Jeff Beck, Rod Stewart

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Jeff Beck The Best Of mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Best Of Country: Europe Released: 1996 MP3 version RAR size: 1759 mb FLAC version RAR size: 1171 mb WMA version RAR size: 1675 mb Rating: 4.6 Votes: 451 Other Formats: VOC AUD MOD AAC MIDI AIFF MPC Tracklist 1 Hi-Ho Silver Lining 2:45 2 Beck's Bolero 2:50 3 Greensleeves 1:46 4 You Shook Me 2:28 5 Tallyman 2:50 6 Rock My Plimsoul 4:12 7 Jailhouse Rock 3:12 8 Shapes Of Things 3:16 9 All Shook Up 4:45 10 I Ain't Superstitious 4:55 11 Plynth (Water Down The Drain) 3:00 12 Love Is Blue 2:50 13 Morning Dew 4:40 14 Spanish Boots 3:00 15 Rice Pudding 7:20 16 I've Been Drinking 3:15 Companies, etc. Distributed By – Disky Communications Europe B.V. Notes Made in Holland Barcode and Other Identifiers Barcode: 724348661326 Rights Society: BIEM/STEMRA Other versions Category Artist Title (Format) Label Category Country Year Jeff Beck Jeff Beck featuring Rod 00946311239 2 4 00946311239 2 4 featuring Stewart - The EMI Gold China 1995 A3076-2(L) A3076-2(L) Rod Stewart Best Of (CD, Comp) CD GOLD 1060, The Best Of (CD, EMI Gold, CD GOLD 1060, Jeff Beck UK 1996 7243 8 53595 2 1 Comp) EMI Gold 7243 8 53595 2 1 Jeff Beck Jeff Beck featuring Rod 8535952 featuring Stewart - The EMI 8535952 Australia 1995 Rod Stewart Best Of (CD, Comp) The Best Of (CD, EMI-Odeon 7243 8 53595 2 1 Jeff Beck 7243 8 53595 2 1 Argentina 1996 Comp) S.A.I.C. The Best Of (CD, TOCP 53368 Jeff Beck EMI Gold TOCP 53368 Japan 2004 Comp) Related Music albums to The Best Of by Jeff Beck Jeff Beck - The Best Of Beckology Jeff Beck - Masters Of Rock Jeff Beck - Shapes Of Things Jeff Beck - The Best Of Jeff Beck The Jeff Beck Group - I've Been Drinking Jeff Beck - Jeff Beck - Best Of Beck Jeff Beck - The Jeff Beck Story Jeff Beck - Meus Momentos Jeff Beck - Beckology.

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Jeff Beck (From the 1991 Album BECKOLOGY VOL 2 / JEFF BECK GROUP ) Transcribed by Tone Jone's Words and Music by Don Nix Arranged by Jeff Beck
GOING DOWN As recorded by Jeff Beck (From the 1991 Album BECKOLOGY VOL 2 / JEFF BECK GROUP ) Transcribed by Tone Jone's Words and Music by Don Nix Arranged by Jeff Beck A Intro w/Piano B Band Enter's Moderate Rock = 90 P 1 V e Ie 4 U Gtr I Gtr.1 Jeff Beck (Distortion f T A 17 B 3 sl. 8va 8va 4 e P V V V j V V V l j j l V V V Ie z V V V V V u u Full 1/4 Full [[[[[ M M M [[[[[[[[[[[ 15 T 18 (18) 15 18 3 A 3 5 3 3 B 3 1 3 H O 8va 8va 7 V V V e V k V V V V V V V V V V V V V V V V k Ie u [[[[[[[Full Full Full Full Full Full Full M M M M M M M 18 18 15 18 15 13 T 18 18 18 (18) 18 18 18 18 (18) A O O O O O B P H P sl. sl. V V V V V V V V V V 10 fV eV fV V V V eV fV V V V V V e l l j l j j l k d Ie V W V V V * Tremolo Bar Full 1 1/2 M * T 18 16 15 16 16 16 16 15 16 16 16 17 17 19 0 (0) A 15 14 15 15 15 15 14 15 15 B 1 sl.
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Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catÃ©gorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b.
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265 Edward M. Christian*
COPYRIGHT INFRINGEMENT ANALYSIS IN MUSIC: KATY PERRY A “DARK HORSE” CANDIDATE TO SPARK CHANGE? Edward M. Christian* ABSTRACT The music industry is at a crossroad. Initial copyright infringement judgments against artists like Katy Perry and Robin Thicke threaten millions of dollars in damages, with the songs at issue sharing only very basic musical similarities or sometimes no similarities at all other than the “feel” of the song. The Second Circuit’s “Lay Listener” test and the Ninth Circuit’s “Total Concept and Feel” test have emerged as the dominating analyses used to determine the similarity between songs, but each have their flaws. I present a new test—a test I call the “Holistic Sliding Scale” test—to better provide for commonsense solutions to these cases so that artists will more confidently be able to write songs stemming from their influences without fear of erroneous lawsuits, while simultaneously being able to ensure that their original works will be adequately protected from instances of true copying. * J.D. Candidate, Rutgers Law School, January 2021. I would like to thank my advisor, Professor John Kettle, for sparking my interest in intellectual property law and for his feedback and guidance while I wrote this Note, and my Senior Notes & Comments Editor, Ernesto Claeyssen, for his suggestions during the drafting process. I would also like to thank my parents and sister for their unending support in all of my endeavors, and my fiancée for her constant love, understanding, and encouragement while I juggled writing this Note, working full time, and attending night classes. 265 266 RUTGERS UNIVERSITY LAW REVIEW [Vol.
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60Th Birthday Playlist
60th Birthday Playlist ARTIST TITLE YEAR ABBA DANCING QUEEN ABBA WATERLOO AMY WINEHOUSE REHAB 2006 BEACH BOYS I GET AROUND 1964 BEATLES GET BACK BEATLES HEY JUDE BILL MEDLEY/J. WARNES I’VE HAD THE TIME OF MY LIFE BRUCE SPRINGSTEEN BORN IN THE USA/I’M ON FIRE BRYAN ADAMS SUMMER OF ’69 1984 DAVID BOWIE DANCING IN THE STREET ELTON JOHN I’M STILL STANDING 1983 ELVIS PRESLEY BLUE SUEDE SHOES 1956 ELVIS PRESLEY JAILHOUSE ROCK 1957 ELVIS PRESLEY V JXL A LITTLE LESS CONVERSATION ERIC CLAPTON WONDERFUL TONIGHT (LIVE) EURYTHMICS SISTERS ARE DOING IT FOR THEMSELVES EURYTHMICS THERE MUST BE AN ANGEL 1985 GEORGE MICHAEL I WANT YOUR SEX 1987 HOT CHOCOLATE YOU SEXY THING JEFF BECK HI HO SILVER LINING 1967 KYLIE MINOGUE ON A NIGHT LIKE THIS 2000 LIONEL RICHIE ALL NIGHT LONG 1983 MADONNA LIKE A PRAYER MARVIN GAYE I HEARD IT THROUGH THE GRAPEVINE 1968 MICHAEL JACKSON BILLIE JEAN MICHAEL JACKSON THRILLER MOODY BLUES NIGHTS IN WHITE SATIN POLICE EVERY BREATH YOU TAKE PUSSYCAT DOLLS DON’T ’CHA 2005 QUEEN WE WILL ROCK YOU 1977 R.E.M EVERYBODY HURTS 1993 ROBBIE WILLIAMS ANGELS 1997 ROBBIE WILLIAMS LET ME ENTERTAIN YOU 1997 ROD STEWART DO YA THINK I’M SEXY 1977 ROD STEWART MAGGIE MAY 1971 ROLLING STONES I CAN’T GET NO SATISFACTION ROLLING STONES BROWN SUGAR ROSE ROYCE CAR WASH 1976 S CLUB 7 REACH 2000 SCISSOR SISTERS I DON’T FEEL LIKE DANCIN’ 2006 SISTER SLEDGE WE ARE FAMILY (ORIGINAL) 1979 SPANDAU BALLET GOLD STATUS QUO ROCKING ALL OVER THE WORLD STEVIE WONDER SUPERSTITION 1973 SUGABABES PUSH THE BUTTON 2005 T.REX I LOVE TO BOOGIE 1976 TAKE THAT NEVER FORGET 1996 THE ANIMALS THE HOUSE OF THE RISING SUN 1964 THE B-52’S LOVE SHACK THE GROOVE GENERATION\ LEO SAYER YOU MAKE ME FEEL LIKE DANCING 1998 THE WEATHER GIRLS IT’S RAINING MEN TINA TURNER THE BEST VAN MORRISSON BROWN EYED GIRL VILLAGE PEOPLE YMCA 1978 WESTLIFE FLYING WITHOUT WINGS 1999 WHAM EDGE OF HEAVEN WHITNEY HOUSTON I WANNA DANCE WITH SOMEBODY 1987 WILSON PICKET IN THE MIDNIGHT HOUR WILSON PICKET MUSTANG SALLY.
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Robert Knight Was a Kid from P¯Alolo When He Fell for British
Robert Knight was a kid from Palolo¯ when he fell for British rock— and his passion led to some of the best photography in rock ‘n’ roll 98 99 o understand just how resourceful and adventurous Robert Knight is, you have to cast your mind back to a time before the web connected everyone and everything, a time when there was far more mystery in the world. Information was random and scarce, and one’s whole life direction could be determined by a chance finding. Knight was 16 and exploring in Waikïkï one day in 1965 when he came across some music “Being a photographer of rock concerts magazines left behind by British tourists. The son of a Baptist is very similar to shooting a war,” says Knight, “because you can’t control minister, he’d grown up in Honolulu’s Pälolo valley, forbidden anything. The lighting keeps changing, the artist is moving around. You’re basically a sniper: A guy puts his head to watch movies and listen to rock music — not that there was up, you shoot it. You can’t be wasting time trying to figure out exposures.” much rock music in Honolulu in those days, with the airwaves Knight loved to photograph Mick Jagger (seen here playing a show in Honolulu in 1973). “Smart. Just smart,” he says of full of the Kingston Trio and Jan & Dean. Knight pored over him. “Also, he’s an absolute fitness freak.” The singer, says Knight, played characters on stage, one way to handle the magazines and their pictures of strange-looking people his shyness.
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Why Doesn't Anybody Write Anything About Glam Rock?
WHY DOESN'T ANYBODY WRITE ANYTHING ABOUT GLAM ROCK? Jon Stratton In discussions of post-war British youth cultures glam rock gets very little attention. For example, in their seminal work on British youth cultural forms, Hall et al (1976:54), make only one passing reference to this subculture. In a list of subcultural possessions and objects they refer to: '... the glitter costumes of the Bowrieites ... .' Similarly, Brake (l980:80) in his outlines of British post-war youth cultures gives the culture half a page while skinheads get two pages and rockers one page. Hebdige, (1979) in Subculture: the meaning of style, does spend about two and a half pages looking at glam rock but most of this space is taken up with an analysis of the images of David Bowie. Hebdige writes of Bowie that: Certainly Bowie's position was devoid of any obvious political or counter-cultural significance ... (l979:6l). And Bowie's meta-message was escape — from class, from sex, from obvious commitment — into a fantasy past ... or a science-fiction future (1979:61). What is confusing for Hebdige about glam rock soon becomes clear: In glam-rock, at least amongst those artists placed, like Bowie and Roxy Music, at the more sophisticated end of the glitter spectrum, the subversive emphasis was shifted away from class and youth onto sexuality and gender-typing (1979:61-2). On the one hand, Hebdige can write so much about Bowie because glam rock's presentation of image as image lends itself to Hebdige's dominant semiotic method of analyzing cultural texts.
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Joe's Cozy Powell Collection
Joe’s Cozy Powell Collection Cozy POWELL singles Dance With The Devil / And Then There Was Skin {UK}<7”> Dance With The Devil / And Then There Was Skin {UK / Belgium}<export 7”, p/s (1), orange lettering> Dance With The Devil / And Then There Was Skin {UK / Belgium}<export blue vinyl 7”, p/s (1), orange / white lettering> Dance With The Devil / And Then There Was Skin {UK / Denmark}<export 7”, different p/s (2)> Dance With The Devil / And Then There Was Skin {Germany}<7”, different p/s (3)> Dance With The Devil / And Then There Was Skin {Holland}<7”, different p/s (4)> Dance With The Devil / And Then There Was Skin {Holland}<7”, reissue, different p/s (5)> Dance With The Devil / And Then There Was Skin {EEC}<7”, Holland different p/s (6)> Dance With The Devil / And Then There Was Skin {Mexico}<7”, different p/s (7)> Dance With The Devil / And Then There Was Skin {Spain}<7”, different p/s (8)> Dance With The Devil / And Then There Was Skin {Italy}<7”, different p/s (9)> Dance With The Devil / And Then There Was Skin {France}<7”, different p/s (10)> Dance With The Devil / And Then There Was Skin {Turkey}<7”, different p/s (11)> Dance With The Devil / And Then There Was Skin {Yugoslavia}<7”, different p/s (12)> Dance With The Drums / And Then There Was Skin {South Africa}<7”> Dance With The Devil / And Then There Was Skin {Ireland}<7”> Dance With The Devil [mono] / Dance With The Devil [stereo] {USA}<promo 7”> Dance With The Devil / And Then There Was Skin {USA}<7”> Dance With The Devil / And Then There Was Skin {Sweden}<7”> Dance With The
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Psaudio Copper
Issue 95 OCTOBER 7TH, 2019 Welcome to Copper #95! This is being written on October 4th---or 10/4, in US notation. That made me recall one of my former lives, many years and many pounds ago: I was a UPS driver. One thing I learned from the over-the- road drivers was that the popular version of CB-speak, "10-4, good buddy" was not generally used by drivers, as it meant something other than just, "hi, my friend". The proper and socially-acceptable term was "10-4, good neighbor." See? You never know what you'll learn here. In #95, Professor Larry Schenbeck takes a look at the mysteries of timbre---and no, that's not pronounced like a lumberjack's call; Dan Schwartz returns to a serious subject --unfortunately; Richard Murison goes on a sea voyage; Roy Hall pays a bittersweet visit to Cuba; Anne E. Johnson’s Off the Charts looks at the long and mostly-wonderful career of Leon Russell; J.I. Agnew explains how machine screws brought us sound recording; Bob Wood continues wit his True-Life Radio Tales; Woody Woodward continues his series on Jeff Beck; Anne’s Trading Eights brings us classic cuts from Miles Davis; Tom Gibbs is back to batting .800 in his record reviews; and I get to the bottom of things in The Audio Cynic, and examine direct some off-the-wall turntables in Vintage Whine. Copper #95 wraps up with Charles Rodrigues on extreme room treatment, and a lovely Parting Shot from my globe-trotting son, Will Leebens.
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Track Listing:
Track Listing: - DISC ONE - POP / DANCE 1 Arrow - "Hot Hot Hot" 2 Communards - "Dont Leave Me This Way" 3 Patrick Hernandez - "Born To Be Alive" 4 The Jacksons - "Blame It On The Boogie" 5 Kool & The Gang - "Celebration" 6 Madonna - "Like A Virgin" 7 New Order - "Blue Monday" 8 Billy Ocean - "Love Really Hurts Without You" 9 Shamen - "Ebeneezer Goode" 10 Soft Cell - "Tainted Love/Where Did Our Love Go" 11 UB40 - "Red Red Wine" 12 Yazz & The Plastic Population - "The Only Way Is Up" DISC TWO - PARTY 1 Bad Manners - "Can Can" 2 Jeff Beck - "Hi Ho Silver Lining" 3 Black Lace - "Megamix 12"" 4 Brendon - "Gimme Some 12"" 5 Contours - "Do You Love Me" 6 Damian - "Timewarp 12"" 7 Charlie Daniels Band - "Devil Went Down To Georgia" 8 Dexy's Midnight Runners - "Come On Eileen" 9 Dooleys - "Wanted" 10 Four Seasons - "December '63 (Oh What A Night) (Ben Liebrand Remix)" 11 Gap Band - "Oops Upside Your Head" 12 Kaoma - "Lambada" 13 Little Eva - "Locomotion" 14 Los Lobos - "La Bamba" 15 Lulu & The Luvvers - "Shout" 16 Nolans - "I'm In The Mood For Dancing" 17 Piranhas - "Tom Hark" 18 Pogues & The Dubliners - "Irish Rover" 19 Vic Reeves And The Wonder Stuff - "Dizzy" 20 Toy Dolls - "Nellie The Elephant" 21 Traditional - "Stripper" DISC THREE - ALTERNATIVE 1 Carter U.S.M. - "Sheriff Fatman" 2 Clash - "Should I Stay Or Should I Go" 3 Cult - "She Sells Sanctuary" 4 Cure - "Love Cats" 5 Deacon Blue - "Real Gone Kid" 6 Emf - "Unbelievable" 7 Happy Mondays - "Step On" 8 Billy Idol - "White Wedding" 9 Inxs - "Need You Tonight" 10 Jam - "A Town Called Malice" 11 James - "Sit Down" 12 Lenny Kravitz - "Are You Gonna Go My Way?" 13 Martha & The Muffins - "Echo Beach" 14 Nirvana - "Smells Like Teen Spirit" 15 R.E.M.
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THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s.
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Download the Medley Track Listings
What Songs Are On The Zoom Medleys? 60s Medley 1 Sweets For My Sweet (The Searchers)/Have I The Right (The Honeycombs/Concrete And Clay (Unit Four Plus Two)/You Really Got Me (The Kinks) 60s Medley 2 Elenore (The Turtles)/Happy Together (The Turtles)/Got To Get You Into My Life (Cliff Bennett And The Rebel Rousers) 60s Medley 3 Hi Ho Silver Lining (Jeff Beck)/Keep On Running (Spencer Davis Group)/Everlasting Love (Love Affair)/Black Is Black (Los Bravos) 60s Medley 4 Summer In The City (The Lovin' Spoonful)/All Day And All Of The Night (The Kinks)/Glad All Over (Dave Clark Five)/Bits And Pieces (Dave Clark Five) ABBA Medley Gimme Gimme Gimme/Dancing Queen/Mamma Mia/Waterloo ABBA Medley 2 Bang-A-Boomerang/Honey Honey/Ring Ring ABBA Medley 3 Take A Chance On Me/Gimme Gimme Gimme/Voulez-Vous ABBA Medley 4 Summer Night City/Money Money Money/Lay All Your Love On Me Bananarama Medley I Heard A Rumour/Love In The First Degree/I Want You Back Beach Boys Medley I Get Around/Fun Fun Fun/Surfin' USA Beatles Medley 1 There’s A Place/Little Child/Thank You Girl Beatles Medley 2 This Boy/Yes It Is/You’ve Really Got A Hold On Me Beatles Medley 3 From Me To You/A Hard Day's Night/I Want To Hold Your Hand Beatles Medley 4 She Loves You/Love Me Do/I Feel Fine Bee Gees Boogie Medley Jive Talkin’/You Should Be Dancing/You Win Again/ Bee Gees Medley Tragedy/Night Fever/Stayin’ Alive Billy Idol Medley White Wedding/Rebel Yell/Mony Mony (Live) Billy Joel Medley My Life/Tell Her About It/Uptown Girl Blondie Medley Heart Of Glass/Denis/Atomic/Call Me Blues Brothers
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Raw Thought: the Weblog of Aaron Swartz Aaronsw.Com/Weblog
Raw Thought: The Weblog of Aaron Swartz aaronsw.com/weblog 1 What’s Going On Here? May 15, 2005 Original link I’m adding this post not through blogging software, like I normally do, but by hand, right into the webpage. It feels odd. I’m doing this because a week or so ago my web server started making funny error messages and not working so well. The web server is in Chicago and I am in California so it took a day or two to get someone to check on it. The conclusion was the hard drive had been fried. When the weekend ended, we sent the disk to a disk repair place. They took a look at it and a couple days later said that they couldn’t do anything. The heads that normally read and write data on a hard drive by ﬂoating over the magnetized platter had crashed right into it. While the computer was giving us error messages it was also scratching away a hole in the platter. It got so thin that you could see through it. This was just in one spot on the disk, though, so we tried calling the famed Drive Savers to see if they could recover the rest. They seemed to think they wouldn’t have any better luck. (Please, plase, please, tell me if you know someplace to try.) I hadn’t backed the disk up for at least a year (in fairness, I was literally going to back it up when I found it giving oﬀ error messages) and the thought of the loss of all that data was crushing.
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