macht Europa Galante über ihre Arbeiter – die Grenzen zur 0.05 ARD-Nachtkonzert Leitung: Fabio Biondi Ausbeutung sind fließend. Und Johann Friedrich Fasch: selbst Erfolgsgeschichten sind Ouvertüre G-Dur 6.00 SWR2 am Morgen traurig: Wanderarbeiter schuften für Les Amis de Philippe darin bis 8.00 Uhr: Kinder, die ohne Vater aufwachsen. Leitung: Ludger Rémy Norbert Burgmüller: 6.00 Aktuell 8.58 SWR2 Programmtipps Klavierkonzert fis-Moll op. 1 Nikolaus Lahusen (Klavier) 6.30 Kurznachrichten 9.00 Nachrichten, Wetter Philharmonisches Staatsorchester Halle 6.36 SWR2 Zeitwort 9.05 SWR2 Musikstunde Leitung: Heribert Beissel 31.10.1517: Martin Luther Das Wohltemperierte Klavier – ein Gustav Mahler: veröffentlicht in Wittenberg seine 95 wahrer Kosmos (1) Sinfonie Nr. 1 D-Dur “Der Titan” Thesen Mit Gerald Hambitzer MDR Sinfonieorchester Von Nela Fichtner Leitung: Daniel Nazareth Hinter dem Wohltemperierten 6.44 SWR2 Globales Tagebuch Klavier, das Johann Sebastian Bach 2.00 Nachrichten, Wetter charmant untertreibend als 6.52 Pressestimmen “besonderen Zeitvertreib” betitelte, 2.03 ARD-Nachtkonzert verbirgt sich ein wahrer Cristobal Halffter Jiménez: 7.00 Aktuell Klavier-Kosmos. Seine Zeitgenossen ”Tiento del primer tono y batalla waren über die bis dahin unerhörte imperial” 7.07 SWR2 Tagesgespräch kompositorische Dichte und Vielfalt hr-Sinfonieorchester der Nuancen ebenso verblüfft, wie Leitung: Cristobal Halffter 7.17 SWR2 Meinung die darauffolgenden Johann Sebastian Bach: Musiker-Generationen. Die ”Die Kunst der Fuge” BWV 1080 7.29 SWR2 Programmtipps meisterhaften Präludien mit allen Hespèrion XX erdenklichen Schattierungen sowie Ralph Vaughan Williams: 7.30 Kurznachrichten die filigranen Kontrapunkt-Techniken 5 Variationen über “Dives and in den kunstvoll ausgearbeiteten Lazarus” Fugen gelten nach wie vor als 7.32 Heute in den Feuilletons Philharmonia Orchestra unverzichtbar für eine profunde Leitung: Leonard Slatkin Technik und für eine reiche 7.45 SWR2 Kulturgespräch Ausdrucksskala. Ob man nun dem 4.00 Nachrichten, Wetter farbigen Klang des barocken 7.57 Wort zum Tag Cembalos oder den dynamischen 4.03 ARD-Nachtkonzert Möglichkeiten des modernen Louis Moreau Gottschalk: 8.00 Aktuell Konzertflügels den Vorzug gibt – bis ”La Favorita” op. 68 zum heutigen Tag gehören die Philip Martin (Klavier) 8.10 SWR2 Journal am Morgen beiden Teile des Wohltemperierten Charles Ives: Das Magazin für Kultur und Klaviers zum täglich Brot eines jeden Sinfonie Nr. 2 Gesellschaft “Clavierspielers”. Melbourne Symphony Orchestra Leitung: Andrew Davis ARD-Themenwoche: Zukunft der 10.00 Nachrichten, Wetter Arbeit 5.00 Nachrichten, Wetter 8.30 SWR2 Wissen ARD-Themenwoche: Zukunft der Arbeit um jeden Preis Arbeit 5.03 ARD-Nachtkonzert Nepalesische Wanderarbeiter in 10.05 SWR2 Tandem Alexander Aljabjew: Katar Die neue App-Arbeiterklasse ”Tri desyatki”, Ouvertüre Von Esther Saoub Wie Uber und andere Musica Viva On-demand-Dienstleister ihre Leitung: Alexander Rudin Seit der Vergabe der Fußball-WM Mitarbeiter ausbeuten François Couperin: 2022 schaut die Welt auf das Emirat Von Christina Felschen ”Les ombres errantes” Katar am Persischen Golf. Alexandre Tharaud (Klavier) Gewerkschafter interessieren sich Uber-Fahrerin Grace Mora wünscht Hans Pfitzner: für die Arbeitsbedingungen von 1,7 sich vor allem einen Fahrgast: ihren Scherzo Millionen Migranten dort, darunter Chef, der nicht ihr Chef sein will. Symphonieorchester des BR eine halbe Million Nepalesen, die Travis Kalanick. Sie würde dem CEO Leitung: Jan Koetsier teils unter unmenschlichen die Meinung sagen. Dass sein Johann Melchior Molter: Bedingungen leben. Sie verschulden Versprechen – “Seid Euer eigener Konzert F-Dur sich bei Vermittlungsagenturen für Boss! Fahrt nach Eurem Zeitplan!” – Main-Barockorchester Frankfurt Arbeitsverträge, die dann nur die eine glatte Lüge sei. Dass sie dem Leitung: Martin Jopp Hälfte des versprochenen Lohns Algorithmus seiner App gehorche Alan Hovhaness: bringen. Nach fünf Jahren und daher als Angestellte behandelt Psalm und Fuge Schweigen beginnen Katars werden will. Kalanick hörte Mora Philharmonia Orchestra Regierung und der nicht zu, ein Richter in San Leitung: David Amos Weltfußballverband FIFA zu Francisco schon: Uber muss 100 reagieren: Das katarische Millionen Dollar Strafe zahlen – und Arbeitsgesetz wird reformiert, deaktivierte Mora als Fahrerin. Aus SWR2 PROGRAMM - Seite 2 - KW 44 / 31.10. - 06.11.2016 der linken Idee der “Sharing Ottorino Respighi: 17.00 Nachrichten, Wetter Economy” ist eine Wirtschaft Rossiniana geworden, die nicht teilt, sondern Sinfonieorchester Wuppertal 17.05 SWR2 Forum spaltet – zuerst das Silicon Valley: Leitung: George Hanson Für Mora sind die Wohnviertel ihrer 17.50 SWR2 Jazz vor Sechs Kunden unbezahlbar geworden. 14.28 SWR2 Programmtipps Chris Potter: Doch sie gibt nicht auf. Summer 15 14.30 SWR2 Fortsetzung folgt Aziza 10.30 SWR2 Treffpunkt Klassik Yseut. (10/37) Am Mikrofon: Wolfgang Scherer Abenteuerroman in 37 Folgen 18.00 SWR2 Aktuell mit Nachrichten Antonio Vivaldi: Von Marlene Streeruwitz Le quattro stagioni: Spring and Gelesen von Frank Arnold 18.30 SWR2 Aktuell – Wirtschaft Summer Shunske Sato (Violine) 14.55 SWR2 Die Buchkritik 18.40 SWR2 Kultur aktuell Concerto Köln Douwe Draaisma: Halbe Wolgang Amadeus Mozart: Wahrheiten 19.00 Nachrichten, Wetter Klavierkonzert Nr. 3 D-Dur KV 40 Vom seltsamen Eigenleben unserer Ronald Brautigam (Fortepiano) Erinnerung 19.05 SWR2 Kontext Die Kölner Akademie Aus dem Niederländischen von Die Hintergrundsendung Leitung: Michael Alexander Willens Verena Kiefer Jan Ladislaus Dussek: Verlag Galiani Berlin 19.20 SWR2 Tandem Klavierkonzert Es-Dur op. 70 247 Seiten Die Alltäglichkeit des Howard Shelley (Klavier und 16,99 Euro Unsichtbaren Leitung) Junge Roma in Europa Ulster Orchestra Douwe Draaisma ist Professor für Von Elisabeth Putz Antonio Vivaldi: Psychologiegeschichte an der (Produktion: DLR 2016) Le quattro stagioni: Autumn and Universität Groningen. Sein aktuelles Winter Buch beschäftigt sich mit einem Die Mehrheit der Slowaken hält Shunske Sato (Violine) Schwerpunktthema seiner Arbeit, der Roma für integrationsunwillig. Die Concerto Köln Gedächtnisforschung. Es heißt Mehrheit der Roma findet, Slowaken “Halbe Wahrheiten. Vom seltsamen seien Rassisten. Lunik IX in der 11.57 SWR2 Kulturservice Eigenleben unserer Erinnerung”. Ein Ostslowakei ist eines der größten schmales, aber gehaltvolles Buch, Ghettos in Europa. Ende der 12.00 SWR2 Aktuell mit Nachrichten das nicht enzyklopädisch 80er-Jahre wurde die Siedlung anschließend: daherkommt, sondern auf gebaut, Roma aus der Stadt Košice SWR2 Programmtipps unterhaltsame Weise belehrt, findet wurden dorthin umgesiedelt. Selten Barbara Dobrick. verirren sich Einheimische und 12.30 Kurznachrichten Besucher in das rund 6000 15.00 Nachrichten, Wetter Einwohner zählende 12.33 SWR2 Journal am Mittag Plattenbauviertel. Elisabeth Putz war Das Magazin für Kultur und 15.05 SWR2 Cluster wochenlang dort und hat versucht, Gesellschaft Das Musikmagazin hinter die Klischees zu blicken. ca. 15.45 Uhr: Die Klanginsel Roma erzählen von ihrem Leben in 13.00 Nachrichten, Wetter Lunik IX und so wird ein Musikthema des Tages – Berichte Mikrokosmos lebendig, der auch auf 13.05 SWR2 Mittagskonzert und Reportagen aus dem übergeordnete Franz Benda: Musikleben gesellschaftspolitische Strukturen Flötenkonzert Nr. 2 e-Moll Musikmacher – Porträts von verweist. Emmanuel Pahud (Flöte) Musikinitiativen, Festivals, Trevor Pinnock (Cembalo) Instrumentenbauern und Musikern 20.00 Nachrichten, Wetter Kammerakademie Potsdam im SWR-Sendegebiet Serie: Musikwissen Kompakt 20.03 SWR2 Abendkonzert SWR2 Musikstück der Woche: RheinVokal 2016 Zum kostenlosen Download unter 16.00 Nachrichten, Wetter Vox Luminis SWR2.de Ricardo Rodríguez Miranda (Viola da Bohuslav Martinů: 16.05 SWR2 Impuls Gamba) Streichquartett Nr. 3 Das Wissensmagazin Masato Suzuki (Orgel) Bennewitz Quartett Leitung: Lionel Meunier 1000 Antworten – Heinrich Schütz: Traditional: Verschwörungstheorien Musikalische Exequien, SWV 279 Londonderry Air War 9/11 nur eine Inszenierung und bis 281 op. 7 Singer Pur auch die Mondlandung 1969 nur ein Johann Bach: Carl Maria von Weber: Fake? Wie entstehen ”Sei nun wieder zufrieden, meine Sinfonie Nr .2 C-Dur Verschwörungstheorien? Wer glaubt Seele”, Motette für 8-stimmigen Chor The London Classical Players daran? Wann werden Johann Michael Bach: Leitung: Roger Norrington Verschwörungstheorien gefährlich? ”Herr, ich warte auf dein Heil”, Reinhold Glière: Der Amerikanist Prof. Michael Butter Motette für zwei 4-stimmige Chöre Intermezzo aus op.35 beantwortet Ihre Fragen. 16:05 Uhr – ”Halt, was du hast”, Motette für Felix Klieser (Horn) 16:55 Uhr unter 07221 2000. 8-stimmigen Doppelchor Christof Keymer (Klavier) ”Ich weiß, dass mein Erlöser lebt”, Motette für 5-stimmigen Chor SWR2 PROGRAMM - Seite 3 - KW 44 / 31.10. - 06.11.2016 Johann Christoph Bach: Jürgen von der Wense von 1920 bis Enrique Granados: ”Der Mensch, vom Weibe geboren”, zu seinem Tod 1966 geführt hat. ”Danzas españolas” op. 37 Motette für 5-stimmigen Chor Wenses täglicher Aufbruch ins Alicia de Larrocha (Klavier) ”Lieber Herr Gott, wecke uns auf”, Wetter ist die Suche nach einer Jean-Philippe Rameau: Motette für gemischten Chor Sprache der Atmosphäre, die sich ”Les Indes galantes”, Suite Johann Ludwig Bach: aus einer Kreuzung von Le Concert des Nations ”Das Blut Jesu
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    Eighteenth Century Music http://journals.cambridge.org/ECM Additional services for Eighteenth Century Music: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here CENSORSHIP OF THE GOÛT MODERNE IN 1730S LUDWIGSBURG AND THE MUSIC OF GIUSEPPE ANTONIO BRESCIANELLO SAMANTHA OWENS Eighteenth Century Music / Volume 2 / Issue 02 / September 2005, pp 299 - 310 DOI: 10.1017/S1478570605000394, Published online: 21 October 2005 Link to this article: http://journals.cambridge.org/abstract_S1478570605000394 How to cite this article: SAMANTHA OWENS (2005). CENSORSHIP OF THE GOÛT MODERNE IN 1730S LUDWIGSBURG AND THE MUSIC OF GIUSEPPE ANTONIO BRESCIANELLO. Eighteenth Century Music, 2, pp 299-310 doi:10.1017/S1478570605000394 Request Permissions : Click here Downloaded from http://journals.cambridge.org/ECM, IP address: 155.97.178.73 on 28 Nov 2014 Eighteenth-Century Music 2/2, 299–310 © 2005 Cambridge University Press doi:10.1017/S1478570605000394 Printed in the United Kingdom essays censorship of the goût moderne in 1730s ludwigsburg and the music of giuseppe antonio brescianello samantha owens The year 1730 saw the Württemberg court (based at the magnificent palace of Ludwigsburg, some fifteen miles north of Stuttgart) promote Kammerjunker (gentleman-in-waiting) Christian Adolf von Ziegesar to the newly created position of aristocratic Obermusicdirector (chief music director).1 Since no template existed, the officials charged with drawing up his contract were instructed to make discreet enquiries
  • Musicians' Mobilities and Music Migrations in Early Modern Europe

    Musicians' Mobilities and Music Migrations in Early Modern Europe

    Gesa zur Nieden, Berthold Over (eds.) Musicians’ Mobilities and Music Migrations in Early Modern Europe Mainz Historical Cultural Sciences | Volume 33 Editorial The Mainzer Historische Kulturwissenschaften [Mainz Historical Cultural Sciences] series publishes the results of research that develops methods and theories of cultural sciences in connection with empirical research. The central approach is a historical perspective on cultural sciences, whereby both epochs and regions can differ widely and be treated in an all-embracing manner from time to time. Amongst other, the series brings together research approaches in archaeology, art history, visual studies, literary studies, philosophy, and history, and is open for contributions on the history of knowledge, political culture, the history of perceptions, experiences and life-worlds, as well as other fields of research with a historical cultural scientific orientation. The objective of the Mainzer Historische Kulturwissenschaften series is to be- come a platform for pioneering works and current discussions in the field of historical cultural sciences. The series is edited by the Co-ordinating Committee of the Research Unit His- torical Cultural Sciences (HKW) at the Johannes Gutenberg University Mainz. Gesa zur Nieden, Berthold Over (eds.) Musicians’ Mobilities and Music Migrations in Early Modern Europe Biographical Patterns and Cultural Exchanges The print was financed by the Research Unit Historical Cultural Sciences (HKW). Publication of the HERA-JRP »MusMig« financed by: An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative in- itiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3504-5.
  • Florida State University Libraries

    Florida State University Libraries

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 The Clarinet in D: History, Literature, and Disappearance from Current Repertoire Corinne Alyssa Smith Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE CLARINET IN D: HISTORY, LITERATURE, AND DISAPPEARANCE FROM CURRENT REPERTOIRE By CORINNE ALYSSA SMITH A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2017 Corinne A. Smith defended this treatise on November 3, 2017. The members of the supervisory committee were: Deborah Bish Professor Directing Treatise William Fredrickson University Representative Anne R. Hodges Committee Member Jonathan Holden Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS This document was made possible through the support and encouragement of numerous people. I would like to express my gratitude to: Deborah Bish, for helping me to become the musician and educator I wished to be, and for pushing me to reach further than I thought was possible. My committee members: Jonathan Holden, Anne R. Hodges and William Fredrickson, for providing guidance along the way. Andrew Seigel, for the constant encouragement to pursue E-flat clarinet during my undergraduate years, and for introducing me to the Molter Clarinet Concerti. Elizabeth Crawford, for providing my first D clarinet-playing-experience, and for serving as a valuable resource throughout the course of my research.